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Journal articles on the topic 'Wedding rituals'

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1

Limantara, Clarence Finlay. "The Roles of Event Organizers in Arranging Chinese-Indonesian Wedding Rituals." K@ta Kita 8, no. 2 (2020): 212–18. http://dx.doi.org/10.9744/katakita.8.2.212-218.

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Nowadays, Chinese-Indonesians have already been modernized and many of them do not understand what rituals they have to undergo on their wedding day. It becomes a good opportunity for event organizers (EO) to do their businesses in arranging weddings. In this research, I am interested in finding out about the roles of event organizers in arranging Chinese-Indonesian wedding rituals. This study focuses on the roles of EO in running their business and arranging Chinese wedding rituals using the theory of consumerism. In consumerism, Chinese-Indonesian wedding rituals as a part of culture, can al
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Mamali, Elizabeth, and Lorna Stevens. "When Same-Sex Couples Say ‘I Do’: Display Work and the (Re)Production of the Wedding Rite." Sociology 54, no. 5 (2020): 987–1003. http://dx.doi.org/10.1177/0038038520922523.

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Weddings are collective rituals that enable couples to show their solemn commitment to an invited audience. In this sense, weddings can thus be viewed as important forms of ‘display work’. While there are clear commonalities between rituals and display work, particularly in terms of their emphasis on spectacle, demonstration and audience, little attention has been given to how display work can inform and indeed transform wedding rituals. We use display work as a lens for exploring how same-sex couples construct and enact their wedding. In particular we show how heteronormative, gendered tradit
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Oynotkinova, Nadezhda R. "Genre features of songs and good wishes in the wedding rituals of the Altai people." Sibirskiy filologicheskiy zhurnal, no. 2 (2024): 151–63. http://dx.doi.org/10.17223/18137083/87/13.

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The purpose of this paper is to analyze the genre elements present in Altai songs and wedding well-wishes. The relevance is due to the lack of research on the poetics of wedding genres in Altai folklore in modern folklore studies. The novelty is identifying the functions and semantics of wedding songs and good wishes in the wedding rituals of the Altai people. During Altai wedding ceremonies, oral wishes and songs, known as jaŋar, are performed at every wedding stage. The distinctive characteristic of these genres is their strong association with ritual actions. Songs are an integral part of v
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Bezditna, Daryna. "Transformation of Wedding Ceremonies in the Ukrainian SSR in the 1950s – 1980s (on the example of the Mykolaiv region)." Ethnic History of European Nations, no. 75 (2025): 127–30. https://doi.org/10.17721/2518-1270.2025.75.16.

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The transformation of wedding rituals in the Ukrainian SSR in the 1950s – 1980s reflects a complex process of interaction between traditional Ukrainian wedding customs and Soviet cultural and ideological policies. During this period, weddings underwent significant changes under the influence of socialist modernization and the anti-religious campaign. Accordingly, after the Bolsheviks came to power, the main goal was to eradicate religious rites and traditional customs that were considered «relics of the past». The wedding culture of this period was the result of a combination of new Soviet pra
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Янгайкина, Т. И., and П. Н. Назин. "Historical and Ethnographic Features and Modern Tendencies of Mordovian Wedding Rituals (Based on Field Materials From the Village of Adashevo)." Nasledie Vekov, no. 4(24) (December 31, 2020): 72–83. http://dx.doi.org/10.36343/sb.2020.24.4.007.

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Цель статьи – изучить современные формы мордовской свадебной обрядности, выявить степень их соответствия традиционным обрядовым практикам прошлого и показать основные тенденции их эволюции (на полевом материале села Адашево Кадошкинского района Республики Мордовия). В качестве источников использованы этнографические факты, отраженные в собранных авторами полевых материалах, архивные документы, результаты исследований российских этнографов. Особенностью исследования является личное участие авторов в связанных со свадьбой событиях (праздничной процессии и православно-обрядовой части). Большинств
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Voitovich, Alevtina A. "Folk Music Wedding Genres of the Meadow Maris." Problemy muzykal'noi nauki / Music Scholarship, no. 1 (2023): 115–27. http://dx.doi.org/10.56620/2782-3598.2023.1.115-127.

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The traditional weddings of the Meadow Maris, known as süàn is a multiphase ritualistic complex consisting of various ritual actions extended in time and carried out in a definite succession of events. Many aspects of the Mari spiritual culture accumulated in them: the sacred-magical ritual elements, the symbolism of traditional clothes, food, poetry, music, and dance, as well as the semantics of ancient pagan thinking. The present article examines the folk music genres of the weddings of the Meadow Maris concisely specified in the wedding ritual and being a part of the acoustic code. The acou
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7

Wu, Yu, and Zhidiankui Xu. "Six Rites of Allied Harmony: Changes in Ancient Chinese Wedding Ceremonies under the Influence of Confucianism." Religions 14, no. 12 (2023): 1528. http://dx.doi.org/10.3390/rel14121528.

