Academic literature on the topic 'Water-color painting'
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Journal articles on the topic "Water-color painting"
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Bian, Xiangyang, and Meng Niu. "The Feasibility and Methodology for Water and Land Paintings in the Study of the Ming Dynasty Costumes." Asian Social Science 14, no. 1 (December 26, 2017): 136. http://dx.doi.org/10.5539/ass.v14n1p136.
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Chinese Water and Land painting contains lots of figure costume modeling, providing intuitive and vivid image data for the study of ancient costumes. It is a new medium for the study of Chinese ancient costumes. This paper analyzes the feasibility and methodology for Water and Land paintings in the study of the Ming Dynasty. With the Ming costumes in the Water and Land Paintings, this paper discusses the shape, color, texture and fabric patterns of the ancient dresses. The feasibility of using Water and Land Paintings to study ancient costumes is further analyzed in this paper. This paper emphasizes the importance of ancient dresses in Water and Land Painting for the study of its wearing effect, and the specific methods of research that are put forward.
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Kong, Xiangfeng, and Xiangzhen Meng. "Application of Chemical Technology of Water-Based Acrylic Dipping Paint in Art Painting Creation." Journal of Chemistry 2022 (August 25, 2022): 1–7. http://dx.doi.org/10.1155/2022/7715011.
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In order to better sort out the superiority of water-based acrylic in painting art, explore and understand the uniqueness of water-based acrylic painting materials and apply this to art creation. The author proposes a chemical process based on water-based acrylic dipping paint, by discussing the coating and film properties of water-soluble acrylic dip paint, combined with the practical application of a casting tank; summarizing the countermeasures to solve the disadvantages of common paint films; and proving that the paint has a good comprehensive performance by comparing with other dipping paints. Experimental results show that based on the chemical process of water-based acrylic dipping paint, it has waterproof, high gloss, gloss retention, color retention, high weather resistance, and good corrosion resistance in the process of art painting; the physical parameters are better than other dipping paints, such as gloss can reach 70∼80%. Conclusion. In art painting, water-based acrylic dip paint is a kind of comprehensive performance paint with waterproof, high gloss, gloss retention, and color retention.
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Chandra, Fitri, Onggal Sihite, and Mesra Mesra. "Eksperimen Bahan Makanan Sebagai Alternatif Cat Warna Air." Journal of Education, Humaniora and Social Sciences (JEHSS) 3, no. 3 (March 3, 2021): 904–12. http://dx.doi.org/10.34007/jehss.v3i3.431.
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This research aims to describe the process of creating water color paints and the resulting colors made of foodst materials. The making of this water color paint through several stages, such stages are, observation, exploration, experimental, and quality testing. This experiment focused on foodstings as dye paint making materials. The exploration stage is about the materials used as additives, pigments, solvents, and binders in paints. Experimental stages in the form of making groceries into dye paints. The quality test stage is the process of comparing the quality of the experiment's color paint and the factory-made color paint. The concept of making color paint explores ingredients from food namely, kanji flour, baking soda, vinegar, food coloring, and water. And aids like, bowls and spoons, plastic containers, and toothpicks. The paint is realized into the form of a painting using aquarel painting technique.
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Pasquale, Stefania, Massimo Zimbone, Francesco Ruffino, Giuseppe Stella, and Anna Maria Gueli. "Evaluation of the Photocatalytic Activity of Water-Based TiO2 Nanoparticle Dispersions Applied on Historical Painting Surfaces." Heritage 4, no. 3 (August 17, 2021): 1854–67. http://dx.doi.org/10.3390/heritage4030104.
