Relevant bibliographies by topics / Welsh poetry

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Welsh poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Welsh poetry"

1

Rodway, Simon. "The Syntax of Absolute Verbal Forms in Early Welsh Poetry: A Survey." Journal of Celtic Linguistics 22, no. 1 (2021): 33–104. http://dx.doi.org/10.16922/jcl.22.4.

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This paper undertakes a comprehensive survey of the syntax of absolute forms of verbs in the corpus of early Welsh poetry known ashengerdd. Comparisons are made with the syntax of absolute forms in Old Irish, in Old Welsh and Old Breton, in Middle Welsh court poetry of the twelfth century onwards, and with those found in Middle Welsh prose texts.
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Constantine, Mary-Ann, and Rhys Kaminski-Jones. ""Excuse the Spelling Which is Probably Wrong": Wordsworth and Tourism's Welsh Languages." Studies in Romanticism 63, no. 2 (2024): 117–41. http://dx.doi.org/10.1353/srm.2024.a931778.

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Abstract: This essay places poetry from Wordsworth's Welsh tours within the wider context of Romantic tourism's encounter with the Welsh language. Welsh played a key part in Romantic-period tour literature: anxiety and prejudice were characteristic of this contact zone, but it also inspired supra-linguistic communion and a co-created 'tourist Welsh.' Similar themes abound in Wordsworth's poetry, from the sentimental communication of "Simon Lee," to the topographical lacunae and ersatz-Welsh experiments of later Welsh-set sonnets. Wordsworth's 'Welsh' was sometimes a hindrance, an annoyance, or
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Semenov, Vadim Borisovich. "Guillaume Troubadour and the Englins (towards the construction of the "Welsh" hypothesis of the origin of European rhyming stanzas)." Litera, no. 8 (August 2022): 171–86. http://dx.doi.org/10.25136/2409-8698.2022.8.38539.

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The subject of the study is the real and probable connections of Aquitanian (and in particular Poitevin) poetry of the High Middle Ages with the traditions of early Medieval Celtic (and in particular Welsh) literature. A narrower topic of research was the influence of Welsh poems in the form of Englyns on the early samples of Guillaume IX's poetry, primarily in the early forms of englyn milwr and englyn penfyr. An additional subject of research was the metric features of these early forms of Englyns. At the same time, a broader topic of research was the topic of the possible origin of exact rh
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Lethbridge, J. B., and Tony Conran. "Frontiers in Anglo-Welsh Poetry." Modern Language Review 95, no. 2 (2000): 503. http://dx.doi.org/10.2307/3736179.

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Lloyd, David T., and Dannie Abse. "Twentieth Century Anglo-Welsh Poetry." World Literature Today 72, no. 3 (1998): 625. http://dx.doi.org/10.2307/40154124.

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Collins, Michael J., Raymond Garlick, and Roland Mathias. "Anglo-Welsh Poetry 1480-1980." World Literature Today 59, no. 2 (1985): 305. http://dx.doi.org/10.2307/40141633.

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Lloyd, David, Raymond Garlick, and Roland Mathias. "Anglo-Welsh Poetry 1480-1990." World Literature Today 68, no. 3 (1994): 574. http://dx.doi.org/10.2307/40150459.

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Williams, Myriah. "Discussing ymddiddan : The dialogue poems of the Black Book of Carmarthen." North American journal of Celtic studies 8, no. 1 (2024): 1–48. http://dx.doi.org/10.1353/cel.2024.a925565.

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abstract: The term ymddiddan has been used by editors and scholars to refer to a body of medieval Welsh poetry usually containing or composed of dialogue. This paper begins by addressing the use and misuse of the term, assessing the meaning of ymddiddan and demonstrating how editors' application of the term to titles of poems that are frequently untitled in their manuscript context has shaped perceptions of a genre of medieval Welsh dialogue poetry. Arguments about the performance of ymddiddanau made in connection with evidence from prose tales such as Owein are also considered. The rest of th
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[Donald] Allchin, A. M. "1978 Emerging: a look at some of R. S. Thomas’ more recent poems." Theology 123, no. 4 (2020): 281–88. http://dx.doi.org/10.1177/0040571x20934030.

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A. M. ‘Donald’ Allchin (1930–2010) worked at Pusey House, Oxford, in the 1960s before serving as a Residentiary Canon at Canterbury Cathedral (1973–87). This article reflects his love of the influential poetry of the craggy Welsh poet and Anglican priest R. S. Thomas (1913–2000). Allchin taught himself Welsh by following the daily liturgical readings in Welsh and was fascinated by Celtic culture and ritual and Eastern Orthodoxy, writing a number of devotional books. Editor.
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Hopwood, Llewelyn. "Creative Bilingualism in Late-Medieval Welsh Poetry." Studia Celtica 55, no. 1 (2021): 97–120. http://dx.doi.org/10.16922/sc.55.5.

