Journal articles: 'Weldon'

1

Rowell, Charles H., and Keith Weldon Medley. "Keith Weldon Medley." Callaloo 29, no. 4 (2006): 1038–48. http://dx.doi.org/10.1353/cal.2007.0077.

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2

Waldhausen, John A. "CLARENCE S. WELDON." Transactions of the ... Meeting of the American Surgical Association 125 (2007): 409–10. http://dx.doi.org/10.1097/00153307-200701250-00069.

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3

Pincock, Stephen. "Herschel Weldon Leibowitz." Lancet 377, no. 9769 (2011): 898. http://dx.doi.org/10.1016/s0140-6736(11)60340-1.

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4

Han, Hahrie. "Response to S. Laurel Weldon's review of Moved to Action: Motivation, Participation, and Inequality in American Politics." Perspectives on Politics 10, no. 3 (2012): 792. http://dx.doi.org/10.1017/s1537592712001545.

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I thank Laurel Weldon for her generous and incisive review of my book. Our two books share a common interest in investigating the mechanisms through which marginalized constituencies gain voice in politics. While my book takes a micro, individual perspective, focusing on questions about participation in American politics, Weldon's takes a macro perspective, analyzing the impact of social movements and movement organizations in a comparative context. Thus, while I try to understand the factors that motivate individuals from traditionally marginalized communities to get involved, she asks what happens when they do get involved: Does their participation in movements and movement organizations matter? These divergent perspectives contextualize some of the very helpful questions Weldon raised about my book.

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5

Bunker, John P., and N. Ty Smith. "J. Weldon Bellville, MD." Journal of Clinical Monitoring 1, no. 1 (1985): 3–5. http://dx.doi.org/10.1007/bf02832682.

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6

Weldon, Jaclynn. "Family reflections: Weldon family journey." Pediatric Research 90, no. 5 (2021): 1098. http://dx.doi.org/10.1038/s41390-021-01774-2.

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7

Mire, Weldon. "A Discussion with Weldon Mire." Way Ahead 01, no. 03 (2005): 5–32. http://dx.doi.org/10.2118/0305-005-twa.

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8

Brown, Beth. "Eulogy for James Weldon Jones." Callaloo, no. 26 (1986): 16. http://dx.doi.org/10.2307/2931020.

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9

Harvey, Lewis O. "Herschel Weldon Leibowitz (1925–2011)." American Psychologist 67, no. 2 (2012): 160. http://dx.doi.org/10.1037/a0026763.

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10

Epstein, Samuel S. "A Reply to Virginia Weldon." International Journal of Health Services 21, no. 3 (1991): 563–64. http://dx.doi.org/10.2190/45kc-t144-pv11-lpbb.

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11

Henry, Daniel. "James Weldon Johnson's Democracy Rag." Theory & Event 25, no. 4 (2022): 900–923. http://dx.doi.org/10.1353/tae.2022.0046.

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12

KRUPAR, JASON. "Burying Atomic History: The Mound Builders of Fernald and Weldon Spring." Public Historian 29, no. 1 (2007): 31–58. http://dx.doi.org/10.1525/tph.2007.29.1.31.

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Abstract The Fernald, Ohio and Weldon Spring, Missouri uranium refinery sites performed critical functions in the nation's nuclear weapons manufacturing complex during the Cold War. Now, the U.S. Department of Energy has created two radioactive tombs on the former grounds of these industrial centers. These mounds may be viewed as unofficial monuments to the billions spent building and maintaining the country's atomic arsenal. Radioactive contamination precludes the adaptive reuse of Fernald and Weldon Spring. Yet these two sites reside in counties that continue to experience steady population growth. The present and future generations need to be informed about the activities conducted at the sites for health, environmental, and educational reasons. Policy choices made by federal government officials concerning Weldon Spring and Fernald indicate a pattern shift from disclosure/preservation to exclusion/destruction by 2005.

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13

Nelson, Raymond. "The Fitful Life of Weldon Kees." American Literary History 1, no. 4 (1989): 816–52. http://dx.doi.org/10.1093/alh/1.4.816.

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14

Jones, Gwyneth. "Review: Chalcot Crescent by Fay Weldon." New Scientist 203, no. 2726 (2009): 51. http://dx.doi.org/10.1016/s0262-4079(09)62507-0.