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Ancient Chinese wedding ceremonies served as the solemn rituals for witnessing and establishing marriage, primarily aimed at forging kinship ties between two families and fulfilling the obligations of ancestral worship and lineage continuation. Within the Confucian tradition, the family and the state have always been interconnected, and ancient Chinese weddings, dating back to the Zhou dynasty, have maintained the fundamental order of both the family and society. This article primarily explores the influence of Confucianism on ancient Chinese wedding rituals and customs, as well as the histori
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Tsapun, Raisa, and Valentyna Sinelnikova. "Wedding Ritual in Zhytomyr Polissia: in the Context of Traditional Culture Preservation (Paraphernalia and Symbolism of the Pre-Wedding Cycle)." Bulletin of KNUKiM. Series in Arts, no. 50 (June 27, 2024): 92–103. https://doi.org/10.31866/2410-1176.50.2024.306798.

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<strong>The aim of the article</strong>&nbsp;is to highlight the issue of preserving the main stages of the pre-wedding cycle of family rituals in Zhytomyr Polissia, to analyse the semantic and content component of the rites, as well as and the functional aspect of the character system of the delineated stage of the wedding ritual; to study the symbolism of wedding attributes, musical material and folklore texts inherent in the mentioned tradition. <strong>Results.</strong>&nbsp;Based on field materials of the historical and ethnographic expedition in 2011&ndash;2012, the complex of prewedding
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9

Nguyen, Thuc-Doan T., and Russell Belk. "Vietnamese Weddings." Journal of Macromarketing 32, no. 1 (2011): 109–20. http://dx.doi.org/10.1177/0276146711427302.

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This article examines the historical role of marriage and wedding rituals in Vietnam, and how they have changed during Vietnam’s transition to the market. The authors focus on how changes reflect the society’s increasing dependence on the market, how this dependence impacts consumer well-being, and the resulting implications for public policy. Changes in the meanings, function, and structure of wedding ritual consumption are examined. These changes echo shifts in the national economy, social values, social relations, and gender roles in Vietnamese society during the transition. The major findi
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10

Musaeva, Majsarat K., Saida M. Garunova, and Robert Chenciner. "CITY WEDDINGS IN DAGHESTAN: A NEW VERSION OF OLD TRADITION, OR ADAPTATION TO GLOBAL TRENDS OF URBANIZATION?" History, Archeology and Ethnography of the Caucasus 14, no. 4 (2018): 166–72. http://dx.doi.org/10.32653/ch144166-172.

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Daghestan’s urban culture, in its Russian–European variety, is a relatively new phenomenon. Until the 1970’s, weddings in cities have been celebrated only by hereditary citizens, i.e. Russians, Armenians, Jews, Azerbaijanis, Kumyks, occasionally, while the rest of the city residents preferred to go to their home villages and play weddings there, after which the bride and groom would return if they were going to live in the city. Since the 1990’s, with the growth of the urban population due to the influx of the rural population, this tradition has disappeared in Daghestan, as rural residents of
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Gadzhalova, Fatima Amirbekovna. "MODERN KUBACHI WEDDING (ACCORDING TO FIELD MATERIAL OF 2017-2018)." History, Archeology and Ethnography of the Caucasus 18, no. 1 (2022): 167–95. http://dx.doi.org/10.32653/ch11167-195.

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The paper is based on the field ethnographic material, collected in the village of Kubachi, Dakhadaevsky district of Dagestan. The method of participant observation was used for obtaining the material, while the source base for the study consisted of the interviews with the residents of the village and urban Kubachins.&#x0D; The Kubachi wedding is a complex of specific customs and rituals, which last for three days in a certain sequence within the context of the mountain village. Local features and key points of a modern rural wedding are described. The author considers the traditional festive
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Gadzhalova, Fatima Amirbekovna. "MODERN KUBACHI WEDDING (ACCORDING TO FIELD MATERIAL OF 2017-2018)." History, Archeology and Ethnography of the Caucasus 18, no. 1 (2022): 167–95. http://dx.doi.org/10.32653/ch11167-195.

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The paper is based on the field ethnographic material, collected in the village of Kubachi, Dakhadaevsky district of Dagestan. The method of participant observation was used for obtaining the material, while the source base for the study consisted of the interviews with the residents of the village and urban Kubachins.&#x0D; The Kubachi wedding is a complex of specific customs and rituals, which last for three days in a certain sequence within the context of the mountain village. Local features and key points of a modern rural wedding are described. The author considers the traditional festive
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Hasanova, M. I. "Theoretical views on specifics of ceremonial lexicons Khujand dialect." ТЕНДЕНЦИИ РАЗВИТИЯ НАУКИ И ОБРАЗОВАНИЯ 104, no. 4 (2023): 101–3. http://dx.doi.org/10.18411/trnio-12-2023-210.

