Academic literature on the topic 'Welsh Mythology'

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Journal articles on the topic "Welsh Mythology"

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Stalmaszczyk, Piotr. "Celtic Studies in Poland in the 20th century: a bibliography." ZCPH 54, no. 1 (2004): 170–84. http://dx.doi.org/10.1515/zcph.2005.170.

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Introduction Celtic Studies are concerned with the languages, literature, culture, mythology, religion, art, history, and archaeology of historical and contemporary Celtic countries and traces of Celtic influences elsewhere. The historical Celtic countries include ancient Gaul, Galatia, Celtiberia, Italy, Britain and Ireland, whereas the modern Celtic territories are limited to Ireland, Scotland, Wales, Isle of Man, Cornwall and Brittany. It has to be stressed that Celtic Studies are not identical with Irish (or Scottish, Welsh, or Breton) Studies, though they are, for obvious reasons, closely
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Barclay, Gordon J., and Adam Brown. "‘Churchill abandoned the fighting Scots’: The Mythology and Reality of the Surrender of the 51st Highland Division at St Valery-en-Caux, 12 June 1940." Scottish Affairs 32, no. 1 (2023): 19–54. http://dx.doi.org/10.3366/scot.2023.0441.

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The 51st (Highland) Division surrendered to the Germans on 12 June 1940. The force lost at St Valery was made up not only of Scots, but also English, Welsh, French and French Colonial troops. But in recent decades the division’s loss has been recast as a story of solely Scottish loss, deployed in narratives of grievance and victimhood. We contrast the mythology with the historical reality, in the context of the distribution of ‘fake history’ in the service of nationalist politics ( English 2021 ). This paper considers three aspects of the events of 1940: 1. The creation, development and use of
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Bergholm, Alexandra. "Book Review: Modern Retelling of Ancient Irish and Welsh Tales: Philip Freeman, Celtic Mythology: Tales of Gods, Goddesses and Heroes." Expository Times 129, no. 6 (2018): 287–88. http://dx.doi.org/10.1177/0014524617746815.

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Sanz Mingo, Carlos Alberto. "¿Hablando con mirlos? El uso de la personificación de los animales en la leyenda artúrica." Estudios Humanísticos. Filología, no. 36 (November 29, 2014): 156. http://dx.doi.org/10.18002/ehf.v0i36.1174.

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<p>Resumen</p><p>Aunque los textos que conforman la literatura artúrica no suelen presentar rasgos fabulescos, sino, más bien, mitológicos, algunas narraciones artúricas usan características propias de las fábulas para desarrollar sus ideas moralistas. Este artículo se centra en el estudio de un texto medieval galés y uno contemporáneo en inglés para demostrar cómo se hace uso y aplican las técnicas de la fábula a la leyenda artúrica.</p><p>Palabras clave: Literatura artúrica, Fábula, Mitología, <em>Mabinogion</em>, Animales.</p><p>Abstract
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Козій, О. Б. "THE IMAGE OF A TREE AS THE EMBODIMENT OF PHILOSOPHICAL CONCEPTS IN J. R. R. TOLKIEN’S OEUVRE." Наукові записки Харківського національного педагогічного університету ім. Г. С. Сковороди "Літературознавство" 3, no. 93 (2019): 82–91. http://dx.doi.org/10.34142/2312-1076.2019.3.93.07.

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English linguist Tolkien is world-famous as the creator of the fantasy genre and the author of the epic novel «The Lord of the Rings» which has overgrown the measures of a novel having become a cultural phenomena. The tree is one of the universal symbols of the spiritual culture. It unites the Earth with the heaven, defines the human’s way to oneself, to spiritual summits. In the works of J. R. R. Tolkien the tree isn’t just a detail but also a character, the symbol of the eternal life circulation. Symbolizing the synthesis of heaven, earth and water, the dynamics of life, combining the worlds
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NGOYI, Guy Noé. "La représentation des animaux chez Alain MABANCKOU." Cahiers Africains de Rhétorique 3, no. 1 (2025): 94–111. https://doi.org/10.55595/60v4pa63.

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Nous nous proposons d’étudier la représentation des animaux dans les romans d’Alain Mabanckou. Ils sont de diverses espèces et constituent le fondement même des textes littéraires. Leur récurrence et leur rémanence permettent au lecteur avisé d’observer le mauvais comportement de l’homme en société. Certains animaux ont trait à la fable ou à la mythologie antique, aux totems protecteurs d’un individu, d’un clan, d’une famille ; d’autres renvoient au bestiaire sauvage et domestique. Ils servent tous à peindre les vices de l’homme, à les corriger. La méthode thématique permet de relever la puiss
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Цховребова, М. В. "On the question of the ethnicity of Partholón and the origin of his name (comment to the article «Partholón» in the «Etymological Dictionary of Celtic Theonyms» by V. P. Kalygin)." Вестник Владикавказского научного центра, no. 4 (December 7, 2021). http://dx.doi.org/10.46698/vnc.2021.51.94.001.

