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Journal articles on the topic 'Wedding dresses'

Author: Grafiati

Published: 28 June 2021

Last updated: 29 July 2025

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1

Knuts, Eva. "Forskaren i provrummet." Kulturella Perspektiv – Svensk etnologisk tidskrift 14, no. 3 (2005): 35–42. http://dx.doi.org/10.54807/kp.v14.29125.

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When it comes to weddings, the subject of the author's forthcoming thesis, verbal and textual material is not enough to understand the feelings around choosing and wearing the wedding dress. Trying on the dresses was a methodological experiment to correct this and theoretically the approach owes to the actor network theory of Bruno Latour. As the author and her "bride's maid" entered the wedding gown boutique they had to take off their shoes before browsing through the racks of dresses. There was a vast amount of white, long and expensive dresses to select from. In the article, some of the bod

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2

Han, Eunkyoung, and Ji Young Lim. "Analysis on Sales Products and Consumer Preference Design for Small Wedding Dresses Planning." Korean Society of Culture and Convergence 44, no. 11 (2022): 489–507. http://dx.doi.org/10.33645/cnc.2022.11.44.11.489.

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The purpose of this thesis is to consider the wedding dress designs preferred by the Generation MZ who are the core consumers of wedding market, in order to suggest wedding dresses suitable for the changed small wedding culture. For this, this study analyzed the designs of small wedding dresses currently sold in shopping malls, and then conducted a survey on the preferred designs of small wedding dresses targeting the Generation MZ, especially the unmarried women in their 20s-30s. The results showed the necessity to have the designs with practical image besides the dresses with elegant or clas

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Hasanah, Nurvita, Mahdalena Risnawaty, and Lidia Lidia. "PERENCANAAN WEDDING CENTER PENEKANAN PADA PROTOKOL KESEHATAN COVID-19." Jurnal Totem : Architecture, Environment, Region and Local Wisdom 3, no. 1 (2022): 13. http://dx.doi.org/10.31293/ttm.v3i1.6225.

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Islamic Wedding Center is a place that serves to accommodate wedding activities from preparation, implementation to completion. The higher the number of marriages in the city of Samarinda, of course, it is directly proportional to the high public need for a forum related to marriage problems. For example, pre-wedding photos, preparing invitations, souvenirs, wedding dresses, make up, catering, wedding cakes, lodging, and provided a prayer room where the marriage ceremony is held for Muslims.In the current pandemic conditions, a wedding building emphasis on the Covid-19 health protocol is urgen

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Mahmudboeva, Dilnoza. "THE ROLE OF WOMEN IN THE GAZE CEREMONIES OF THE TURKIC INTERNATIONAL." International Journal Of History And Political Sciences 4, no. 6 (2024): 18–23. http://dx.doi.org/10.37547/ijhps/volume04issue06-04.

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Over the centuries, it has developed in various historical regions Uzbekistan, becoming a single and rich system of Customs. In addition to being a formal marriage ceremony, a wedding is also a system of interrelated solemn traditions (girl consent, courtship, marriage period, pre-wedding customs, wedding, etc. National marriage customs reflect all the positive characteristics of the people of Uzbekistan. The marriage traditions of Uzbekistaninfluenced the traditions of other peoples and received certain elements from the culture of other peoples. The effect of time on wedding habits is felt.

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Liu, Fanxi. "The Importance of Garment Specification on Formal Dress: The Application of a Perfect Wedding Dress." Art and Society 1, no. 2 (2022): 41–55. http://dx.doi.org/10.56397/as.2022.10.07.

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Garment specification plays a critical role in the processing of manufacturing formal dress today, particularly wedding dress. However, wedding dress is usually white for the sake of purity, but today it is free to choose the form of color for wedding dress based on users’ life, status and preferences. Hence, the aim of this study is to illustrate the critical role that fabric and garment specification plays in pursuing practical and aesthetic value of a perfect wedding dress. This study critically reviews the prior studies on the garment specification application in making wedding dress for t

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Niu, Li, Tingting Xia, Rongrong Cui, and Jie Lu. "Emergence of Chinese Han Retro Wedding Dress." Asian Social Science 12, no. 7 (2016): 42. http://dx.doi.org/10.5539/ass.v12n7p42.

