Academic literature on the topic 'Wen-Chung'
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Journal articles on the topic "Wen-Chung"
Howard, Keith. "The Music of Chou Wen-chung." Ethnomusicology Forum 20, no. 1 (April 2011): 110–11. http://dx.doi.org/10.1080/17411912.2011.560046.
Full textChiu, Ling-Ting. "A New Page of Literati Painting from Singapore and Malaysia: A Study of Chen Wen Hsi and Chung Chen Sun." Translocal Chinese: East Asian Perspectives 15, no. 1 (July 1, 2021): 93–130. http://dx.doi.org/10.1163/24522015-15010006.
Full textN., W. H., Hou Chung-i. (Hou Chongyi), Hou Chung-i, and Liu Shih-lin (Liu Shilin). "Chung-kuo wen-yen hsiao-shuo shih-kao (Zhongguo wen ayn xiaoshuo shi gao). 2v." Chinese Literature: Essays, Articles, Reviews (CLEAR) 17 (December 1995): 194. http://dx.doi.org/10.2307/495582.
Full textEverett, Yayoi Uno. "Calligraphy and musical gestures in the late works of Chou Wen-chung." Contemporary Music Review 26, no. 5-6 (October 2007): 569–84. http://dx.doi.org/10.1080/07494460701652988.
Full textWinzenburg, John. "Chou Wen-Chung: The Life and Work of a Contemporary Chinese-Born American Composer by Peter M. Chang, and: The Music of Chou Wen-chung by Eric C. Lai." Asian Music 45, no. 1 (2014): 145–54. http://dx.doi.org/10.1353/amu.2013.0030.
Full textN., W. H., and Chou Tsu-chuan (Zhou zu zhuan). "Chung-kuo wen-hsueh ta tz'u-tien, T'ang Wu-tai chuan (Zhong guo wen xue da cidian), (Wu dai xie)." Chinese Literature: Essays, Articles, Reviews (CLEAR) 18 (December 1996): 234. http://dx.doi.org/10.2307/495648.
Full textNienhauser, William H., and Ning Chia-yu Ning jia yu. "Chung-kuo wen-yen hsiao-shuo tsung-mu t'i-yao zong guo wen yan xiao shuo zong mu ti yao." Chinese Literature: Essays, Articles, Reviews (CLEAR) 22 (December 2000): 187. http://dx.doi.org/10.2307/3109458.
Full textLai, Eric. "Toward a Theory of Pitch Organization: The Early Music of Chou Wen-Chung." Asian Music 25, no. 1/2 (1993): 177. http://dx.doi.org/10.2307/834195.
Full textXin, Zi-Bing, Wei-Chuen Chou, Stephen Maciejewski, Long-Fei Fu, and Fang Wen. "Primulina papillosa (Gesneriaceae), a new species from limestone areas of Guangxi, China." PhytoKeys 177 (May 12, 2021): 55–61. http://dx.doi.org/10.3897/phytokeys.177.63878.
Full textEverett, Yayoi Uno. "Chou Wen-Chung: The Life and Work of a Contemporary Chinese-Born American Composer (review)." Notes 63, no. 3 (2007): 615–17. http://dx.doi.org/10.1353/not.2007.0012.
Full textDissertations / Theses on the topic "Wen-Chung"
Wang, Serena. "The Aesthetics of Silence in the Works of Federico Mompou, Chou Wen Chung, and George Crumb." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1378195060.
Full textChen, Ying-Chen, and 陳盈臻. "Body Writing in Chung Wen Yin’s “Island Trilogy”." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/79088352321564591739.
