Relevant bibliographies by topics / Water – Poetry

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Water – Poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Water – Poetry"

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Al- Dhmour, Imad Abdel-Wahab, and Ismaeel Suleyman Salem Al Mozayedeh. "The Poetics of Water in the Collection of Poems entitled “Running Water Betrays the Puddles” By the Omani Poet Awadh Al- Luweihi." Journal of Arts and Social Sciences [JASS] 8, no. 2 (July 15, 2017): 81. http://dx.doi.org/10.24200/jass.vol8iss2pp81-89.

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Water appears in modern Arabic poetry as a semantically distinguished and rich structural component where meanings expand and ideas flow. And this, in turn, enriches the poet’s imagination and fulfils his desire to depict his life experience using creative visions. This study aims to examine the poetics of water in the work of the Omani poet Awadh Al- Luweihi, namely his collection of poems entitled “Running Water Betrays the Puddles” which explicitly embodies the contemporary poet’s ability to open new poetic horizons in which rich vocabulary provides texts with new connotations that enjoy an obvious intellectual dimension, and mature artistic craft which creates images and different themes and connotations. The poet’s reliance on the concept of “water” in composing his poetry shows the impact of this poetic theme and its role in the understanding of the poetic self and the ability of portraying life with all its contrasts.
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Dessardo, Andrea. "Fishes, Water and Ice. Reflections on Poetry for Children in the Last Decades." Rivista di Storia dell’Educazione 7, no. 2 (December 2, 2020): 87–98. http://dx.doi.org/10.36253/rse-9669.

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At the beginning of the 2000s Einaudi Ragazzi started the publication of «Pesci d’argento» (Silver Fishes), a poetry series for children with innovative traits, open to authorial poetry experimentation and politically aware. Nevertheless, the series changed soon its line, going back to propose, before ceasing, the classics of the national poetry, with the outstanding exception of the work by Vivian Lamarque. The essay considers also the different weight reserved to poetry in the textbooks for the elementary school after the launch of the new programmes in 1985.
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Mosena, Roberto. "“L’antica gioia per la vita”. Stile, motivi e varianti nelle Poesie di Giulio Di Fonzo." Forum Italicum: A Journal of Italian Studies 54, no. 3 (August 16, 2020): 806–23. http://dx.doi.org/10.1177/0014585820948457.

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This essay examines the poetry of contemporary author Giulio Di Fonzo in depth for the first time, analysing the central and recurrent themes of his poetic work, material symbols such as water, light, and air, and highlighting the style and variants of Poesie.
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Gutrina, L. D. "“I WISH I COULD FLY TO THE SKY AND BRING CHILDREN SOME BREAD”: MYTHOPOETICS OF YULIA NOVOSELOVA." Bulletin of Udmurt University. Series History and Philology 30, no. 3 (July 15, 2020): 529–39. http://dx.doi.org/10.35634/2412-9534-2020-30-3-529-539.

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Works of contemporary Ural poet Yulia Novoselova (1973) are considered in regards to the way she constructs the poetic world of rhymes and in the light of "female poetry". The collection of poems “The spell of realism” (2018) has provided a ground for further study. The study has revealed that specific nature of Yulia Novoselova's individuality is determined primarily by her creative interpretation of such archetypal images as water and wood. Traditional complex of archetype meanings is actualized in Yulia Novoselova's works: here water is interpreted as life and death, renewal, purification, rebirth; tree acts as connection of earth and sky, living and dead, light and darkness. However, the images of wood and water in Yulia’s lyrics are often associated with "female" focus in the lyrical subject. It is the water the heroine associates her identity with. The article outlines the dialogue of the poet with Russian folklore: she addresses to folklore intonation-rhythmic, lexical expressiveness, and to the genre models of lamentation, callings (so-called zaklichki). In the course of poem study, we reveal the connection of Yulia Novoselova's lyrics with myths and folklore as well as with the works of Russian poets starting from Alexander S. Pushkin to Vera Pavlova. As a result, it is concluded that the 1990-2010-ies lyrics of Yulia Novoselova fits into the “female poetry” of the “second wave” (I.V. Kukulin), which is characterized by a combination of opposite complexes: weakness, vulnerability and strength, energy. However, the poet's craving for archaic nature (myth, folklore, dialectal words, obsolete words) and the tendency to loosen the syllabic-tonic system of versification make Yulia Novoselova unique among female poets of 1990-2000-ies.
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Delattre, Elisabeth. "Michael Longley’s Poetry of the Elements in Snow Water." Estudios Irlandeses, no. 6 (March 15, 2011): 1–7. http://dx.doi.org/10.24162/ei2011-1951.

