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Dissertations / Theses on the topic 'Water Painting'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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1

Angel, Marissa. "REMEMBRANCE: drink while the water is clean." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etd/3069.

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This thesis paper supports the Artist’s Master of Fine Arts exhibition held at the Tipton Gallery, located in downtown Johnson City TN from November 30, 2015 through January 22, 2016. The works Included in the exhibition consists of a series of mixed media collage paintings, a large scale etching combined with clay and a site specific installation. The Exhibit features work that delves into the concept of nature as a subject of beauty, as well as a symbol of the resiliency of life. The work in this exhibit exposes the separation that exists between humanity and the natural world. Through an ex

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Maudsley, Catherine Ruth. "Ritual meanings of "water and land" : a study of Buddhist cermonial paintngs [sic] of the Song and Yuan dynasties /." Thesis, Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B19882166.

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Silberstein, Edward. "And Moses Smote the Rock: The Reemergence of Water in Landscape Painting In Late Medieval and Renaissance Western Europe." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1288378722.

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Martens, Anna Maria. "L’imaginaire aquatique dans la poésie symboliste francophone et polonaise : une étude comparatiste." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040084.

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Les études consacrées à la thématique de l’eau sont multiples. Néanmoins, elles concernent le plus souvent un des aspects de la symbolique aquatique et se réfèrent à la littérature d’un seul pays ou même d’un seul auteur. Tenant compte des ouvrages de recherches déjà existants, nous aimerions présenter dans une seule étude la lecture comparatiste des auteurs qui n’ont jamais été réunis dans le contexte de l’imaginaire aquatique. Le choix du domaine polonais et francophone n’est pas contingent. Le modernisme polonais, pour des raisons historiques, surgit un peu plus tard que le symbolisme à l’O

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Harper, Hannah M. Ms. "Submersion." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/honors/199.

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The artist discusses the influence, concept, and process behind creating a cohesive body of work and accompanying show, Submersion, for the completion of her Bachelor of Arts degree and undergraduate research for the Fine and Performing Art Scholars branch of East Tennessee State University's Honors College. The show is to be held May 1st through May 7th of 2014 with its reception on May 3rd in the Submarine Gallery located on ETSU campus. The artist explored themes of the unknown, subconscious, and memory, using water as a reoccurring symbol. The works include five large portraits and two

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Volfová, Marika. "TEMPORARY PARADISES." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2018. http://www.nusl.cz/ntk/nusl-377172.

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My diploma work is focused on topic of environmental responsibility, priviledge of mobility, nomadism, borders and dreaming of utopic un/realities. In site-specific instalation I combine sound, video, painting and text.

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Carpenter, Kenneth Erwin. "A veritable psychology : Walter Pater's art criticism." Thesis, Birkbeck (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.323598.

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Pollock, Asher W. "Phase Shift." Ohio University Honors Tutorial College / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1492781853322151.

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Kovács, Itaï. "L'art de la bohème. L'art des Buveurs d'eau (1835-1855)." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL155.

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La présente thèse propose la première monographie sur la société des Buveurs d’eau. Cette association artistique de secours mutuels rassembla dans le Paris des années 1840 onze peintres, sculpteurs et écrivains débutants qui, pour la plupart, allaient entrer dans l’histoire non pas grâce à leurs œuvres, mais parce qu’ils allaient devenir les exemples d’un type de créateur : l’artiste ou l’écrivain bohème. Ce fut leur sort à cause d’un livre que l’un d’eux publia en 1851, et ce fut à leur grand dam et au dam de l’histoire. Les Scènes de la vie de bohème d’Henry Murger fondent depuis plus d’un s

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Lin, Shen-Te. "Musée en peinture : discontinuité / continuité / extension : souffle et résonance d'une pratique artistique entre peinture chinoise et occidentale." Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H306.