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This paper aims at assessing the use of nanomaterials in painting conservation and in cleaning practices that could be alternative to the traditional ones to overcome the limits of new green materials. Titanium dioxide nanoparticles have been spread and studied on historical painting surfaces with good results. In particular, the properties of TiO2 nanoparticles have been considered useful for self-cleaning and protective purposes against the accumulation of dirt and dust that represents the first phase in deterioration of historical painting surfaces. TiO2 nanoparticles, prepared in distilled water by Pulsed Laser Ablation in Liquids, were applied on painting mock-ups realized in the laboratory according to old recipes and using historical binders and pigments. The surface characteristics of the painting were investigated by contact angle measurement and by Atomic Force Microscopy. The optical and aesthetical compatibility of the colloidal dispersions with the painting was assessed by spectrophotometry, and then the cleaning efficiency was evaluated by discoloration of a dye under ultraviolet irradiation, at fixed time intervals, using colorimetric technique. Because of the high reactivity of nanoparticles, the possibility of degrading the painting surface, together with the chromatic marker, was examined by colorimetric measurements. The evaluation of the color changes is important for all the materials belonging to cultural heritage, especially painting, for which the color modification induced by protective and/or cleaning interventions could irremediably compromise the work of art.
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Suparma Netra, I. Made, and Nyoman Wardi. "Konservasi Koleksi Lukisan Museum Le Mayeur." Humanis 23, no. 3 (September 27, 2019): 216. http://dx.doi.org/10.24843/jh.2019.v23.i03.p08.
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As a result of human work, painting is a cultural heritage that has important values. The state of the structure of the paintings which is composed by organic materials makes the painting very vulnerable to the environmental influences and other causes of damage. This research aims to find out about the characteristics of the painting, the types of damage, the factors that cause damage, and its conservation techniques both preventive and and curative to painting collection of Le Mayeur Museum.The results of this research are expected to provide benefits and development of science in the field of archeology about the study of cultural heritage conservation. This study uses qualitative analysis, technology analysis, and comparative analysis. Data collection technique used are direct observation technique, interviews, and library reserach studies. The theories applied are Aesthetic Theory and Conservation Theory.The results obtained namely the characteristic of Le Mayeur’s paintings are representative with women’s theme and surroundings life, the coloring technique using plaque technique with oil paint, watercolor, traditional paint, and pastels color. Generally, there are several types of damage to the painting collection of Le Mayeur Museum, such as physical or mechanic damage, biotic damage, and chemical damage. Those types of damage are caused by physical factors,chemistry factors, biotic factors, and human factors. The conservation techniques carried out at the Le Mayeur Museum include preventive conservation and curative conservation. The preventive actions are carried out with control of temperature, air humidity, intensity of ultraviolet light, and control of air containing salt due to sea water vapor. The curative actions taken are semi-chemist medicine and painting restoration.
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Fu, Peng, Ge-Le Teri, Xiao-Lian Chao, Jing Li, Yu-Hu Li, and Hong Yang. "Modified Graphene-FEVE Composite Coatings: Application in the Repair of Ancient Architectural Color Paintings." Coatings 10, no. 12 (November 28, 2020): 1162. http://dx.doi.org/10.3390/coatings10121162.
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In recent years, based on the urgent need in the field of cultural heritage conservation, the research and development of coatings have attracted much attention. FEVE (trifluorovinyl chloride and vinyl ether copolymer) is one of the reinforcing materials in the protective coatings of color paint. However, it has problems such as compactness, low tensile strength, and poor resistance to aging. Therefore, modified graphene was introduced and combined with FEVE coatings (FEVE/m-GO) to optimize their adhesion, compactness, resistance to corrosion, and performance at shielding the paintings from ultraviolet light. The structural features of the hybrid films were characterized by UV–Vis spectroscopy, transmission electron microscopy, infrared spectroscopy, etc. In addition, the water absorption, mechanical properties, color difference test, and aging resistance of the FEVE/m-GO and simulated samples were investigated. The results showed that the hybrid film with 0.04% m-GO incorporation as an effective consolidant exhibited outstanding comprehensive performance. This composite material was used in the protection and consolidation of the Sanyou Xuan ancient architectural color painting in the Palace Museum, which opened up a new way of thinking about the long-term conservation of color paintings.
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Widodo, Widodo, Devi Etivia Purlinda, and Ahmad Riadi. "Perbandingan Berbagai Metode Pengecatan Spora pada Bacillus Cereus." Jaringan Laboratorium Medis 4, no. 2 (November 1, 2022): 91–94. http://dx.doi.org/10.31983/jlm.v4i2.8493.
