Relevant bibliographies by topics / Weaving Patterns

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Weaving Patterns'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Weaving Patterns"

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UĞURLU, Servet Senem. "THE LINE AND ICONOGRAPHY IN THE TRADITIONAL ANATOLIAN WEAVINGS." Zeitschrift für die Welt der Türken / Journal of World of Turks 13, no. 2 (August 15, 2021): 255–75. http://dx.doi.org/10.46291/zfwt/130213.

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The traditional examples that continue and develop the process in Anatolian weaving are numerous for those who know how to make use of it. In 2013, during the archaeological excavations at Çatalhöyük, it was discovered in the BC. 7000 parts of linen weaving dated to were found. Due to its biological structure, humans have benefited from weaving to protect themselves from adverse weather conditions and to spend their lives more comfortably. Weavings created for natural needs are coloured to influence other people in the society and decorated with various methods. Ornamental elements start with a dot, continue with a line, and finish with colour. Weavings vary according to the cultural values conditions of the society and geographical position. Anatolian people used the line and the motifs they made by making use of the line in the decoration of their weavings. Line is a means of expression that has been used from the earliest periods of human history to the present day. One of the most important values in the cultural, artistic and sociological life of a person is the line. They have visualized pictures of weaving, which is considered a sacred profession, on many surfaces. Line has always been used as a basic element in traditional Anatolian weavings. Weavers transferred the different uses of the line to their weavings. With the arrival of the Yörüks and Turkmens from the Oghuz tribes to Anatolia, Anatolia was enriched with nomadic society weavings. There are linear elements on the basis of ornamentation of nomadic Turkish weavings. Yörük and Turkmen weavers who settled in Anatolia continued the weaving process in Anatolia until recently. In weaving patterns, they generally used line and line-based motifs. In this study; information will be given about line, iconography of line and textural surfaces created by line in Anatolian traditional weavings. Keywords: Anatolian, Weaving, Line, Iconography, Traditional.
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Louise Gould, S. "The Tellem Weavers Meet the Graphing Calculator." Mathematics Teacher 99, no. 4 (November 2005): 230–36. http://dx.doi.org/10.5951/mt.99.4.0230.

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A hands-on activity that explores weaving patterns of the Tellem people. Students can look for patterns and discuss similarities and differences between their classmates' patterns. A graphing calculator program that simulates the weaving pattern is included.
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KILIÇ KARATAY, Semra. "KILIM WEAVING SAMPLES REGISTERED TO THE NIGDE MUSEUM." IEDSR Association 6, no. 15 (September 20, 2021): 113–35. http://dx.doi.org/10.46872/pj.334.

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Weaving is an example of art produced at the end of human need. The samples produced because they were needed first turned into art. It is not known exactly whether the art of weaving started as a carpet or as examples of plain weaving, rug weaving. Throughout history, carpet and rug weaving has developed in connection with each other. Rug weaving samples, which have an important place in Turkish culture, are accepted as source information about the period they were woven and the geography they were woven. Looking at kilim weaving examples, patterns are given with threads of different colors and different weaving techniques are used. Unlike carpet weaving, there is no pile height in weaving. The motifs used in the patterns are generally traditional motifs. Geometric motifs are used more frequently. In rug weaving, unlike carpet weaving, the threads are mostly twisted. Rug weaving samples found in the inventory records in the Niğde museum show that the rug weaving tradition is as old as carpet weaving in Niğde and its surroundings. The aim of this study is to share the information obtained as a written source on the general condition, pattern and color composition properties of the weaving samples in the exhibition hall and warehouse in the museum.
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Minarsih, Minarsih. "KORELASI ANTARA MOTIF HIAS SONGKET DAN UKIRAN KAYU DI PROPINSI SUMATERA BARAT." Humanus 12, no. 1 (June 28, 2013): 1. http://dx.doi.org/10.24036/jh.v12i1.3098.