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La relation entre les peintures chinoise et occidentale apparait comme une rencontre entre l’eau et l’huile. Mélanger les deux étant impossible, comment, dès lors, un artiste entre deux cultures, peut-il faciliter leur dialogue et devenir un passeur ? Cette recherche tente d’associer la technique des matériaux occidentaux avec l’expression du pinceau et de l’encre liés au concept du plein et du vide afin d’explorer des oppositions complémentaires, en créant une réalité diluée dans un contraste harmonisé. La réflexion s’est concrétisée par des peintures en trois formats : la série, le rouleau e

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Cho, Min-Ji. "Analyse sémiologique du Vide dans le minhwa (peinture populaire coréenne) : le thème ‘montagne-eau’." Thesis, Paris 5, 2013. http://www.theses.fr/2013PA05H018/document.

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Cette thèse a pour objet l’analyse sémiologique du Vide dans l’espace pictural du minhwa, genre artistique populaire coréen, et plus particulièrement dans les peintures ayant pour thème le paysage ‘montagne-eau’ du 18e au 20e siècle de l’ère du Chosŏn. Nous étudions cette notion, qui s’est développée à partir des philosophies traditionnelles telles que le taoisme, le bouddisme et le confucianisme par exemple, en la considérant comme l’un des fondements de la pratique de la peinture et de la culture coréenne. De nos jours, le minhwa est devenu un genre reconnu pour sa valeur artistique propre :

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af, Malmborg Solith. "Research: ROTHKO : - ett arbete om att lära känna sig själv genom någon annan." Thesis, Linköpings universitet, Malmstens Linköpings universitet, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-146095.

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This thesis project examines both inner and outer circumstances of knowledge in an attempt to emphasize the importance of personal reflection. I search for answers on how to communicate feelings through colour and form by studying Mark Rothko and the abstract expressionism. A personal reflection is made parallelly to expand my own understanding of the subject and my own role in relation to it. I also explore painting as amethod of deepening my understanding of Rothko. Mark Rothko is both subject of study and tutor as I give myself the task of translating his art into my own design. The result

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Chen, Ying-Hung, and 陳英鴻. "Virtual Scenery Navigation with Water-Ink Painting Style." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/05535932146714960913.

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碩士<br>國立雲林科技大學<br>電子與資訊工程研究所<br>94<br>Mountain drawing is an essential part of Chinese water-ink painting. This thesis developed an interactively rendering technique and a real-time touring procedure for landscapes with water-ink painting styles in which the geometric information of the landscapes were acquired from DEM (Digital Elevation Model) terrain files shot by satellites. According to the user’s viewing direction, this system automatically finds the silhouettes of the 3D terrain, which includes the detection of the edges, the determination of the edge’s visibility, and the connection o

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Wu, Chung-cheng, and 吳忠政. "The research of painting with water and ink creation." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/44452283126302644730.

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碩士<br>國立嘉義大學<br>視覺藝術研究所<br>93<br>Abstract Art creation is a presentation of living passion and aesthetic sense, which the creators express their unique insight for the matters they concerned through concrete and realistic painting form and technique. Socrates (469-347BC) considered art as a reappearance of nature. Da Vinci, on the other hand, considered “the phenomenal world is the only reality, and art is the reappearance of such phenomenal world and all of its realistic situation — eyes are the supreme judge for all objects.” The study of this creation has taken the native cond

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游秉國. "Floral Glory – Artistic Discourse of Pingkuo Yu’s Water-ink Painting." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/9tpwbc.

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碩士<br>國立臺灣師範大學<br>美術學系在職進修碩士班<br>101<br>The artist gained his inspiration though researching the masterpieces in the Chinese art history. In order to express the cultural meaning of flower and bird painting and to seek the beauty of Nature, the artist uses it as the origin of his art creation and attempts to create his own new style, through the research of composition and experiments of brush techniques. In the first chapter, the artist describes his motivation of research and his goal to point out artist’s direction of his artistic practice. In the second chapter, the artist researches the d

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Hsieh, Hua-Shing, and 謝華興. "The Synthesis and Rendering of Water in Chinese Ink Painting." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/90438002669472566381.