Full text國立中興大學
台灣文學與跨國文化研究所
103
The presenting thesis is discussed Chung Wen Yin''s “Island Trilogy”: the body is a key point of view by a way to analyze the text. Based on Chung Wen Yin and the describers are females, does it mean that taking back a historical right of speech equals breaking through a frame of patriarchy or having a completely consciousness after reconstructing sights of the city, recording male disease, discussing sexual power and the bodies’ changes? Otherwise, are they still limited? One chapter one book, there are three parts: Decayed Lust is a description of young men and women in Taipei from 1989 to 2006 by using a sensitive sense of young females. And how to picture the power relationship between men and women from their bodies under the raising and bubble economy. Duan Ge Xing is individually described men in Chung’s, Shu Yi Xiao and Liu Yu Shu, who is a local Taiwanese but adopted as a son of mainlanders. The writing style is similar to novels in chapter- many male characters in this book describe the participation in the history process. The author depicts the point in the male body weak. While they all get ill, there is a possibility of entering by medical matters, diet, women, and so on. The third part, Shang Ge Xing, is told by an individual sight of woman in their or others stories repeatedly. The changing and functions of female bodies widens the special space in women, making efforts to defeat against father right.
CHANG, LI-JUNG, and 張麗容. "The study of Chung Wen-Yin’s "The Lonely River"." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/cy62qe.
Full text國立屏東大學
中國語文學系碩士班
103
Chung Wen-Yin, in The Lonely River, tells the story of the common people’s migrating lives of unrest in the 70-80s’ Taiwan, representing the process of social transformation in all aspects and phases, which is full of the nostalgic aura of that period. Based on The Lonely River as a study text, this paper explores the core spirit and artistic characteristics in Chung Wen-Yin’s creative writings. The study consiss of six chapters as follows: The first chapter, “Introduction,” first illustrates the study’s research motivations and objectves. Then Chung Wen-Yin’s identity and her writing process will be described, followed by the present literature review. Also, the research methods and chapter structure will be stated. The second chapter, “Issues of Sexuality in The Lonely River,” is divided into three sections, including “Image creation of men and women,” “Reflection of social gender” and “Uphold the female consciousness.” It focuses on how the novel reflects the era significance through the movement of social gender and cultural change. The third chapter, “Parent’s love in The Lonely River,” will be divided into two sections: “Dialectic on the mother-daughter relationship” and “Contradictory father-daughter relationship.” It analyses how Chung Wen-Yin presents the story of migrant population, the critical changes in family relationship and filiation in the turning era. The fourth chapter, “The Lonely River: Narration of urban and rural,” is divided into two sections, including “Urban and rural temporal thinkings” and “the lost of the ideal family.” This chapter analyses the spacial narrative in the novel, exploring the criticism of urban and rural values from Chung Wen-Yin’s perspectives as well as revealing her contemporaries’ awareness of their lives of unrest. The fifth chapter, “The writing strategy,” consists of two sections: “Form of Mixing” and “Images of Design.” It explores the varied writing patterns and unique imagery aesthetics in The Lonely River. The final chapter, “Conclusions,” summarizes the meaning of creating The Lonely River—to witness the history of social change in Taiwan, which truly shows the features of changing era. Thus, my study expects to prove that The Lonely River is a valuable work of the times.
Lin, Xin-yi, and 林欣儀. "Portraits of Men in Chung Wen-yin’s Duan Ge Xing." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/28002174912946410657.