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This study aims to reveal the relation between carving and weaving products designed by west Sumatran craftsmen. The observation is made based on the motives used in the two products, including structure, position, repetition, and color arrangement of the patterns. The findings reveal that 42 – 65 % carving motives have the same naming in Pandai Sikat weave, while small number of old carving pattern appear in new design. The same motives were also found in weaving products of Kubang (33%) and Silungkang (25%).Based on this finding, it can be concluded that some weaving motives influence the carving motives and vice versa. Key words: handicraft, design, motive, carving, weaving
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Li, Bin, and Qiang Li. "Study on the Relation between the Linked-Pearl Pattern and Weaving Technology in Ancient China." Advanced Materials Research 332-334 (September 2011): 2093–98. http://dx.doi.org/10.4028/www.scientific.net/amr.332-334.2093.

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The linked-pearl pattern on fabric is a key to study on the transformation of the technique from weaving warp-faced patterns to weft-faced patterns in ancient China. However, the previous studies on the linked-pearl pattern on fabric were not very clear, and led to much misunderstanding. Some researchers believed that Chinese weavers did not master the technique of weft-faced patterns until Persian merchants introduced the brocades with a pattern featuring stringed ball into China along the Silk Road. Based on the studies on historical materials and archeological discoveries of the linked-pearl pattern on fabric, we hold that there are positive connections among the linked-pearl pattern, the technique of weaving weft-faced patterns and the draw loom. The dissemination of the linked-pearl pattern prompted the development of pattern design and the wide application of weft-faced pattern on fabric, even the invention of the draw loom which accelerated the development of textile technology in ancient China.
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Yu, Xin Qiu, Li Xia Fan, Hong Xia Zhang, Yu Xian Chen, Pei Lin Yang, and Zhe Feng Wang. "Accessories’ Matching Design Study and Development." Advanced Materials Research 605-607 (December 2012): 304–7. http://dx.doi.org/10.4028/www.scientific.net/amr.605-607.304.

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The style of romanticism is treated as the main garment and the independent development of apparel fabrics as the point cut. The matching design of fashion accessories combined with the patterns, colors, styles, materials, functions and so on. The main manufacturing techniques were the pattern weaving technique, heat transfer digital printing method and weaving and printing combined multiple processing comprehensive approaches. Meanwhile, a set of spring and summer bags and hats were designed, achieved good application effects.
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Hay, Margaret Jean, Peggy Stoltz Gilfoy, and Karl-Ferdinand Schaedler. "Patterns of Life: West African Strip-Weaving Traditions." International Journal of African Historical Studies 22, no. 1 (1989): 137. http://dx.doi.org/10.2307/219241.

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Hoffman, Rachel, and Peggy Stoltz Gilfoy. "Patterns of Life: West African Strip-Weaving Traditions." African Arts 21, no. 2 (February 1988): 15. http://dx.doi.org/10.2307/3336522.

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Bolte, Linda A. "Weaving Plaids Based on (a ± b)2." Mathematics Teaching in the Middle School 12, no. 8 (April 2007): 430–34. http://dx.doi.org/10.5951/mtms.12.8.0430.

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The mathematical basis of weaving designs can be explored by middle-grades students from a variety of traditional perspectives—symmetry, reflections, number patterns, and ratios. However, one unique interaction between weaving pleasing designs and mathematics that was explored in the 1940s and 1950s by Ada K. Dietz offers students a different perspective on the interactions between mathematics and the art of weaving.
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Ningsih, Yosepin Sri. "REVITALISATION OF SUMBA WOVEN INTO FASHION PRODUCT FOR URBAN PEOPLE AS A TARGET MARKET." Serat Rupa Journal of Design 3, no. 1 (January 25, 2019): 61–76. http://dx.doi.org/10.28932/srjd.v3i1.1056.