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The article dwells on the specifics of ritual wedding vocabulary in Khujand dialect. In order to study the peculiarities of the vocabulary of wedding rituals, the linguistic nature of the vocabulary of the vocabulary of the wedding ritual was investigated and represents a linguistic description of the peculiarities of ritual (wedding) vocabulary in Khujand dialect, taking into account the tradition of historical and modern lexicology of the Tajik language and ethnolinguistics.
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Турдиалиева, Элнура. "THE IMPORTANCE OF SYMBOLS IN THE RUSSIAN WEDDING RITE." MODERN SCIENCE AND RESEARCH 3, no. 4 (2024): 186–92. https://doi.org/10.5281/zenodo.10939430.

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<em>The article examines the symbolic rituals and traditions that accompany the wedding ceremony in Russian culture. The meaning of the symbols used in the wedding ceremony and their role in creating a special holiday atmosphere are explored. Symbols associated with weddings, rings, wedding attire and other aspects of the wedding ceremony are analyzed, showing their deep symbolic meaning and importance for the newlyweds and guests.</em>
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15

Wettlaufer, Jörg. "Visual Representations of Weddings in the Middle Ages: Reflections of Legal, Religious, and Cultural Aspects." Religions 15, no. 8 (2024): 1011. http://dx.doi.org/10.3390/rel15081011.

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Wedding rituals and ceremonies have been depicted in various forms of literature, art, and illuminated manuscripts in medieval times. These representations offer valuable insights into the cultural, religious, and social aspects of weddings during that period. This article considers the state of research on visual representations of the wedding ceremony in the Middle Ages and how these pictures reflect legal, religious, and cultural/social aspects of medieval life in Europe. Using examples from various religious, literary, and legal texts, several questions will be addressed: In which contexts
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Skyba, O. V., and O. S. Sorokina. "Dynastic marriages of the Middle Ages and modern wedding traditions: historical, philological and source-based aspects of the study." MESSENGER of Kyiv National Linguistic University. Series Philology 27, no. 1 (2024): 174–84. http://dx.doi.org/10.32589/2311-0821.1.2024.309636.

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The article examines the works of prominent folklorists and literary scholars on wedding traditions and their relevance in contemporary society as well as the folklore accompanying them. It is noted that the actualization of the scientific discourse on traditions is conditioned by the contemporary needs to elucidate the history of the Ukrainian wedding and the integration of ancient wedding rites into modern practice. The study provides an overviewof printed materials from Ukrainian and emigrant press that reflect wedding traditions. Through the prism of written sources, texts of Ukrainian and
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Fatima, Aziz, Uzma Ashiq Khan, and Maryam Zafar. "PERCEPTIONS OF WEDDING TRENDS AND RITUALS: A GENDER BASED COMPARATIVE STUDY." Pakistan Journal of Social Research 04, no. 03 (2022): 502–12. http://dx.doi.org/10.52567/pjsr.v4i03.740.

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World widely, Weddings have been setting trends of overspending and societal pressure. The present study explored gender perception regarding wedding trends and rituals that have been practicing due to lavish and simple weddings in Lahore. The impact of socio-demographic variables e.g. educational level, income level, and age differences were analyzed with respect to wedding trends and rituals. Quantitative research design based on self-developed questionnaire was used to collect data (N=300) from different private and public institutes, through purposive sampling technique from different area
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Kirichenko, Olha, Olha Skyba, and Svitlana Shpetna. "Regional features of the functioning of engagements and weddings on the territory of the modern Slobozhansk region." Bulletin of Luhansk Taras Shevchenko National University, no. 2 (361) (2024): 281–88. http://dx.doi.org/10.12958/2227-2844-2024-2(361)-281-288.

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The article is aimed at deepening the understanding of the importance of recording and popularizing family ritual poetry, wedding customs of the 21st century. The authors substantiated the relevance of the topic of collecting and studying wedding rituals and the folklore that accompanies them in the territory of the Sumy region. Emphasis is placed on the local history aspect of oral folk art. The published sources of folklore collectors of the Sumy Oblast were elaborated and the existing source base was supplemented with materials of own field research with a description of family rites, custo
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Bezditna, Daryna, and Rostyslav Konta. "Nanashki in the wedding ceremony of Mykolaiv region (the end of the 1970s)." Ethnic History of European Nations, no. 69 (2023): 130–34. http://dx.doi.org/10.17721/2518-1270.2023.69.16.