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15

Joshi, Amitabh. "Walter Frank Raphael Weldon (1860–1906)." Resonance 22, no. 6 (2017): 517–24. http://dx.doi.org/10.1007/s12045-017-0496-8.

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16

Green, Jason. "Refusal Clauses and the Weldon Amendment." Journal of Legal Medicine 26, no. 3 (2005): 401–15. http://dx.doi.org/10.1080/01947640500218364.

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17

McClean, Andrew. "Cataract: A quality of life issue." Optician 2021, no. 1 (2021): 234013–1. http://dx.doi.org/10.12968/opti.2021.1.234013.

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18

Harper. "Untitled (Love Songs, for Professor Ward Weldon)." Visual Arts Research 40, no. 1 (2014): 66. http://dx.doi.org/10.5406/visuartsrese.40.1.0066.

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19

Müller, Timo. "James Weldon Johnson and the Genteel Tradition." Arizona Quarterly: A Journal of American Literature, Culture, and Theory 69, no. 2 (2013): 85–102. http://dx.doi.org/10.1353/arq.2013.0012.

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20

David Ray. "Tossed Pennies, and: Trio for Weldon Kees." Prairie Schooner 84, no. 1 (2010): 159–66. http://dx.doi.org/10.1353/psg.0.0360.

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21

F.T.M. "Alan Weldon Moule, L.D.S., B.D.S., F.D.S.R.C.S. (Eng)." British Journal of Oral and Maxillofacial Surgery 27, no. 2 (1989): 169–70. http://dx.doi.org/10.1016/0266-4356(89)90066-1.

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22

Huebner, Steven. "Molière "Librettist": Gounod, Georgina Weldon and "George Dandin"." Revue de Musicologie 92, no. 2 (2006): 357. http://dx.doi.org/10.2307/20141675.

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23

Ashby, James. "The D.B. Weldon Library by Andrews and Murphy." Journal of the Society for the Study of Architecture in Canada 44, no. 2 (2019): 21. http://dx.doi.org/10.7202/1069482ar.

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24

Starčević, Mirko. "Weldon Kees and the Poetic Landscapes of Despair." Acta Neophilologica 55, no. 1-2 (2022): 61–72. http://dx.doi.org/10.4312/an.55.1-2.61-72.

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The aim of this paper is to contribute to the efforts to renew an interest in the poetry of Weldon Kees, a more or less forgotten American poet of late modernism. The main argument of this paper is that Weldon Kees, while a belated poet of modernism, successfully swerved away from the earlier poetics of modernism and proved capable of constructing a unique poetics of despair and alienation. In many ways, an heir of Hart Crane’s tragic sense of life, Kees’ misreading of Hart Crane was highly fertile and crucially conducive to the creation of his own visionary poetics. In the first part of our discussion, a more generalized overview of Kees’ poetry is developed, while in the second part, we analyze the four Robinson poems which constitute the nucleus of Kees’ existential aesthetics. Notwithstanding the fact that despair is a ubiquitous presence in Kees’ poetry, it does not manifest itself as an inhibiting force; on the contrary, while despair is inextricably linked to his tragic fate, it also acts as a major creative impetus, which helped Kees express his relationship to the world and, consequently, his place in it.

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25

Golban, Tatiana, and Özge Karip. "The Fairy Tale Enchantment and Metamorphoses in Fay Weldon’s Novel The Life and Loves of a She-Devil." BORDER CROSSING 6, no. 1 (2017): 95–107. http://dx.doi.org/10.33182/bc.v7i1.479.

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This article focuses on enchantment and metamorphoses motifs as used by Fay Weldon in her work The Life and Loves of a She-Devil. Since the encounter with magic is frequently stimulated by the human’s desire for more, the novelist explores these possibilities in order to represent the protagonists’ quest for the self. This study aims at discussing the protagonists’ encounter with marvellous and the way it triggers the process of metamorphoses. The transformation affects primarily the protagonists’ personality, as in the process of enchantment he/she dares to disclose her/his own potential, of which he/she was unaware prior to the exposure to wonder. This article also tries to reveal how Fay Weldon uses and subverts the mechanisms of enchantment because of her awareness that the apparently inoffensive transformations can cause privilege or repression of an individual.

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26

BIERS, KATHERINE. "Syncope Fever: James Weldon Johnson and the Black Phonographic Voice." Representations 96, no. 1 (2006): 99–125. http://dx.doi.org/10.1525/rep.2006.96.1.99.