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One of the areas that has special strength in terms of textile craft is NTT (East Nusa Tenggara) province, which is known for its unique weaving. The peculiarities of NTT woven make several fields such as tourism and political policy subsequently have an influence on the existence of NTT woven. These influences include changes in the function of weaving from adati to economical products, which then have an impact on material changes and methods of using weaving. The material used today is more modern by using threads that can be purchased in the market from imports from other places, while the used of weaving in ritual way has now been cut into ready-made clothes with a more modern form that sometimes produced leftover materials. Departing from these conditions, researchers develop fashion products as revitalization of NTT woven in order to fulfill the consumer needs. The NTT woven that chosen in this case is Sumba woven, because the patterns found in Sumba woven have a higher level of complexity than other NTT woven such as large living forms that are different from woven from other islands with more geometric nuances. The shape and composition of the large patterns and forms associated with myths and living things have been an obstacle for designers in creating cloth from these materials.By using the descriptive qualitative method, minimalism pattern, which is popularized, by Rei Kawakubo and the market research approach then researchers create a fashion concept by optimizing the use of cloth. Hence, researchers can produce fashion product without leaving a weaving parts that has no potential to be processed into other products as well as answering the needs of the market whose has a high appreciation of the weaving process.
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Dissertations / Theses on the topic "Weaving Patterns"

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Eberhardt, Sarah. "Colores Culturales: Weaving Patterns of Education in Guatemala." Cincinnati, Ohio : University of Cincinnati, 2009. http://rave.ohiolink.edu/etdc/view.cgi?acc_num=ucin1242622333.

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Thesis (Master of Architecture)--University of Cincinnati, 2009.
Advisor: Vicent Sansalone. Title from electronic thesis title page (viewed July 27, 2009). Includes abstract. Keywords: culture; tradition; color; weaving; pattern; texture; education; Guatemala; indigenous rights; critical regionalism; rural community. Includes bibliographical references.
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Raver, Debra Marie. "Song weaving| The multivocal performance patterns of Lithuanian Sutartine singers." Thesis, Indiana University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1558015.

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This thesis explores the distinct two-part polyphonic patterning in Lithuanian Sutartines to reveal how singers shape and/or experience their songs as musical weaves. The findings are based on original fieldwork as well as old ethnographic sources, which are (re)examined and interpreted through the lens of metaphor as a methodology.

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Ziaja, Ursula [Verfasser], Brigitte K. [Akademischer Betreuer] Halford, Weertje [Akademischer Betreuer] Willms, and Christian [Akademischer Betreuer] Mair. "Weaving patterns – the function of form in creative German-English poetry translation." Freiburg : Universität, 2020. http://d-nb.info/1211956555/34.

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Long, Mitchell, Thomas C. Jones, and Darrell Moore. "Temporal Factors Affecting Foraging Patterns of a Diurnal Orb-weaving Spider, Micrathena gracilis (Araneae: Araneidae)." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/asrf/2020/presentations/54.

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Many studies have investigated the ecological factors that affect behavior in Micrathena gracilis, a diurnal orb-weaving spider that forages exclusively on flying insects during the day. However, none yet have considered how the temporal distributions of prey and predator occurrences shape their daily behavioral rhythms, especially web construction which involves a heavy energetic investment well in advance of potential nutritional benefit. Recently, other spider species have been found to express significant circadian plasticity, suggesting that circadian clock-controlled rhythms may play a larger role in niche partitioning than once thought. Despite the appearance of significant insect abundance in the evenings, M. gracilis individuals stop foraging, take down their webs, and retreat before they can capitalize on this opportunity. Is the nutritional benefit of this forfeited prey significant compared to what they collect during the day, and if so, what potential cost might justify opting out of this potential gain? To investigate, sticky traps for prey collection and a camera array for recording predator activity were used at a local field site to survey what risks and rewards these spiders face throughout the 24-hour day. Spider activity in a lab environment and web captures in the field were also used to confirm behavioral patterns and nutrient uptake throughout the day. It was found that significant prey biomass is given up shortly after the time that spiders typically retreat, suggesting that the spiders truly forfeit this prey and do not simply retreat due to a gradual decrease in overall prey availability. Spiders reliably cease foraging in the early evening and show agitation throughout the night when not comfortably hidden, suggesting that significant extension of foraging behavior may be harshly punished. However, recorded predation events from the camera array were much rarer than anticipated, and no predation was confirmed in the evening. These results support the notion that these spiders’ circadian rhythms are shaped by factors other than prey availability, but more work is necessary to identify these factors
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Long, Mitchell Davis. "Temporal Factors Affecting Foraging Patterns of a Diurnal Orb-weaving Spider, Micrathena gracilis (Araneae: Araneidae)." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/honors/535.

