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Books on the topic 'Welsh and Breton identities'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 February 2022

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1

Heinecke, Johannes. Temporal deixis in Welsh and Breton. Heidelberg: Universitätsverlag C. Winter, 1999.

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2

Willis, Penny. The initial consonant mutations in Breton and Welsh. Bloomington: Indiana University Linguistics Club, 1986.

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3

Guehennec, Yvan. Kembraeg: Evit ar vrezhoned : embannet gant skoazell Kuzul Meur Penn ar Bed. Plomelin: Preder, 1997.

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4

Hincks, Rhisiart. Geriadur Kembraeg-Brezhoneg =: Geiriadur Cymraeg-Llydaweg. Lesneven: Mouladurioù Hor Yezh, 1991.

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5

Williams-Garcia, Rita. Geiriadur Cymraeg-Llydaweg =: Geriadur Kembraeg-Brezhoneg. Aberystwyth: Canolfan Astudiaethau Cymreig a Cheltaidd, 1994.

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6

Locke, le Gallois: Le point de vue breton. Fouesnant: Yoran Embanner, 2010.

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7

Alain, Simon. Locke, le Gallois: Le point de vue breton. Fouesnant: Yoran Embanner, 2010.

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8

The pan-Celtic phrasebook: Welsh, Irish, Gaelic, Breton = Le recueil d'expressions pan-celtiques : gallois, irlandais, gaélique, breton. Talybont, Ceredigion [Wales]: Y Lolfa Cyf., 1998.

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9

Hincks, Rhisiart. Geiriau Llydaweg a fabwysiadwyd gan y geiriadurwyrThomas Jones, Iolo Morgannwg, William Owen Pughe ac eraill. Aberystwyth: Prifysgol Cymru, Aberystwyth, 1993.

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10

Griffiths, Huw. Report of a research project on Y drych and Welsh American identities, 1851-1951. [Aberystwyth]: University of Wales, 2002.

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11

Kingship, conquest, and patria: Literary and cultural identities in medieval French and Welsh Arthurian romance. New York: Routledge, 2005.

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12

Over, Kristen Lee. Kingship, conquest, and patria: Literary and cultural identities in medieval French and Welsh Arthurian romance. New York, NY: Routledge, 2004.

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13

Field Day and the translation of Irish identities: Performing contradictions. New York: Palgrave Macmillan, 2011.

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14

Colloquium organized by the A.G.van Hamel Foundation for Celtic Studes (1993 Utrecht [and] Amsterdam). Welsh & Breton studies in memory of Th.M.Th.Chotzen: Proceedings of a colloquium organized by the A.G.van Hamel Foundation for Celtic Studes, Utrecht - Amsterdam, 23 - 24 April 1993. Utrecht: Celtic Dragon, 1995.

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15

Willis, Penny. The Initial Consonant Mutations in Breton and Welsh. Indiana Univ, 1986.

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16

Welsh & Breton studies: In memory of Th. M. Th. Chotzen. Utrecht: Celtic Dragon, 1995.

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17

B, Brockliss L. W., and Eastwood David, eds. A union of multiple identities: The British Isles, c. 1750-c. 1850. Manchester, UK: Manchester University Press, 1997.

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18

Per, Denez, and Le Bihan Hervé, eds. Breizh ha pobloù Europa: Pennadoù en enor da Per Denez = Bretagne et peuples d'Europe : textes en l'honneur de Per Denez = Brittany and peoples of Europe : articles to honour Per Denez. [Lesneven]: Hor Yezh, 1999.

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19

Kinoshita, Sharon. Romance in/and the Medieval Mediterranean. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198795148.003.0011.

