Relevant bibliographies by topics / Weiner, Lawrence

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Weiner, Lawrence'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 January 2023

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Journal articles on the topic "Weiner, Lawrence"

1

Doǧu, Hikmet. "DISPLACEMENT. Lawrence Weiner." Art Documentation: Journal of the Art Libraries Society of North America 11, no. 1 (1992): 40. http://dx.doi.org/10.1086/adx.11.1.27948425.

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Stark, Trevor. "Lawrence Weiner's Materialism." October, no. 180 (2022): 105–20. http://dx.doi.org/10.1162/octo_a_00455.

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Abstract From the 1960s until his death in 2021, Lawrence Weiner developed an art practice operating in language, which he described as being that of a “materialist.” This paper examines the scope of Weiner's career to determine what he could mean by that term—to derive the specific characteristics of his linguistic materialism. Differentiating his work from existing materialist paradigms in poetics and linguistics, this paper argues that the matter of language for Weiner was not reducible to the visual character of the signifier or to the physicality of the referent. Rather than attempt to de
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Pelzer, Birgit, and John Goodman. "Dissociated Objects: The Statements/Sculptures of Lawrence Weiner." October 90 (1999): 76. http://dx.doi.org/10.2307/779081.

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Éloy, Céline. "Muséaliser l’art conceptuel : de Seth Siegelaub à Lawrence Weiner." Culture & Musées 16, no. 1 (2010): 93–111. http://dx.doi.org/10.3406/pumus.2010.1561.

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Carmin, James H. "LAWRENCE WEINER BOOKS 1968–1989: CATALOGUE RAISONNÉ. Dieter Schwarz." Art Documentation: Journal of the Art Libraries Society of North America 9, no. 3 (1990): 152. http://dx.doi.org/10.1086/adx.9.3.27948249.

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Costello, Diarmuid. "Conceptual Art and Aesthetic Ideas." Kantian Review 26, no. 4 (2021): 603–18. http://dx.doi.org/10.1017/s1369415421000388.

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AbstractThis paper considers whether Kant’s aesthetics withstands the challenge of conceptual art. I begin by looking at two competing views of conceptual art by recent philosophers, before settling on an ‘inclusive’ view of the form: conceptual art includes both ‘strong’ and ‘weak’ non-perceptual art (NPA). I then set out two kinds of conceptual complexity that I argue are implicated by all aesthetic judgements of art (as art) on Kant’s view: the concept of art itself, and the idea the work is meant to express (dependent beauty and aesthetic ideas, respectively). I go on to demonstrate the ap
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Robinson, Rob. "The Political Constitution: The Case against Judicial Supremacy by Greg Weiner. Lawrence, University Press of Kansas, 2019. 216 pp. $29.95." Political Science Quarterly 135, no. 4 (2020): 751–52. http://dx.doi.org/10.1002/polq.13119.

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Potvin, Maryse. "Les dérapages racistes à l’égard du Québec au Canada anglais depuis 1995." Hors thème 18, no. 2 (2008): 101–32. http://dx.doi.org/10.7202/040175ar.

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Résumé L’article analyse certaines « dérives racistes » survenues au Canada anglais depuis le référendum de 1995. À partir d’une sélection d’articles de la presse anglo-canadienne et à travers l’examen de plusieurs « événements » médiatisés (« affaires » Rakoff, Lawrence Martin, Diane Francis, Gerry Weiner, David Levine), l’analyse indique comment les discours « marginalisés » ont franchi plusieurs « paliers » du racisme (Wieviorka, 1991), en faisant place à une opinion un peu plus sytématique dans le « Reste du Canada » et à une violence verbale suffisamment répétitive pour que le problème ne
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Potvin, Maryse. "Les dérapages racistes à l’égard du Québec au Canada anglais depuis 1995." La politique canadienne et québécoise 36 (May 10, 2017): 43–71. http://dx.doi.org/10.7202/1039822ar.

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L’article analyse certaines « dérives racistes » survenues au Canada anglais depuis le référendum de 1995. À partir d’une sélection d’articles de la presse anglo-canadienne et à travers l’examen de plusieurs « événements » médiatisés (« affaires » Rakoff, Lawrence Martin, Diane Francis, Gerry Weiner, David Levine), l’analyse indique comment les discours « marginalisés » ont franchi plusieurs « paliers » du racisme (Wieviorka, 1991), en faisant place à une opinion un peu plus systématique dans le « Reste du Canada » et à une violence verbale suffisamment répétitive pour que le problème ne soit
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DiSalvo, Daniel. "Greg Weiner. American Burke: The Uncommon Liberalism of Daniel Patrick Moynihan. Lawrence: University Press of Kansas, 2015. Pp. xv+208. $22.80." American Political Thought 6, no. 2 (2017): 324–27. http://dx.doi.org/10.1086/691236.