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Kooper, Erik. "Slack water poetry: An edition of thecraft of lovers." English Studies 68, no. 6 (December 1987): 473–89. http://dx.doi.org/10.1080/00138388708598538.

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Avdonina, Lyonora Nikolayevna, Tatyana Aleksandrovna Gordeeva, and Albina Olegovna Bulatova. "Specularity of Water Surface in the Silver Age Poetry." Filologičeskie nauki. Voprosy teorii i praktiki, no. 3 (March 2021): 583–88. http://dx.doi.org/10.30853/phil210110.

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Kerimova, R. A. "The ethnic-cultural space of modern Karachay-Balkar poetry." Voprosy literatury, no. 4 (August 22, 2019): 247–59. http://dx.doi.org/10.31425/0042-8795-2019-4-247-259.

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The article is devoted to the problems of ethnic-cultural perceptions in contemporary Karachay-Balkar poetry. It defines criteria for shaping an ethnic and civic self-identity. The paper discusses how cultural globalization affects the ideology of the Karachay-Balkar people. In a detailed analysis of works by N. Bayramkulov and A. Bakkuev, two poets of a younger generation, the author argues that fundamental values and stereotypes take priority in the poetic mentality of younger artists. Closely examining the themes of the poets’ works – philosophy, religion, history, society and politics – the author specially describes the way each poet deals with the nation’s artistic memory. Another focus is on the analysis of poetics. It is suggested that the young poets’ creative method is found at convergence of realism and mythopoeia. Their poetry centers around the mythical images of stone, water, mountains, and ‘taulu’ (‘a man of the mountains’).
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My˜-Vân, Trân. "‘Come on, Girls, Let's Go Bail Water’: Eroticism in Hô Xuân Hu'o'ng's Vietnamese Poetry." Journal of Southeast Asian Studies 33, no. 3 (October 2002): 471–94. http://dx.doi.org/10.1017/s0022463402000346.

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This study offers insights into the popular nôm poetry written by Hô Xuân Hu'o'ng, who brought to life the battles of the sexes, the power of the female body versus male authority, human weakness and desire and a range of issues and experiences potentially detrimental to women's status and aspirations. This study also examines the treatment of Hô Xuân Hu'o'ng's poetry by present-day Vietnamese.
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임재욱. "The Symbolic Meaning of the “River(water) and Boat” in “Seogyeongbyeolgok(西京別曲)”." Korean Classical Poetry Studies 24, no. ll (May 2008): 261–85. http://dx.doi.org/10.32428/poetry.24..200805.261.

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Dissertations / Theses on the topic "Water – Poetry"

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Ward, Melissa Louise. "Foods." PDXScholar, 2014. https://pdxscholar.library.pdx.edu/open_access_etds/1859.