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Настоящая статья посвящена сравнительно-сопоставительному анализу параллелей в способах верификации правды / правдивости, применявшихся в древних обществах северных иранцев, валлийцев и ирландцев. Наряду с традиционными спосо- бами установления бытовой или профанной правды, рассматриваются запечатленные в Нартском эпосе и в валлийской и ирландской мифологии чудесные способы верифи- кации Правды высшего порядка, относящейся к самопознанию мифологического Героя, совершающего инициационный Подвиг преодоления своей хтонической природы и под- линности его Свершения. This article is devoted to a com
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Fang, Weigui. "Du bist ein 286." Lebende Sprachen 50, no. 4 (2005). http://dx.doi.org/10.1515/les.2005.168.

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»Welch ein Mangel von Erfindungskraft im Großen und welche unselige Feinheit in Kleinigkeiten gehörte dazu, dieser Sprache aus einigen rohen Hieroglyphen die unendliche Menge von achtzigtausend zusammengesetzten Charakteren zu erfinden, in welchen sich nach sechs und mehr Schriftarten die Sinesische Nation unter allen Völkern der Erde auszeichnet«, so heißt es bei J. G. Herder (1744–1803) in seinen Ideen zur Philosophie der Geschichte der Menschheit.»Die Chinesen sind gar kein Volk, sie sind eine bloße Menschheit«, behauptet F. W. J. Schelling (1775–1854). Selbst die monosyllabische chinesisch
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Beckwith, Karl. ""Black Metal is for white people"." M/C Journal 5, no. 3 (2002). http://dx.doi.org/10.5204/mcj.1962.

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The power of culturally-bound controlling images around notions of 'colour' in regard to ethnicity have historically been marked and far-reaching. Most obvious examples of such political power relations can be seen in regard to racism and social domination. Biologically-based assertions that one specific category of people are somehow inherently inferior or superior to another were central and indeed continue to be paramount in (neo) Nazi-style rhetoric. Such political beliefs, most notable of course within the first half of the Twentieth Century, often went hand-in-hand with a right-wing ecol
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Collins-Gearing, Brooke. "The Threads That Weave Me." M/C Journal 26, no. 6 (2023). http://dx.doi.org/10.5204/mcj.3016.

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Fig. 1: A Start. I could write or I could weave.I could write or I could weave…Write, weave. Weave.Then a colleague and friend says to me: why do you weave?I weave to put myself back together again.I weave the pieces of me that are shattered and broken.I weave because the rhythm, flow, feel, pattern and solidity comforts me.I weave because my body tells me to.I weave to breathe more slowly, more deeply.I weave because the threads that create the strands of my life need a language.… This article reflects on my relationship with weaving and what it offers to the remaining threads of my life. Wea
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Dissertations / Theses on the topic "Welsh Mythology"

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Ito, Satoko. "The three romances and the four branches : their narrative structure and relationship with native Welsh lore." Thesis, Aberystwyth University, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.247260.

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Ericsson, Emil. "Culhwch & Lúthien : Keltisk mytologi i J. R. R. Tolkiens sagovärld." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-38494.

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This study investigates in what respects Celtic mythology influenced J. R. R. Tolkien when writing the sagas incorporated in the mythopoeic compilation of The Silmarillion. Through narrative and comparative analysis, stories from the Irish prose collection Lebor Gabála Érenn, as well as the Welsh medieval manuscript Mabinogion, are collated to the tales of The Silmarillion in order to illuminate possible influences. The survey showed that even though Tolkien expressed a certain distaste for everything Celtic, several elements of Irish and Welsh mythology are indeed visible in his works.
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Nogueira, Anabela Garcia Ferreira Pinto. "R. S. Loomis, um celtizante à sombra do século XIX." Doctoral thesis, 2007. http://hdl.handle.net/1822/6681.

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Tese de Doutoramento na área de Ciências da Literatura, ramo da Literatura Medieval<br>Roger Sherman Loomis (1887- 1966) é um estudioso incontornável quando se estuda literatura medieval. Ele proclama a presença da mitologia céltica na literatura medieval e oferece-nos o seu trabalho detalhado no campo do romance arturiano: personagens, episódios, locais, motivos. Loomis defende que o material usado pelos conteurs, primeiro, e pelos escritores, depois, é de origem irlandesa e desenvolvimento galês. Para o provar, ele segue um método que tem cinco passos essenciais: isolar os vários elementos,
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Books on the topic "Welsh Mythology"

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Donley, Barbara. Arianrhod: A Welsh myth retold. Stone Circle Press, 1987.

