Log in

Relevant bibliographies by topics / Web dance

Contents

Journal articles
Dissertations / Theses
Books
Book chapters
Conference papers

Academic literature on the topic 'Web dance'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Web dance.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Web dance"

1

Jisun Lee. "Digital Mediality in Web Dance." Korean Journal of Dance Studies 40, no. 1 (2013): 107–29. http://dx.doi.org/10.16877/kjds.40.1.201301.107.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Koten, Irianto Liko, and Cokorda Rai Adi Pramartha. "Semantic Representation of Balinese Traditional Dance." JELIKU (Jurnal Elektronik Ilmu Komputer Udayana) 8, no. 4 (2020): 411. http://dx.doi.org/10.24843/jlk.2020.v08.i04.p07.

Full text

Abstract:

Bali is an island in Indonesia that is rich in culture, for example, is a traditional dance. The traditional dance performance is diverse from one village to another village in Bali. The traditional Balinese dance knowledge should be captured dan documented well in a digital form so that it can be shared easily to different people and generation across the world. The use of ontology as an information representation technique is the preferred solution in this matter because ontology can be used to enhance the development of semantic applications, especially when dealing with semantic webs. In this project, the ontology was built using Protege ontology development tool. We follow the methontology ontology development method where this methodology clearly describes each of its activity. In this study, we focus to describe two variants of Balinese traditional dance (Barong dance and Pendet dance). In the future, we expect that more type of dance can be documented using our proposed ontology. Keywords: Balinese Dance, Ontology,Semantic Web

APA, Harvard, Vancouver, ISO, and other styles

3

Rahayu, Tuti, and Sitti Rahmah. "Innovation of Learning Device and Learning Media of Web-Based Nias Dance Techniques in Students of Dance Education Program of Art and Language Faculty in State University Of Medan (UNIMED)." Budapest International Research and Critics Institute (BIRCI-Journal) : Humanities and Social Sciences 2, no. 4 (2019): 461–68. http://dx.doi.org/10.33258/birci.v2i4.604.

Full text

Abstract:

Nias Dance Technique is one of the subjects included in the Presentation group, but the learning belongs to the education group. The aim is to innovate learning tools and web-based instructional media on Nias dance technique for students of Dance Program of Art and Language Faculty in State University of Medan. The type of research used is research and development (R&D). R&D is a research method used to produce certain products, and test the effectiveness of these products. The results of this study are that the Learning Tools and instructional media are to facilitate students in learning Nias Dance through web schology in the Department of Sendratasik. Learning device innovation consists of KKNI curriculum starting from RPS, LK, Assessment Rubric, Teaching Materials, VCD with dance material No Tatema Mbola.

APA, Harvard, Vancouver, ISO, and other styles

4

Milovanović, Dara. "Popular Dance as Archive: Re-imagining Keeps the Fosse Aesthetic Preserved." Dance Research 38, no. 2 (2020): 255–70. http://dx.doi.org/10.3366/drs.2020.0312.

Full text

Abstract:

Bob Fosse's instantly recognisable iconographic style and visual aesthetic has often been quoted in music videos, TV shows, and films featuring dance, such as videos by Paula Abdul, Michael Jackson, and Beyoncé. Using Fosse's screendance as a focal point for analysis, this essay seeks to illustrate the dynamics with which subsequent cultural capital of examples of screendance creates a multivocal archive that blends choreographic and screen histories. The idea that popular dance on screen creates an alternative form of archival records challenges the traditional notion of archive as a collection of artefacts by concentrating on works by various artists that quote, borrow and recycle previously available works of popular dance on screen. Quoting and referencing previous dance works, although problematic in terms of copyright and authorship, creates an active process for historical archiving that brings choreographic style and aesthetic to contemporary audiences adjusted to the current socio-political needs of the audience and technological possibilities. Artists reclaim and reformulate the existing repertory to their own political and economic needs therefore creating a regenerative ideology of the way popular dance re-interprets the dances for the given time, space, and context. The examples of dance videos discussed in this essay act as an interpretation of numerous references found in popular culture and therefore challenge the rigid tropes of dance creators as sole producers of dance material and the meanings communicated. Directing attention on to the dance and the corporealities of dancers further questions ideas of authorship as it recognises the bodily history as a fundamental part of web of meanings presented in dance.