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Endospores are formed by members of several genera of gram-positive bacteria, such as Bacillus and Clostridium. The spores are very resistant structurally; withstand the temperature of boiling water for two hours or more. They contain very little water and show very few chemical reactions. The favorable external environment will cause the spores to break down and the vegetative cells to appear to grow and reproduce. Identification of endospore-forming pathogens is important in food and medical microbiology. However, the spores contain multiple protective layers, which cannot be easily penetrated by simple staining or Gram staining techniques. Therefore, it is necessary to apply heat to help penetrate the color, with various methods of Gram stain, fluorescent spore painting, Schaeffer and Fulton spore painting and Client's spore painting method. The results of the fluorescent painting method have better results but require much more expensive equipment using a fluorescent microscope considering the facilities that must be provided for the Schaeffer and Fulton painting method as an alternative if they do not have these facilities.
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Bila, Narciso Fernando, Rosilani Trianoski, Andrade Fernando Egas, Setsuo Iwakiri, and Marcio Pereira da Rocha. "Evaluation of the quality of surface finish of messassa wood for three types of varnishes." Journal of Biotechnology and Biodiversity 8, no. 2 (June 26, 2020): 122–30. http://dx.doi.org/10.20873/jbb.uft.cemaf.v8n2.bila.
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The aim of this study was to evaluate the performance of the messassa wood Brachystegia spiciformis and Julbernardia globiflora for three types of finishing products for use in the furniture and frames industries. Coating performance was assessed by adhesion strength, impact deformation resistance, abrasiveness, gloss and overall color variation tests based on technical standards. Copal painting application was higher for gloss, adhesion and lower abrasiveness compared to water based and polyurethane. The impact deformation was higher for polyurethane than water-based and copal for both species. The darkening of wood for Brachystegia spiciformis and a slight lightening of wood by Julbernardia globiflora characterize the overall color variation after application of the coating products. According to these results, the varnishes can be used to add value to the messassa wood as a finish in solid wood furniture and frames.
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Jiang, Bingchao, and Min-Lyoung Choi. "A Study on Water-based Paints Applied for Art Makeup." Journal of the Korean Society of Cosmetology 28, no. 5 (October 31, 2022): 1054–71. http://dx.doi.org/10.52660/jksc.2022.28.5.1054.
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In creating works of ‘Art Makeup’ called ‘the pinnacle of makeup’ specific and systemic learning is required for inexperienced beginners or students to acquire basic knowledge or quality of art makeup. For this reason, we analyzed characteristics of water-based paints in order to examine what changes in colors there were when these paints mixed with water were applied to the skin and became completely dry in a certain time. We also looked into their consistency-how long they lasted against drying speed, stimulation or contact. The findings are as follows. First, in the water-based paints we analyzed, we saw color fading with change in color purity and decreased saturation compared to original products when they were completely dry. Especially, in the case of achromatic color, white, completely dry, decreased in lightness, resulting in very low whiteness compared to the original product, whereas black, completely dry, increased in lightness, resulting in low blackness compared to the original product. Therefore, in expressing works with black and white in high lightness, it would be better if achromatic color is used for the sake of painting over or applying a little achromatic color on a small part of the skin for highlight effect. Second, water-based paints which are applied to the works undergo a drying process to preserve the works. In the drying process, we found a very large deviation in time depending upon color. Hence, in creating art makeup works, arranging sequence of colouring needs to take into account the drying speed which varies depending upon color. Finally, water-based paints had consistency against stimuli such as a little bit movement unless there were direct stimuli to them after they were applied to the skin and became completely dry. But they turned out to be vulnerable to watery stimuli such as sweat. Therefore, location, lighting, and temperature should be taken into consideration in creating works. Especially, in a sweating-triggered environment, a lot of attention should be paid to keep the works intact. If necessary, water resistant products may be a good choice.
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이헌형 and Yon-Sun Park. "A Study on the Water Painting Pigment and Marker Dye's Color Change - Focused on color change and light stability based on ultraviolet rays -." Journal of Korea Society of Color Studies 27, no. 3 (August 2013): 95–106. http://dx.doi.org/10.17289/jkscs.27.3.201308.95.