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Several studies have investigated the ecological factors that affect behavior in Micrathena gracilis, a diurnal orb-weaving spider that forages on flying insects during the day. However, none yet have considered how the temporal distributions of prey and predator occurrences shape their daily behavioral rhythms, especially web construction, which involves a heavy energetic investment well in advance of potential nutritional benefit. Recently, several orb-weaving spider species have been shown to exhibit a variety of abnormal rhythms, suggesting that circadian clock-controlled rhythms may play an unexpected role in behavioral evolution. Despite the appearance of significant insect abundance in the evenings, M. gracilis individuals stop foraging, take down their webs, and retreat before they can capitalize on this opportunity. Is the nutritional benefit of this forfeited prey significant compared to what they collect during the day, and if so, what potential cost might justify opting out of this potential gain? To investigate, sticky traps for prey collection and a camera array for recording predator activity were used at a local field site to survey what risks and rewards these spiders face throughout the 24-hour day. Spider activity and web captures in the field were also used to confirm behavioral patterns and capture success throughout the day. It was found that spiders begin foraging when prey becomes available but cease while prey is still abundant. These observations appear to support a theoretical model of behavioral decisions under predation risk. However, recorded predation events were rare, and predation was not confirmed outside of the foraging timeframe. These results support the notion that the circadian rhythm of Micrathena gracilis is shaped by factors other than prey availability, but the theoretical pressure from predation risk requires further investigation.
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Watts, James C. "Diel Patterns of Foraging Aggression and Antipredator Behavior in the Trashline Orb-weaving Spider, Cyclosa turbinata." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etd/2334.

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Few studies have rigorously assessed the adaptive value of diel rhythms in animals. We laid the groundwork for assessing the adaptive rhythm hypothesis by assaying diel rhythms of foraging and antipredator behavior in the orb-weaving spider Cyclosa turbinata. When confronted with a predator stimulus in experimental arenas, C. turbinata exhibited thanatosis behavior more frequently and for longer durations during the day. However, assays of antipredator response within webs revealed more complex diel patterns of avoidance behaviors and no pattern of avoidance behavior duration. Assays of prey capture behavior found that the likelihood of exhibiting prey capture behavior varied significantly across times of day and test subjects, but only test subject predicted attack latencies. Although C. turbinata foraging aggression changed over the diel cycle, we found no evidence of a trade-off between foraging behavior and predator vigilance. However, overall patterns of vigilance may be masked by diel changes in antipredator strategies.
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Watson, Sarah B. "Simple Complexities." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4085.

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Artist Statement The organic patterns all around me are what intrigues and inspires my textile, glass, and painting compositions. I find beauty within the natural growth patterns of things both large and small. My work references the reverberated growth processes in living things from the macroscopic observation of a plant to the microscopic viewpoint of its cells. Like the beauty found within these organic configurations, my process begins with creating serendipitous marks with a reference to natural patterns. Then, I intuitively respond to what I see in front of me. As I work, I use repetitious lines and shapes and a vibrant, non-naturalistic color palette. My choices of colors are personally motivated, and the combinations and manipulations are intuitive. Pattern and color are both visual languages that affect individuals differently. While my use of both is in response to my own experiences, my works allow the viewer to respond and connect in their own way.
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Hemström, Mirjam. "The Metamorphosis of Weaving." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-25173.