Full text國立雲林科技大學
漢學資料整理研究所碩士班
101
This thesis commences with the discussion on the background of Chung Wen-yin, the author of Duan Ge Xing, as well as the themes presented in the work. The exploration of time setting and the writer''s growing environment reflects the influence of literary trends and family life on Chung Wen-yin and discloses the motifs she creates in the story. The analysis of portrayals of men in Duan Ge Xing begins with Chung Sheng. His image as a Confucian scholar, who pursues not only inner growth but also a better world for people, is examined by inspecting the depiction of his life. His ideal for Pantisocracy, shown in his implementation of the left-wing social movements, though failed, sets a model for intellectuals. Secondly, the discussion on Chung Liu’s indulgence in material life makes contrast between the distinct life choices made by Chung Sheng and Chung Liu; therefore, Chung Liu’s image as a person who has no fixed values and easily yields himself to life is highlighted. Thirdly, to present different aspects of male life stories, other male characters’ attitudes and reactions to life are classified according to the exploration of their different life choices in the story. With the above discussion, this thesis, in terms of Confucian ethics, observes Chung Sheng and Chung Liu’s choices between realization of the individual and the collective, as well as their different Confucian images. Moreover, the analysis of the text presents various enlightenment conveyed in Chung Wen-yin’s depictions of challenges from both fate and self weakness that male life has to face. That is, Chung Wen-yin’s understanding and sympathy for male life are reflected in her portrayals of different male images and their different attitudes toward life in Duan Ge Xing. With her strong female awareness, keen observation, and perception, Chung Wen-yin portrays how men steer their course of life when facing challenges. Also, by creating a distinct writing prospect while echoing with contemporary female writers’ portrayals of men, Chung Wen-yin shows her unique insight and concern, rendering distinctive value to Duan Ge Xing.
Wen-Chung, Chu, and 朱文忠. "Alienation of Self-Portrait：The Creation Discourse by Wen-Chung, Chu." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/16078793676196523415.
Full text國立彰化師範大學
美術學系
98
Through the figure painting in the self-portrait, this study dedicates to exploring the association among the body, awareness and image. In addition, the description beyond the reality is regarded as alienation. First, the works from nearly contemporary and contemporary artists are explored in order to figure out their creative state of consciousness, from which the difference of the nature of self-expression and conceptual differences are discussed. Besides, the image paintings of contemporary paintings are explored to provide another dimension of painting. And then return to my own paintings, props, and playing techniques in order to present my own body image, as a fable of fastening the concepts of self-portraits, and an extension of the concept and painting techniques, development of image properties of paintings, will be an integration of the inspiration and self - creative experience, as the development of future creation of the specific points.
Yao, Pei-Ling, and 姚珮苓. "Escape and Pursuit─To Research the City Writing in Chung Wen-Yin’s Literature." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/95812253063833518779.
Full text國立臺中教育大學
語文教育學系碩博士班
99
This research focuses on city writing in Chung Wen-Yin’s Literature. There are diverse themes in Chung Wen-Yin’s text that contain with her family, travel, culture, life and so on. She is an professional author since 1998s to this year after thirteen years. She has paid attention to the city subject and had more aspects in text. This research intends to analyze two components that include “space” and “life“ in Chung Wen-Yin’s city writing. By analyzing the different city spaces that we make sense of the escape and pursuit in author’s life. This research includes five chapters. The first chapter is introduction, illustrating the motive, purpose, method of the research, as well as the research outcomes of the predecessors. There compare with the “urban writing” and “city writing “to understand the difference. Then try to illustrate the operation definition in this research. The second chapter focuses on the novel “on the river left bank” to illustrate the space of the border district in Taipei city. To analyze the south country immigrants migrate to the border district in Taipei city and the scenes in their life. The “Tamsui river” as if a demarcation line that everyone discriminates the river left bank and right bank. The south country immigrants have poor life on the river left bank. The south hometown that emerges from the river left bank is a backwardness area. Therefore the immigrants want to escape once more. The third chapter is the expansion of major aspect concentrated and described the meanings of scenes in Taipei city. To analyze the living in Taipei have more freedom than in the country, and on the other hand there are more alienation in inhabits’ mind. And then to illustrate that some roles had sufferings and lost himself in Chung Wen Yin’s Taipei writing. At last to explain the reasons of escape and pursuit again. The fourth chapter focuses on Chung Wen-Yin’s travel writing. First, to analyze the different sights and space in literature and art in foreign country be written in text. The hometown is short of literature and art that emerges from foreign country. Second, she have dialogues with the creator of literature and art to purify the sufferings. By understanding the relationships between travel and mind, then illustrate the process of leaving and coming in author’s life. The fifth chapter is conclusion. The whole research results in the thesis are summarized. At last conclude the characteristics and value of Chung Wen-Yin’s city writing.