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碩士<br>國立交通大學<br>資訊學院碩士在職專班資訊組<br>94<br>If the mountain symbolizes the male, water symbolizes the female. The mountain is enriched by the nourishing effects of water. The water, when embraced by the mountain, becomes more graceful and charming. In contrast to one another, the mountains stronger, and the water brighter. A small waterfall painted in a scene of many mountains, brings the mountain to life. A narrow river painted on flat ground, brings elegance to the entire landscape. In this thesis, we develop a semi- automatically Chinese ink painting system. User just need to input a coordinate

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蔡梅芳. "The Spacing Ideology and Expression forms of Water Ink Painting." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/03982227604796111927.

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碩士<br>國立屏東師範學院<br>視覺藝術教育研究所<br>91<br>The Spacing Ideology and Expression forms of Water Ink Painting Abstract This researching using historical method to analysis, compare, conclude, combine the traditional and modern water ink painting and their spacing ideology and expression forms’ different. Using life-imagines and experiment-creating process to give the explanation of space. The painting space is a two dimensional surface in turn of physic’s definition. How to use all the elements in painting and their organ

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Sheng-Ping, Wang, and 王聖平. "An Imagery Research on Form and Color-Oil Painting and Water-Color Painting Created by Wang Sheng-Ping." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/01350321069803733631.

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碩士<br>大葉大學<br>造形藝術學系碩士在職專班<br>95<br>ABSTRACT Artistic beauty should have the touching level, should which the humanity pursues is: Richer, is finer, has the connotation art ﹔ Can shock the will of the people in particular the artistic work, should be the author Untold hardships , carefully plans, is not accidentally bumps into or picks.Based on above cognition idea, author in recent years on the one hand study China and the West art history, China and the West esthetics, creation related technique and some master levels drawing courses; On the one hand the person, the matter, the thing which

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Chung, Yi-Chen, and 鍾宜珍. "Birthing．Generating – The Water Painting Creation Discussion Thesis by Chung Yi-Chen." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/778u32.

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碩士<br>國立臺灣師範大學<br>美術學系在職進修碩士班<br>101<br>This research mainly begins from the experience of giving birth to a child myself. I intended to through the process to explore the essence of life. From the aspects of biology, social psychology, birth belief, I attempt to discover the origination of life, the female perspective of birth, the decision-making of birth and the mother nature. Analyzing the creation styles and inner meanings of western and eastern artists’ paintings and performances, I expect to transform the inspiration into my creation. Nutrienting and creating the life is a unique ta

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TSAI-CHEN, LIN, and 林再振. "THE DISCUSSION OF MOON WORLD’S UNIQUE APPEARANCE AND WATER INK PAINTING." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/87201867490908802696.

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碩士<br>國立臺灣藝術大學<br>造形藝術研究所<br>93<br>THE DISCUSSION OF MOON WORLD’S UNIQUE APPEARANCE AND WATER INK PAINTING Abstract Art originates in life. Due to different time and space and different thinking art has got different interpretations. The writer’s ardent love of the earth and great concern for Mother Nature, just like that of post-modernistic thinking, deems that human beings should make profound retrospection of and show deep concern over the natural environments they are living upon The special geographical views, together with the seasonal changes attract the writer’s concern and inter

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Chuang, Wan-li, and 莊萬歷. "A STUDY OF HEAT RESISTANT WATER TRANSFER PRINTABILITY ON PLASTIC PAINTING." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/46866444654981387835.

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碩士<br>世新大學<br>圖文傳播暨數位出版學研究所(含碩專班)<br>95<br>As a result of Computer, Communication, and Consumer Electronics product diversification, plastic material by widespread application, and the decorative technology of products are also unceasing development. This research content discussion plastic, coating, and heat resistant water transfer printing to use about the correlation of ink. Its original characteristic are not matter, after depth analysis test and conformity. The result is as follows: 1、the film experiment control the layer between 30μm~50μm. 2、alters to 200 item the transparent printing i

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Wei-An, Chen, and 陳維安. "Endless Spirit – The Water Ink Painting Creation Thesis by Chen Wei-An." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/tzk9ar.