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<p>Social changes led to the gradual disappearance of traditional Han costume. While in the context of national cultural revival, the "Chinese Hanfu movement" has given rise to the appearance and commercialization of Han Retro Wedding Dress, which including "Zhou style", "Han style", "Tang style", "Song Style" and "Ming style." Chinese history and culture, social democratic environment, economical market promotion and diverse aesthetic needs give the soil for these dresses. While contemporary wedding dresses in China are mostly westernized, and these retro dresses bring certain "reverse

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7

Galvin, James. "On the Sadness of Wedding Dresses." Iowa Review 44, no. 2 (2014): 41–42. http://dx.doi.org/10.17077/0021-065x.7470.

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Bolte, Angela. "Do Wedding Dresses Come in Lavender?" Social Theory and Practice 24, no. 1 (1998): 111–31. http://dx.doi.org/10.5840/soctheorpract199824120.

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9

Lytvynenko, Nataliia, Oleksandra Penchuk, Olha Lavreniuk, and Anastasiia Morozova. "Women's Wedding Dress in Tradition and Today." Bulletin of KNUKiM. Series in Arts, no. 45 (December 17, 2021): 241–48. https://doi.org/10.31866/2410-1176.45.2021.247402.

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The purpose of the article is to identify the special features of women's wedding dresses based on research on the transformation of fashion trends in women's clothing of the 1920s and the present, taking into account the national characteristics inherent in Ukrainian dresses and modern trend formation in the design of clothing and accessories. The presented wedding dresses synthesise modern trends of a straight silhouette, oversize, and variable ethnic elements, which focus on the mental individuality of the bride, who lives in the spirit of the times, but shows respect for the nation

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10

Wang, Yaning. "An Analysis of the Methods of Gender Expression in the Field of Fashion Design - A Case Study of Wedding Dress." Communications in Humanities Research 20, no. 1 (2023): 219–27. http://dx.doi.org/10.54254/2753-7064/20/20231358.

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Nowadays, the trend of clothing is developing rapidly and becoming more and more advanced, and there are many new styles of clothing with a sense of technology and a sense of the future. But there is one garment that has been around since ancient times and has profound meaning, which is wedding cloth. Many scholars have written papers on wedding clothes, but most of them deal with the design of wedding dresses and explain the meaning of male or female clothes separately, but there isnt a study about the differences between male and female wedding cloth. This paper will then focus on the compar

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Zhilisbayeva, R. O., and E. K. Dosanov. "Designing a wedding dress using the transformation method." Journal of Almaty Technological University, no. 3 (January 16, 2021): 9–13. http://dx.doi.org/10.48184/2304-568x-2020-3-9-13.

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The article offers several options for a wedding dress developed using the transformation method. The purpose of this article is the artistic design of a women's wedding set. To achieve this goal, a number of interrelated issues and tasks were considered and solved: the study and use of fashion trends, analysis of creative sources, development of a promising collection of clothing models, and execution of a technical sketch of the model. As a result of the research, a set of wedding dresses was developed.

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Boonphisudsilp, Kornnapha. "A Study on Korean-Thai Traditional Wedding Dresses." Journal of Multiculture and Education 6, no. 2 (2021): 163–71. http://dx.doi.org/10.31041/jme.2021.6.2.163.

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13

MinYuan Ma, Li Tan Yang Tseng, YuTing Wu, YiLin Tsai, and TsaiCi Ren. "Evaluation Attractiveness of Wedding Dresses: Qualitative to Quantitative." Journal of Convergence Information Technology 7, no. 5 (2012): 263–72. http://dx.doi.org/10.4156/jcit.vol7.issue5.32.