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Ukrainian wedding as a series of ritual actions connected with certain social and legal customs required a number of specific actors to perform. Almost all the guests were participants in the ceremonies, but there were those who played the main role in the wedding event and without whom the wedding would lose its significance. The example of the regional features of the Mykolaiv Oblast in the wedding rituals of Ukrainians are the ritual characters «nanashko» and «nanashka». The issue discussed in this work is an actual direction of ethnological science, as this topic is little studied in the s
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Hong, Sogu. "Weddings in Korea and Ukraine." Cross-cultural studies review 1, no. 1-2 (2020): 25–45. http://dx.doi.org/10.38003/ccsr.1.1-2.2.

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Koreans and Ukrainians are two different nations in many aspects, such as geography, language, ethnicity, culture, and so on. It may seem difficult to find something in common between them. However, in terms of folk culture, especially wedding rituals, I would say that the two nations have many things in common. This study attempts to compare the traditional wedding rituals of the two nations which were performed among commoners between the 19th and the beginning of the 20th centuries. Through this study, we can understand that the basic structure of the wedding rituals of both cultures have m
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Knuts, Eva. "Löftesrika ringar." Kulturella Perspektiv – Svensk etnologisk tidskrift 14, no. 2 (2005): 41–48. http://dx.doi.org/10.54807/kp.v14.30670.

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Wedding rings have strong networks of actors that want them to circulate in wedding rituals, on market places and in human minds. Rings are seen as a "natural" part of wedding ceremonies but are not needed when you get married. Wedding rings are artefacts that get a lot of attention in wedding magazines and hold a strong position at the moment. Wedding rings help to stabilize relations, subjects and the wedding ritual. This object externalizes values which are embedded in social processes and makes it visible and negotiable but it is also an object with materiality. The wedding ritual becomes
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Greenhill, Pauline, and Angela Armstrong. "Traditional Ambivalence and Heterosexual Marriage in Canada." Ethnologies 28, no. 2 (2007): 157–83. http://dx.doi.org/10.7202/014987ar.

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Queer moments abound in traditional rituals associated with marriages and weddings, not only in some regions of English Canada but in most European and European-colonised locations. In the Prairie provinces and Ontario, mock weddings (folk dramatic travesties of the Christian/majoritarian wedding ceremony, usually performed cross dressed) can interrupt wedding showers or milestone anniversary parties. And from Prince Edward Island to British Columbia, charivaris (late night visits to a newly married couple, featuring extreme noisemaking and/or traditional trickery) can follow a marriage. The a
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Khanipova, Il’nara I. "Visual sources about new Soviet rituals in a Tatar village in the 1970s." Historical Ethnology 9, no. 2 (2024): 184–200. http://dx.doi.org/10.22378/he.2024-9-2.184-200.

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In the 1960s–1970s in the Soviet society, formation of new civil rituals gained relevance. One of the newfound components was family and household (personal family) rituals – ceremonial registration and a wedding. The article reveals the process of introducing a new civil wedding ritual in a Tatar village in the 1970s. The sources include wedding photographs from the family archives of the Nurutdinovs, the Mamatovs, the Khakovs, and the Romazanovs – natives of different regions of the Tatar Autonomous Soviet Socialist Republic, as well as the author’s field materials collected through in-depth
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Nguyen, Thi Tuyet. "<span>Some cultural pratices in Vietnamese and American weddings</span>." Dong Thap University Journal of Science 13, no. 3 (2024): 115–20. http://dx.doi.org/10.52714/dthu.13.3.2024.1254.

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This article investigates the similarities and differences between Vietnamese and American weddings. Two articles “Vietnamese Weddings: From Marx to Market” by Nguyen and Belk (2012) and “Our Family Functions: Functions of Traditional Weddings for Modern Brides and Postmodern Families” by Barnes (2014) are used to analyze as evidence of traditional weddings in each country because of their detailed records of wedding components. Based on these records of wedding rituals, ceremonies, and practices, the author has highlighted the similarities and differences in the two wedding cultures, which ma
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S, Uma, and Kamali T. "The People of Marutham Land: Their Lives and Culture." International Research Journal of Tamil 4, S-12 (2022): 31–37. http://dx.doi.org/10.34256/irjt224s125.

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Social anthropologists have given various interpretations and definitions of culture. Culture is interwoven into the domestic as well as the public life of the people of the Sangam age. The culture of the people of Marutham land depended on agriculture. The people who lived in fertile agricultural lands lived by the disciplines that they could follow. Marriage is considered important and primary in Tamil culture. The Akananooru songs talk about the rituals of marriage. It is understood that "Silambu Kazhi Nonbu" (removal of anklets put on by the parents before the marriage of the girls) was th
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Boyko, Yulia Ivanovna. "WEDDING RITUALS OF THE LETSKY KOMI IN THE 1950s - 1960s." Yearbook of Finno-Ugric Studies 16, no. 2 (2022): 306–15. http://dx.doi.org/10.35634/2224-9443-2022-16-2-306-315.