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There is a link between the tactile and optical modes of perception. Woven textiles’ materiality and ability to take three dimensional form, make them a good medium for creating shapes containing several pattern scales and textures. By conciously working with tactile-visual qualities and aesthetics one can achieve the most powerful effects, and in turn, the textile can take the role of a sensation director. By interpreting Kasuri with large scaled threads on a computerized hand loom and in space, an exploration of details and spatial installation can be conducted simultaneously. The five examples developed in this project demonstrate different approaches to dimensional hand weaving, intending to build a better understanding of micro and macro spatial features in woven textiles. Significantly, the project challenges the scale of hand weaving as well as the design process: stretching from thread to dimensional weave empowers the designer. By highlighting crafted details on a large scale, a sequence of events can be discerned that makes the spectator aware of quality and of the production process. Parallels between the body of work and our perception of lines and interspaces are drawn as an attempt to refine our relation to the objects around us.
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Maschke, Christina. "The patterned thread : new textiles inspired by ikat." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-11471.

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The work of this MA thesis develops a new approach to hand weaving in which the design process is led by the technique of resistant dyeing. The process is inspired by the visual properties of traditional ikats. It follows the technical ikat procedure of primary resistant dyeing and subsequently weaving. Whithin the research a new way of weaving is explored in which the dyed thread dictates the weaving process and therefore influences the weaving motif. In addition different design variables such as material, binding pattern and finishing are used to push forward the developed concept. The aim of this work is to explore new aesthetic expressions between regular and irregular motifs through the application of design thinking. The result presents an innovative approach in the ikat technique in order to create random distributed patterns and how they can be already influenced in the stage of yarn preparation.
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Smith, Meagan E. "Liquid Rhythms." Kent State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=kent1619439658448214.

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Books on the topic "Weaving Patterns"

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Best, Eleanor. Patterns for weaving. Indianapolis: Bestudio, 1996.

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Best, Eleanor. Patterns of weaving. Indianapolis: Bestudio, 1996.

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Indonesian, Textile Symposium (1991 Basel Switzerland). Weaving patterns of life. [Basel], Switzerland: Museum of Ethnography Basel, 1993.

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Regensteiner, Else. Geometric design in weaving. West Chester, Pa: Schiffer Pub., 1986.

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Apinis-Herman, Anita. Latvian weaving techniques. Kenthurst, Australia: Kangaroo Press, 1993.

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Hansen, Egon H. Tablet weaving: History, techniques, colours, patterns. Højbjerg, Denmark: Hovedland Publishers, 1990.

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Sullivan, Donna L. Weaving overshot: Redesigning the tradition. Loveland, Colo: Interweave Press, 1996.

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James, Holmes. Manuscript notes on weaving. Nashville, Tenn. (212 Vaughn's Gap Rd., Nashville 37205): Tunstede, 1985.

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Windeknecht, Margaret B. Creative overshot. Coupeville, WA: HTH Publishers, 1985.

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Lang-Harris, Elizabeth. Hex weave & mad weave: An introduction to triaxial weaving. Atglen, PA: Schiffer Pub. Limited, 2014.

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Book chapters on the topic "Weaving Patterns"

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Pach, J., R. Pollack, and E. Welzl. "Weaving patterns of lines and line segments in space." In Algorithms, 439–46. Berlin, Heidelberg: Springer Berlin Heidelberg, 1990. http://dx.doi.org/10.1007/3-540-52921-7_93.

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Boulain, Philip, Nigel Shadbolt, and Nicholas Gibbins. "Studies on Editing Patterns in Large-scale Wikis." In Weaving Services and People on the World Wide Web, 325–49. Berlin, Heidelberg: Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-642-00570-1_16.

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Basu, Saugata, Raghavan Dhandapani, and Richard Pollack. "On the Realizable Weaving Patterns of Polynomial Curves in $\mathbb R^3$." In Graph Drawing, 36–42. Berlin, Heidelberg: Springer Berlin Heidelberg, 2005. http://dx.doi.org/10.1007/978-3-540-31843-9_5.