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碩士<br>國立臺灣師範大學<br>美術學系在職進修碩士班<br>101<br>The thesis is conducted to study the color ink flowers painting and trace the root of flower-and-bird painting, experience the mind of “observe natural creatures and explore its meanings” in Sung Dynasty. The author attempt present the vivid nature phenomenon through painting.. The author mainly depicts lilies and dandelions in rural areas of Taiwan. I observe their characteristics and ecological habits, add the elements of native Taiwan cultural images. The thesis also seeks the possibilities to balance the paintings of water, ink and colors, to pur

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Chia-huei, Hsu, and 徐珈惠. "Water • Image • Dancing Lifeline— Discussion on Hsu Chia-huei's abstract oil painting." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/56579263028116004229.

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碩士<br>國立臺中教育大學<br>美術學系碩士班<br>96<br>Meditating upon life and death, and the spiritual events in-between the two, abstract icons depart from contemplation and the essence of recognition, to explore the spirit, resulting in their transformation into a creative language. Thinking from the perspective of life, I discovered that “water” is a symbol for the macro-universe in nature, and “image” is the symbol for the micro-reflection of man, the interaction of which becomes a double metaphor. The ultimate experience will then seek for a space full of energy. Considering nature and the experience of li

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Chen, Hwui-Ling, and 陳慧玲. "Beauty and Sadness-An Exploration on Creation of Water Ink Painting of Animals." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/78398045697649541280.

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碩士<br>國立嘉義大學<br>視覺藝術研究所<br>93<br>Beauty is the foundation of creation. Art is the result of beauty. The beginning of creativity is when people see beauty. In order to imitate beauty, people pick up something from everyday life such as scenery, objects, and etc. Aristotle said, “Beauty is more real than history.” For example, look at ancient cave paintings. They show the true history of human life. One can see herds created of tigers, deer, rhinos, and camels﹘everything in the painting. You can tell the numbers of the herds in people’s everyday life. That causes the desire of

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李正豐. "A study on the creation of landscape ink painting － image modeling of water." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/28327798535501765127.

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碩士<br>臺北市立師範學院<br>視覺藝術研究所<br>90<br>Abstract Keywords：Ink painting, landscape, creation, water, image, modeling It has been 30 years since I taught in a primary school. With many years of experience especially in the education of children’s fine arts, I am now writing my thesis with a subject of “A study on the creation of landscape ink painting － image modeling of water”. Based on the close connection between education of fine arts and creation of painting, I enriched the composition with interaction of the education and the creation as well as th

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Huang, Jin-Ting, and 黃晉亭. "A study of literati thought and style in water of Chinese Landscape Painting." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/80083294586641927090.

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碩士<br>國立成功大學<br>藝術研究所<br>93<br>In this paper, I discuss the literati thought and style in water of Chinese Landscape Painting. In the first to third section, I study the history of Chinese Landscape Painting, ancient philosopher’s thought, the problem of active water, and the painting style of water. The last section, I focus the Su-Shi and Shi-Tao's literary, brushwork and analysis their aesthetics of water.

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Yang-Yueh-Chin and 楊月琴. "A Theory On The Expression And Technique Of The Water In Landscape Painting." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/76028995159592529372.

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碩士<br>中國文化大學<br>藝術研究所美術組<br>99<br>Since ancient times, water and human lives were closely related. People attracted by water, enjoyed the joy of living by the waterside and revel of the natural landscape with water scenery. Waterscape contains a wealth beauty and artistic conception, inspiring imaginations and the creations of millions artists. Its ever-changing form, invisible mysteries and illusions bring out abundant sources for author's creative works. Therefore the author used waterscape as the theme of this research. Discussions as follows: 　　Chapter two explores the shape, physical char

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Kenyon, Therese Grace. "Water and culture: Visualising dissolution and control, exploring water as imagery, matter and medium." Phd thesis, 2016. http://hdl.handle.net/1885/109165.