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Al-Sabbagh, Wafa, Ghada Al-Jamal, Amr Hassouna, and Alf Hopper. "Potentials of Different Techniques “Tyvek” in Wedding Dresses." International Design Journal 5, no. 4 (2015): 1551–63. http://dx.doi.org/10.21608/idj.2015.102329.

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15

Soelistyowati, Soelistyowati. "Visual Variety on the Change of Bridal Ornamental Kebaya Clothes for Generation Z in Sumenep, Madura." Humaniora 13, no. 1 (2022): 73–79. http://dx.doi.org/10.21512/humaniora.v13i1.7672.

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The research discussed one of the problems with Indonesian cultural heritage in this digital world like nowadays. It was the form of decoration on wedding dresses in the Sumenep-Madura area, which was rarely seen in Indonesia, especially wedding dresses. They made some modifications to the traditional Madura wedding dress to look more modern. In this digital world where people could easily access everything, generation Z preferred cultural products from abroad rather than local culture. The research applied a qualitative method with descriptive analysis of document analysis and library sources

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Rizkyh, Tamara, Desi Setiyadi, and Meilina. "Pengembangan Bahan Ajar Etnomatematika Bernuansa Baju Pengantin Adat Betawi." Jurnal Elementaria Edukasia 6, no. 4 (2023): 2017–25. http://dx.doi.org/10.31949/jee.v6i4.7197.

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This research aims to develop an ethnomathematics teaching material with nuances of Betawi traditional wedding dresses. as a means to improve understanding of geometry for fourth grade students in elementary schools (SD). In the world of education which is increasingly growing and developing, education about culture is increasingly decreasing because it is being replaced by foreign culture. The research is based on the lack of relevant and contextual teaching materials in this material so that it has the aim of distributing ethnomathematics teaching material with nuances of traditional Betawi

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Gadzhalova, Fatima Amirbekovna. "MODERN KUBACHI WEDDING (ACCORDING TO FIELD MATERIAL OF 2017-2018)." History, Archeology and Ethnography of the Caucasus 18, no. 1 (2022): 167–95. http://dx.doi.org/10.32653/ch11167-195.

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The paper is based on the field ethnographic material, collected in the village of Kubachi, Dakhadaevsky district of Dagestan. The method of participant observation was used for obtaining the material, while the source base for the study consisted of the interviews with the residents of the village and urban Kubachins. The Kubachi wedding is a complex of specific customs and rituals, which last for three days in a certain sequence within the context of the mountain village. Local features and key points of a modern rural wedding are described. The author considers the traditional festive

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Gadzhalova, Fatima Amirbekovna. "MODERN KUBACHI WEDDING (ACCORDING TO FIELD MATERIAL OF 2017-2018)." History, Archeology and Ethnography of the Caucasus 18, no. 1 (2022): 167–95. http://dx.doi.org/10.32653/ch11167-195.

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The paper is based on the field ethnographic material, collected in the village of Kubachi, Dakhadaevsky district of Dagestan. The method of participant observation was used for obtaining the material, while the source base for the study consisted of the interviews with the residents of the village and urban Kubachins. The Kubachi wedding is a complex of specific customs and rituals, which last for three days in a certain sequence within the context of the mountain village. Local features and key points of a modern rural wedding are described. The author considers the traditional festive

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Білей-Рубан, Н. В., Є. В. Сєдоухова та Л. М. Петрусь. "ХУДОЖНЬО-СТИЛІСТИЧНА РОЛЬ ВИШИВКИ ГУЦУЛЬЩИНИ В ПРОЄКТУВАННІ СУЧАСНОГО ВЕСІЛЬНОГО ОДЯГУ". Art and Design, № 2 (21 вересня 2020): 27–38. http://dx.doi.org/10.30857/2617-0272.2020.2.2.