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Each poem here wants to be alive. Each in her own slot of earth thinking of the larger plant from which she is a cutting. The larger plant is rooted in time and health. Here are twenty-eight single rhubarbs clicking together. The rhubarbs are a drawer full of handles. Take one up and see about it. You'll notice the foods do not grow with grace. They happen out of curiosity and stubbornness. The foods, they grow up just to grow. Thus, outlying rhubarb in places. Thus, hard clusters requiring patience for the getting through. Rhubarb-thick and crisp and wet-begets rhubarb. If a patch feels like a gang, just knock. Or try around the back and through the yard. Each plant here is in mild to medium danger. Or not. Thus, forth a reporter who takes the shape of you and I. She takes with her a pen! She practices our language but does not lick the dewy, English stalk. Instead, she chews it-a circulating handful of well-fed words. Through osmosis, lunch sinks in. Through osmosis, water. Speedy would be the speech were it elegant, but it is eager. Less in sense but still in awe and admiration and undeniable willfulness. Too, there is the doubt. Here is a record of starts, of nourishment, of heartiness, of growth. It could feed the plants like peels. The foods strange but friendly.
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Murray, Bryan Christopher. ""full water"." Thesis, Virginia Tech, 2010. http://hdl.handle.net/10919/42646.

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" full water" is a collection of poems examining a single consciousness, from a singular experience, that resonates to generational experiences. full water is a personal and literal landscaping: from the southern calm of Virginia to the innate heartbeat of south Bronx streets, the poems are grounded in a firm sense of place. The personal landscaping strongly connects with this literal landscaping, as this is a collection of someoneâ s constantly leaving, an attempt at establishing identity through the varied parcels of perspective. In the same way, this collection investigates the urban family landscape, the love still possible, despite the conventional shortcomings, the fullness of self, regardless. Through the rhythmic composition of the language, emotion flashes and restrains itself. Within the turns of language, personal truths thrive, in what they donâ t outwardly say. The book learns its significance from the poems. In the chaos of this, the reader finds kernels of meaning just as the poet did in process.
Master of Fine Arts
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Alardawe, Rania Mohamdshareef S. "The poetic image of water in Jāhilī and Andalusian poetry : a phenomenological comparative study." Thesis, Durham University, 2016. http://etheses.dur.ac.uk/11841/.

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The subject of the poetic image in Classical Arabic poetry is considered to be one of the most controversial topics in contemporary literary criticism. A great deal of attention has been directed towards this subject in literary and critical studies through the application of different approaches. Such images require knowledge of the nature of classical poetry and the nature of the Classical Arabic language. It also requires knowing the imaginative and rhetorical potentiality of the poetic image as well as its role in conveying human culture and consciousness. An understanding of Western and critical approaches and the possibility of applying them in the study of poetic images in Classical Arabic poetry is also essential. This thesis studies and analyses the poetic image of water between the Jāhilī and Andalusian eras through the application of Gaston Bachelard’s phenomenological approach. Through this analysis, the study aims to achieve the following points: (1) examining the nature of the poetic image in the Arabic and Western critical studies; (2) understanding the phenomenological approach generally, and that of Gaston Bachelard in particular, and how to apply it in the analysis of the poetic image of the imagination of the four primitive elements in European literature, especially the poetic image of water; (3) applying Bachelard’s approach to the poetic image of water in Jāhilī and Andalusian poetry as a model; (4) concluding with an analysis that measures Arab poets’ awareness of the universe in the two focal eras and the impact of religion, culture and the environment on that; and (5) comparing the ancient Arab imagination regarding water to Western perceptions undr the shadow of Bachelard’s ideas in his analysis of the poetic image of water. To achieve these aims, this study provides an analysis of some examples from Jāhilī and Andalusian poetry according to the divisions of Bachelard’s phenomenological approach to the image of water in poetry. A qualitative comparative approach is used in the analysis. The results show that 25% of poetic images of water in the Jāhilī and Andalusian eras were archetypal; 62.5% of these were cultural and changeable images arising from religion, culture and geographic environment. Moreover, 12.5% were primitive images and were displaced from the Arabian imagination for the same reasons. The study also emphasises that there is a remarkable similarity and agreement in many of the images between the Arab human imagination of water specifically and the European imagination, which Bachelard offered in his analysis. This proves the hypothesis of the study that there is a connection in human consciousness across civilizations, regardless of the impact of religion, culture and geographic environment.
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Daniels, Kelly L. "Deep water, open water." Master's thesis, Mississippi State : Mississippi State University, 2009. http://library.msstate.edu/etd/show.asp?etd=etd-04022009-163550.