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Based on field and archival materials, the article examines the Letsky Komi wedding ritual complex in the 1950s-1960s. The purpose of the article is to reveal the main changes of the ritual, to identify the most significant traditional wedding elements, the implementation of which continued to be considered mandatory. The presented material allows us to say that during the indicated period, marriage among the Letsky Komi was sanctioned, first of all, by the parents’ blessing as well as by a wedding ceremony with the participation of relatives and fellow villagers. Marriage continued to be conc
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Savaryn, T. V., and N. O. Fedchyshyn. "The Lemko Wedding Song (Ukrainian, Polish, Slovak): Peculiarity and Usage." Rusin, no. 65 (2021): 277–95. http://dx.doi.org/10.17223/18572685/65/15.

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The article analyzes Lemko’s wedding and post-wedding songs in comparison with Polish and Slovak ones. As an integral part of all-Ukrainian ceremonial song fund, Lemky wedding song ritualism is distinguished by some specificity due to Polish and Slovak close proximity. Naturally, Lemko song specificity are best revealed when compared with the similar song traditions of the Western Slavs. The similarity of certain elements is better traced in the wedding song ritualism of the East Slovakian, Ukrainians and Slovaks sons, as compared to the Lemky-Polish neighbourhood. While preserving a lot of ar
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Iliyaskyzy, Diana, and Shynar Saudanbekova. "THE EVOLUTION OF WEDDING CEREMONIES IN SOUTH KOREA FROM THE JOSEON PERIOD TO THE MODERN ERA." KAZAKHSTAN ORIENTAL STUDIES 11, no. 3 (2024): 146–57. http://dx.doi.org/10.63051/kos.2024.3.146.

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During the Joseon dynasty, the wedding ceremony consisted of many rituals. Most of them are forgotten today, but some have survived in a modified form. The purpose of this article is to study the evolution of Korean wedding customs from the Joseon dynasty (1392-1910) to the present. Internal and external factors influenced noticeable changes in the conduct of wedding ceremonies were studied. Thus, during the "economic miracle" period, the Korean government pursued a policy of combating irrational spending, many of the traditional ceremonies became the object of government regulation, aimed pri
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Semenova, Oksana. "Leather and Sheepskin Clothes in the Wedding Ceremonies of the Middle Dnieper Ukrainians in the Late 19th — First Half of the 20th Century." Ukrainian Studies, no. 1(78) (May 20, 2021): 199–207. http://dx.doi.org/10.30840/2413-7065.1(78).2021.228310.

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The article considers the use of handicraft sheepskin and leather clothes in the wedding ceremonies of the Middle Dnieper Ukrainians in the late 19th – early 20th century. It is established that they have performed important ritual and protective functions. In particular, the ritual function means that clothes served as ritual attributes. In gifting ceremonies, the sheepskin and leather clothes had both practical and special semantic meanings (for example, by giving boots to the bride’s mother, the groom showed his respect and appreciation). The protective function is connected with ancient be
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Preetilata, kumari. "The Influence of Social Media Trends on the Indian Wedding Ecosystem." International Journal of Arts, Humanities and Social Studies 6, no. 2 (2024): 1–5. https://doi.org/10.5281/zenodo.10875914.

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The emergence of technological advancements, the influence of social media, and the evolving patterns of consumption have contributed to the materialization of extravagant Indian weddings that are characterized by their grandeur and opulence. By reflecting on the past, one can gain insight into the simpler and more understated ways in which marriages were traditionally conducted. In earlier times, the focus was primarily on the rituals and cultural aspects of weddings, but now the emphasis has shifted towards elaborate decorations, following social media trends, and incorporating a fusion of c
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Sgroi, Renee. "Consuming the Reality TV Wedding." Ethnologies 28, no. 2 (2007): 113–31. http://dx.doi.org/10.7202/014985ar.

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This article investigates the intersection of weddings, the wedding industry, consumption, and reality TV by considering the reality TV series,Trista and Ryan’s Wedding.This show featured the real-life wedding of Trista Rehn and Ryan Sutter, who met on the seriesThe Bachelorette.The author argues that reality TV’s emphasis on the “real,” its narrative techniques (including product assimilation), and the wedding industry’s stress on having a “unique” wedding converge on this show to mobilize consumer fantasies and dreams of the traditional white wedding around specific consumer products. She co
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Turdialiyeva, Elnura. "RUSSIAN-UZBEK WEDDINGS: FOLK STUDIES AND TEACHING METHODS." MODERN SCIENCE AND RESEARCH 2, no. 10 (2023): 329–33. https://doi.org/10.5281/zenodo.10073345.