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This article considers why bilingual poets from medieval Wales exploited their various languages as avenues of creativity. It discusses five poems from the fifteenth and sixteenth centuries that synthesize Welsh and either English or Latin to varying degrees. The article untangles the conscious and often complex linguistic integration, using the term 'extralinguistic bilingualism' to do so with two exclusively English poems that nonetheless use Welsh strict metre and 'orthography'. One of these is a series of once anonymous English englynion recently found to be the work of prolific poet Tudur
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Dissertations / Theses on the topic "Welsh poetry"

1

Buuren, Martinus Johannes Joseph van. "Waiting : the religious poetry of Ronald Stuart Thomas, Welsh priest and poet /." [S.l. : s.n], 1993. http://catalogue.bnf.fr/ark:/12148/cb35619867z.

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Schoales, Elizabeth. "Praise and propaganda : prophetic poetry in Wales." Thesis, University of Wales Trinity Saint David, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683199.

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Thomas, Samuel Owen Henry. "Ailddarlleniadau o waith Dafydd ap Gwilym : rereadings of the poetry of Dafydd ap Gwilym." Thesis, University of Oxford, 2008. http://ora.ox.ac.uk/objects/uuid:01243099-54e4-4298-b804-ddb28d83aed2.

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Cynnwys y traethawd ymchwil hwn bedair astudiaeth ar waith Dafydd ap Gwilym. O ran methodoleg, defnyddir nifer o ddulliau, gan gynnwys beirniadaeth destunol a beirniadaeth lenyddol. Y mae penodau 1 a 3 yn destunol eu pwyslais, gan fynd i’r afael â llawysgrifau cymharol gynnar lle y ceir enghreifftiau o waith Dafydd ap Gwilym. Rhydd yr ail bennod sylw i lythrennedd yn yr Oesoedd Canol ac yn y bennod olaf eir i’r afael â barddoniaeth Dafydd ap Gwilym drwy roi sylw manwl i amwysedd ei farddoniaeth. Yn y bennod gyntaf cymhwysir beirniadaeth destunol at Beniarth 48, un o’r llawysgrifau cynharaf lle
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Elfyn, Menna. "Barddoniaeth Menna Elfyn : pererindod bardd." Thesis, University of Wales Trinity Saint David, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683377.

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Edwards, Huw M. "A study of native popular elements and of external influences in the poetry of Dafydd ap Gwilym and other early 'Cywyddwyr'." Thesis, University of Oxford, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.357388.

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Huws, Bleddyn Owen. "Astudiaeth o'r canu gofyn a diolch rhwng c. 1350 a c. 1630." Thesis, Aberystwyth University, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.262275.

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Rowland, Jenny. "Early Welsh saga poetry : a study and edition of the Englynion /." Cambridge : D. S. Drewer, 1990. http://catalogue.bnf.fr/ark:/12148/cb35416219c.

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Edwards, David Islwyn. "Beirdd gwlad Ffair-rhos a'u cefndir diwylliannol a diwydiannol." Thesis, University of South Wales, 1997. https://pure.southwales.ac.uk/en/studentthesis/beirdd-gwlad-ffairrhos-au-cefndir-diwylliannol-a-diwydiannol(ecbf4de2-b763-481d-af74-76daab3c4d97).html.

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Ganwyd yn ardal Ffair-rhos yn ystod yr ugeinfed ganrif bedwar o feirdd y gellid eu hystyried yn enghreifftiau nodweddiadol o draddodiad y bardd gwlad yng Nghymru ar ei orau. Daeth Dafydd Jones a W.J. Gruffydd yn brifeirdd cenedlaethol ac enillodd Evan Jenkins yntau lawryfon y Brifwyl. Er na bu i Jack Oliver gystadlu ar lefel genedlaethol, diau iddo ennill statws cenedlaethol fel prydydd poblogaidd, colofnydd papur newydd ac fel cymeriad lliwgar a gwreiddiol. Yn rhannu'r un agenda lenyddol ac yn cydoesi a hwy yn ardal Llangrannog, yr oedd brawdoliaeth farddol y daethpwyd i'w hadnabod yn ddiwedd
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Slaymaker-Jones, Lois. "Dylanwad gwaith Waldo Williams a'r ymateb iddo er 1971." Thesis, Swansea University, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678532.

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Griffith, Catherine Lloyd. "William Phylip, ei fywyd a'i waith." Thesis, Bangor University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.340493.

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Books on the topic "Welsh poetry"

1

S, Thomas R. Welsh airs. Poetry Wales, 1987.

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Anthony, Conran, ed. Welsh verse. Poetry Wales Press, 1986.

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Griffen, Toby D. Phonetic regularity in Welsh poetry. E. Mellen Press, 2004.

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Conran, Anthony. Frontiers in Anglo-Welsh poetry. University of Wales Press, 1997.

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Raymond, Garlick, and Mathias Roland, eds. Anglo-Welsh poetry, 1480-1990. Seren Books, 1993.