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The idea of water – all-pervading and essential, fearsome yet controllable – has driven my studio-based research. What are the meanings of water in the contemporary world? How could I explore this motif using water as imagery, matter and medium referencing the painting traditions of Asia and the West? This research explores in visual form the idea that water is analogous to the flow of cultures around the globe. The resulting paintings evolved from a sense of loss and precariousness counterbalanced by an appreciation of the deep symbolism of water’s

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Su, Hsuan-Te, and 蘇玄德. "The Calligraphy and Painting in Chinese Water Ink: Hsuan-Te Su's Theory of Art." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/722rdm.

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碩士<br>國立臺灣師範大學<br>美術學系<br>104<br>This dissertation explores the multifacetedness and innovation potential in “modern Chinese water ink painting” and incorporatesthe “traditional Chinese water ink painting” into the modern era. This dissertation includes three major parts: 1. Explore the core conceptof traditional Chinese water ink painting: “the combination of painting and calligraphy”, and study the painting and calligraphic features of Southern School. Moreover, “strength in line strokes” has dominated the traditional Chinese water ink painting for thousands of years. However, this conc

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Chang, Yueh-Shin, and 張月馨. "A Research of Painting with Water and Ink on Artistic Creation – my Hometown Image." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/45724727325749985097.

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碩士<br>華梵大學<br>工業設計系碩士班<br>94<br>This thesis mainly studies on three categories of works, water and ink painting, calligraphy, and glazed porcelain showed in my creative image exhibition of graduation. Creative ideas and expressive styles are touched on by literary description. My creation is from daily feelings of growth and by personal experiences to implement the different landscape and article of my hometown, presented them particularly by ink and glaze. There are so many fine picturesque views in Taitung such as mountains, ocean, river, seashore, boats, products etc. I intend to show the f

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Chang-chien, Chieh-chi, and 張簡介齊. "Moisture Damp Detection and Water Proof for the Mortar Wall-Painting in Historical Buildings." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/31432711227512141517.

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碩士<br>國立成功大學<br>土木工程學系碩博士班<br>97<br>The joint mortar has been used on the walls of historical buildings, which ensures adhesive brickwork, bed and cross joints applied with a spreader of rending mortar to maintain smooth and splendid constructed, with some of its wall of painting to further convey the compound functions of theme and improve to enhance the artistic space. Painting ensured the value of time, history, technology, education and aesthetics. But the mortar on the wall and the painting on the wall (mural) have been easily damaged by rising damp and leakage. The guiding principle

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Lin, Chia-Heh, and 林佳禾. "The Deterioration and Restoration of Lin Chih-chu’s Glue Color Painting “Reflection of Water”." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/98517871492184007139.

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碩士<br>國立臺南藝術大學<br>古物維護研究所<br>96<br>The history of glue color painting in Taiwan is not very long, many glue color paintings in Taiwan have been damaged due to the following reasons: (1) because the environment included high temperature and humidity, which makes conservation reservation difficult, and (2) poor economic conditions and the lack of the theory of conservation concerned among people in the past. The research was intended to scientifically analyse the extent to which Lin Chih-chu’s Reflection of Water was damaged and used such methods as literate research, field investigations and in

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Yao-Hua, Ku, and 古耀華. "The Relations between Representations of “Water” in Sung Landscape Painting and One’s Own Artistic Creations." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/15218211021300324632.

