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Relevant bibliographies by topics / Ways of worldmaking

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Academic literature on the topic 'Ways of worldmaking'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Ways of worldmaking"

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Carter, Curtis. "Cities as ways of worldmaking." SAJ - Serbian Architectural Journal 11, no. 2 (2019): 213–26. http://dx.doi.org/10.5937/saj1902213c.

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The theme of "Ways of Worldmaking" appears in the writings of philosophers such as Ernst Cassirer and Nelson Goodman. Cassirer takes up this theme in Language and Myth (Tr. by Susan Langer (Harper, 1946)), and Goodman addresses "The Ways of World Making" in his book bearing the same title (Hackett, 1978, 1981). Both philosophers cite the arts as key ways of world making in their function as various forms of symbols. Following the insights of Cassirer and Goodman, "Ways of Worldmaking" is explored here first in reference to an imaginative world making roles of works of the arts that relate to cities. Examples including the literary works of J. R. R. Tolkien, an opera by Kurt Weill and Berthold Brecht, a film by Chinese artist Xu Bing, New York's Hudson Yards, the biggest private real estate development in US history to date, are used as instances of worldmaking in the arts and city development.

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Fullerton, Lindsay, and James Ettema. "Ways of worldmaking in Wikipedia: reality, legitimacy and collaborative knowledge making." Media, Culture & Society 36, no. 2 (February 12, 2014): 183–99. http://dx.doi.org/10.1177/0163443713515739.

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Costa Söderlund, Kalinca. "Laura Lima at Bonniers Konsthall: Aesthetic Systems as ‘Ways of Worldmaking’." Konsthistorisk tidskrift/Journal of Art History 84, no. 3 (February 17, 2015): 192–99. http://dx.doi.org/10.1080/00233609.2015.1011689.

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Reichert, D. "Ways of worldmaking : zur Möglichkeit einer Geo-Graphie aus der Welt." Geographica Helvetica 53, no. 3 (September 30, 1998): 112–18. http://dx.doi.org/10.5194/gh-53-112-1998.

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de Reuck, Jenny. "“Ways of worldmaking”: A study of narrative transmission in Henry James'sThe Aspern Papers." Journal of Literary Studies 9, no. 3-4 (December 1993): 355–70. http://dx.doi.org/10.1080/02564719308530054.

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Whitney, Elizabeth. "Imagining Utopia, Sustaining Community. Autoethnographic Research and Queer Affective Pleasure." SQS – Suomen Queer-tutkimuksen Seuran lehti 10, no. 1–2 (May 11, 2017): 35. http://dx.doi.org/10.23980/sqs.63646.

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For queers, the affects of pleasure and risk are intrinsically interrelated, and the practice of imagining utopia signifies the importance of community as a place where we come together to sustain and nurture ourselves. This essay explores the affective pleasure of queer worldmaking through community building in Finland from my perspective as a non-Finnish queer researcher. Taking pleasure in the freedom to experiment is at the very heart of being together, resisting heteronormativity, and visualizing alternative and utopian ways of worldmaking. While such acts are not necessarily unique to Finland, my experience as a queer feminist researcher and participant in Finnish queer communities was unique to me. Thus, I use autoethnography to discuss my insider/outsider experience of conducting research in Finland, as a queer feminist from the US my work adds to a growing body of autoethnographic scholarship that raises questions about cross-cultural perception and belonging, and offers new possibilities for queer methodologies.

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Pfeiler, Martina. "Cultural Ways of Worldmaking: Media and Narratives, ed. Ansgar Nünning, Vera Nünning & Birgit Neumann." Anglia - Zeitschrift für englische Philologie 129, no. 3-4 (December 2011): 570–76. http://dx.doi.org/10.1515/angl.2011.060.

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박미주 and Yang Sook-Hi. "The Irrealistic Characteristics Represented in Modern Fashion Photographs - Based on Nelson Goodman's Ways of Worldmaking -." Research Journal of the Costume Culture 19, no. 4 (August 2011): 836–50. http://dx.doi.org/10.29049/rjcc.2011.19.4.836.