APA, Harvard, Vancouver, ISO, and other styles

5

Hansen, Carol. "INTERNET RESOURCES: Dance: A guide to Web resources." College & Research Libraries News 63, no. 11 (2002): 776–79. http://dx.doi.org/10.5860/crln.63.11.776.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Anderson, Jon D. "Dance, Technology, and the Web Culture of Students." Journal of Dance Education 12, no. 1 (2012): 21–24. http://dx.doi.org/10.1080/15290824.2011.621375.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Risner, Doug. "History of Dance, 2nd Edition with Web Resource." Journal of Dance Education 18, no. 3 (2018): 141. http://dx.doi.org/10.1080/15290824.2018.1448964.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Sekarningsih, Frahma, Agus Budiman, and Gaung Rizki Gustiaji. "Wix Web-Based Dance Learning Media to Support Teaching in The Pandemic Era in High School." Harmonia: Journal of Arts Research and Education 21, no. 1 (2021): 178–91. http://dx.doi.org/10.15294/harmonia.v21i1.27420.

Full text

Abstract:

This study intends to develop and design a web for dance learning for high school students. This design-based research focuses on two problems, namely (1) the concept of a dance website design which is expected to be suitable for use as a medium for learning dance in the current pandemic era, and (2) the effectiveness of the dance website that is developed as a digital literacy source that can be used as a medium for learning dance in senior high schools. The research method used in this research is design-based research (DBR) with research stages that include design process, design development, evaluation, and design revision. Data collection techniques were carried out by interview and document study. Data analysis was carried out by combining qualitative and quantitative methods. The results show that the website design developed is relevant to the needs and online-based student learning methods needed during the current Covid-19 pandemic. After going through the validation and testing process, the website design developed can be applied properly. The website developed is easily accessible by students and teachers to support the implementation of dance learning that takes place online. Access mechanisms, material structure, content, and existing supporting features can be used as a means of technology literacy education for students.

APA, Harvard, Vancouver, ISO, and other styles

9

Jeong, Mi-Ran. "Comparative Study of Internal Dance Troupes' Web Sites Contents." Journal of the Korea Contents Association 7, no. 10 (2007): 311–20. http://dx.doi.org/10.5392/jkca.2007.7.10.311.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Rahman, Munjulika. "Price of Gold and Light: Power and Politics in Hey Ananta Punya." Congress on Research in Dance Conference Proceedings 2011 (2011): 29–34. http://dx.doi.org/10.1017/s014976771100026x.

Full text

Abstract:

Hey Ananta Punya, a dance-drama adapted and choreographed by the Bangladeshi choreographer Warda Rihab was performed in Kolkata, India, in December 2009. Rihab plays the main character Srimoti, a dancer at the court of King Ajatashatru. Srimoti embraces Buddhism but is not allowed to practice since Ajatashatru decrees Hinduism to be the state religion. In the narrative, Hinduism, the predominant religion of India, represses Buddhism, which is a minority religion in the subcontinent. Even though on the surface the dance-drama deals with Hinduism and Buddhism, the performance is complicated by the knowledge that the choreographer and most of the performers are Bangladeshi Muslims. In the context of Hindu-Muslim conflicts and India's political and economic hegemony in South Asia, the performance can be considered as a critique of India's policies. In considering the choreographer's background and the dance-drama's narrative, aesthetics, and location of performance, I analyze the various structures of power that a Bangladeshi female choreographer operates within during her training and performance in India. Hey Ananta Punya is significant because it points to the complex web of issues involving politics, history, and religion that have been a part of dance in Bangladesh for the past few decades because of India's influence in the field, particularly through Indian-government scholarships for advanced dance training. In the paper, I use Michel Foucault's theory of power as systems of interrelated networks and knowledge as a system of power to show how dance as a form of embodied knowledge can function as a tool in shaping, disseminating, and expressing ideology.