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Bloss, Jamie E. "Dreaming of Water: Collected Poems." Kent State University Honors College / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1304196620.

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Fuller, Doug. "The Water is Below the Lake." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/593.

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Ranne, Katriina. "Heavenly drops: the image of water in traditional Islamic Swahili poetry." Swahili Forum 17 (2010), S. 58-81, 2010. https://ul.qucosa.de/id/qucosa%3A11479.

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Iba Ndiaye Diadji, a Senegalese professor of aesthetics, sees water as intrinsic to African ontology. He also argues that water is the most important substance to inspire African artists. (Diadji 2003: 273–275.) Water certainly has a significant role in Swahili poetry, written traditionally by people living on the coast of the Indian Ocean. Swahili poems have used aquatic imagery in expressing different ideas and sensations, in different contexts and times. Water imagery can be found in hundreds of years old Islamic hymns as well as in political poetry written during the colonial German East Africa. This article discusses water imagery in traditional Islamic Swahili poetry.
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Morris, Colleen, and ms_colleen_morris@hotmail com. "Water paths and the landscape: poetry of water paths watercourses waterways and rivers - fluid links between artists, ecology and the environment." RMIT University. Art, 2006. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080702.144923.

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My project is a tribute to all water paths, waterways and rivers. It is an acknowledgement of their global significance, and of their mysterious and mythic presence in legend and history. The main body of the research and studio practice focuses on the Murray-Darling River System. Contained within the research there is a store of personal knowledge and memories of a complex river network. I view this research as my personal tribute. Some of the most important environmental challenges currently faced by us as a community in the twenty first century are water quality and water usage. By understanding and integrating people's needs, and ensuring that the communities in the Basin are able to engage in the process of change, a sense of identity can be fostered, so that long - term sustainability becomes a shared goal. Salinity, algal blooms, trading water property rights, and establishing a balance between the needs of the environment and the needs of the communities in the consumption of water are some of the strategies that are planned under the Murray - Darling Basin Initiative. For my exploration into the environment, ecology and poetry of water paths, I have researched and will discuss the work of a number of contemporary visual artists, and quoted from works of both writers and poets, to further illustrate aspects of a water path and landscape environment. My selection is primarily governed by artworks that specifically reference the human traces that mark or imprint on the landscape, water paths in the riverine landscape and the linked ecology. By reflecting on the broader position of water, its usage and control, it can be seen how this factor relates to the health of our ecological environment, and the most likely impact water usage and control will have in the future. Through both studio research and exegesis, I encapsulate a key part of childhood memory and significance of place, and established a sense of its importance within my integral identity. Simultaneo usly, the research explores the duality of this river environment and its atmospheric moods. I encompass the meditative qualities and beauty of this specific river environment, and include some investigation of social and ecological factors related to the presence and usage of water in the Murray - Darling Basin.
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Kostetskaya, Anastasia G. "The Water of Life and the Life of Water: the Metaphor of World Liquescence in Russian Symbolist Poetry, Art and Film." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1367511847.

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De, Wachter Elena. "‘I wonder if the spirit of the water has anything / to say.’ : Water imagery in Carol Ann Duffy’s Poetry: A Pedagogical Consideration." Thesis, Linnéuniversitetet, Institutionen för didaktik och lärares praktik (DLP), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-80236.

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This essay presents an ecocritical reading of water imagery in selected poems by Carol AnnDuffy, with focus on Duffy’s personified water-voices, how water illuminates history, andDuffy’s metaphor of language as water. After a consideration of the problematics of teachingpoetry in the EFL classroom, the essay concludes that Duffy’s poetry holds potential forstudents to develop environmental literacy, both in content and in form.
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Books on the topic "Water – Poetry"

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Practical water. Middletown, Conn: Wesleyan University Press, 2009.