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Neumann, Birgit. "Vernacular Cosmopolitanism in Anglophone World Literatures: Comparative Histories of Literary Worlding." arcadia 53, no. 2 (October 29, 2018): 239–57. http://dx.doi.org/10.1515/arcadia-2018-0022.

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Abstract The article explores the concept and practice of world literature from the perspective of postcolonial Anglophone literature. To account for the agency of literature and to move beyond the old centre/periphery model, the contribution focuses on literary acts of worldmaking rather than on the circulation of literature across the globe. It is argued that Anglophone world literature thrives on a poetics that bind diverse literary histories, languages, and distinct creative practices into patterns of exchange and thus exposes the constitutive exteriority within European (literary) histories. The use of the vernacular is identified as a central element of world literature’s poetics, staging a conflictual interplay between transcultural relationality and the formative impact of locality. As the vernacular binds the global and the local into loops of relation, it also offers an opportunity to consider the classification of “language as a language” (Young 1209). A reading of Sam Selvon’s The Lonely Londoners (1956) provides insights into literary ways of worldmaking, showing how the poetics of Anglophone world literature shuttles among several places to create a vernacular cosmopolitanism (Bhabha). Finally, the article examines how an understanding of world literature as a polycentric network emerging from different literary traditions changes our practice of comparative literary history.

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Clark, Matthew. "The cognitive turn." Narrative Inquiry 22, no. 2 (December 31, 2012): 405–10. http://dx.doi.org/10.1075/ni.22.2.11cla.

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Corresponding to the “narrative turn” in the human and cultural sciences, this paper advocates a “cognitive turn” in the study of literary narratives. The representation of the self in literary narratives, for example, is in some ways similar to the representation of the self represented in philosophic, psychological, and sociological theory, but the narrative models extend and enrich the understanding of the self. The tradition of literary narrative includes the monadic, dyadic, and triadic models of the self, as well as representations of agent, patient, experiencer, witness, instrumental, and locative selves. Narrative is thus a kind of worldmaking, and the making of complex worlds, such as the worlds of the self, lead towards narrative.

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Dissertations / Theses on the topic "Ways of worldmaking"

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Desjardins, Olivier. "A BRAVE NEW BUILDING. Réédition expérimentale et design d'information." Thesis, Université Laval, 2010. http://www.theses.ulaval.ca/2010/27118/27118.pdf.

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Books on the topic "Ways of worldmaking"

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Nünning, Vera, Ansgar Nünning, Birgit Neumann, and Mirjam Horn, eds. Cultural Ways of Worldmaking. Berlin, New York: De Gruyter, 2010. http://dx.doi.org/10.1515/9783110227567.

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Cultural ways of worldmaking: Media and narratives. New York: De Gruyter, 2010.

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Nakai, Yasuyuki. Sekai seisaku no hōhō: Ways of worldmaking. Ōsaka-shi: Kokuritsu Kokusai Bijutsukan, 2011.

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Becking, Bob. Orthodoxy, liberalism, and adaptation: Essays on ways of worldmaking in times of change from biblical, historical, and systematic perspectives. Leiden: Brill, 2011.

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Becking, Bob. Orthodoxy, liberalism, and adaptation: Essays on ways of worldmaking in times of change from biblical, historical, and systematic perspectives. Leiden: Brill, 2011.

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6

Cupitt, Don. Creative faith: Religion as a way of worldmaking. Salem, Oregon: Polebridge Press, 2015.

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Neumann, Birgit. Cultural Ways of Worldmaking. De Gruyter, Inc., 2010.

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8

Orbis Terrarum - Ways of Worldmaking. Ludion Editions N.V., 2000.

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9

Jerng, Mark C. Racial Worldmaking. Fordham University Press, 2017. http://dx.doi.org/10.5422/fordham/9780823277759.001.0001.