APA, Harvard, Vancouver, ISO, and other styles

More sources

Dissertations / Theses on the topic "Web dance"

1

Hughes-Freeland, Felicia. "The search for sense dance in Yogyakarta /." Thesis, Online version, 1986. http://bibpurl.oclc.org/web/25886.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Nielsen, Eric Douglas 1977. "Web-tools for streamlining ballroom dance competition management." Thesis, Massachusetts Institute of Technology, 2003. http://hdl.handle.net/1721.1/29703.

Full text

Abstract:

Thesis (M.Eng.)--Massachusetts Institute of Technology, Dept. of Electrical Engineering and Computer Science, 2003.<br>Includes bibliographical references (p. 465).<br>This thesis presents the design and development of the initial offerings in a potential suite of computer aids for ballroom dance competitions. The suite of tools is known by the name CompinaBox; while the initial module which handles on-line registration for competitions is named SlidingDoors. The tools have been developed using the PHP programming language a scripting language that is easily embeddable within the HTML used to create web-pages. The PostGreSQL database system is used to handle all data storage requirements. The registration component was selected as the initial tool because it provides the data needed by practically all of the other possible tools. SlidingDoors has been coded from scratch twice, under two radically different coding methodologies. The first was in accordance with "common" web-programming views and a completely dynamic page generation model. The second was along the more traditional software engineering model and used more static page generation. As the story of the tool development unfolds, trade-offs between the two approaches are discussed.<br>by Eric D. Nielsen.<br>M.Eng.

APA, Harvard, Vancouver, ISO, and other styles

3

Mandan, Sherry. "Accessing the Neuromyofascial Web| Embodied Pathways to Healing in Dance/Movement Therapy." Thesis, Pacifica Graduate Institute, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=13425074.

Full text

Abstract:

<p> The dance space is the warming hearth of the dancer’s heart and the active landscape in which the moving body plays, feels, and apprehends. This practice-led research study emerged from this somatic landscape assembling itself into a work choreographed around the motif of the neuromyofascial web as the architecture of the physical body and the conservator of its emotional life. A depth psychological perspective is employed to examine the fascial web’s influence on the retrieval of psychoactive content supporting the dance/movement therapy participant’s individuative process. The neuromyofascial web is explored through its restorative dynamics, stabilizing the physical body and releasing transformational content within the emotional body through the informing power of authentic movement. The tensegral nature of architectural design and the biotensegrity of the neuromyofascial web are evaluated as a therapeutic complement to the activities of dance/movement therapy, expanding the application of its principal protocols. A psychophysical analysis of the methodologies employed by American modern dance pioneers reveals their instinctual reliance on the neuromyofascial web and affirms authentic movement’s ancestral roots employed in the depth family of somatic therapies available today. Aspects of practice led research inspired a diagrammatic representation of the defining elements within kinesthetic experience and encouraged the creation of a movement manual for dance/movement therapists supporting the integration of movement and meaning. </p><p>

APA, Harvard, Vancouver, ISO, and other styles

4

Andersen, Poul. "Taoist ritual texts and traditions with special reference to 'bugang', the cosmic dance." Online version, 1991. http://bibpurl.oclc.org/web/29968.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Brakel-Papenhuijzen, Clara. "The sacred bedhaya dances of the kratons of Surakarta and Yogyakarta." Voorburg : Departement van Onderwijs en Wetenschappen, 1988. http://bibpurl.oclc.org/web/23835.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Santos, João Francisco Silva Caeiro dos. "Relational navigation and archiving of multimedia information for contemporary dance." Master's thesis, Faculdade de Ciências e Tecnologia, 2012. http://hdl.handle.net/10362/8449.