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ABSTRACT This essay examines links between James Weldon Johnson's novel The Autobiography of an Ex-Colored Man and the cultural logic of ragtime and the phonograph during the pre-WWI era, in order to reconsider critical conceptions of voice within the African-American tradition.

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27

Roberts, William Clifford, and Glenn Weldon Tillery. "Glenn Weldon Tillery, MD: A Conversation with the Editor." Baylor University Medical Center Proceedings 17, no. 3 (2004): 339–47. http://dx.doi.org/10.1080/08998280.2004.11927989.

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28

Schulz, J. L. "Restaging the Racial Contract: James Weldon Johnson's Signatory Strategies." American Literature 74, no. 1 (2002): 31–58. http://dx.doi.org/10.1215/00029831-74-1-31.

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29

Balderson, Quinita. "Figure It Out, Henri Weldon by Tanita S. Davis." Bulletin of the Center for Children's Books 76, no. 4 (2022): 120. http://dx.doi.org/10.1353/bcc.2022.0585.

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30

Phillips, Rod. "Selected Short Stories of Weldon Kees ed. by Dana Gioia, and: Vanished Act: The Life and Art of Weldon Kees by James Reidel." Western American Literature 39, no. 2 (2004): 241–43. http://dx.doi.org/10.1353/wal.2004.0045.

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31

HTUN, MALA, and S. LAUREL WELDON. "Civic Origins of Progressive Policy Change: Combating Violence against Women in Global Perspective, 1975–2005—CORRIGENDUM." American Political Science Review 109, no. 1 (2015): 201. http://dx.doi.org/10.1017/s0003055415000015.

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On page 556 of the article by Htun and Weldon (2012) it is stated that, “Before Vienna [the 1993 World Conference on Human Rights], mainstream human rights organizations such as Human Rights Watch and Amnesty International did not treat rape and domestic violence as core issues of human rights. (These organizations now have women's rights projects.)”

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32

Evans, John H. "The Scientific Spirit of American Humanism, by STEPHEN P. WELDON." Sociology of Religion 82, no. 3 (2021): 388–89. http://dx.doi.org/10.1093/socrel/srab026.

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33

Faulkner, Howard. "James Weldon Johnson's Portrait of the Artist as Invisible Man." Black American Literature Forum 19, no. 4 (1985): 147. http://dx.doi.org/10.2307/2904276.

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34

Wickens, Christopher D., and Yei-Yu Yeh. "POCs and Performance Decrements: A Reply to Kantowitz and Weldon." Human Factors: The Journal of the Human Factors and Ergonomics Society 27, no. 5 (1985): 549–54. http://dx.doi.org/10.1177/001872088502700504.

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35

Cox, James H., and Alexander Pettit. "Black Indigeneity and Anti-Colonial Rebellion in Eugene O’Neill’s The Emperor Jones." Modern Drama 64, no. 3 (2021): 259–82. http://dx.doi.org/10.3138/md.64-3-1159.

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In The Emperor Jones, a rebellion orchestrated by the “Native Chief,” Lem, dramatizes Eugene O’Neill’s Indigenocentric reimagining of the US occupation of Haiti. O’Neill honoured his primary source, James Weldon Johnson’s Self-Determining Haiti, by creating a Black Indigenous leader who orchestrates the overthrow of an invader from the United States. Taking Lem seriously corrects a critical tradition preoccupied with the outsized “emperor,” Brutus Jones, and inattentive to Indigenous Americans in the play.

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36

Crilly, Tony. "Cedric Smith – a mathematical castaway." Mathematical Gazette 87, no. 508 (2003): 18–22. http://dx.doi.org/10.1017/s0025557200172055.

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C. A. B. Smith (c.1918-2002) holder of the Weldon Chair of Biometry at the Galton Laboratory was a member of the Mathematical Association for over sixty years. Amongst his scientific work, he developed the standard statistical methods now used to map genes onto chromosomes and he wrote a text book Biomathematics. He recently contributed a poem written by the mysterious ‘Blanche Descartes’ to the Gazette and it was published posthumously.

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37

Dame, Russel, Leslie Sturmer, Charles Adams, Richard Weldon, and Kelly A. Grogan. "Financial Risk in Off-bottom Oyster Culture along Florida’s West Coast." EDIS 2019, no. 5 (2019): 10. http://dx.doi.org/10.32473/edis-fe1070-2020.