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<i>This article explores Russian-Uzbek wedding traditions, emphasizing their folklore study and teaching methods. Folklore research covers the symbolism, rituals, music, songs and dances associated with weddings, which allows us to understand the underlying values and sociocultural context of the rituals. Teaching methods include interactive lessons, research projects, curriculum integration and intercultural education.</i>
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Kartal, Atila, Kemal Şimşek, Emine Atmaca, and Haktan Kaplan. "Metaphorical Language and Function of the “Bridal Pick-Up” Ritual in Anatolian Traditional Weddings with Its Origin and Reflections." Religions 15, no. 5 (2024): 530. http://dx.doi.org/10.3390/rel15050530.

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In the urban centers of Türkiye, where cultural changes are more widespread and effective, wedding processional is replaced by the solemnization of the marriage at indoor weddings, and the Kūdegū (old Turkic language; refers to bridegroom, son-in-law) awaiting the bride’s arrival at the boy’s house is replaced by differences in the way of the bride and groom’s entry together; moreover, while wedding rituals such as the bridal bath and groom’s hammam are being forgotten, bachelor/bachelorette parties are on the rise. The beliefs and practices related to the bride being taken out of the girl’s h
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Lyapin, Denis A. "Fur as a feature of Russian traditional wedding ceremony." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 61 (2021): 8–19. http://dx.doi.org/10.37816/2073-9567-2021-61-8-19.

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Fur is a significant feature of many ritual actions in traditional Russian culture. Although there is a lot of material on this subject it continues to escape a closer scientific attention. This paper looks at filling this gap and showing the role of fur in Russian wedding rituals. The author gives examples related to the use of fur at a wedding and analyzes wedding songs and additional material. Results obtained led to conclusions that the fur in the wedding ritual was of dual importance. It was used as a magical item endowed with the function of fertility and procreation. It was associated w
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Joldasbaeva, G.A. "TRADITIONAL WEDDING CEREMONY." MODERN SCIENCE AND RESEARCH 3, no. 4 (2024): 321–26. https://doi.org/10.5281/zenodo.11181745.

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<em>This article talks about Karakalpak traditional wedding rituals and their meaning. Information is also given about the role of such ceremonies as bet ashar, toy baslaw and the ancient &ldquo;tamasha&rdquo;, &ldquo;ilak oyin&rdquo; (goat fighting) and other rituals.</em>
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Song, Mi Wha. "The Evolution and Symbolism of 'Jwaeju' and 'Gyosu' in Traditional Korean Wedding Rituals: Study of Post-1945 Korean Etiquette Books." Institute of Korean Cultural Studies Yeungnam University 89 (April 30, 2025): 69–110. https://doi.org/10.15186/ikc.2025.4.30.03.

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This paper focuses on examining the structure of the daerye in traditional Korean weddings, as presented in Korean etiquette books published after 1945. It specifically analyzes the changes in the meanings and symbolism of 'Jwaeju' and 'Gyosu.' Rituals play a crucial role in transforming the ordinary into something imbued with special meaning. The study of Confucian rituals began in the early Joseon Dynasty, during King Taejong's reign, and the grand ritual ceremonies established by the state are recorded in texts such as the Sejong Sillok(1435), Orye(1452), and Gukjo Orye-ui(1474). After the
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Shvetsova, Vera A., and Valentina P. Mironova. "The Joiks in the Context of the Northern Karelian Wedding Rituals: The Semantics and Functioning Peculiarities." Problemy muzykal'noi nauki / Music Scholarship, no. 4 (December 2023): 188–98. http://dx.doi.org/10.56620/2782-3598.2023.4.188-198.

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The article deals with the joiks as a genre of North Karelian folklore, which in traditional culture marks the transitional, crisis situations in the life- and calendar cycles and is an element of the wedding ritual’s musical code. In terms of the poetic text content, the joiks bear a typological similarity to the reprobating (korilnye) songs from the folk music of Slavic peoples. The lack of research on the semantics and functions of the joiks in the context of wedding rituals, as well as on the correspondence between the joik poetic texts and ritual tunes makes this study relevant. The task
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Aliza, Duriah, Astari Kintan, Ira Indrawardana, and Opan Suhendi Suwartapradja. "PERUBAHAN PROSESI KESENIAN DALAM PERNIKAHAN ADAT SUNDA." Responsive 5, no. 4 (2023): 239. http://dx.doi.org/10.24198/responsive.v5i4.45213.

