Relevant bibliographies by topics / Welsh Fantasy fiction

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Academic literature on the topic 'Welsh Fantasy fiction'

Author: Grafiati
Published: 27 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Welsh Fantasy fiction"

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VIARBITSKAYA, Yu. "REPRESENTATION OF NATIONAL IDENTITY OF THE WELSH IN DIANA WYNNE JONES’S NOVEL 'THE MOVING CASTLE'." Herald of Polotsk State University. Series A. Humanity sciences, no. 2 (March 12, 2025): 7–10. https://doi.org/10.52928/2070-1608-2025-74-2-7-10.

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The article reveals the peculiarities of representation of national identity of a literary character in fantasy fiction. The components of the national identity of the protagonist in the work 'The Moving Castle’ by the British writer Diana Wynne Jones are analysed.
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Osberg, Richard H. "Fantasy, Fiction and Welsh Myth: Tales of Belonging Kath Filmer-Davies." Arthuriana 8, no. 3 (1998): 118–20. http://dx.doi.org/10.1353/art.1998.0033.

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Pilkevych, Andrii. "«SECONDARY SOURCES» OF CELTIC AND NORSE MODES IN MODERN POPULAR CULTURE THROUGH THE PRISM OF FANTASY." Ethnic History of European Nations, no. 69 (2023): 153–57. http://dx.doi.org/10.17721/2518-1270.2023.69.19.

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The article deals with the main sources of the modern fantasy genre, presented in the form of several blocks of borrowings. First of all, this is the influence of the figures of the «Celtic Revival», who were engaged the search, recording and systematization of mainly Irish, Scottish and Welsh tales, myths and a wide range of folklore material. This legacy was transformed into an original literary tradition characterized by a combination of legendary heritage with fictional art elements and authorial reworking. Examples of pseudo-translations from Celtic languages presented as authentic, such
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Thompson, Jay Daniel, and Erin Reardon. "“Mommy Killed Him”: Gender, Family, and History in Wes Craven’s A Nightmare on Elm Street (1984)." M/C Journal 20, no. 5 (2017). http://dx.doi.org/10.5204/mcj.1281.

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Introduction Nancy Thompson (Heather Langekamp) is one angry teenager. She’s just discovered that her mother Marge (Ronee Blakley) knows about Freddy Krueger (Robert Englund), the strange man with the burnt flesh and the switchblade fingers who’s been killing her friends in their dreams. Marge insists that there’s nothing to worry about. “He’s dead, honey,” Marge assures her daughter, “because mommy killed him.” This now-famous line neatly encapsulates the gender politics of Wes Craven’s A Nightmare on Elm Street (1984). We argue that in order to fully understand how gender operates in Nightma
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Higley, Sarah L. "Audience, Uglossia, and CONLANG." M/C Journal 3, no. 1 (2000). http://dx.doi.org/10.5204/mcj.1827.

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Could we also imagine a language in which a person could write down or give vocal expression to his inner experiences -- his feelings, moods, and the rest -- for his private use? Well, can't we do so in our ordinary language? -- But that is not what I mean. The individual words of this language are to refer to what can only be known to the person speaking; to his immediate private sensations. So another person cannot understand the language. -- Ludwig Wittgenstein, Philosophical Investigations par. 243 I will be using 'audience' in two ways in the following essay: as a phenomenon that produces
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Foster, Kevin. "True North: Essential Identity and Cultural Camouflage in H.V. Morton’s In Search of England." M/C Journal 20, no. 6 (2017). http://dx.doi.org/10.5204/mcj.1362.

