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Journal articles on the topic 'Watson Gallery'

Author: Grafiati

Published: 27 July 2024

Last updated: 31 July 2025

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1

Watson, Jennifer C. "Homer Watson in the Kitchener-Waterloo Art Gallery." RACAR : Revue d'art canadienne 14, no. 1-2 (1987): 143. http://dx.doi.org/10.7202/1073457ar.

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2

Jursa, Von Michael. "Neu- und spätbabylonische Texte aus den Sammlungen der Birmingham Museums and Art Gallery." Iraq 59 (1997): 97–174. http://dx.doi.org/10.1017/s0021088900003399.

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Die vorliegende Arbeit setzt die von Philip Watson begonnene Edition der 1982 in die Birmingham Museums and Art Gallery gekommenen Texte aus der Wellcome-Sammlung fort. Ich danke Philip Watson für die Publikationserlaubnis und ihm und seinen Kollegen und Mitarbeitern, voran David Symons, für die freundliche Aufnahme im Department of Antiquities des Museums und die Bewirtung mit vielen Tassen Tee. Den Trustees des British Museum danke ich für die Erlaubnis, unpublizierte Texte aus den Sammlungen dieses Museums zitieren zu dürfen. H. Baker, A. Bongenaar und M. Weszeli bin ich für ihre Hinweise v

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3

Esch, Evan D., David W. Langor, and John R. Spence. "Gallery success, brood production, and condition of mountain pine beetles (Coleoptera: Curculionidae) reared in whitebark and lodgepole pine from Alberta, Canada." Canadian Journal of Forest Research 46, no. 4 (2016): 557–63. http://dx.doi.org/10.1139/cjfr-2015-0351.

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Breeding pairs of mountain pine beetle (Dendroctonus ponderosae Hopkins) were introduced into freshly cut bolts of whitebark pine (Pinus albicaulis Engelm.) and lodgepole pine (Pinus contorta var. latifolia Engelm. ex S. Watson) in the laboratory. Brood adults emerging from the bolts were collected and galleries were dissected to compare reproductive success, brood production, and adult condition between the two pines. Beetles were more likely to establish egg galleries that produced brood in lodgepole pine than in whitebark pine. Larval gallery density per centimetre of egg gallery was signif

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4

Kharchevnikova, A. S., and A. V. Savchenko. "Visual preferences prediction for a photo gallery based on image captioning methods." Computer Optics 44, no. 4 (2020): 618–26. http://dx.doi.org/10.18287/2412-6179-co-678.

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The paper considers a problem of extracting user preferences based on their photo gallery. We propose a novel approach based on image captioning, i.e., automatic generation of textual descriptions of photos, and their classification. Known image captioning methods based on convolutional and recurrent (Long short-term memory) neural networks are analyzed. We train several models that combine the visual features of a photograph and the outputs of an Long short-term memory block by using Google's Conceptual Captions dataset. We examine application of natural language processing algorithms to tran

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5

Hemingway, Andrew. "To “Personalize the Rainpipe”: The Critical Mythology of Edward Hopper." Prospects 17 (October 1992): 379–404. http://dx.doi.org/10.1017/s0361233300004774.

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By the early 1930s Edward Hopper was a major figure in the American art scene. As is well known, Hopper made no significant sales of paintings until the exhibition of his watercolors at the Rehn Gallery in 1924, by which time he was forty-four years old. However, his career takeoff in the late 1920s and early 1930s was certainly dramatic, and in 1933 Forbes Watson could describe him as a “collector's favorite.” In 1924 the standard price of Hopper's watercolors was $150, by 1925 it had risen to $200, and in 1928–29, $300–400 was the norm. In 1929 alone he sold at least fourteen drawings. Betwe

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Lidogoster, Tina, and Andrea Puccio. "Catalogs with a Global Reach: Collecting PDF Contemporary Gallery Catalogs at the Thomas J. Watson Library, The Metropolitan Museum of Art." Art Documentation: Journal of the Art Libraries Society of North America 35, no. 2 (2016): 296–304. http://dx.doi.org/10.1086/688729.

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Khadija, AHAYOUN, CHLIYEH Mohamed, TOUHAMI OUAZZANI, BENKIRANE Rachid, and DOUIRA Allal. "Contribution to the inventory of Bryophytes of the Mamora's forest (Atlantic Morocco)." Biolife 3, no. 1 (2022): 336–41. https://doi.org/10.5281/zenodo.7260067.