Full text

Abstract:

Dissertação para obtenção do Grau de Mestre em Engenharia Informática<br>Technology continues to evolve at an incredible rate and with it, the number of people adhering to new digital trends. As the production of multimedia content such as photographs and videos becomes accessible to more people every year, so does the amount of digital content increase exponentially. Consequently, it becomes a hard task to create systems in order to provide efficient storing and browsing of multimedia content. Multimedia Web archives are one of the most popular solutions found for these issues. By providing organized and connected information storage with efficient browsing and social networking features, these systems become the main platforms used to store and share photographs and videos in the internet. This work is done in the scope of the TKB project: Transmedia Knowledge Base for Contemporary Dance and the goal of this thesis is to develop a system for multimedia information storage and relational content navigation. The analysis of multimedia archiving systems done throughout this thesis extends to those specific for Contemporary dance as it is one of the main focus of the work. The contents which will be integrated in the archive include typical multimedia information such as images and videos, as well as annotated videos exported from specific platforms. Connecting all the information within the archive through taxonomy and content hierarchy allows the definition of the intended relational approach. Setting connections between content and users allow the creation of graphs, which will serve as a basis for all the browsing, navigation and searching done throughout the system.<br>TKB project- A Transmedia Knowledge Base for contemporary dance(PTDC/EAT-AVP/098220/2008)

APA, Harvard, Vancouver, ISO, and other styles

7

Chemello, Alessandra. "Webarte (em detalhes): o processo de recepção da obra de Webdança 96 Détails, da Cia. Mulleras." Universidade do Vale do Rio do Sinos, 2009. http://www.repositorio.jesuita.org.br/handle/UNISINOS/2652.

Full text

Abstract:

Made available in DSpace on 2015-03-05T18:25:05Z (GMT). No. of bitstreams: 0 Previous issue date: 29<br>Nenhuma<br>Esta pesquisa trata da webarte, modalidade artística que dialoga com os preceitos da arte e das tecnologias digitais de comunicação em rede, focalizando a reconfiguração do papel do receptor/usuário na composição das relações entre artista, obra e público. Tem como objetivo geral investigar o processo de recepção da obra de webdança 96 Détails, criada pela Cia. Mulleras, buscando compreender como se efetiva a participação do usuário neste processo. Para dar conta deste objetivos foram trabalhadas, teórica e metodologicamente, as seguintes dimensões, constituintes desse processo comunicacional e artístico: a obra, o(s) artista(s) e o receptor, que nesse contexto é referido como usuário. O arcabouço teórico foi constituído por conceitos dos campos da Arte e da Comunicação, buscando adequá-los à compreensão dos aspectos requeridos pelo problema, relacionados ao universo híbrido da webarte e, mais especificamente da webdança e à sua recepção. A interatividade, nesse recorte, foi pensada como a especificidade que<br>This study deals with web art, an artistic modality that interacts with the concepts of art and digital technologies of network communication, focusing on the reconfiguration of the role of receiver/user in the development of relationships between artist, work and audience. The general aim is to investigate the reception process of the web dance work 96 Détails, created by Cia. Mulleras, as an attempt to understand how the participation of the user in this process takes place. To reach such objective, the following dimensions, which are part of this communicational and artistic process, are theoretically and methodologically discussed: the work, the artist(s) and the receiver, which is referred to as user. The theoretical background was comprised of Art and Communication concepts, aiming to adequate them to the understanding of aspects required by the problem, related to the hybrid universe of web art and, more specifically, web dance and its reception. Interactivity, in such context, was thought of as the s

APA, Harvard, Vancouver, ISO, and other styles

8

Ayca, Aykut. "Development Of A Web Gis-based Tsunami Inundation Mapping Service." Master's thesis, METU, 2012. http://etd.lib.metu.edu.tr/upload/12614404/index.pdf.

Full text

Abstract:

Tsunamis, as the catastrophic disasters, can cause loss of live and property when they come to the shores. Preparation of emergency plans is essential to reduce the damage. Consequently, any initiative in tsunami modeling and inundation mapping is of vital importance for progressing safety surveillance and maintenance. In an effort to achieve a thorough analysis of effect of tsunami, it is critical to estimate the geographical extent of possibly affected area and to predict tsunami impacts. The inundation mapping system also must serve to manage the simulation data in a scalable environment to reach end-users in the time of event. For this purpose, in this study, the generation of a Web based Geographic Information System (GIS) to serve inundation maps through web. The research methodology consists of four main stages: (i) simulating tsunamis based on six different scenarios (ii) processing simulation data through a GIS application<br>(iii) development of web interfaces and implementation of the developed model for Web-GIS application<br>(iv) verification of the created model for Marmara Sea Region. The proposed system is expected to be an efficient tool for improving inundation mapping efforts for expected tsunamis in Turkey.