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碩士<br>中國文化大學<br>藝術研究所<br>92<br>ESSAY OF THESIS The Title of Thesis：The Relations between Representations of “Water” in Sung Landscape Painting and One’s Own Artistic Creations University or College：Graduate Institute of Arts, Chinese Culture University Graduate date：The second semester of 2003 Subject：Master’s thesis Advisor：Professor Au Ho-nien Graduate：Ku Yao-hua The brilliant achievement of Sung landscape painting shines forth and transcends both ancient and modern times. Its representations of “water” also

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Hua, Liu Hui, and 劉蕙華. "The Image of Surrealism in City Water-Ink Painting—Creation Description by Liu Hui-hua." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/99654976662902612517.

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碩士<br>國立臺灣師範大學<br>美術學系<br>100<br>As the world enters an era of diversified post-modernism, ink painting in Taiwan faces an unprecedented challenge in thinking. Many painters are devoted to reforms of ink painting by blending East with West. Originated from psychoanalysis funded by Freud, surrealism remains substantially influential in psychiatry of the 20th century and has inspired western literature and art. Affected by the representations of dreams and subconsciousness in western surrealism and inheriting the tradition of Chinese ink painting, Taiwanese ink painting has developed its own dis

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Yuan, Chih-Ching, and 袁之靜. "Stay And Go Without Mind, Under Cloud And Foggy Environment－Water Ink Painting Creativity Studies." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/71686777345357030703.

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碩士<br>國立臺灣藝術大學<br>書畫藝術學系造型藝術碩士班<br>100<br>Abstract In Chinese painting we have a lot of blank area for the cloud and fog, it wants to express the beauty of "interdependent occurring of virtual and reality, all the emptiness become the excellent environment". The mind is moved by it, just like endless changing form of cloud and fog which are followed by the mind and go up to the transcend state. Ton Chih Thang said: "The transcendent of the painter is all involved in the endless changing of the cloud and fog." The cloud and fog in the nature environment are coming for the coming place and

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HUNG, ZIH-SIANG, and 洪子翔. "Using Importance and Satisfaction Analysis to Explore Attributes of Painting Product: Taking Water-Based Emulsion Paint for Example." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/f8k2ch.

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碩士<br>國立臺北大學<br>企業管理學系<br>106<br>Regarding to people pay more and more attention to the home decoration. The paint is the most economical for the interior decoration. As the paint industry developing, the water-based paint is applied in interior decoration mostly, especially water-based emulsion paint, which is widely used. The purpose of this study is to explore the importance and satisfaction of customers for the properties of water-based emulsion paints from the perspective of managers. Apply Modified Delphi method to the experts in a multi-round interview to seek advice from experts in the

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Jhu, Jin-hong, and 朱金鴻. "Contemporary A-Luo-Han─A Study of Ink and Water Painting Hermeneutics, Hybridity, and Criticism using Luo-Han Images." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/88662142967419970516.

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碩士<br>國立臺南大學<br>美術學系視覺藝術教學碩士班<br>98<br>This article uses A-Luo-Han, an ancient East legendary character as main role, and interprets tradition using Hermeneutics, and also grants this character a contemporary interpretation. With Hybridity of media textures, thoughts, and cultures, it attempts to alleviate differences between East and West media textures and cultures. Based with Luo-Han and Buddhism philosophy, it performs criticism for contemporary Taiwan social phenomenon. With Luo-Han as a main role, also using interpretation, blending, and criticism as methods for ink and water painting cr

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Chen, Shih-yin, and 陳思穎. "The Research on Conservation of Colored Drawing and Painting Collections at Peikang Chaotien Temple— A Case Study of Chen Yu-feng''s 21 Paintings of Water-And-Land Service." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/92471743969632351035.