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<strong>ABSTRACT</strong> Forty four bryophyte species (44) (16 mosses; 5 hepatics and 3 anthocerotes) were identified in the forest of Mamora (Atlantic Morocco). Among these species eighteen (18) taxa are new to the bryological flora of Mamora, five (5) are rare taxa. <strong>Keywords:</strong> Inventory, Bryophytes, Mamora forest, Morocco <strong>REFERENCES</strong> <em>Ahayoun K., Ouazzani Touhami A. &  Douira A. 2007 — Inventaire des Bryophytes de l’Herbier "RAB" de l’Institut Scientifique (Rabat, Maroc), Documents de l’Institut Scientifique, Raba

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8

James, N. "Britain & Ireland - Mark Edmonds & Tim Seaborne. Prehistory in the Peak. 223 pages, b&w photographs, 6 maps. 2001. Stroud & Charleston (SC): Tempus; 0-7524-1483-6 paperback £15.99 & S26.99. - Keith Branigan & Patrick Foster. Barra and the Bishop’s Isles: living on the margin. 160 pages, 74 b&w figures, 36 colour plates. 2002. Stroud & Charleston (SC): Tempus; 0-7524-1947-1 paperback £16.99 & $27.99. - Andrew J. Lawson Potterne, 1982-5: animal husbandry in later prehistoric Wiltshire (Wessex Archaeology Report No. 17). x+368 pages, 117 figures, 46 tables, 17 plates. 2000. Salisbury: Wessex Archaeology; 1-874350-28-0 (ISSN 0965-5778) paperback £26. - Joanna Brück (ed.). Bronze Age landscapes: tradition and transformation, viii+231 pages, 85 figures, 17 tables. 2001. Oxford: Oxbow; 1-84217-062-7 paperback £35 & US$55. - Peter Salway (ed.). The Roman era: the British Isles, 55BC–AD410. xxii+286 pages, 26 figures. 2002. Oxford: Oxford University Press; 0-19-873194-9 £11.99. - Michelle P. Brown & Carol A. Farr (ed.). Mercia, an Anglo-Saxon kingdom in Europe, xiv+386 pages, 60 figures. 2001. London: Leicester University Press; 0-7185-0231-0 hardback £75. - M. Redknap, N. Edwards, S. Youngs, A. Lane & J. Knight (ed.). Pattern and purpose in Insular art: proceedings of the 4th international conference on Insular art held at the National Museum & Gallery, Cardiff, 3–6 September 1998. xi+292 pages, 167 figures, 2 tables. 2001. Oxford: Oxbow; 1-84217-058-9 hardback £48 & US$85. - Gustav Milne with Nathalie Cohen and Tony Dyson, Jacqueline Pearce & Mike Webber. Excavations at Medieval Cripplegate, London: archaeology after the Blitz, 1946–68. xiv+153 pages, 150 figures. 2002. Swindon: English Heritage; 1-8-5074-771-7 paperback £25. - Bruce Watson, Trevor Brigham & Tuny Dyson. London Bridge: 2000 years of a river crossing (MoLAS Monograph 8). xix+258 pages, 157 figures, 19 tables. 2001. London: Museum of London; 1-901992-18-7 paperback £22. - Marjorie Lyle. Canterbury: 2000 years of history (2nd ed.). 160 pages, 88 b&w figures, 27 colour plates. 2002. Stroud & Charleston (SC): Tempus; 0-7524-1948-X paperback £15.99 & $26.99." Antiquity 76, no. 292 (2002): 570–73. http://dx.doi.org/10.1017/s0003598x0011943x.

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9

Kloosterman, Robert C., and Amanda Brandellero. ""All these places have their moments": Exploring the Micro-Geography of Music Scenes: The Indica Gallery and the Chelsea Hotel." M/C Journal 19, no. 3 (2016). http://dx.doi.org/10.5204/mcj.1105.

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Hotspots of Cultural InnovationIn the 1960s, a long list of poets, writers, and musicians flocked to the Chelsea Hotel, 222 West 23rd Street, New York (Tippins). Among them Bob Dylan, who moved in at the end of 1964, Leonard Cohen, who wrote Take This Longing dedicated to singer Nico there, and Patti Smith who rented a room there together with Robert Mapplethorpe in 1969 (Smith; Bell; Simmons). They all benefited not just from the low rents, but also from the close, often intimate, presence of other residents who inspired them to explore new creative paths. Around the same time, across the Atl

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Bellanta, Melissa. "Voting for Pleasure, Or a View from a Victorian Theatre Gallery." M/C Journal 10, no. 6 (2008). http://dx.doi.org/10.5204/mcj.2715.