Full textDissertations / Theses on the topic "Water-color painting"
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Sheng-Ping, Wang, and 王聖平. "An Imagery Research on Form and Color-Oil Painting and Water-Color Painting Created by Wang Sheng-Ping." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/01350321069803733631.
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碩士大葉大學
造形藝術學系碩士在職專班
95
ABSTRACT Artistic beauty should have the touching level, should which the humanity pursues is: Richer, is finer, has the connotation art ﹔ Can shock the will of the people in particular the artistic work, should be the author Untold hardships , carefully plans, is not accidentally bumps into or picks.Based on above cognition idea, author in recent years on the one hand study China and the West art history, China and the West esthetics, creation related technique and some master levels drawing courses; On the one hand the person, the matter, the thing which to the week suffers takes the theme, penetrates in the nature the image, with compares the embodiment the drawing technique, inquires into the drawing the shape, the color, so as to seeks that to contain in the nature is purer, constantly, the simpler visual skill picture, as well as in the human nature through ancient times does not move the emotion, to the time entrusts with a work richer connotation, the tensity and the vitality. Portrait 11, still life drawing 8, landscape painting 7, other kind of pictures 7; The paper divides into: The first chapter introduction contains the research motive and the goal, the research content and the scope; The second chapter self- creation esthetics foundation contains the creation the scientific theory or principle foundation cognition, to the artistic cognition and the beautiful cognition, China and the West drawing creation art to me the influence; The third chapter creation account in own words contains the respect art principle the form, the creation ability self- cognition training, the artistic technique ability application and the share and the creation analysis; Fourth chapter work elaboration; Fifth unit elaboration and so on chapter conclusion and forecast. Key word: Still life drawing, landscape painting,portrait
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Lin, Chia-Heh, and 林佳禾. "The Deterioration and Restoration of Lin Chih-chu’s Glue Color Painting “Reflection of Water”." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/98517871492184007139.
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碩士國立臺南藝術大學
古物維護研究所
96
The history of glue color painting in Taiwan is not very long, many glue color paintings in Taiwan have been damaged due to the following reasons: (1) because the environment included high temperature and humidity, which makes conservation reservation difficult, and (2) poor economic conditions and the lack of the theory of conservation concerned among people in the past. The research was intended to scientifically analyse the extent to which Lin Chih-chu’s Reflection of Water was damaged and used such methods as literate research, field investigations and interviews to form a more complete understanding of Lin Chih-chu’s life, how Reflection of Water was created and the materials and media used, techniques involved, and how and where the work had been storaged, in order to find out reasons for the work’s deterioration. The research covered a thorough discussion, in terms of practice and theory, over an academic theory-based restoration project. The restoration process was registered and a comparison between the “before” and “after” differences was made. Concrete suggestions for the practice of the preservation and conservation of glue color paintings in Taiwan were brought up. Through a theoretical investigation and the practice of conservation, the life of Lin Chih-chu’s Reflection of Water could last and its beauty could continue to be appreciated by future generations. Condition of the work’s deterioration included dust, insect damages, excrement of insects , mould stains, foxing, yellowing, and paint flaking. The main reasons for the deterioration were the poor environment condition to which the work had been exposed, particularly the high humidity and temperature, and the materials used in the painting. The yellowing of the frame could possibly result from the acid substances released from the wood frame itself, the natural aging process of the support, and the cross impact of the environmental factors. The work was purchased at a flea market by Mrs. Lu Chiu-ling, then lined and reserved by Mr. Tsen Te-lin, which has greatly helped to relieve the deterioration. The planned treatment procedures of the work were: cleaning surface → consolidate the material → temporary facing → remove the backing → put the first lining → remove facing → put the second lining → adhering to an acrylic board → refill the preparing silk → fill losses → put the third lining → impainting → put the final lining → frame the piece with an acid-free frame. The restoration has produced excellent results with all stains, insect droppings, and foxing being removed. Although a small amount of the mildew stains could not be successfully removed, they looked much lighter than before the restoration. Serious damage would have result if a strong agent had been used to clean off stains. Holes and tears were all repaired and impainted to reduce the likelihood of the expansion of the holes and an effect of harmony was then obtained. All parts that were considered very likely to flake off were glued for reinforcement. After the old lining was removed, there were four layers of relining. Frame the work with an acid-free frame to provide a sufficient support and protection.