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This 10-page fact sheet written by Russel Dame, Leslie N. Sturmer, Charles M. Adams, Richard Weldon, and Kelly A. Grogan and published by the UF/IFAS Food and Resource Economics Department explains how to assess the risks involved with off-bottom oyster culture, a method allowing for growing oysters in mesh containers above the sea bottom where they are protected from predation and from becoming buried in sediment. https://edis.ifas.ufl.edu/fe1070

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38

Foley, A. "Fay Weldon, liberal feminism and the praxis of Praxis." Literator 28, no. 3 (2007): 27–54. http://dx.doi.org/10.4102/lit.v28i3.167.

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This article focuses on Fay Weldon’s novel, “Praxis”, as a means of exploring the concept of “liberal feminism”. “Praxis” charts the development of the eponymous main protagonist from a woman complicit in her own patriarchal oppression to a radical feminist activist and finally to the point where she comes to a liberal realisation of the nuances of individual women’s experiences and the complexity of emancipation. The novel may be regarded as a liberal feminist text in its emphasis on both gender equality and individual liberty, and in its insistence that society may be positively reformed within the paradigm of the liberal state and without resorting to radical extremism. Published in 1978, the novel anticipates the later shift in feminist thinking from an exclusive concern with women’s rights to a more inclusive liberal vision of human rights.

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39

Mitchell, Margaret E. "Fay Weldon, Feminism, and British Culture: Challenging Cultural and Literary Conventions." Contemporary Women's Writing 14, no. 1 (2020): 147–49. http://dx.doi.org/10.1093/cww/vpaa004.

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40

Eagleton, Mary. "Wicked Women, Wicked Fictions, Wicked Laughter: An Interview with Fay Weldon." Contemporary Women's Writing 11, no. 2 (2017): 259–72. http://dx.doi.org/10.1093/cww/vpx012.

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41

Eagleton, Mary. "Wicked Women, Wicked Fictions, Wicked Laughter: An Interview with Fay Weldon." Contemporary Women's Writing 11, no. 2 (2017): 259–72. http://dx.doi.org/10.1093/cwwrit/vpx012.

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42

Ruotolo, C. L. "James Weldon Johnson and the Autobiography of an Ex-Colored Musician." American Literature 72, no. 2 (2000): 249–74. http://dx.doi.org/10.1215/00029831-72-2-249.

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43

Mathes, Valerie Sherer, and Eileen Pollack. "Woman Walking Ahead: In Search of Catherine Weldon and Sitting Bull." Western Historical Quarterly 34, no. 3 (2003): 373. http://dx.doi.org/10.2307/25047309.

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44

Knoll, Robert E. "The New York Intellectuals 1941-1950: Some Letters by Weldon Kees." Hudson Review 38, no. 1 (1985): 15. http://dx.doi.org/10.2307/3850981.

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45

Weldon, Elizabeth. "Face to face: Leading in China: A conversation with Elizabeth Weldon." Leadership in Action 24, no. 2 (2004): 16–19. http://dx.doi.org/10.1002/lia.1063.

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46

Philipson, Lotte. "Kronik og publikationer." Magasin fra Det Kongelige Bibliotek 23, no. 4 (2010): 52–75. http://dx.doi.org/10.7146/mag.v23i4.66689.

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Indhold: Bøger og bibliotek; Ny bog om Småtrykssamlingen i Det Kongelige Bibliotek; H.O. Lange-Prisen for stor H.C. Ørsted-biografi; H.C. Andersens livsrejse med vennerne; Det Kongelige Bibliotek på nettet; Danske bøger op til 1600 nu på nettet; Luftfoto over Danmark 1944; Udstillinger; Foredrag; International forfatterscene; Bret Easton Ellis; Philip Pullman; A.S. Byatt; Fay Weldon; Herta Müller; Kulturnat i Den Sorte Diaman; Slaget ved Als og Dybbøl; Forfatteren Tom Buk-Swienty; Musik; Erhvervelser; Kongeligt biblioteksbord hos Royal Copenhagen; Publikationer

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47

Bowers, Tom. "Heterotopia and Actor-Network Theory: Visualizing the Normalization of Remediated Landscapes." Space and Culture 21, no. 3 (2017): 233–46. http://dx.doi.org/10.1177/1206331217750069.