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   Imagine this historical scene, if you will. It is 1892, and you are up in the gallery at Her Majesty’s Theatre in Sydney, taking in an English burlesque. The people around you have just found out that Alice Leamar will not be performing her famed turn in Ta-ra-ra-boom-de-ay tonight, a high-kicking Can-Canesque number, very much the dance du jour. Your fellow audience members are none too pleased about this – they are shouting, and stamping the heels of their boots so loudly the whole theatre resounds with the noise. Most people in the expensive seats below look up in the d

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Bellanta, Melissa. "Voting for Pleasure, Or a View from a Victorian Theatre Gallery." M/C Journal 11, no. 1 (2008). http://dx.doi.org/10.5204/mcj.22.

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Imagine this historical scene, if you will. It is 1892, and you are up in the gallery at Her Majesty’s Theatre in Sydney, taking in an English burlesque. The people around you have just found out that Alice Leamar will not be performing her famed turn in Ta-ra-ra-boom-de-ay tonight, a high-kicking Can-Canesque number, very much the dance du jour. Your fellow audience members are none too pleased about this – they are shouting, and stamping the heels of their boots so loudly the whole theatre resounds with the noise. Most people in the expensive seats below look up in the direction of the galle

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12

Lawson, Jenny. "Food Confessions: Disclosing the Self through the Performance of Food." M/C Journal 12, no. 5 (2009). http://dx.doi.org/10.5204/mcj.199.

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At the end of the episode “Crowd Pleasers,” from her television series Nigella Feasts, we see British food writer and television cook Nigella Lawson in her nightgown opening her fridge in the dark. The fridge light reveals the remnant dishes of chili con carne that she prepared earlier on in the programme. She scoops up a dollop of soured cream and chili onto a spoon and shovels it into her mouth, nods approvingly and then picks up the entire chili dish. She eats another mouthful, utters a satisfied “umm” sound, closes the fridge door and walks away, taking the dish of chili with her. This rec

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13

Brennan-Horley, Chris. "Reappraising the Role of Suburban Workplaces in Darwin’s Creative Economy." M/C Journal 14, no. 4 (2011). http://dx.doi.org/10.5204/mcj.356.

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IntroductionTraditionally, suburbs have been conceived as dormitory – in binary opposition to the inner-city (Powell). Supporting this stereotypical view have been gendered binaries between inner and outer city areas; densely populated vs. sprawl; gentrified terraces and apartment culture vs. new estates and first home buyers; zones of (male) production and creativity against (female) sedate, consumer territory. These binaries have for over a decade been thoroughly criticised by urban researchers, who have traced such representations and demonstrated how they are discriminatory and incorrect (

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14

Gerrand, Vivian, Kim Lam, Liam Magee, Pam Nilan, Hiruni Walimunige, and David Cao. "What Got You through Lockdown?" M/C Journal 26, no. 4 (2023). http://dx.doi.org/10.5204/mcj.2991.

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Introduction While individuals from marginalised and vulnerable communities have long been confronted with the task of developing coping strategies, COVID-19 lockdowns intensified the conditions under which resilience and wellbeing were/are negotiated, not only for marginalised communities but for people from all walks of life. In particular, the pandemic has highlighted in simple terms the stark divide between the “haves” and “have nots”, and how pre-existing physical conditions and material resources (or lack thereof), including adequate income, living circumstances, and access to digital an

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15

Guarini, Beaux Fen. "Beyond Braille on Toilet Doors: Museum Curators and Audiences with Vision Impairment." M/C Journal 18, no. 4 (2015). http://dx.doi.org/10.5204/mcj.1002.

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The debate on the social role of museums trundles along in an age where complex associations between community, collections, and cultural norms are highly contested (Silverman 3–4; Sandell, Inequality 3–23). This article questions whether, in the case of community groups whose aspirations often go unrecognised (in this case people with either blindness or low vision), there is a need to discuss and debate institutionalised approaches that often reinforce social exclusion and impede cultural access. If “access is [indeed] an entry point to experience” (Papalia), then the privileging of visual e

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16

Franks, Rachel. "Cooking in the Books: Cookbooks and Cookery in Popular Fiction." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.614.