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Dissertations / Theses on the topic "Weiner, Lawrence"

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Tan, Wann-Dar. "Lawrence Weiner's Concerto for Guitar and Orchestra: Analysis and Performance Considerations." Thesis, connect to online resource, 2005. http://www.unt.edu/etd/all/Aug2005/tan%5Fwann-dar/index.htm.

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Thesis (D.M.A.)--University of North Texas, 2005.<br>System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Apr. 10, 2000, Apr. 16, 2001, Nov. 3, 2003, and Mar. 28, 2005. Includes bibliographical references (p. 113-115).
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2

Marschall, Maria. "Lawrence Weiner: Terminal Boundaries Aspekte der Grenzthematik in der künstlerischen Konzeption und den Spracharbeiten 1968 - 2002 /." Berlin, 2008. http://opus.kobv.de/udk/volltexte/2008/33/.

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Watier, Éric. "L'oeuvre d'art à l'époque de sa discrétion technique." Thesis, Rennes 2, 2014. http://www.theses.fr/2014REN20007.

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Le travail artistique ne se construit pas sur une question préalable mais sur l’émergence toujours renouvelée de questions imprévisibles.L’oeuvre d’art à l’époque de sa discrétion technique tire bien évidemment son titre du texte de Walter Benjamin L’oeuvre d’art à l’époque de sa reproductibilité technique. Dans son texte, Benjamin essaie d’envisager les conséquences esthétiques et politiques de la reproductibilité technique. Nous essayons (modestement) de reposer la même question à l’heure du numérique.Cette question n’était pas donnée d’emblée. Elle est apparue dans le tressage complexe de l
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Martinetti, Sara. "« I never Write, I Just Do » : pratiques de l’écrit et enjeux théoriques du travail de Seth Siegelaub dans l’art conceptuel, le militantisme et l’érudition." Thesis, Paris, EHESS, 2020. http://www.theses.fr/2020EHES0051.

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Seth Siegelaub (1941, New York-2013, Bâle) est une figure majeure, connue des historiens de l’art pour avoir de manière séminale renouvelé les modalités d’exposition, de présentation et de distribution des œuvres conceptuelles. La carrière de celui qui a été considéré comme l’impresario zélé de quatre artistes (Robert Barry, Joseph Kosuth, Douglas Huebler [1924-1997], Lawrence Weiner) ne s’arrête pas en 1972, date qui marque son départ de l’art et qui aurait confirmé l’« échec » des luttes politiques d’une génération. Le dropout de Siegelaub – se revendiquant comme « not an artist » mais opéra
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Speight, Amanda Gaye. "Op writing : text ornamenting vision." Queensland University of Technology, 2008. http://eprints.qut.edu.au/16611/.

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The decorative and the textual have a complex and uneasy entanglement within the history and practice of modernist art. Sometimes celebrated as critical modernist strategies, sometimes denigrated or repressed as the opposite of Art, the decorative and the textual were understood as "foreign" forms that variously endangered, or, in turn, invigorated the power of art. My creative practice, which includes installation, painting, photography, text and an exhibition catalogue, exploits and explores this decorative and textual instability within modernist art practice. In my work, (visual) codes c
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Speight, Amanda Gaye. "Op writing : text ornamenting vision." Thesis, Queensland University of Technology, 2008. https://eprints.qut.edu.au/16611/1/Amanda_Speight_Thesis.pdf.

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The decorative and the textual have a complex and uneasy entanglement within the history and practice of modernist art. Sometimes celebrated as critical modernist strategies, sometimes denigrated or repressed as the opposite of Art, the decorative and the textual were understood as "foreign" forms that variously endangered, or, in turn, invigorated the power of art. My creative practice, which includes installation, painting, photography, text and an exhibition catalogue, exploits and explores this decorative and textual instability within modernist art practice. In my work, (visual)
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Borndal, Jake. "Psychic Fax on Vibrate, Received on Phantom Limbo." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/3445.

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I offer a cloud of observations about language and art. I will prioritize my questions about how language operates in art, the way it functions within my own studio practice, and locate aesthetic interstices throughout. There will be insights gleaned from the various orderers of order (Lacan, Saussure) and orderers of disorder (Derrida, Agamben), walks in terra-incognita, and even some poetry on my part. I will take this chance to orient myself among different structures and deconstructions that have piledup around language, aesthetics and art.
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Chiong, Kathryn Josette. "Words Matter: The Work of Lawrence Weiner." Thesis, 2013. https://doi.org/10.7916/D8VM4KGT.