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When does racial description become racism? Critical race studies has not come up with good answers to this question because it has overemphasized the visuality of race. According to dominant theories of racial formation, we see race on bodies and persons and then link those perceptions to unjust practices of racial inequality. Racial Worldmaking argues that we do not just see race. We are taught when, where, and how to notice race by a set of narrative and interpretive strategies. These strategies are named “racial worldmaking” because they get us to notice race not just at the level of the biological representation of bodies or the social categorization of persons. Rather, they get us to embed race into our expectations for how the world operates. These strategies find their most powerful expression in popular genre fiction: science fiction, romance, and fantasy. This book thus rethinks both racial formation in relation to African American and Asian American studies, as well as how scholars have addressed the relationships between literary representation and racial ideology. It analyzes how genre and race build worlds. In doing so, it engages questions central to our current moment: in what ways do we participate in racist worlds? How can we imagine and build an anti-racist world?

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Bob E. J. H. Becking. Orthodoxy, Liberalism, and Adaptation: Essays on Ways of Worldmaking in Times of Change from Biblical, Historical and Systematic Perspectives. BRILL, 2011.

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Book chapters on the topic "Ways of worldmaking"

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Nünning, Ansgar, and Vera Nünning. "Ways of Worldmaking as a Model for the Studyof Culture: Theoretical Frameworks, Epistemological Underpinnings, New Horizons." In Cultural Ways of Worldmaking, edited by Vera Nünning, Ansgar Nünning, Birgit Neumann, and Mirjam Horn, 1–26. Berlin, New York: De Gruyter, 2010. http://dx.doi.org/10.1515/9783110227567.1.

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Salatko, Gaspard. "The worldmaking ways of church bells." In Worship Sound Spaces, 61–76. New York : Routledge, 2020. | Series: [Research in architecture]: Routledge, 2019. http://dx.doi.org/10.4324/9780429279782-5.

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Borders, Max, and Doug Bryan. "Experimental Politics: Ways of Virtual Worldmaking." In Lecture Notes in Computer Science, 432–41. Berlin, Heidelberg: Springer Berlin Heidelberg, 2001. http://dx.doi.org/10.1007/3-540-44617-6_38.

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Mayhew, Robert J. "A Tale of Three Scales: Ways of Malthusian Worldmaking." In The Uses of Space in Early Modern History, 197–226. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137490049_9.

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Mahler, Andreas. "3. New Ways of Worldmaking: English Renaissance Literature as ‘Early Modern’." In Handbook of English Renaissance Literature, edited by Ingo Berensmeyer, 66–88. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110444889-004.

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Gymnich, Marion. "The End of the World (as We Know It)? – Cultural Ways of Worldmaking in Contemporary Post-Apocalyptic Narratives." In Narrative in Culture, edited by Astrid Erll and Roy Sommer, 57–74. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110654370-004.

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Østenstad, Inger. "Literary Worldmaking." In Cultural Ways of Worldmaking, edited by Vera Nünning, Ansgar Nünning, Birgit Neumann, and Mirjam Horn. Berlin, New York: De Gruyter, 2010. http://dx.doi.org/10.1515/9783110227567.245.

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Dawson, Ben. "Worldmaking as Fate." In Cultural Ways of Worldmaking, edited by Vera Nünning, Ansgar Nünning, Birgit Neumann, and Mirjam Horn. Berlin, New York: De Gruyter, 2010. http://dx.doi.org/10.1515/9783110227567.61.

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Neumann, Birgit, and Martin Zierold. "Media as Ways of Worldmaking: Media-specific Structures and Intermedial Dynamics." In Cultural Ways of Worldmaking, edited by Vera Nünning, Ansgar Nünning, Birgit Neumann, and Mirjam Horn. Berlin, New York: De Gruyter, 2010. http://dx.doi.org/10.1515/9783110227567.101.

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Eliassen, Knut Ove. "Remarks on the Historicity of the Media Concept." In Cultural Ways of Worldmaking, edited by Vera Nünning, Ansgar Nünning, Birgit Neumann, and Mirjam Horn. Berlin, New York: De Gruyter, 2010. http://dx.doi.org/10.1515/9783110227567.119.

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Conference papers on the topic "Ways of worldmaking"

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Cavazza, Marc, Jean-Luc Lugrin, Simon Hartley, Paolo Libardi, Matthew J. Barnes, Mikael Le Bras, Marc Le Renard, Louis Bec, and Alok Nandi. "New ways of worldmaking." In the 12th annual ACM international conference. New York, New York, USA: ACM Press, 2004. http://dx.doi.org/10.1145/1027527.1027542.

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