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碩士<br>雲林科技大學<br>文化資產維護系碩士班<br>96<br>ABSTRACT The traditional temple colored drawing and painting has glorious historical and artistic performance, also has unique national characteristics. The research is discussing how to detailed works and recording visits the preserved condition about the traditional temple colored drawing and painting professional Chen Yu-feng and Chen Shou-yi at Peikang Chaotien Temple for a systematic introduction. And then penetrates Peikang Chaotien Temple''s collection of Chen Yu-feng''s 21 Paintings of Water-And-Land Service, its will get cultural conception transf

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Alba, José Alejandro Mora, and 朱曦程. "Twelve Scenes of Water: A Pictorial Analysis of the Water Motif from the Tang (618-906) to the Yuan Dynasty (1271–1368) and Its Implications for Authenticity in Southern Song Landscape Painting." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/bez8gy.

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碩士<br>國立臺灣藝術大學<br>中華藝術全英語碩士學位學程班<br>106<br>Twelve Scenes of Water (Hua shier shuitu 畫十二水圖), as any other painting, is not merely the product of artistic prowess, but rather the result of complex intertwining factors ranging from politics to religion. However, before trying to establish these connections, it is necessary to assess its authenticity, which was settled in an attribution made by the scholar Li Dongyang 李東陽 (1447-1516) in the 15th century and thenceforth has not been revised in depth by modern scholarship. Through a close visual analysis of Twelve Scenes of Water and other works dep

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Gan, Tiing Tsuen, and 甘景村. "Tzong Biing''s brief biographical sketch and the studies of his views on painting in his article "The Preface to Paint Mountains -Water"." Thesis, 1996. http://ndltd.ncl.edu.tw/handle/76244931990543606641.

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Lou, Ming-kai, and 羅鳴凱. "Absurd and Comic Caricatures－expressing the desires and emotions of the Comic Caricature by the Chinese Water Painting Creation Discourse of Lou, Ming-Kai." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/64379668943668308739.

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碩士<br>國立臺南大學<br>美術學系碩士班<br>100<br>This article takes the desires and emotions of the characters of works as a subject－Comic Caricatures and absurd as the style through the drawing skills, and the desires and emotions of the characters in the work as a main axle. By the writings of the study, in the absurd eyes, I express individual style of the Comic Caricature with the Chinese Water Painting techniques. By the visual effects, an artist tells how he shows his experiences and styles. On the one hand, I’d like to define clearly the thoughts of the artistic esthetic of my works. On the other hand

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Yang, Sue-Kai, and 楊書凱. "Generating Plant Communities in Water-ink Landscape Paintings." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/51976784397445492731.

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碩士<br>國立雲林科技大學<br>資訊工程研究所<br>95<br>Trees play an important role in water-ink landscape paintings. No matter what we paint a forest at far distance, a single tree near by, a tree’s shape, a tree trunk’s bark, or a foliage, we have to handle it deliberately. This thesis developed an interactive prototype of “semiautomatic trees plant system”. This system transforms a real world’s terrain geometric model into a 3D water-ink style painting, and renders water-ink style trees on it as well. This work also allows users the 3D scenes freely. We detect the silhouette in according to the viewing directi

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Chang, Pai-chun, and 張百群. "Data-Driven Water Flow Animation In Oriental Paintings." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/23327560520382105673.

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碩士<br>國立臺灣科技大學<br>資訊工程系<br>102<br>This work designs a data-driven system which takes an oriental painting as its input to analyze the structure, placement density, and ink density of strokes, generate a smooth flow field based on the extracted flow pattern, and places and animates strokes by choosing proper strokes from the extracted strokes according to the flow field in virtual world scene. The main contributions lie in the integration of a datadriven method which extracts the flow pattern and stroke style from an oriental painting and physical simulation for the creation of an oriental pain

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王朝慶. "The Generation of the Flow of Water in Chinese Ink Paintings." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/63020354694293276550.

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碩士<br>國立交通大學<br>多媒體工程研究所<br>95<br>Chinese Ink Painting is an essential art in Chinese culture. Artists express their thoughts and feelings about everything through it. Readers can understand the painter’s thought by viewing and admiring the painting. However, to be able to comprehend the paintings is not easy for readers. In this paper we propose a method to make it easier for readers to comprehend the artistic conception of the painting. Our method focuses on a special category of Chinese Ink Painting, the landscape painting. Usually, the main elements in the landscape painting are mountain

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高慶元. "Probing of Visual Sensation on Texture Abundance in Water-based Material Paintings." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/c8hfuz.