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Voices over water: Poetry. St. Paul, Minn: Graywolf Press, 1993.

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Salt water amnesia. Keene, NY: Ausable Press, 2005.

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Hard water. London: Cape Poetry, 2003.

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Siriwardena, Regi. The pure water of poetry. Colombo: International Centre for Ethnic Studies, 1999.

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Darkening water: Poems. Baton Rouge: Louisiana State University Press, 2002.

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Snow water. London: Jonathan Cape, 2004.

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Farnsworth, Robert. Honest water. Middletown, Conn: Wesleyan University Press, 1989.

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The water radical. [Oak Ridge, TN]: Iris Press, 1999.

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Cage of water. Akron, Ohio: University of Akron Press, 2004.

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Book chapters on the topic "Water – Poetry"

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Reddick, Yvonne. "‘Join Water’: Hughes’s River-Poetry." In Ted Hughes: Environmentalist and Ecopoet, 213–44. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-59177-3_8.

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Harmon, Maurice. "‘Move, if you move, like water’: The Poetry of Thomas Kinsella, 1972–88." In Contemporary Irish Poetry, 194–213. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-80425-2_10.

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Kronegger, Marlies. "Mirror Reflections: The Poetics of Water in French Baroque Poetry." In Poetics of the Elements in the Human Condition: The Sea, 245–60. Dordrecht: Springer Netherlands, 1985. http://dx.doi.org/10.1007/978-94-015-3960-9_17.

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Wafula, Esther M. "Turning Water into Wine: An Innovative Way of Overcoming Stress Through Poetry." In Handbook of Innovative Career Counselling, 687–709. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-22799-9_38.

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Ferrari, Rossella. "Performing Poetry on the Intermedial Stage: Flowers in the Mirror, Moon on the Water, and Beijing Avant-Garde Theatre in the New Millennium." In Staging China, 123–40. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/9781137529442_7.

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Cronin, Richard. "Walter Scott and Anti-Gallican Minstrelsy." In The Politics of Romantic Poetry, 92–109. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230287051_5.

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Bennett, Benjamin. "Criticism as Wager: The Politics of the Mörike-Debate and Its Object." In The Defective Art of Poetry, 147–64. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137381880_8.

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Höchsmann, Hyun. "Walter Benjamin on Hölderlin’s “Poetic Cosmos”*." In Benjamin, Adorno, and the Experience of Literature, 201–20. New York : Routledge, 2018. | Series: Routledge studies in twentieth-century philosophy ; 43: Routledge, 2018. http://dx.doi.org/10.4324/9781315102733-12.

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Wales, Katie. "The Stylistics of Poetry: Walter de la Mare’s ‘The Listeners’." In Language and Style, 71–83. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-06574-2_5.

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Schäbler, Daniel. "Frankenstein und die Folgen. Zur Poetik des Monströsen bei Walter Moers." In Walter Moers' Zamonien-Romane, 139–54. Göttingen: V&R Unipress, 2011. http://dx.doi.org/10.14220/9783737097925.139.

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Conference papers on the topic "Water – Poetry"

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Starostina, Olga. "ARHETYPE OF WATER IN THE SILVER AGE POETRY." In 4th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/32/s14.074.

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Nguyen Thi, Yen. "The Three-Tiered World (Tam Phu) of the Tay People in Vietnam through the Performance of Then Rituals." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.13-3.