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Introduction Food has always been an essential component of daily life. Today, thinking about food is a much more complicated pursuit than planning the next meal, with food studies scholars devoting their efforts to researching “anything pertaining to food and eating, from how food is grown to when and how it is eaten, to who eats it and with whom, and the nutritional quality” (Duran and MacDonald 234). This is in addition to the work undertaken by an increasingly wide variety of popular culture researchers who explore all aspects of food (Risson and Brien 3): including food advertising, food

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17

Brien, Donna Lee. "“Porky Times”: A Brief Gastrobiography of New York’s The Spotted Pig." M/C Journal 13, no. 5 (2010). http://dx.doi.org/10.5204/mcj.290.

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Introduction With a deluge of mouthwatering pre-publicity, the opening of The Spotted Pig, the USA’s first self-identified British-styled gastropub, in Manhattan in February 2004 was much anticipated. The late Australian chef, food writer and restauranteur Mietta O’Donnell has noted how “taking over a building or business which has a long established reputation can be a mixed blessing” because of the way that memories “can enrich the experience of being in a place or they can just make people nostalgic”. Bistro Le Zoo, the previous eatery on the site, had been very popular when it opened almos

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18

Mudie, Ella. "Unbuilding the City: Writing Demolition." M/C Journal 20, no. 2 (2017). http://dx.doi.org/10.5204/mcj.1219.

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IntroductionUtopian and forward looking in tenor, official narratives of urban renewal and development implicitly promote normative ideals of progress and necessary civic improvement. Yet an underlying condition of such renewal is frequently the very opposite of building: the demolition of existing urban fabric. Taking as its starting point the large-scale demolition of buildings proposed for the NSW Government’s Sydney Metro rail project, this article interrogates the role of literary treatments of demolition in mediating complex, and often contradictory, responses to transformations of the b

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Franks, Rachel. "Before Alternative Voices: The Sydney Gazette and New South Wales Advertiser." M/C Journal 20, no. 1 (2017). http://dx.doi.org/10.5204/mcj.1204.

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IntroductionIn 1802 George Howe (1769-1821), the recently appointed Government Printer, published Australia’s first book. The following year he established Australia’s first newspaper; an enterprise that ran counter to all the environmental factors of the day, including: 1) issues of logistics and a lack of appropriate equipment and basic materials to produce a regularly issued newspaper; 2) issues resulting from the very close supervision of production and the routine censorship by the Governor; and 3) issues associated with the colony’s primary purposes as a military outpost and as a penal s

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Jaramillo, George Steve. "Enabling Capabilities: Innovation and Development in the Outer Hebrides." M/C Journal 20, no. 2 (2017). http://dx.doi.org/10.5204/mcj.1215.

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Image 1: View from Geodha Sgoilt towards the sea stacks, Uig, Isle of Lewis. Image credit: George Jaramillo.IntroductionOver the cliffs of Mangerstadh on the west coast of the Isle of Lewis, is a small plot of land called Geodha Sgoilt that overlooks the North Atlantic Ocean (Image 1). On the site is a small dirt gravel road and the remnants of a World War II listening station. Below, sea stacks rise from the waters, orange and green cliff sides stand in defiance to the crashing waves. An older gentleman began to tell me of what he believed could be located here on the site. A place where visi

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Heurich, Angelika. "Women in Australian Politics: Maintaining the Rage against the Political Machine." M/C Journal 22, no. 1 (2019). http://dx.doi.org/10.5204/mcj.1498.

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Women in federal politics are under-represented today and always have been. At no time in the history of the federal parliament have women achieved equal representation with men. There have never been an equal number of women in any federal cabinet. Women have never held an equitable number of executive positions of the Australian Labor Party (ALP) or the Liberal Party. Australia has had only one female Prime Minister, Julia Gillard, and she was the recipient of sexist treatment in the parliament and the media. A 2019 report by Plan International found that girls and women, were “reluctant to

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See, Pamela Mei-Leng. "Branding: A Prosthesis of Identity." M/C Journal 22, no. 5 (2019). http://dx.doi.org/10.5204/mcj.1590.

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This article investigates the prosthesis of identity through the process of branding. It examines cross-cultural manifestations of this phenomena from sixth millennium BCE Syria to twelfth century Japan and Britain. From the Neolithic Era, humanity has sort to extend their identities using pictorial signs that were characteristically simple. Designed to be distinctive and instantly recognisable, the totemic symbols served to signal the origin of the bearer. Subsequently, the development of branding coincided with periods of increased in mobility both in respect to geography and social strata.

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