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Liu, Miao, Chenyue Wang, and Jiale Zhou. "Study on the Development of Ruichang Bamboo Weaving Patterns Based on Computer Graphics and Machine Learning." In Culture and Computing, 371–85. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-50267-6_28.

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Sen, Asoka Kumar. "Weaving the demographic pattern." In The Making of a Village, 45–71. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge India, 2020. http://dx.doi.org/10.4324/9780429353598-4.

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Teles e Cunha, João, and Maria João Ferreira. "Weaving a Global Trade Pattern: The Portuguese Role in the Globalisation on Asian Textiles, 1500–1800." In Palgrave Studies in Comparative Global History, 217–59. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-69666-5_8.

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Dasgupta, Subrata. "Weaving Algebraic Patterns." In It Began with Babbage. Oxford University Press, 2014. http://dx.doi.org/10.1093/oso/9780199309412.003.0006.

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The Analytical Engine has a startling place in the history of computing. To the best of our knowledge, no machine had ever before been conceived along its lines. More remarkably, some of its key principles of design would actually be reinvented a century later by people who were, apparently, ignorant of it. If imitation is the sincerest form of flattery, then so is re invention or re discovery, at least when born from ignorance. It tells us much about how ahead of one’s time the original creator was. This reinvention of Babbage’s idea was particularly poignant because it would become the fount of fruitful and rich phylogenetic pathways in the later evolution of the digital computer and the emergence of computer science. Dissatisfaction is a prime generator of the creative urge, dissatisfaction with the status quo and the desire to change it to something better. Charles Babbage was unhappy with the waste of human mental labor in computing mathematical tables, which led to his desire to free human beings from this tedium—hence, the Difference Engine. However, the Difference Engine produced its own discontent. As Luigi Frederico Menabrea (1809–1896), an Italian military mathematician (and, later, prime minister of Italy) would explain apropos the Difference Engine, its use was limited to one particular kind of computation. It could not be applied to the solution of “an infinity of other questions” of interest to mathematicians. It was this limitation and the attendant discontent that led Babbage to conceive the machine he called the Analytical Engine, the operation of which he believed would encompass the full range of algebraic problems. The Difference Engine was not general enough. Babbage desired a computing engine that could range over the whole of “mathematical analysis.” As he explained in a letter to the Earl of Rosse, then president of the Royal Society, his Analytical Engine would have the power to perform the “most analytical complicated operations.” Here, then, is Babbage’s promise: a mathematical machine with “nearly unlimited” powers. Babbage’s name for his new machine is significant.
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Kovačević, Stana, and Ivana Schwarz. "Weaving Complex Patterns — From Weaving Looms to Weaving Machines." In Cutting Edge Research in Technologies. InTech, 2015. http://dx.doi.org/10.5772/61091.

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Matthews, Ron. "Drawing Threads, Weaving Patterns." In The Political Economy of Defence, 476–80. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781108348058.021.

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"Conclusion - Weaving new patterns of resilience." In State of the World’s Volunteerism Report, 96–126. UN, 2018. http://dx.doi.org/10.18356/9ab1da90-en.

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Conference papers on the topic "Weaving Patterns"

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Romero, María Camila, Mario Sánchez, and Jorge Villalobos. "Weaving Business Model Patterns - Understanding Business Models." In 18th International Conference on Enterprise Information Systems. SCITEPRESS - Science and and Technology Publications, 2016. http://dx.doi.org/10.5220/0005838104960505.

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Frey, Frank J., Roland Bijvank, and Michael Pöttker. "Weaving in patterns into it infrastructure models." In EuroPLoP 2015: 20th European Conference on Pattern Languages of Programs. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2855321.2855350.

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Helmer, Sven, and Vuong Minh Ngo. "A Similarity Measure for Weaving Patterns in Textiles." In SIGIR '15: The 38th International ACM SIGIR conference on research and development in Information Retrieval. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2766462.2767735.