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The aim is to study the artistic and compositional characteristics of Hutsul’s ceremonial clothing on the basis of a comprehensive analysis of the decor of the Hutsul wedding dress. In the course of research, the methods of visualization and comparative-historical reconstruction of the national order were used in the analysis of Hutsuls clothing. For the transformation of structural and decorative characteristics into the design principles of modern women's ensembles the method of stylization and the method of combinatorics have been used. The work is based on art analysis and the use of a li

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20

TU, Jui-Che, and Hsing-Tzu CHANG. "A Study on the Attractiveness Factors of Wedding Dresses." International Journal of Affective Engineering 16, no. 3 (2017): 231–41. http://dx.doi.org/10.5057/ijae.ijae-d-16-00046.

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21

Gai, Shunan, and Youngsun Yoo. "Expressional Characteristics of Retro Image Shown on Wedding Dresses." Journal of the Korean Society of Costume 66, no. 2 (2016): 103–16. http://dx.doi.org/10.7233/jksc.2016.66.2.103.

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22

Kwon, Sang-Hee. "Green Can Be the New White for Wedding Dresses." Design Journal 20, no. 5 (2017): 595–616. http://dx.doi.org/10.1080/14606925.2017.1349410.

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23

Evans, Grace. "Marriage à la Mode, An Eighteenth-Century Wedding Dress, Hat and Shoes Set from the Olive Matthews Collection, Chertsey Museum." Costume 42, no. 1 (2008): 50–65. http://dx.doi.org/10.1179/174963008x285188.

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A rare and important group of items, a set consisting of a wedding dress, hat and shoes, form part of the Olive Matthews Collection at Chertsey Museum. This paper looks in detail at the construction of each of these garments. It also provides an account of how key aspects of provenance were uncovered. Other examples of contemporary wedding dresses are discussed. Finally it goes on to demonstrate how the newly uncovered facts about these garments, reviewed alongside contemporary social and economic contextual details, can further enhance our understanding of these and similar surviving pieces.

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24

Soviah, Amrotus, and Umi Hanik. "PERSEPSI MASYARAKAT TENTANG TRADISI PAMOGIH DALAM PERNIKAHAN." ASA 6, no. 1 (2024): 15–24. http://dx.doi.org/10.58293/asa.v6i1.89.

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The goal of marriage is to form a happy household and family in the context of sakinah mawaddah and warahmah families, which has implications for the benefit of the people. Each region has different wedding parties with their own characteristics in organizing them. The tradition of the Gunosari village community adds another way of arranging wedding ceremonies, namely, pamoghi. Traditions basically have a similar outline to offerings, begibeh (household furniture) and so on. Apart from the uniqueness of the term, this study also covers the process and its legal consequences. This research uses

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25

Wilding, Raelene. "Locating Editorials and Advertising in Wedding Magazines." Media International Australia 119, no. 1 (2006): 74–84. http://dx.doi.org/10.1177/1329878x0611900108.

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Unlike other magazines, few people subscribe to wedding magazines and, as most are annual publications, their presence on the publishing landscape is relatively intermittent and unobtrusive. Nevertheless, these publications provide a rich context for examining intersections between advertisements and editorials. In this paper, I draw on ethnographic and textual analysis of wedding magazines produced in Australia. I argue that the distinction between advertisement and editorial is not a useful analytical tool in this context. This is because the vast majority of advertisements and editorial pag

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Maree, Claire. "Weddings and white dresses: Media and sexual citizenship in Japan." Sexualities 20, no. 1-2 (2016): 212–33. http://dx.doi.org/10.1177/1363460716645790.

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Representations of gender and sexuality in mainstream media operate to both shape the contours of, and contest the limits to, sexual citizenship. The ‘citational practices’ of media representations mould contemporary understandings of these limits. In this article, the author examines mainstream and social media reports of two separate same-sex wedding ceremonies in Japan; the first at a queer community event in 2007 and the second at a major theme park in 2013. Through citations and quotations, a multitude of voices are embedded in the media texts. In the 2007 case, increased media visibility

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SÖZEN, Ayşegül. "Comparison of Üçetek Wedding Dresses in Kastamonu Cide and Şenpazar Womens Clot." Social Sciences Studies Journal 8, no. 95 (2022): 820–35. http://dx.doi.org/10.26449/sssj.3896.