Books on the topic "Water-color painting"
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Hejzlar, Josef. Chinese watercolours: Photographs by B. Forman ; [translated by Till Gottheinerová ; rev. by Natalie Graham and Derek French]. New York: Gallery Books, 1987.
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Hyŏphoe, Hanʼguk Suchʻaehwa, ed. Hanʼguk suchʻaehwa chakpʻumsŏn, 1987 =: Collection of Korean water color. [Seoul]: Sŏmundang, 1987.
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Blockley, John. Getting started in watercolor. Cincinnati, Ohio: North Light, 1986.
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Water color: The materials, techniques, and exercises to teach yourself to paint with water colors. New York: Barron's, 1991.
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Beijing Shi jian zhu she ji yan jiu yuan ., ed. Dan qing lu: Wei Dazhong jian zu hua xuan. Beijing: Qing hua da xue chu ban she, 2003.
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Shui se: Shui mo dang dai yi shu zhan = Water and color : contemporary ink art show. Beijing: Jin ri mei shu guan, 2009.
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Society, New Water Color. Catalogue of the first exhibition and sale of paintings by the New Water Color Society, held at Roberts' Art Gallery, from Nov. 9th to 15th, 1900. [S.l: s.n.,$c1900?], 1985.
Find full textBook chapters on the topic "Water-color painting"
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Romero-Noguera, Julio, Nuria Pérez-Villares, Fernando Bolívar-Galiano, and Rafael Bailón-Moreno. "Response Surface Model Applied to Fine Arts: The Case of the Restoration of Paintings." In Response Surface Methodology - Research Advances and Applications [Working Title]. IntechOpen, 2022. http://dx.doi.org/10.5772/intechopen.108514.
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Cleaning polychrome paintings and sculptures is an essential task in restoration treatment, since it irreversibly affects the appearance and material structure of such works of art. It is a completely “analogical” process consisting of removing surface dirt, aged varnishes or repainting (paints added to the original) based on the restorer’s experience and knowledge, as well as on different internationally accepted criteria for such interventions. In this chapter we are presenting an example of the adaptation of the response surface model to this field, which is complex and difficult to adapt to quantitative parameters and has never before been studied with this approach. Using the MODDE Go® experiment optimization and statistical design software, the effectiveness of cleaning pictorial works of art has been studied using various formulas composed mainly of water and a low-toxicity monoterpene: limonene. The model’s statistical validity is demonstrated, as well as its ability to determine the main factors that affect the cleaning by means of different responses (methods) to evaluate its effectiveness: an expert’s opinion using visible light and ultraviolet light, the amount of varnish removed using gas chromatography coupled with mass spectrometry, and the effects on color, lightness and gloss. The main influential factors were the concentrations of the two main components of the proposed formulations, water and limonene, which regulate the cleaners’ level of hydrophilia and lipophilicity, followed by the types of pigments and type of varnish used, and aging. Using an in silico simulation, the proposed model also enables specific compositions to be formulated for different scenarios and cleaning applications that are potentially effective and harmless to the pictorial materials and the restorers’ health.
Conference papers on the topic "Water-color painting"
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Maradey Lázaro, Jessica Gissella, Kevin Cáceres, and Gianina Garrido. "Design and Start-Up of an Automatic Paint Mixer." In ASME 2019 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/imece2019-11557.
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Abstract In daily life, is very common to witness scenes in which it is necessary to obtain different ranges of colors in the paintings that are used either with water or oil. This range of colors comes from the fusion and homogenization of primary colors or tones. Frequently, the process of mixing and dosing are carried out by people who, by trial and error, determine the color desired by the user. Then, the quality and precision of the paint is affected and generate customer dissatisfaction, claims, waste, and low productivity. This article shows the design and start up process of an automatic mixer prototype that doses and mixes paint to create complex color shades by implementing a human-machine interface and a control stage and verification. Also, the results of this investigation shows the engineering process carried out to obtain a prototype of a functional, automatic, exact mixing machine and a homogenous and quality product that meets the customer’s requirements. Improvements that will can do and future work are included too.