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Thomas, W. Jenkyn. The Welsh fairy book. Dover Publications, 2001.

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Sullivan, Charles Wm. Welsh Celtic myth in modern fantasy. Greenwood Press, 1989.

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Senior, Michael. Gods and heroes in North Wales: A mythological guide. Gwasg Carreg Gwalch, 1993.

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France, Stuart. Ceridwen's brew: Macgnimartha Amorgen Tuin. Pieman Press, 2001.

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Saunders, Christian. Into the dragon's lair: A supernatural history of Wales. Gwasg Carreg Gwlach, 2003.

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White, Donna R. A century of Welsh myth in children's literature. Greenwood Press, 1998.

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John, Matthews. Song of Taliesin: Stories and poems from books of Broceliande. Aquarian Press, 1991.

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Filmer-Davies, Kath. Fantasy fiction and Welsh myth: Tales of belonging. St. Martin's Press, 1996.

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Walton, Evangeline. The song of Rhiannon: The third branch of the Mabinogion. Collier Books, 1992.

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Book chapters on the topic "Welsh Mythology"

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Filmer-Davies, Kath. "The Film Hero and Welsh Mythology." In Fantasy Fiction and Welsh Myth. Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-24991-6_9.

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Ellis, Peter Berresford. "M." In Dictionary Of Celtic Mythology. Oxford University PressNew York, NY, 1994. http://dx.doi.org/10.1093/oso/9780195089615.003.0014.

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Abstract Mabinogi. [W] “The Four Branches of the Mabinogion” is a collection of medieval Welsh tales that form the mainstream of Welsh mythology. The tales are preserved in two Welsh sources: The White Book of Rhydderch (1300-1325) and the Red Book of Hergest(l375- 1425). The evidence is that these tales originated far earlier than the surviving forms. The style used in the story of “Culhwch and Olwen,” for example, shows forms of eleventh century style, vocabulary, and custom. This is, incidentally, the earliest surviving Arthurian tale in Welsh. Archaism in language and custom reflect that t
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Ellis, Peter Berresford. "V." In Dictionary Of Celtic Mythology. Oxford University PressNew York, NY, 1994. http://dx.doi.org/10.1093/oso/9780195089615.003.0022.

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Abstract Vortigern. [W] Mentioned by Geoffrey of Monmouth, the name means “overlord” or “High King.” He is also known in Welsh tradition as Gwrtheyrn, meaning “supreme leader.” He is said to have been ruler of Britain in the fifth century and to have invited Jutish mercenaries under Hengist and Horsa into the island of Britain. Hengist and Horsa then turned on him and began to carve out kingdoms for themselves. This was the first appearance of the ancestors of the English in Britain. Because of this, he is regarded as the archtraitor in Celtic tradition.
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Ellis, Peter Berresford. "N." In Dictionary Of Celtic Mythology. Oxford University PressNew York, NY, 1994. http://dx.doi.org/10.1093/oso/9780195089615.003.0015.

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Abstract Naked Warriors. There are many references to the Celtic custom of stripping naked to do battle or to engage in single combat. They did so from their religious concepts. Naked and at one with the world around them, the “aura” and life force of the warriors was increased. Polybius recorded, in his account of the Battle of Telamon in 225 B.C., that a Celtic tribe he designates as the Gaesatae hurled them selves naked into battle against the Romans. He did not realise that the word meant “spearmen” (Irish gae, Welsh gwayw = spear) and that they were probably a group of elite warriors like
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Cana, Proinsias Mac. "Celtic goddesses of Sovereignty." In Goddesses Who Rule. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195121308.003.0006.

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Abstract As with virtually all other aspects and constituents of Celtic religion and mythology, it is advisable to preface any discussion of Celtic goddesses with a significant caveat. The literary evidence of the insular Celtic vernaculars, particularly Irish and Welsh, is quite extensive, but it poses serious problems of evaluation and interpretation. Early Irish, for example, has a wide range of varied material bearing on myth and religion, but it is important to remember that the use of writing in the Irish language—in any substantive sense—dates only from the sixth century and is a Christ
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Gray, Timothy. "Rooted Knowledge." In The Beats and the Academy. Liverpool University Press, 2023. http://dx.doi.org/10.3828/liverpool/9781638040514.003.0010.

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This essay examines connections between the academy and Beat poet Gary Snyder, looking specifically at the poet’s relationship to scholarship and the impact it has had on both his writing and teaching. At Reed College, where he met fellow students Lew Welch and Philip Whalen, Snyder wrote a detailed anthropological thesis on Haida mythology, thus launching a scholarly career that has been overshadowed by his award-winning poetry and by his status as Beat icon. Years before he published a volume of verse or appeared as Japhy Ryder in Jack Kerouac’s The Dharma Bums, Snyder pursued studies in Ant
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