Academic literature on the topic 'Wei Te-sheng'

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Journal articles on the topic "Wei Te-sheng"

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Yang, Che-ming. "The Postcolonial Paradox in the (Self-)Orientalization of Taiwanese History in Wei Te-Sheng‟s Action Saga." Theory and Practice in Language Studies 2, no. 6 (2012). http://dx.doi.org/10.4304/tpls.2.6.1114-1119.

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Neilsen Glenn, Lorri. "The Loseable World: Resonance, Creativity, and Resilience." M/C Journal 16, no. 1 (2013). http://dx.doi.org/10.5204/mcj.600.

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[Editors’ note: this lyric essay was presented as the keynote address at Edith Cowan University’s CREATEC symposium on the theme Catastrophe and Creativity in November 2012, and represents excerpts from the author’s publication Threading Light: Explorations in Loss and Poetry. Regina, SK: Hagios Press, 2011. Reproduced with the author’s permission].Essay and verse and anecdote are the ways I have chosen to apprentice myself to loss, grief, faith, memory, and the stories we use to tie and untie them. Cat’s cradle, Celtic lines, bends and hitches are familiar: however, when I write about loss, I
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Dissertations / Theses on the topic "Wei Te-sheng"

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Wang, Ji. "Decentralization in Wei Te-sheng's Film." 2018. https://scholarworks.umass.edu/masters_theses_2/620.

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As one of the most prominent Taiwanese film director, Wei Te-sheng’s films have been the focus of attention from publicity and film prize committees. Most of his film works focus on Japan-Taiwan theme. Based on auteur theory, this thesis examines the colonial and postcolonial relationship between Japanese and Taiwanese by analyzing the Taiwanese film director Wei Te-sheng’s three films, Cape No.7 (2008), Seediq Bale (2011), and Kano (2014). From the historical view in terms of the colonial relationship between Taiwan and Japan, this thesis reveals the Taiwanese’s ambivalence toward its ex-colo
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Hsu, Chunhui, and 許君慧. "A Research on “Warriors of Rainbow: Seediq Bale,” a Film Directed by Te-Sheng Wei." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/6n5pyn.

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碩士<br>國立屏東教育大學<br>中國語文學系碩士班<br>101<br>Te-Sheng Wei, who in 2008 directed the exceedingly popular film “Cape No. 7” during a time when Taiwanese film industry was in a slump, once again brought the audience another Taiwanese film miracle in 2011, with his “Warriors of Rainbow: Seediq Bale.”(Hereafter as “Seediq Bale”) It has taken more than ten years for Wei to finish this film since he started writing the screenplay. The purpose of the film is to narrate the Wushe Incident in 1930. Wei attempts to go beyond historical evaluation and find a way to resolve ethnic hatred by interpreting the ethni
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3

Huang, Wen-Yin, and 黃文胤. "Imagining "Taiwan" by Remembering the Colonial Past:On Film Director Wei Te-Sheng''s “Cape No.7,” “Seediq Bale,” and “KANO”." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/fu5x29.

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碩士<br>國立中興大學<br>台灣文學與跨國文化研究所<br>103<br>In this thesis, I explore how Wei Te-Sheng constructed Taiwanese identity through three films: "Cape No. 7," "Seediq Bale," and "KANO." Moreover, I also investigate how Japanese colonial memory become a portion of the creation of Taiwanese identity and how it connects to contemporary Taiwanese society. In short, I explore the relationship between Taiwanese identity and Taiwanese contemporary society through these films. The order of chapters in this thesis is not arranged according to the release dates of films, but to the thematic logic as follows: Chap
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Books on the topic "Wei Te-sheng"

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Pan, Guangdan. Min zu te xing yu min zu wei sheng. Beijing zhong xian tuo fang ke ji fa zhan you xian gong si, 2012.

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Di wen sheng wu mo ji qi wei sheng wu te xing de yan jiu. Heilongjiang da xue chu ban she, 2009.

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Te shu de jiao wang: Sheng wei di yi shu ji fu ren de hui yi. Zhong yang wen xian chu ban she, 2005.

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Te shu de jiao wang: Sheng wei di yi shu ji fu ren de hui yi. Bai hua zhou wen yi chu ban she, 1998.

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Zhong tong da te wu: Zhang Guodong de chuan qi ren sheng. Zhongguo wen shi chu ban she, 2012.

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Zhangyi Yin ji cun Shui wei sheng niang miao. Zhangyi Yin ji cun Shui wei sheng niang miao liu shi zhou nian ji nian te kan. Zhangyi Yin ji cun Shui wei sheng niang miao, 2000.

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China (Republic : 1949- ). Xing zheng yuan. Zhong yao sheng chan shi ye te bie jiang li shi yong fan wei ji biao zhun. Jing ji bu tou zi ye wu chu, 1985.

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Zhen xin dui hua ji nian te kan: 13 wei yi ren bu tong de ren sheng lu. Xiang fei chuan bo, 2009.

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San Xia ku qu sheng tai xi tong xie po te zheng yu sheng tai hui fu yan jiu: Yi Chongqing Kai Xian wei li. Zhongguo huan jing ke xue chu ban she, 2007.

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Yuansheng, Luo, ed. San wei te shu de kai guo shang jiang: Dong Qiwu, Tao Zhiyue, Chen Mingren de jing cai ren sheng. Jie fang jun chu ban she, 2003.

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Book chapters on the topic "Wei Te-sheng"

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Rawnsley, Ming-yeh T. "A conversation with Taiwanese filmmaker Wei Te-sheng." In Taiwan Cinema. Routledge, 2017. http://dx.doi.org/10.4324/9781315170244-15.

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