APA, Harvard, Vancouver, ISO, and other styles

9

Harlig, Alexandra M. "Social Texts, Social Audiences, Social Worlds: The Circulation of Popular Dance on YouTube." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1557161706452516.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Verdonk, Peter. "How can we know the dancer from the dance ? : some literary stylistic studies of English poetry /." [S.l.] : P. Verdonk, 1988. http://catalogue.bnf.fr/ark:/12148/cb35014160c.

Full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Books on the topic "Web dance"

1

Asaro, Catherine. The veiled web. Bantam Books, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

The veiled web. Bantam Books, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

A, Ferguson Douglas, and Eastman Susan Tyler, eds. Broadcast/cable/web programming: Strategies and practices. 6th ed. Wadsworth/Thomson Learning, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Long shi wen hua yu long shi yun dong. Hubei ren min chu ban she, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Long shi yun dong li lun yu shi jian: Shou jie quan guo long shi lun wen bao gao hui lun wen zhuan ji. Hunan shi fan da xue chu ban she, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Itinerari nella letteratura italiana: Da Dante al web. Carocci editore, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Zhongguo chuan tong wen hua yu wu dao. Zhongguo she hui ke xue chu ban she, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Hawk, Red. The Sioux dog dance: Shunk ah weh : poems. Cleveland State University Poetry Center, 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Zhongguo wu dao jia xie hui, ed. Shou jie Zhongguo wu dao jie wen lun ji. Zhongguo wen lian chu ban she, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Zhongguo wu dao tong shi: Gu dai wen wu tu lu juan = A history of Chinese dance. Shanghai yin yue chu ban she, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "Web dance"

1

El Raheb, Katerina, Theofilos Mailis, Vladislav Ryzhikov, Nicolas Papapetrou, and Yannis Ioannidis. "BalOnSe: Temporal Aspects of Dance Movement and Its Ontological Representation." In The Semantic Web. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58451-5_4.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Rietveld, Hillegonda C. "Spinnin’: Dance Culture on the World Wide Web." In The Media in Britain. Macmillan Education UK, 1999. http://dx.doi.org/10.1007/978-1-349-27556-4_25.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Yang, Yang, Howard Leung, Lihua Yue, and Liqun Deng. "Automatically Constructing a Compact Concept Map of Dance Motion with Motion Captured Data." In Advances in Web-Based Learning – ICWL 2010. Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-17407-0_34.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Pastor, John. "The Dance of Hare and Lynx at the Top of the Food Web." In What Should a Clever Moose Eat? Island Press/Center for Resource Economics, 2016. http://dx.doi.org/10.5822/978-1-61091-678-3_15.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Vollhaber, Tomas. "»Sur le pont d'Avignon, on y danse, on y danse, sur le pont d'Avignon, on y danse tous en rond«." In Wem gehört die Gebärdensprache? transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839454558-003.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Seibt, Gustav. "Ich-Erzähler Wer spricht bei Dante?" In Das Lexikon der offenen Fragen. J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05468-5_44.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

"Designing an audio web site." In The Dance Music Manual. Routledge, 2012. http://dx.doi.org/10.4324/9780080470306-28.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Kontogeorgakopoulos, Alexandros, Robert Wechsler, and Wendy Keay-Bright. "Camera-Based Motion Tracking and Performing Arts for Persons with Motor Disabilities and Autism." In Disability Informatics and Web Accessibility for Motor Limitations. IGI Global, 2014. http://dx.doi.org/10.4018/978-1-4666-4442-7.ch009.

Full text

Abstract:

The aim of this chapter is to discuss a range of computer applications designed to enable people with disabilities to interact through music, dance, and the visual arts. A review of the main motion tracking algorithms and software environments is included as well as an overview of theoretical positions regarding the mapping of real time extracted motion features to sound, interactive music, and computer-generated or modified visual content. The chapter concludes with descriptions of how the concepts have been applied to research projects undertaken with different groups of young people with motor limitations and autism spectrum disorders.