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Hou-Cheng, Chen, and 陳厚誠. "A Study of Traditional Chinese Painting of Mountains and Waters– Taking Taiwan’s Mountains and Waters for Example." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/18394975816880089080.

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碩士<br>中國文化大學<br>藝術研究所<br>95<br>ESSAY OF THESIS In the history of Chinese painting theory, the term “portrayal of nature” first appeared in “Portrayal of Flowers and Birds” painted by Bien Run of the Tang Dynasty. The term became popular during the Sung Dynasty. For example, in his book “Critique of Famous Paintings of the Sung Dynasty,” Liu Dao Chun of the Northern Sung Dynasty described how flower and bird painter Tao Yi mastered portrayal of nature. Sung Dynasty painters, however, also applied the portrayal techniques of flower and bird painting to mountains and waters painting. So from the

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Hsieh, Eeteen, and 謝宜庭. "The Composition of Water Features in the Classical Chinese Gardens and Landscape Paintings." Thesis, 2000. http://ndltd.ncl.edu.tw/handle/58649296381803773386.

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碩士<br>東海大學<br>景觀學系<br>88<br>It is the Chinese literati’s philosophy that causes the Classical Chinese Gardens and landscape paintings represent the atmosphere of the natural landscape in a unified way. Thus the relationship between Chinese gardens and landscape paintings can be conclude as “the same concepts presented by different media”. Under the controlled mechanism of generating concepts which directing the creation of Chinese gardens and landscape paintings, this thesis selects six Su-Zhou gardens and the seventeenth century Mustard Seed Garden manual of painting as study subjects; releva

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Edelsburg, Zahava. "The new within the given : collage principles and processes in contemporary painting." Diss., 2000. http://hdl.handle.net/10500/16733.

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Collage is presented as an allegoric art-form sui generis, considering allegory itself as an open-ended form of art. The research provides a suggestion to a different understanding of collage i.e.: as a catalyst for a search for structure and semiotic relationships in an attempt to overcome a constant disordered expansion of an intertextual web and hermeneutic possibilities; and as an open work, providing multi-layered meanings. As an open work collage is typified by the prominent role of its "readers", its ambiguity and the infinite net of references it summons. Collage may be conceiv

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Zhang, Bei-Leng, and 張貝稜. "A Study on the Paintings of Lohans’ Supernatural Water Crossing in the Ming Dynasty." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/4u5m94.

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碩士<br>國立中央大學<br>藝術學研究所<br>105<br>The paintings of Lohans’ Supernatural Water Crossing, called the Supernatural type for short, was one of the most popular motifs in the visual culture of the Ming and Qing periods. It displays lohans riding on such fabulous vehicles as dragons, Suannis (the ancient name of lion), turtles, carps, floating rafts, or mats. Even though there are a substantial number of literature records and extant works of this type, the issues concerning the images and the basis of Buddhist literatures have yet to be discussed. Chapter one of this thesis will first distinguish t

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CHEN, JOU-YIN, and 陳柔瑩. "The Phantom－Study of the Palais Garnier Flooded with Water on Jou-Yin Chen’s Oil Paintings." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/fxh4nq.

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碩士<br>國立臺北教育大學<br>藝術與造形設計學系碩士班<br>107<br>My passion for this painting project “The Phantom” is not only due to my obsession of operas and dances, but also the inspiration of the novel “The Phantom of the Opera” and the experience of visiting the Palais Garnier, the opera house in Paris. “The Phantom” contains three themes: “Linger”, “Shiver” and “Awaken”. This painting project talks about the story that the underground lake flooded and caused all the decoration, chambers and sculptures dipping in the water, and that nobody would come to the opera house again but the phantom, who is able to liv

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