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This article analyzes the heterotopic space of Weldon Spring, Missouri, a site that juxtaposes cultural heritage and recreational activities with a publicly available radioactive and toxic waste dump. The article argues for the value of actor-network theory as a supplement to heterotopia, an addition especially productive given the highly complex networks and configurations that order many contemporary spaces. Specifically, actor-network theory can make visible the range of actors and associations that work to establish specific social orders and practices that attempt to normalize reclaimed landscapes.

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48

Carter, J. A., R. E. Mroz, K. L. Tay, and K. G. Doe. "An Evaluation of the Use of Soil and Sediment Bioassays in the Assessment of Three Contaminated Sites in Atlantic Canada." Water Quality Research Journal 33, no. 2 (1998): 295–318. http://dx.doi.org/10.2166/wqrj.1998.016.

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Abstract Biological tests recommended by Environment Canada (1994) for the assessment of contaminated sites were evaluated at three sites in Atlantic Canada. Soil and sediment samples from contaminated sites in Makinsons, Newfoundland, Weldon, New Brunswick, and Five Island Lake, Nova Scotia, were characterized by chemical analysis and the recommended bioassays. Contaminants in excess of federal and/or provincial guidelines included poly-chlorinated biphenyls (PCBs), total petroleum hydrocarbons (TPH) and heavy metals in Makinsons soil, TPH in Weldon soil, and PCBs and heavy metals in Five Island Lake sediment. Four soil bioassays were conducted: earthworm (Eisenia andrei) survival, lettuce seedling (Lactuca sativa) emergence, algal (Selenastrum capricornutum) population growth inhibition and inhibition of light output in Microtox\xAE (Vibrio fischeri). Sediment bioassessment involved the following tests: midge (Chironomus tentans) growth and survival, amphi-pod (Hyalella azteca) growth and survival, algal population growth inhibition and Microtox. The study demonstrated that the toxicity of samples from contaminated sites may not necessarily be consistent with the results of chemical analyses. However, correlations were identified between soil TPH concentrations and Microtox IC50, and sediment PCB concentrations and algal IC50. Soil bioassay sensitivity was ranked (in order of increasing sensitivity) as earthworm &lt; lettuce = algae &lt; Microtox. Sediment bioassay sensitivity was ranked as Microtox &lt; amphipod &lt; midge &lt; algae. Bioassessment as a supplement to conventional chemical testing at contaminated sites in Canada is recommended.

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49

Nicholson, Helen. "Henry Irving and the Staging of Spiritualism." New Theatre Quarterly 16, no. 3 (2000): 278–87. http://dx.doi.org/10.1017/s0266464x00013907.

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Spiritualism enjoys an equivocal reputation not unlike that of wrestling – for whatever their intrinsic qualities, both benefit greatly from the trappings of showmanship. Supposed spiritualist mediums first manifested themselves during the Victorian era, which seems to have been highly susceptible to such fraudsters as the American Davenport brothers – whose touring ‘seances’ were, however, greeted with rather more scepticism in the North of England than in London. While audiences seemed to enjoy the way in which such demonstrations of spiritual possession were presented in a manner resembling a professional conjuring act, professional conjurers were properly offended by such presumption. So, too, was the young Henry Irving, who, with two companions, took up a challenge in The Era, the newspaper of the variety profession, to emulate the mystical achievements of the Davenports. The following paper, which was originally presented in July 1995 at the Theatre Museum as part of the celebrations of the centenary of Irving's knighthood, traces the rise and development of the spiritualist craze, and illuminates this previously obscure aspect of Irving's career. Helen Nicholson is currently completing her PhD on the life of the Victorian actress and singer Georgina Weldon, before taking up an appointment as a drama lecturer in the English Department at Manchester Metropolitan University. She has published articles on Georgina Weldon in Occasional Papers on Women and Theatre, on the Victorian supernatural, and on Victorian fairies in History Workshop Journal.

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50

McQueen, David, Allen Fenichel, Sidney H. Ingerman, Athanasios Asimakopulos, Robert D. Cairns, and Christopher Green. "On the Political Economy of Social Democracy - Selected Papers of J.C. Weldon." Canadian Journal of Economics 25, no. 1 (1992): 239. http://dx.doi.org/10.2307/135723.

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Journal articles on the topic 'Weldon'

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