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Zarro, Michael, Catherine Hall, and Andrea Forte. "Wedding Dresses and Wanted Criminals: Pinterest.com as an Infrastructure for Repository Building." Proceedings of the International AAAI Conference on Web and Social Media 7, no. 1 (2021): 650–58. http://dx.doi.org/10.1609/icwsm.v7i1.14418.

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We present findings from a qualitative study of activity on Pinterest.com, in which we investigated professional and personal uses of the site using interview data and observations of online activity. We find that Pinterest serves as an infrastructure for repository building that supports a wide range of activities including: discovery, collecting, collaborating, and publishing. We discuss these concepts using the language of “boundary objects” from the sociology of science. We suggest that scale is a critical dimension of boundary objects for understanding how people make sense of Pinterest a

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Wulandari, Lisa Okta. "Cultural Hegemony: White Gown vs Traditional Dress." Digital Press Social Sciences and Humanities 2 (2019): 00012. http://dx.doi.org/10.29037/digitalpress.42263.

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Traditional dress defines a local identity of a culture, place, tribe, or race. Nowadays, traditional dresses are only worn on some ceremonies such as wedding ceremony and even so, many people do not wear any kind of traditional attire in attending a wedding. Instead, they use the modern one. In this era, women are familiar with the white gown for the wedding. Instead of wearing the traditional dress, they rather choose a white gown for some reasons such as the needs, the condition, efficiency, or interest. However, besides those personal reasons, there are also external factors such as econom

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Putri, Dilla Annisa, and Yuliarma Yuliarma. "Decorative Decorations in Gold Thread Shown on Aisles and Women's Bride Clothes in Naras, Pariaman City." JURNAL PENDIDIKAN DAN KELUARGA 14, no. 02 (2022): 64. http://dx.doi.org/10.24036/jpk/vol14-iss02/1005.

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An overview of the characteristics of motif design, including motif design, decorative patterns, placement of motifs, color combinations, and gold thread embroidery techniques on wedding dresses and aisles in Naras Kota Pariaman, is presented in this study. The method used is descriptive qualitative with the main data needed in the form of primary data and secondary data. Data were collected through observation, interview, and documentation techniques. Data analysis was carried out through data reduction, data presentation, and drawing conclusions. To get the validity of the data obtained thro

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31

Hariana, Hariana, G. R. Lono Lastoro Simatupang, Timbul Haryono, and SP Gustami. "ASPECTS UNDERLYING THE MODIFICATION OF BRIDAL COSTUME IN GORONTALO AT THE WEDDING RECEPTION." Jurnal Kawistara 7, no. 3 (2018): 297. http://dx.doi.org/10.22146/kawistara.33951.

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The visualization of the Gorontalonese bridal costume worn at the wedding reception is increasingly diverse in terms of the modification forms. The modification can be seen in the design elements including shape, texture, color, material, and accessory. Furthermore, the modification of the current costume makes the functional value of the bridal costume different from the already patterned one, which can be seen from its social, symbolic, and economic values of the Gorontalo community. The data in this study was collected through the review of books and previous studies related to the wedding

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Dan, Wang, and Supachai Singyabuth. "Collective Memory of Tuyao Wedding Costumes Through Physical Practice of Wedding Ceremony Theater at Hezhou, China." Journal of Law and Sustainable Development 12, no. 1 (2024): e2080. http://dx.doi.org/10.55908/sdgs.v12i1.2080.