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The Tay people represent an ethnic minority in the mountainous north of Vietnam. As do Shaman rituals in all regions, the Shaman of the Tay people in Vietnam exhibit uniqueness in their languages and accommodation of their society’s world view through their ‘Then’ rituals. The Then rituals require an integration of many artistically positioned and framed elements, including language (poetry, vows, chanting, the dialogue in the ritual), music (singing, accompaniment), and dance. This paper investigates The Art of Speaking of the Tay Shaman, through their Then rituals, which include use of language to describe the imaginary journey of the Shaman into the three-tiered world (Muong fa - Heaven region (Thien phu); Muong Din - Mountain region (Nhac phu); Muong Nam - Water region (combination of Thuy phu and Dia phu) to describe dealings with deities and demons, and to describe the phenomenon of possession. The methodic framework of the paper thus includes discussions of in the comparison between the concept of the three-storey world in the Then ritual of the Tay people with the concept of Tam Tu phu in the Len dong ceremony of the Kinh in Vietnam. Thereby, it clearly shows the concept of Tay people of the universe, the world of gods, demons, the existence of the soul and the body, and the existence of human soul after death. The study contributes to Linguistics and Anthropology in that it observes and describes the world views of a Northern Vietnamese ethnicity, and their negotiation with spirituality, through languages of both a spiritualistic medium and society.
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Kirschner, U. "Poetic water images in architecture." In ECO-ARCHITECTURE 2006. Southampton, UK: WIT Press, 2006. http://dx.doi.org/10.2495/arc060151.

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Nugroho, Arifin Rifan, and Wiyatmi Wiyatmi. "The Effectiveness of the Acrostic Technique Toward the Poetry Writing Class for Grade VIII Students of SMP Negeri 5 Wates." In Proceedings of the International Conference on Interdisciplinary Language, Literature and Education (ICILLE 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icille-18.2019.7.

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Pons Moreno, Álvaro Máximo. "EL RETO DE LA POESÍA GRÁFICA: ANÁLISIS DE LA OBRA DE BEGOÑA GARCÍA-ALÉN." In IV Congreso Internacional de Investigación en Artes Visuales. ANIAV 2019. Imagen [N] Visible. Valencia: Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/aniav.2019.9597.

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La poesía gráfica se ha consolidado en los últimos años como uno de los campos de experimentación del cómic más activo y fructífero. La exploración de las posibilidades del cómic alejadas de la tradicional narratividad secuencial ha permitido entroncar la narración visual con la poesía concreta y caligramática, encontrando una relación cuya naturalidad y potencialidad resulta sorprendente (McHale, 2010). Aunque las primeras experiencias de la poesía gráfica pueden ser rastreadas en la obra de George Herriman y en la fundacional Poema en viñetas de Dino Buzzatti, en la última década se ha producido un desarrollo espectacular desde el espacio de libertad que representa la autoedición y el fanzinismo. Autores y autoras como Bianca Stone, Warren Craghead o Tom Hart han marcado un camino que en España ha sido seguido por una activa generación de jóvenes autores y autoras entre los que destacan Cynthia Alfonso, Klari Moreno, Julia Huete, María Medem, Óscar Raña, Begoña García-Alén, Andrés Magan o Roberto Masso, entre otros. En este trabajo, analizaremos la obra de García-Alén (Pontevedra, 1989), estudiando la evolución que se ha producido desde sus primeras publicaciones autoeditadas en su sello Noche Liquida, como Lujo Infinito (2015), La máscara de oro (2016), Orden y Forma (2016), Unha Gran Dama (2017) y Nueva Mística de Vigo (2018), a las publicadas por editoriales alternativas, como Perlas del Infierno (Fosfatina, 2014) o Nuevas estructuras (Apa Apa Cómics, 2017). Nos centraremos especialmente es esta última, examinando sus estrategias de narración visual a través del simbolismo, la composición espacial y cromática y el montaje analítico como estructura temporal interna de la página. McHale, B. (2010) Narrativity and Segmentivity, or, Poetry in the Gutter. En M. Grishakova y M.L Ryan (eds.), Intermediality and Storytelling, (p 27-48). Berlin: Walter de Gruyter.
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