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Dannie, Abse, ed. Twentieth century Anglo-Welsh poetry. Seren, 1997.

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Menna, Elfyn, and Rowlands John 1938-, eds. The Bloodaxe book of modern Welsh poetry: 20th-century Welsh-language poetry in translation. Bloodaxe, 2003.

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PhD, Gwyn Richard, ed. The pterodactyl's wing: Welsh world poetry. Parthian Books, 2003.

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Ifor, Williams. The beginnings of Welsh poetry: Studies. 2nd ed. University of Wales Press, 1990.

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Rachel, Bromwich, ed. The beginnings of Welsh poetry: Studies. 2nd ed. University of Wales Press, 1990.

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Book chapters on the topic "Welsh poetry"

1

Houston, Douglas. "Welsh Poetry." In A Companion to Twentieth-Century Poetry. Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470998670.ch26.

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Fulton, Helen. "Cheapside in Wales: Multilingualism and Textiles in Medieval Welsh Poetry." In New Approaches to English Historical Linguistics. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-30947-2_7.

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Fulton, Helen. "Class and Nation: Defining the English in Late-Medieval Welsh Poetry." In Authority and Subjugation in Writing of Medieval Wales. Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230614932_11.

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Prescott, Sarah. "Anglophone Welsh Women’s Poetry 1750–84: Jane Cave and Anne Penny." In The History of British Women’s Writing, 1750–1830. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230297012_6.

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Davies, Walford. "The Poetry of Dylan Thomas: Welsh Contexts, Narrative and the Language of Modernism." In Dylan Thomas. Macmillan Education UK, 2001. http://dx.doi.org/10.1007/978-0-230-21369-2_6.

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Strabone, Jeff. "The Fall and Rise of the Welsh Bards, or, How the English Became British." In Poetry and British Nationalisms in the Bardic Eighteenth Century. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-95255-0_3.

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Johnston, Dafydd. "Welsh Bardic Miscellanies." In Insular Books. British Academy, 2015. http://dx.doi.org/10.5871/bacad/9780197265833.003.0011.

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This chapter discusses miscellanies of Welsh-language poetry, focusing on six 15th-century manuscripts from the National Library of Wales, Peniarth collection, MSS 51, 54, 55, 57, 60, and 67, all of which contain material deriving directly from contemporary poets. The formation of these miscellanies was influenced by two key aspects of Welsh bardic practice: the fact that poets and reciters were itinerant meant that numerous contributors could have access to any single manuscript collection on separate occasions, and the prevalence of memorial transmission meant that large quantities of poetry were potentially available for transcription, despite the paucity of written exemplars. Socio-political networks are evident in patrons’ miscellanies, whilst the two manuscripts belonging to poets (51 and 67) are shown to reflect the ideal of the learned bard represented by the legendary Taliesin.
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Gramich, Katie. "Welsh Poetry since 1945." In The Cambridge Companion to British Poetry, 1945–2010. Cambridge University Press, 2015. http://dx.doi.org/10.1017/cco9781316111314.012.

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Flood, Victoria. "The Poetic Field, IV." In The Oxford History of Poetry in English. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198827429.003.0008.

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Abstract This chapter offers an overview of the Welsh poetic field as it intersects with the English in the centuries following the Edwardian conquest of 1282–3. From the early-fourteenth-century Harley lyrics, to English Arthuriana, and late-medieval Welsh and macaronic poetry, it explores the evidence for cross-cultural and cross-linguistic interaction, noting the mediating role of Latin and French material in the circulation of Welsh names and thematic content in English-language literary culture. It suggests that during this period we find the clearest evidence of the direct influence not of Welsh poetry on English but of English language and literature on Welsh, in the English vocabulary and apparent familiarity with the English popular lyric in the writings of Chaucer’s contemporary, Dafydd ap Gwilym, as well as in the English–Welsh macaronic dialogues of the fifteenth century and the writing of English poetry in Welsh orthography.
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Carey, John. "Furious Interiors: Wales, R.S. Thomas and God." In Sunday Best. Yale University Press, 2022. http://dx.doi.org/10.12987/yale/9780300266689.003.0057.

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This chapter describes Justin Wintle's literary biography of the Welsh Nationalist priest and poet R.S. Thomas. When Thomas refused to meet with Wintle, Wintle read everything he could lay his hands on about Wales, Welsh Nationalism, and Anglo-Welsh poetry instead. He chatted with Thomas's ex-parishioners in a string of towns and villages across Wales. Moreover, he lingered in bars sounding out the Welsh about Wales's most famous living poet. The proceeds of all this research have been tipped into his book in a fantastic and often fascinating jumble. The portrait Wintle gradually assembles is of a man spurred to fury by self-contradiction. Thomas hates the English language, yet writes his poetry in it. He idolises Wales, yet despises the Welsh for their failure to shake off the English yoke, and their eagerness to sell their birthright for a mess of tourism.
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