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Introduction: Tuyao Wedding Costumes are an important part of the traditional culture of Tuyao, as well as an important embodiment of Tuyao unique characteristics and unique culture. The costume culture of Tuyao contains an important way of transmission and development of the history and culture of the Tuyao ethnic group. The memory of Tuyao Wedding Costumes is stored in the minds of generations of Tuyao people who have experienced the wedding ceremony, forming a collective memory. This collective memory guides the generations of Tuyao people to inherit and develop the ethnic costumes. Objecti

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Limpinska, Liudmyla. "Eco-Friendly Materials in the Production of Wedding Dresses: Prospects for the Industry." Universal Library of Innovative Research and Studies 02, no. 02 (2025): 32–38. https://doi.org/10.70315/uloap.ulirs.2025.0202005.

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The conducted study constitutes a comprehensive analysis of the prospects for applying environmentally friendly materials in the production of wedding gowns, grounded in rising concerns about the sustainability of the fashion industry and increasing demand for green products. The focus lies on innovative biodegradable and renewable fibers—from organic cotton and bamboo fiber to biopolymeric and recycled synthetic fabrics—as well as on their manufacturing processes and technological characteristics. By employing a systematic review of scientific literature and statistical data, the primary driv

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Toplis, Alison. "Wedding Dresses 1775–2014CatalogueThe Wedding Dress: 300 Years of Bridal Fashions.Edwina EhrmanLondon: V&A Publishing, 2014.208 pp.Paperback, £25ISBN 9781851777839." West 86th: A Journal of Decorative Arts, Design History, and Material Culture 22, no. 1 (2015): 102–5. http://dx.doi.org/10.1086/683087.

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35

Fatminingrum, Susiana, and Yulistiana Yulistiana. "Penerapan Bordir Motif Bukang Marege dan Epaulettes pada Gaun Pengantin." BAJU: Journal of Fashion & Textile Design Unesa 3, no. 1 (2022): 11–19. http://dx.doi.org/10.26740/baju.v3n1.p11-19.

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Tujuan penelitian ini adalah untuk mendeskripsikan proses penerapan bordir motif bukang marege dan epaulettes pada gaun pengantin, dan untuk mendeskripsikan hasil jadi penerapan bordir motif bukang marege dan epaulettes pada gaun pengantin. Metode yang digunakan adalah Double Diamond Model, yang terdiri dari 4 tahapan yaitu discover, define, develop, deliver. Proses pembuatan bordir motif bukang marege menggunakan mesin bordir dengan desain yang telah di stilasi dari motif bukang marege yang asli. Proses pembuatan epaulettes ada dua tahap, tahap pertama membuat padding bahu yang berfungsi seba

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Bae, Soojeong, and Xinyi Yuan. "A Comparative Analysis of the Design Efficiency of Transformable Wedding Dresses Using 3D Programs -Focusing on Dress Design for Small Weddings-." Journal of the Korean Society of Clothing and Textiles 45, no. 3 (2021): 439–52. http://dx.doi.org/10.5850/jksct.2021.45.3.439.

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Cai, Yiming, and Anding Liu. "Research on the Evolution of Ancient Women's Wedding Attire." International Journal of Social Sciences and Public Administration 2, no. 3 (2024): 342–50. http://dx.doi.org/10.62051/ijsspa.v2n3.48.

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Through the vast expanse of ancient China, a realm renowned for its ceremonial customs, the rites and attire of marriage ceremonies have traversed a protracted journey of inheritance and refinement since the Zhou dynasty, persisting through the epochs of Qin, Han, Sui, Tang, and Song, exemplifying an enduring reverence irrespective of societal strata. Addressing the perennial shifts in bridal attire across eras, this study leverages visual data from ancient women's wedding garments, employing methodologies of image interpretation, textual analysis, and design reconstruction to delineate their

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Kwon, Sookhee. "Development of Basic Pattern of Wedding Dress I : Focused on Torso Pattern for Top Dresses." Fashion & Textile Research Journal 20, no. 4 (2018): 439–48. http://dx.doi.org/10.5805/sfti.2018.20.4.439.