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Rizki, Yoze, Reny Medikawati Taufiq, Harun Mukhtar, Febby Apri Wenando, and Januar Al Amien. "Comparison Between Faster R-CNN and CNN in Recognizing Weaving Patterns." In 2020 International Conference on Informatics, Multimedia, Cyber and Information System (ICIMCIS). IEEE, 2020. http://dx.doi.org/10.1109/icimcis51567.2020.9354324.

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Ichimura, Yohei, and Hideki Aoyama. "Digital Design Method of Dyeing Patterns Based on Kansei." In ASME 2017 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/detc2017-67244.

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Dyeing involves fixing a dye on a cloth, or creating a dyeing pattern. Because dyeing patterns depend on the physical properties of fibers, dyes, and dyeing technique that are employed, predicting a finished dyeing pattern is difficult even for artisans. Because dyeing is an irreversible phenomenon that requires a lot of time, to accurately predict a completed pattern would improve the efficiency of dyeing and reduce its costs. In this paper, we propose a digital method for designing dyeing patterns based on a simulation of the dyeing process. Dyeing experiments was conducted to model dyeing process accurately. From experiments, we defined the dyeing process is combination of two phenomena: capillary phenomenon and diffusion phenomenon. In the proposed method, integrated these two phenomena by using the cellular automaton method and generate dyeing patterns that produce different results depending on the pattern-generating parameters. The thickness of yarn and spaces between yarns in fabric is not uniform because of the influence of spinning and weaving. Therefore, in the proposed method, we use the fluctuation property, which is inherent in nature, to generate a dyeing pattern that preserves a natural impression. Based on the simulation of the proposed dyeing process, we developed a system that generates patterns based on KANSEI. Associating KANSEI with pattern generation parameters produces dyeing patterns that exhibit the required impressions (KANSEI) for the generated dyeing patterns. Based on this development method, we constructed a basic system for pattern generation and verified the effectiveness of the method.
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Baglietto, Pierpaolo, Massimo Maresca, Michele Stecca, Antonio Manzalini, Roberto Minerva, and Corrado Moiso. "Analysis of design patterns for composite telco services." In 2010 14th International Conference on Intelligence in Next Generation Networks (ICIN): "Weaving Applications Into the Network Fabric". IEEE, 2010. http://dx.doi.org/10.1109/icin.2010.5640904.

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Skalitzky, Amanda, Austin Gurley, David Beale, and Kyle Kubik. "Design and Analysis of SMA Woven Fabric." In ASME 2018 Conference on Smart Materials, Adaptive Structures and Intelligent Systems. American Society of Mechanical Engineers, 2018. http://dx.doi.org/10.1115/smasis2018-8206.

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Shape Memory Alloys (SMAs) are often used for robotic, biomedical, and aerospace applications because of their unique ability to undergo large amounts of stress and strain during thermomechanical loading compared to traditional metals. While SMAs such as NiTi have been used in wire, plate, and tubular forms, NiTi as a woven dry fabric has yet to be analyzed for use as protective materials and actuators. Applications of SMA fabric as a “passive” material include shields, seatbelts, watchbands and window screens. Applications as an “active” material include robotic actuators, wearable medical and therapy devices, and self-healing shields and screens. This paper applies a macro-mechanical model from composites analysis to NiTi plain woven fabric to determine the effective elastic constants. The fabric model is based on actual weave geometry, including the presence of open gaps and wire cross-sectional area, and with the same diameter and alloy in the warp and weft. A woven NiTi ribbon has been manufactured (Figure 1) using a narrow weaving machine and has been tested in uniaxial tension. Planar fabric constants were measured at a range of temperatures. The analytically and experimentally derived constants for various weave patterns and cover factor combinations are presented and compared. It was determined that in uniaxial tension the fabric behaves like a collection of unidirectional wires, but has 78% of the rigidity, on average, across all test temperatures. This result is predicted by the fabric model with a 16% error, demonstrating that the proposed analytical model offers a useful tool for design and simulation of SMA fabrics.
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Meda, Shashwath, Erwin Boer, Nicolas Ward, Gregory Book, Michael Stevens, Catherine Boyle, Muhammad Mubeen, and Godfrey Pearlson. "Longitudinal Effects of Acute Cannabis Exposure on Automobile Driving Behavior in a Naturalistic Simulated Environment." In 2020 Virtual Scientific Meeting of the Research Society on Marijuana. Research Society on Marijuana, 2021. http://dx.doi.org/10.26828/cannabis.2021.01.000.21.