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When the National Trust was established in 1895 its founders, Canon Rawnsley, Sir Robert Hunter and Octavia Hill, were, as Cannadine notes, “primarily concerned with preserving open spaces of outstanding natural beauty which were threatened with development or spoliation.” This was because, like Ruskin, Morris and “many of their contemporaries, they believed that the essence of Englishness was to be found in the fields and hedgerows, not in the suburbs and slums” (Cannadine 227). It was important to protect these sites of beauty and historical interest from development not only for what they w
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Ambrosetti, Angelina. "The Portrayal of the Teacher as Mentor in Popular Film: Inspirational, Supportive and Life-Changing?" M/C Journal 19, no. 2 (2016). http://dx.doi.org/10.5204/mcj.1104.

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The mediocre teacher tells. The good teacher explains. The superior teacher demonstrates. The great teacher inspires. — William Arthur WardIntroductionThe first documented use of the term Mentor can be traced back to the 8th century BC poem by Homer entitled Odyssey (Hay, Gerber and Minichiello). Although this original representation of Mentor is contested in the literature (Colley), historically the term mentor has evolved to imply a wise and trusted other who advises, teaches, protects and supports someone younger who is inexperienced and not so knowledgeable with the ways of the world. The
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Books on the topic "Welsh Fantasy fiction"

1

Filmer-Davies, Kath. Fantasy Fiction and Welsh Myth. Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-24991-6.

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2

Peter, Haining, ed. Welsh fantasy stories. Gwasg Carreg Gwalch, 2000.

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Filmer-Davies, Kath. Fantasy fiction and Welsh myth: Tales of belonging. Macmillan, 1996.

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Filmer-Davies, Kath. Fantasy fiction and Welsh myth: Tales of belonging. St. Martin's Press, 1996.

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5

Sullivan, Charles Wm. Welsh Celtic myth in modern fantasy. Greenwood Press, 1989.

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6

White, Donna R. A century of Welsh myth in children's literature. Greenwood Press, 1998.

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7

Roger, Dobson, Brangham Godfrey, and Gilbert R. A, eds. Selected Letters: The Private Writings of the Master of the Macabre. Aquarian Press, 1988.

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Sioned, Davies, ed. The Mabinogion. Oxford University Press, 2007.

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9

Harris, Jason Marc. Folklore and the fantastic in nineteenth-century British fiction. Ashgate, 2008.

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10

Filmer-Davies, Kath. Fantasy Fiction and Welsh Myth: Tales of Belonging. Palgrave Macmillan, 1996.

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Book chapters on the topic "Welsh Fantasy fiction"

1

Filmer-Davies, Kath. "Welsh Myth in Historical Novels." In Fantasy Fiction and Welsh Myth. Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-24991-6_8.

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Filmer-Davies, Kath. "The Film Hero and Welsh Mythology." In Fantasy Fiction and Welsh Myth. Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-24991-6_9.

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Filmer-Davies, Kath. "Welsh Myth and the Sense of Belonging." In Fantasy Fiction and Welsh Myth. Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-24991-6_1.

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Filmer-Davies, Kath. "Myth, Theology and Belonging." In Fantasy Fiction and Welsh Myth. Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-24991-6_10.

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Filmer-Davies, Kath. "Eternal Triangles and the Cycles of Myth." In Fantasy Fiction and Welsh Myth. Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-24991-6_2.

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Filmer-Davies, Kath. "Reconstructing the Present from the Stories of the Past." In Fantasy Fiction and Welsh Myth. Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-24991-6_3.

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Filmer-Davies, Kath. "Children from Dysfunctional Families: Instruments of Mythic Healing." In Fantasy Fiction and Welsh Myth. Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-24991-6_4.

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Filmer-Davies, Kath. "The Place of the Pig-Keeper: To Know Oneself." In Fantasy Fiction and Welsh Myth. Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-24991-6_5.

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Filmer-Davies, Kath. "Arthurian Novels and the Spirit of Welsh Place." In Fantasy Fiction and Welsh Myth. Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-24991-6_6.

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Filmer-Davies, Kath. "Belonging and the Right of Possession: Children’s Novels." In Fantasy Fiction and Welsh Myth. Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-24991-6_7.

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