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This dissertation explores the practice of contemporary artist Lawrence Weiner. From 1968 onwards, Weiner has presented his work using language and, as such, the artist is historically regarded as one of the pioneering practitioners of Conceptual art. The artist himself categorically refuses that designation, preferring to focus on the material aspects of his work. Nevertheless, his oeuvre has been largely received in terms of a predominantly linguistic intervention. Craig Dworkin encapsulates this position, when in discussing the Conceptual wager of Weiner's statements he writes: "Having te
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Marschall, Maria [Verfasser]. "Lawrence Weiner: Terminal Boundaries : Aspekte der Grenzthematik in der künstlerischen Konzeption und den Spracharbeiten 1968-2002 / Maria Marschall." 2006. http://d-nb.info/991828127/34.

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Vieira, Nuno Miguel de Sousa 1971. "O ateliê - do mundo para o lugar : sala de exposição (1971-2015)." Doctoral thesis, 2015. http://hdl.handle.net/10451/24634.

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Tese de doutoramento, Belas-Artes (Pintura), Universidade de Lisboa, Faculdade de Belas-Artes, 2016<br>Anexo: "Uma vida inteira - peça de representação" disponível em suporte papel<br>A investigação conducente a esta tese desenvolve-se no interior de uma práxis artística que procura, em cada momento, estabelecer um vínculo profundo com uma realidade contextual que a motiva, circunscreve e abre em momentos sucessivos de exibição. Neste sentido, a pesquisa parte dessa prática artística com o fim principal de pensá-la no próprio processo que a gera e sustenta, procurando focar melhor e aprofundar
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Books on the topic "Weiner, Lawrence"

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Weiner, Lawrence. Lawrence Weiner. Kunstverein Ruhr, 2003.

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Gillick, Liam. Liam Gillick, Lawrence Weiner. A.R.T. Press, 2006.

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Weiner, Lawrence. Lawrence Weiner: 5 elements 2 times. Chorus, 1999.

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Schwarz, Dieter. Lawrence Weiner: Books 1968-1989, catalogue raisonné. W. König ; Villeurbanne : Le Nouveau Musée, 1989.

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Weiner, Lawrence. Riten des Übergang =: Rites of passage : Lawrence Weiner. Städtische Galerie im Lenbachhaus, 1992.

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Weiner, Lawrence. Lawrence Weiner: As far as the eye can see. Museum of Contemporary Art, 2007.

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Weiner, Lawrence. Lawrence Weiner: As far as the eye can see. Museum of Contemporary Art, 2007.

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8

Lawrence, Weiner, and Fietzek Gerti, eds. Gefragt und gesagt: Schriften & Interviews von Lawrence Weiner 1968-2003. Hatje Cantz, 2004.

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Weiner, Lawrence. Lawrence Weiner: Werken vanaf het begin van de jaren zestig tot aan het einde van de jaren tachtig = works from the beginning of the sixties towards the end of the eighties : Stedelijk Museum Amsterdam : 19 November 1988-January 1, 1989. The Museum, 1988.

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Weiner, Lawrence. Lawrence Weiner: Werken vanaf het begin van de jaren zestig tot aan het einde van de jaren tachtig : works from the beginning of the sixties towards the end of the eighties : [catalogue of an exhibition held at the] Stedelijk Museum Amsterdam, 19 November 1988 - January 1 1989. Stedelijk Museum Amsterdam, 1988.

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Book chapters on the topic "Weiner, Lawrence"

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Pichler, Cathrin, and Roman Berka. "Lawrence Weiner." In TransAct. Springer Vienna, 2010. http://dx.doi.org/10.1007/978-3-211-99801-4_7.

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"Lawrence Weiner." In Greatest Hits. Metales pesados, 2012. http://dx.doi.org/10.2307/j.ctvckq6n1.13.

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Price, Katie L. "Forms of potential: reading Lawrence Weiner." In Mixed Messages. Manchester University Press, 2016. http://dx.doi.org/10.7228/manchester/9781784991500.003.0009.

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"LAWRENCE WEINER: SPRACHE ALS SKULPTURALER AKT IM RAUM." In Et in imagine ego. Akademie Verlag, 2012. http://dx.doi.org/10.1524/9783050094175.467.

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Irvin, Sherri. "Rules for Display." In Immaterial. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780199688210.003.0003.

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Contemporary artists often sanction elaborate rules for display of their works. Sometimes these rules tightly restrict the structure that must be constituted; other times they provide looser guidelines or offer a great deal of latitude to the installers. These choices about rules interact with other aspects of the work to contribute to its meanings: El Anatsui’s choice to allow installers to make extensive decisions about display has different expressive significance than Lawrence Weiner’s. Audiences often need direct information about the rules to understand and appreciate the work fully. When rules for display are violated, the work’s expressive potential may be undermined, or it may fail to be on display at all.
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