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Hendrato, Hening, Mohamad Saefudin, and Qothrun Nada. "APPLICATION OF THE RAPID APPLICATION DEVELOPMENT METHOD FOR SALES INFORMATION SYSTEM FOR TRADITIONAL MINANG KABAU WEDDING DRESSES." Journal of Information System, Informatics and Computing 7, no. 2 (2023): 333. http://dx.doi.org/10.52362/jisicom.v7i2.1280.

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The Minang Kabau shop system is running inefficiently because the data processing structure is still manual, causing a number of problems. Processing customer data, processing transactions and generating reports are the first steps that cause problems. To avoid data redundancy which costs the shop money, a Minang Kabau shop sales application was developed. Its purpose is to handle and process data stored in a database system. Rapid Application Development, often known as the RAD System Development Method, is used to develop this information system. To speed up the process, this development str

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40

Staniland, Kay. "The Wedding Dresses of H.R.H. The Princess of Wales (1981) and H.R.H. The Duchess of York (1986)." Costume 21, no. 1 (1987): 94–96. http://dx.doi.org/10.1179/cos.1987.21.1.94.

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Murai, Mayako. "Sewing Wedding Dresses for Interspecies Marriage: Tomoko Kōnoike’s Reimagining of Animal Bridegroom Tales after the Tōhoku Earthquake." ISLE: Interdisciplinary Studies in Literature and Environment 26, no. 3 (2019): 780–92. http://dx.doi.org/10.1093/isle/isz063.

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42

Hamilton, Paula. "School books or wedding dresses? Examining the cultural dissonance experienced by young Gypsy/Traveller women in secondary education." Gender and Education 30, no. 7 (2016): 829–45. http://dx.doi.org/10.1080/09540253.2016.1270423.

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Ekeyeva, Emma V., та Nikolay V. Ekeyev. "Особенности национальной одежды алтайцев". Oriental Studies 14, № 1 (2021): 103–14. http://dx.doi.org/10.22162/2619-0990-2021-53-1-103-114.

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Introduction. With reference to works by Russian ethnographers and collected field materials, the paper presents the first insight into specific features of Altaian traditional clothes and changes the latter undergo in the modern period. Goals. The work primarily seeks to reveal transformations of Altaian national garments in the late 20th – early 21st centuries. Materials. The study examines data from field expeditions to Ust-Kansky, Shebalinsky and other districts of the Altai Republic in 2017-2019. The research data collection methods included those of questionnaires and interviews among lo

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Putri, Jane Fitria Ananda, and Ratna Suhartini. "Eksplorasi Ragam Hias Komodo dengan Teknik Lekapan Tali Pada Gaun Pengantin." BAJU: Journal of Fashion and Textile Design Unesa 3, no. 2 (2023): 85–95. http://dx.doi.org/10.26740/baju.v3n2.p85-95.

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Komodo merupakan spesies biawak besar yang terdapat di pulau komodo, yang sering dijadikan sebagai ragam hias fauna di daeah Nusa Tenggara Timur. Tujuan penelitian ini untuk mengetahui proses eksploarsi ragam hias komodo dengan teknik lekapan tali pada gaun pengantin. Artikel ini menggunakan pendekatan penelitian penciptaan karya double diamond model, yang terdiri dari 4 tahapan yaitu discover, define, develop, dan deliver, ditambah dengan pengumpulan data menggunakan penilaian produk. Pengambilan data dengan mengambil lembar penilaian dengan jumlah penilai ahli sebanyak 4 orang dari dosen tat

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Liu, Xiang, та Chuyeon Suh. "Development of Rushan (襦衫) and Qun (裙) Patterns for Traditional Chinese Wedding Dresses Using a Virtual Fitting Program". Journal of the Korean Society of Clothing and Textiles 46, № 2 (2022): 250–71. http://dx.doi.org/10.5850/jksct.2022.46.2.250.

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Endo, Yumi. "Decision Difficulty and Illusion of Transparency in Japanese University Students." Psychological Reports 100, no. 2 (2007): 427–40. http://dx.doi.org/10.2466/pr0.100.2.427-440.