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Background: Driving is a complex day-to-day activity that employs a variety of cognitive and psychomotor functions in harmony, many of which are known to be affected acutely by CNB intoxication which could in turn pose a significant public health risk. The recent legalization of both recreational and/or medicinal marijuana in several states has thus created an urgent need to better understand the effects of CNB on such functions in the context of driving. The present study employs a longitudinal, double-blind, placebo- 2 active dose study to investigate the effects of CNB on a variety of driving-related behaviors in a controlled, naturalistic simulated environment. Methods: The current study employed N=37 subjects (N=25 male, frequent cannabis users, mean age 24.25+7.01), each exposed to a placebo, low and high dose of CNB on three separate days. On each day, following a single acute inhaled 0.5 g dose of either 0%, 3% or 5-7% of THC via a desktop vaporizer, subjects drove a virtual driving simulator (RTI SimVehicle platform) three times inside an MRI scanner and once out of scanner, randomized, and dispersed throughout an eight hour daily period. During each driving session three distinct real time behavioral tasks corresponding to lane-keeping following simulated wind gusts (operational), lead car following (tactical) and safe overtaking (strategic) were assessed and corresponding behavioral data were computed using custom Matlab scripts. Data were analyzed using a mixed model framework in SPSS v24 which included dose, session, instrument (desktop v MRI), dose*session, dose*instrument and session*instrument as primary factors, covarying for age and sex. Results: Intoxicated subjects made significantly fewer gas pedal corrections (p<0.02) during the car following task and similarly fewer corrections to the steering reversal rate (p<0.02) during the lane weaving task, suggesting reduced awareness under the influence of cannabis. In addition we found that several variables showed significant differences in terms of estimates captured throughout the day suggesting that overall risk taking lessened as the day progressed and CNB effects wore off. Also, data trends suggested that under the high dose subjects took longer to return to baseline from their ‘impaired’ driving patterns. Key metrics that showed such significant daily effects included mean headway (p<0.001) and time to collision (p=0.02) from the car following task, deviation of lane position (p=0.03) from the lane weaving task, median gap (p=0.02) and overtaking speed (p=0.02) from the overtaking task. Although many driving measurements differed depending on whether driving was done in MRI or at a desktop setting, these differences had no relationship to different drug dose levels. Conclusion: In summary, key driving functions affected under higher doses of CNB largely agreed current cross sectional literature. Generally, largest impairments in driving behavior seemed to occur within 1-4 hours after drug exposure, which might have important implications for real life driving situations. Our preliminary analyses yield numerous metrics that changed throughout the day, suggesting broad-based impairment on many metrics commonly used to quantify driving performance and risk.
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Boonsirisumpun, Narong, and Wichai Puarungroj. "Loei Fabric Weaving Pattern Recognition Using Deep Neural Network." In 2018 15th International Joint Conference on Computer Science and Software Engineering (JCSSE). IEEE, 2018. http://dx.doi.org/10.1109/jcsse.2018.8457365.

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Tinghui Zhou, Yong Jae Lee, Stella X. Yu, and Alexei A. Efros. "FlowWeb: Joint image set alignment by weaving consistent, pixel-wise correspondences." In 2015 IEEE Conference on Computer Vision and Pattern Recognition (CVPR). IEEE, 2015. http://dx.doi.org/10.1109/cvpr.2015.7298723.

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