APA, Harvard, Vancouver, ISO, and other styles

9

Andrew, Nell. "The Idea in Motion." In Moving Modernism. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190057275.003.0002.

Full text

Abstract:

In the final decade of the nineteenth century, the serpentine dancer Loïe Fuller made her debut in Paris just as painters of the symbolist movement began to make first steps toward abstraction. In this chapter, works of art and decoration by Henri de Toulouse-Lautrec and the Nabis painters are linked to Fuller’s dance. With its repetitive, continuous motions and shifting perceptual cues, the serpentine dance allowed viewers a prolonged grasp of the sensation of watching Fuller’s transitory movement. In a similar effort, symbolist artists wove flat and patterned surfaces and serpentine lines, hindering visual rest and creating a springboard for abstract sensations of movement. Innovations in both media offered a formal and material web through which motion was sensed and caught by perception. This prolongment of form and feeling expresses the heart of the dialectics of the modern experience, balancing in a single sensation Baudelaire’s fleeting and eternal.

APA, Harvard, Vancouver, ISO, and other styles

10

Gianvittorio-Ungar, Laura. "Dancing the War Report in Aeschylus’ Seven against Thebes." In Experience, Narrative, and Criticism in Ancient Greece. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198848295.003.0012.

Full text

Abstract:

This chapter reconsiders in its theatrical and narrative-related implications a testimony by Athenaeus (1,22 A), according to whom, at some point in Seven against Thebes, a dancer called Telestes danced the events so skilfully as to make them manifest. Departing from previous views on the subject, the chapter argues that, in Seven, the most suitable moment for Telestes’ dance to take place was not during the spoken lines of the Redepaare but during the lyric parodos, and that therefore Telestes did not perform a pantomime but in all likelihood a war dance. Accordingly, the parodos would consist of two interplaying dances. One was the solo war dance by Telestes, which made visible on stage the military manoeuvres of the Argives beyond the city walls. The other was the choral song and dance of the Theban maidens, who, while expressing the terror of the attacked, also described the siege with visual details and as a real-life experience. By assuming that the lyric parodos was accompanied by a war dance, we gain a new understanding not only of the chorus’ claims to see what is going on beyond the city walls, but also of the classical sources describing Seven as a drama which left the spectators with a craving for fighting.

APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Web dance"

1

El Raheb, Katerina, Aristotelis Kasomoulis, Akrivi Katifori, Marianna Rezkalla, and Yannis Ioannidis. "A Web-based system for annotation of dance multimodal recordings by dance practitioners and experts." In MOCO '18: 5th International Conference on Movement and Computing. ACM, 2018. http://dx.doi.org/10.1145/3212721.3212722.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Rahayu, Tuti. "The Innovation of Learning Media in Web-Based Dance Teaching Techniques in Dance Education FBS UNIMED Students." In Proceedings of The 5th Annual International Seminar on Trends in Science and Science Education, AISTSSE 2018, 18-19 October 2018, Medan, Indonesia. EAI, 2019. http://dx.doi.org/10.4108/eai.18-10-2018.2287397.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Varela, Martin, Lea Skorin-Kapov, Toni Maki, and Tobias Hosfeld. "QoE in the Web: A dance of design and performance." In 2015 Seventh International Workshop on Quality of Multimedia Experience (QoMEX). IEEE, 2015. http://dx.doi.org/10.1109/qomex.2015.7148084.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Molinaro, Marco, Cristina Knapic, and Riccardo Smareglia. "The VO-Dance web application at the IA2 data center." In SPIE Astronomical Telescopes + Instrumentation, edited by Nicole M. Radziwill and Gianluca Chiozzi. SPIE, 2012. http://dx.doi.org/10.1117/12.924816.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Triana, Dinny Devi, Bambang Prasetya Adhi, and Sri Hermawati. "Web-Based Motion Literation Assessment in Dance Learning on Junior High School." In Proceedings of the 3rd International Conference on Learning Innovation and Quality Education (ICLIQE 2019). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200129.056.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Lagrue, Sylvain, Nathalie Chetcuti-Sperandio, Fabien Delorme, et al. "An Ontology Web Application-based Annotation Tool for Intangible Culture Heritage Dance Videos." In the 1st Workshop. ACM Press, 2019. http://dx.doi.org/10.1145/3347317.3357245.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Landry, Steven, and Myounghoon Jeon. "Participatory Design Research Methodologies: A Case Study in Dancer Sonification." In The 23rd International Conference on Auditory Display. The International Community for Auditory Display, 2017. http://dx.doi.org/10.21785/icad2017.069.