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People tend to believe that their inner thoughts are readily apparent to others. This study was conducted to examine effects, related to the difficulty of making decisions of personal preference, on the illusion of transparency, that is, the tendency people have to regard their own preference as more apparent to others when they have made their decision easily as opposed to situations in which they felt their decision to be difficult. In three studies in which the customary “transparency” experimental paradigm was used, university students were asked to rank choices of wedding dresses (Studies

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Prasetyo, M. Nouval, and Noven Indra Prasetya. "SISTEM INFORMASI PENYEWAAN BAJU PADA VENDOR SHASA ORGANIZER BERBASIS WEBSITE." Melek IT : Information Technology Journal 10, no. 1 (2024): 31–38. http://dx.doi.org/10.30742/melekitjournal.v10i1.294.

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Vendor Shasa Organizer is one of the clothing rental service providers that offers various types of clothing, including wedding dresses, traditional outfits, batik clothes, jazz attire, and children's costumes. It is located in Driyorejo District, Gresik. However, the rental process at Shasa Organizer is currently carried out in a simple manner, where customers need to come directly to the location to rent or just check the availability of clothing. Considering the utilization of technology, the simple rental process at Shasa Organizer has the potential to reduce rental transactions and lead t

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Al Sheikh, Basma Abdel Mohsen. "Mixing Between Jeans and Lace Fabrics to Design Wedding Dress Using Designing-on-the Mannequin Technique." Advances in Social Sciences Research Journal 9, no. 7 (2022): 147–60. http://dx.doi.org/10.14738/assrj.97.12657.

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Modelling or shaping on mannequin is a science and an art that has its scientific origins, in addition to the skill required to be acquired to master it. It depends on the individual's ability to innovate, his analytical ability and his skill in work that is characterized by quality, beauty and perfection to produce designs that perform their utilitarian and aesthetic functions. By modelling on mannequin, it is possible to add a shape and surface texture different from the shape and surface of the original material because the modelling method has great potential in this field by making suitab

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Istiqomah, Alfi Rida, and Yuhri Inang Prihatina. "TRANSFORMASI BENTUK RAGAM HIAS PUTA DINO SEBAGAI ORNAMEN BORDIR BUSANA PENGANTIN WANITA." BAJU: Journal of Fashion & Textile Design Unesa 2, no. 2 (2022): 61–68. http://dx.doi.org/10.26740/baju.v2n2.p61-68.

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Tujuan penelitian adalah untuk mengetahui transformasi bentuk ragam hias Puta Dino menjadi ornamen bordir pada busana pengantin dan dapat melihat hasil jadi transformasi bentuk ragam hias Puta Dino sebagai ornamen busana pengantin. Metode yang digunakan adalah metode Double Diamond yang tediri dari 4 tahapan yaitu Discover, Define, Develop, dan Deliver. Mengambil motif Puta Dino dengan sumber inspirasi cerita rakyat Leba Mareku Laisa yang menceritakan tentang rakyat yang mempunyai mata pencaharian cengkeh dan pala di Maluku, Tidore. Suku bangsa yang mempunyai ciri khas mata pencahariannya pala

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Antonov, Dmitriy I. "SOVIET ICONS AS A RESEARCH PROJECT." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 9 (2022): 155–64. http://dx.doi.org/10.28995/2686-7249-2022-9-155-164.

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The article is about the project of research into Soviet icons, which began at the Russian State University for the Humanities in 2021 at the Center for Visual Studies of the Middle Ages and Modern Period of the Faculty of Cultural Studies. The Soviet icon is a religious artifact created by village craftsmen (image painters) of the Soviet times – an icon, various in execution techniques, set in a wooden case (kiot). For the decoration of such icons both the traditional (for 19th – early 20th century) materials used – foil, paper, wax, paraffin etc. – as well as specific things that were availa

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