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Pernikahan adalah bagian dari budaya, dalam sebuah tradisi pernikahan terdapat ritual yang berdasarkan adat istiadat sesuai dengan daerah asal pengantin dan dipercayai oleh masyarakatnya. Pada perkawinan adat Sunda, masyarakat akan melakukan acara ritual perkawinan dengan adat Sunda. Adanya kemajuan teknologi berdampak pada suatu pergeseran budaya dapat dengan menyesuaikan dengan kebutuhan zaman. Perubahan pada prosesi kesenian perkawinan adat Sunda terjadi karena lebih memenetingkan efektifitas dibanding sakralitas. Marriage is part of culture, in a wedding tradition there are rituals based o
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Rizki, Annisa, Aslam Nur Aslam Nur, and Munawiah. "Philosophical Meaning of Traditional Wedding Rituals of the Singkil Tribe." Indonesian Journal of Islamic History and Culture 5, no. 1 (2024): 51–59. http://dx.doi.org/10.22373/ijihc.v5i1.4740.

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This article aims to describe the philosophical meaning of the traditional weddings of the Singkil Tribe based on data from Lae Butar Village, Gunung Meriah District, Aceh Singkil Regency. This research uses descriptive methods with data collection techniques, namely observation, interviews, and documentation. In the process of presenting data, researchers use data analysis techniques that describe, interpret and validate. The results of the research show that wedding customs are still implemented and maintained by the people in Lae Butar Village to this day. Meanwhile, the traditional wedding
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Mukhan, Aktoty, Kenzhekhan Matyzhanov, Zhanna Bugybayeva, and Akedil Toishanuly. "The Wedding Ceremony in Kazakh Folklore: Yesterday and Today." Folklore: Electronic Journal of Folklore 95 (April 2025): 163–78. https://doi.org/10.7592/fejf2025.95.kazakh.

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The study aims to analyze the most significant area of family and household ritual folklore, which is regarded as a complex system of folklore studies, and to showcase the extent of research on these topics in national folklore. The relevance of the study consists in describing the ancient traditions and rituals of the Kazakh people, which have great importance for traditional Kazakh society, their spiritual development, the formation of personality in the community, and behavioral education. Wedding ceremonies were considered in conjunction with the history of various understandings, and an a
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Paukštytė-Šaknienė, Rasa. "Old Rituals in New Cultural Environment. “Drowning of a Midwife” and “Hanging of a Matchmaker” in Lithuania and Western Belarus." Yearbook of Balkan and Baltic Studies 5 (December 2022): 196–218. http://dx.doi.org/10.7592/ybbs5.08.

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In the analysis of baptism rituals in eastern Lithuania and western Belarus, I have repeatedly drawn attention to the similarity in the structure of individual traditional wedding and baptism rites and even the transition of some ritual acts from one ritual to another. The similarities noticed in the ritual acts performed at baptisms and weddings in the first half of the twentieth century have led to a more detailed analysis of these life-cycle celebrations in the twenty-first century. In this article, I examined the peculiarities of the ceremonial/symbolic killing (or attempted killing) of a
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Exelsior, Arya Sandy Damara, and Jenny Mochtar. "Western Influence in Contemporary Chinese Indonesian Weddings." k@ta kita 11, no. 1 (2023): 90–97. http://dx.doi.org/10.9744/katakita.11.1.90-97.

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In every culture, there is one important tradition: marriage. Marriage is important for Chinese Indonesians as it is considered to be a rite of passage. Due to globalization, many young Chinese Indonesians have little knowledge about Chinese traditions and tend to adopt Western wedding traditions as something more modern. Hence, Chinese Indonesian find new ways to convey their cultural identity as both Chinese and modern by using Chinese and Western wedding traditions. This article aims to identify the elements of Western culture that are commonly used in Chinese Indonesian weddings and the re
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Barsukova, Svetlana Yu. "Ritual Economy, or How Much Is Spent on A Wedding in Central Asia." Journal of Institutional Studies 14, no. 3 (2022): 046–58. http://dx.doi.org/10.17835/2076-6297.2022.14.3.046-058.

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The article describes the rituals that form a complex of wedding traditions in the countries of Central Asia. We are talking about rites (pre-wedding, wedding and post-wedding) and related expenses. Observance of traditions imposes heavy financial obligations on the families of the bride and groom, driving them into credit burden and depriving them of economic well-being for many years. Why do families participate in this wasteful excess? What drives them? The article focuses on decoding the institute of Central Asian wedding. The article is based on interviews with students from Central Asian
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Sogu, Hong. "INTERCULTURAL WEDDINGS IN KOREA: TOWARD THE MULTICULTURAL SOCIETY." Ethnic History of European Nations, no. 59 (2019): 42–48. http://dx.doi.org/10.17721/2518-1270.2019.59.07.