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This chapter expands the traditional classification of medieval French romance by proposing ‘Mediterranean’ as a thematic category alongside ‘Antique’ and ‘Breton’. In addition to their geographical setting, ‘Mediterranean’ romances feature themes such as sea voyages, merchants, pirates, mutable identities, and the changes of fortune occasioned by the hazards of maritime travel. Floire et Blancheflor, first attested in French c.1150 and subsequently translated into many languages, provides the focal point for a discussion of medieval romance that draws inspiration from Peregrine Horden and Nicholas Purcell’s 2000 study, The Corrupting Sea. The second part of the chapter tests the longue durée of the Mediterranean thematic by examining the Hellenistic romance Callirhoe. The close parallels between the two texts, corresponding to Mikhail Bakhtin’s description of the Greek novel of adventure, also allows an assessment of their divergences as reflections of the shift from a late antique to a high medieval context.
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20

Davies, Damian Walford. Ronald Lockley and the Archipelagic Imagination. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198795155.003.0008.

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Ronald Lockley (1903–2000), distinguished naturalist, pioneering conservationist, author in multiple genres, and paradigmatic modern ‘island dweller’, played a crucial role in defining our sense of Welsh and wider archipelagic ‘islandness’. Drawing on ‘nissology’—a dynamic ‘research frontier’ that brings together the arts, sciences, and social sciences to scrutinize not only islands ‘in their own terms’, but also the complex cultural condition of islandness—this chapter offers an analysis of how Welsh island space is mediated through Lockley’s plethora of discourses, from autobiographical narratives of island existence to definitive field studies and scientific papers, to works of popular anthropology, social history, and the novel Seal Woman (1974). It demonstrates how Lockley’s construction of a series of relational Welsh identities is linked to wider British and global archipelagic locations of culture.
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21

Jones, Kathryn N., Carol Tully, and Heather Williams. Hidden Texts, Hidden Nation. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621433.001.0001.

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This book examines the representation of Wales and ‘Welshness’ in texts by French (including Breton) and German-speaking travellers from 1780 to the present day, focusing on key points in the period of Welsh modernisation from the Industrial Revolution to the post-devolution era. Since the emergence of the travel narrative as a popular source of information and entertainment in the mid-18th century, writing about Wales has often been embedded and hidden in accounts of travel to ‘England’. This book seeks to redefine perceptions of Wales by problematizing the notion of ‘invisibility’ often ascribed to the Welsh context and by broadening perspectives outwards to encompass European perceptions. Works uncovered for the first time include travelogues, private correspondences, travel diaries, articles and blogs which have Wales or Welsh culture as their focus. The ‘travellers’ analysed in this volume ‘travellers’ feature those travelling for the purpose of leisure, scholarship or commerce as well as exiles and refugees. By focusing on Wales, a minoritized nation at the geographical periphery of Europe, the authors are able to problematize notions of hegemony and identity within the genre, relating to both the places encountered (the ‘travellee’ culture) and the places of origin (the travellers’ cultures). This book thereby makes an original contribution to studies in travel writing and provides an important case study of a culture often minoritized in the field, but that nevertheless provides a telling illustration of the dynamics of intercultural relations and representation.
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22

Bluemel, Kristin, and Michael McCluskey, eds. Rural Modernity in Britain. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474420952.001.0001.

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Rural Modernity in Britain argues that the rural areas of twentieth-century Britain were impacted by modernization just as much—if not more—than urban and suburban areas. It shifts the focus for studies of modernity and modernism onto the art, industries, and everyday life of rural people and places. In the early twentieth century, rural areas experienced economic depression, the expansion of transportation and communication networks, the roll out of electricity, the loss of land, and the erosion of local identities. Who celebrated these changes? Who resisted them? Who documented them? The fifteen chapters of Rural Modernity address these questions through investigations into fiction, non-fiction, film, music, and painting, among other genres and media. They focus on men and women writers and artists, with progressive, moderate, or conservative politics, modernist, middlebrow, or proletarian tastes, from Scottish, Welsh, and English regions. Together, the chapters make an interdisciplinary case that the rural means more than just the often-studied countryside of southern England, a retreat from the consequences of modernity; rather, the rural emerges as a source for new versions of the modern, with an active role in the formation and development of British experiences and representations of modernity.
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