Full text

Abstract:

Given that embodied interaction is widespread in Human-Computer Interaction, interests on the importance of body movements and emotions are gradually increasing. The present paper describes our process of designing and testing a dancer sonification system using a participatory design research methodology. The end goal of the dancer sonification project is to have dancers generate aesthetically pleasing music in real-time based on their dance gestures, instead of dancing to prerecorded music. The generated music should reflect both the kinetic activities and affective contents of the dancer’s movement. To accomplish these goals, expert dancers and musicians were recruited as domain experts in affective gesture and auditory communication. Much of the dancer sonification literature focuses exclusively on describing the final performance piece or the techniques used to process motion data into auditory control parameters. This paper focuses on the methods we used to identify, select, and test the most appropriate motion to sound mappings for a dancer sonification system.

APA, Harvard, Vancouver, ISO, and other styles

8

Yesilada, Yeliz, Simon Harper, Carole Goble, and Robert Stevens. "DANTE." In the 13th international World Wide Web conference. ACM Press, 2004. http://dx.doi.org/10.1145/1013367.1013540.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Duan, Yinglin, Tianyang Shi, Zhipeng Hu, et al. "Automatic Translation of Music-to-Dance for In-Game Characters." In Thirtieth International Joint Conference on Artificial Intelligence {IJCAI-21}. International Joint Conferences on Artificial Intelligence Organization, 2021. http://dx.doi.org/10.24963/ijcai.2021/323.

Full text

Abstract:

Music-to-dance translation is an emerging and powerful feature in recent role-playing games. Previous works of this topic consider music-to-dance as a supervised motion generation problem based on time-series data. However, these methods require a large amount of training data pairs and may suffer from the degradation of movements. This paper provides a new solution to this task where we re-formulate the translation as a piece-wise dance phrase retrieval problem based on the choreography theory. With such a design, players are allowed to optionally edit the dance movements on top of our generation while other regression-based methods ignore such user interactivity. Considering that the dance motion capture is expensive that requires the assistance of professional dancers, we train our method under a semi-supervised learning fashion with a large unlabeled music dataset (20x than our labeled one) and also introduce self-supervised pre-training to improve the training stability and generalization performance. Experimental results suggest that our method not only generalizes well over various styles of music but also succeeds in choreography for game players. Our project including the large-scale dataset and supplemental materials is available at https://github.com/FuxiCV/music-to-dance.

APA, Harvard, Vancouver, ISO, and other styles

10

Vedrines, Marc, and Dominique Knittel. "Design Optimization Using Genetic Algorithms of Web Handling Systems: The Case of the Pendulum Dancer Mechanism." In ASME 2007 International Mechanical Engineering Congress and Exposition. ASMEDC, 2007. http://dx.doi.org/10.1115/imece2007-42068.

Full text

Abstract:

Web systems handling elastic webs are very common in industry. The plant considered in this paper is an industrial winding system with pendulum dancer mechanism. Such a studied dancer moves along an arc of circle. Its utility is double: it imposes the web tension (in steady state operation) and filters the variations of tension mechanically. It is actuated by an air jack with adjustable pressure and has a stiffness and viscous dynamic behavior. Pendulum dancers have been rarely presented and studied in publications. The non-linear model built in Matlab software environment is used as a simulator. Moreover, the state space model useful for modern controller computing can be found thanks to linearization around an operating point. In order to improve the unwinder-winder control performances, the mechanical parameters of the pendulum dancer have to be optimized. The more constant the dynamic behavior over a large frequency band will be, the better the performance of a linear time invariant controller will be obtained. This is the main objective in desensitizing the dancer. The optimization is achieved by using genetic algorithms. The obtained results are discussed and the benefits of this design optimization for industry applications are presented.

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!