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This study examines how cultural communication is occurring in the process of wedding between Korean and Slavic people with heterogeneous cultural backgrounds, and whether multicultural coexistence and multicultural identity are created in Korean society. In this study, Korean-Slavic couples’ weddings will be divided into four types according to the way of expressing identity in their wedding. By discussing whether wedding couples represent the cultural and traditional elements of both sides in balance, and even properly combine the symbols and rituals of both cultures to create a new culture
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Bekh, Kateryna. "Wedding and Marriage-Ritual Themes on the Pages of “Folk Art and Ethnology” Journal." Folk art and ethnology, no. 2 (June 30, 2025): 22–36. https://doi.org/10.15407/nte2025.02.022.

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The article is devoted to the analysis of the main ethnographic and scientific trends in the study of Ukrainian wedding ceremonies in the twentieth and early twenty-first centuries, described on the pages of “Folk Art and Ethnology” journal. A brief overview of the major milestones and tendencies in the development of the journal according to the activities of the scientific centers it has functioned at, been restored and continues to be published consistently, is conducted. The change of scientific views from descriptive to modern analytical, interdisciplinary study of the wedding ritual in t
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MAMMADOVA, Günay. "In the context of the diversity of wedding ceremonies in Azerbaijan Wedding traditions of Nakhchivan region." Rast Müzikoloji Dergisi 10, no. 3 (2022): 329–44. http://dx.doi.org/10.12975/rastmd.20221031.

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The aim of this article is to examine the cultural and musical aspects of the wedding ceremonies of the Nakhchivan region, which is one of the important elements of Azerbaijani folklore. The research model was designed in accordance with the case study and document analysis techniques from qualitative research methods. The reason for choosing the Nakhchivan region in the research is that the region has a rich content in terms of folkloric features and is protected folklorically. Relevant documents and interview method were used as data collection tools in the research. In the research, the ele
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Ashirov, Adhamjon A. "What do they say in mosques of Tashkent? Discourse of the Muslim clergy on the limitation of ritual costs." Historical Ethnology 9, no. 3 (2024): 441–57. http://dx.doi.org/10.22378/he.2024-9-3.441-457.

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The article analyses the changes that occurred during the period of independence of Uzbekistan in the religious life and national values of the population of the capital of the republic – the city of Tashkent, which are associated with family rituals. Based on field data, the author reveals a combination of religious and national aspects in Uzbek family rituals regarding the wedding ritual. The article analyses the views of imams concerning the costs and excesses of its implementation. Through observations of modern Uzbek society, Muslims’ social activities, the analysis of the Muslim clergy s
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48

Seferbekov, Ruslan I. "MODERN MARRIAGE AND WEDDING RITUALS OF THE DARGINS-TSUDAHARS: TRADITIONS AND INNOVATIONS." History, Archeology and Ethnography of the Caucasus 19, no. 2 (2023): 518–29. https://doi.org/10.32653/ch192518-529.

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Based on field ethnographic material collected in the Levashinsky district of Dagestan in 2018 and 2022, using historical-comparative, typological, systemic, retrospective methods and the method of participant observation, the paper discusses the traditional and modern wedding ceremonies and customs of the rural population of one of the sub-ethnic groups of the Dargins – the Tsudahars1. This group has undergone the cultural influence of the Avars of the Gunibsky and Gergebilsky districts and the Laks of the Laksky district, which is reflected in interethnic marriage, the spread of Avar anthrop
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Jingzeng, Du, and Sun Yunuo. "Wedding as a way to family happiness in Russian and Chinese linguistic cultures." OOO "Zhurnal "Voprosy Istorii" 2022, no. 5-2 (2022): 166–74. http://dx.doi.org/10.31166/voprosyistorii202205statyi53.

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A wedding is a family tradition reflected in every language and culture, which is implemented in a number of cultural rituals, customs and rituals. A wedding is a day when two young people decide to move on together in order to love and respect each other forever. As for the linguoculturological approach to the study of wedding discourse, scientists declare its cultural, linguistic, psychological and social significance for science. This article discusses issues related to the understanding of family happiness in Russian and Chinese linguistic cultures, which allows us to explore a number of t
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50

Tymchula, Andrii, and Olha Yatsenko. "Opillians Folk Dances in Family and Household Rituals (on the Example of Wedding Rite)." Dance Studies 6, no. 2 (2023): 126–33. https://doi.org/10.31866/2616-7646.6.2.2023.295175.

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<strong>The purpose of the article&nbsp;</strong>is to identify the peculiarities of Opillians folk dances in the context of family and household rituals (in the example of a wedding ceremony).&nbsp;<strong>Research methodology.&nbsp;</strong>The systematic analysis and synthesis method was used to analyse ritual and ceremonial culture as a whole; the method of art historical analysis, genre-typological, and descriptive methods were used to identify stylistic and lexical features of Opillians dances of the wedding ceremony, etc.&nbsp;<strong>Scientific novelty.&nbsp;</strong>For the first time
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