YUEH, CHUN-CHE, and 岳駿哲. "East-West Cultural Thinking and Musical Expression from Chou Wen-Chung “Cursive”/Graduation Recital." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/88148569404914443030.
Full text東吳大學
音樂學系
104
Since the 1960s, Asian American composer Chou, Wen-Chung (1923- ) used the I-Ching philosophy as both his mode of expression and underlying composing principle. From this, he pioneered a unique pitch system, variable modes. Today, this variable mode of thinking continues to influence Asian American composers, calling on them to draw from their "root" culture. As Chou, Wen-Chung says time and time again, "successful composers must acknowledge, appreciate, and reflect on their own culture. This renders their work unique." As such, this thesis will analyze Cursive (1963) by Chou, Wen-Chung from the lens of the variable mode technique. This will shed light on other fundamental elements and parlay into analysis of the work's deeper meaning. This enables an understanding of the Asian spirit behind the essence of the piece: how the composer integrated Asian traditional calligraphy's cursive form with Western musical vocabulary.
Huang, Enci, and 黃恩慈. "Women’s travel－An Obeservation on Shi Shu-qing’s and Chung Wen-yin’s women travel writing." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/51172549690428650084.
Full text國立成功大學
台灣文學研究所
95
Travel literature publishing has become quite abundant in 90’s Taiwan，and travel literature written by female authors represent the vast majority． Furthermore，works of female writers play a very important role in Taiwan’s travel literature，and the travel literature has shown the special position of female travel in Taiwan． In order to analyzes female authors how to write women travel writing，this study discussing Shi Shu-qing’s and Chung Wen-yin’s women travel writing．The main topic of this study is focused around“ travelling structure”and“ women travel writing”，and intend to observe female writers how respond their travel experience in the work． At the same time， it attempts to uncover how females examine the process that they have made．
LIN, YA-HUEI, and 林雅慧. "The Study of Middle Age Single Writing in John Sheng Kuo, Chung Wen Yin 's Prose." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/9xk9gf.
Full text國立臺北教育大學
語文與創作學系碩士班
107
abstract This thesis will discuss John Sheng Kuo's "Why Don't Seriously Come to Sorrow", "The Distance I Will Go", and Chung Wen Yin's "School Must Be" as the main research text. Single is the presentation of an emotional state, while middle-age is the coordinate of the life trajectory. At this stage, the understanding and change of life is worth discussing in the text. In John Sheng Kuo's prose, he witnessed the breakdown of the family and the ruin of the kinship; while Chung Wen Yin had a dialogue with the disease through a relationship with her mother. Therefore, this thesis will start from the perspective of space and material, and explore how the family breaks and recovers in the text, and also how the reconciliation of the relationship can be transferred in the text. The structure of this thesis is as follows: Chapter 1 Introduction. In the discussion of motivation and purpose, research scope, research methods and literature review, the thesis will be based on these. Chapter 2: The fracture and recover of the home in John Sheng Kuo's prose. Starting from the damage of the relationships, explore how the home in the text is on the verge of breaking, and how the home recovered from the space. Chapter 3: Wandering and staying in Chung Wen Yin's prose. Through the discussion of disease and body, explore the reconstruction and re-dialogue of mother and daughter's relationship. Chapter 4: The material and time in John Sheng Kuo and Chung Wen Yin's prose. From the perspective of things and time, another aspect-oriented construction is carried out for the meaning of the family. Chapter 5: Conclusions. Summarize the above discussion and propose research findings and limitations.
Yin-TingChang and 張茵婷. "Female space and desire of her living city—— Study on Chung Wen-yin's city writing (1990-2010)." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/01533263562857574024.
Full textBooks on the topic "Wen-Chung"
Kuo, Joseph C. Chinese reader =: [Chung wen tʻu pen]. [Lawrence]: Center for East Asian Studies, University of Kansas, 1990.
Find full textTuan, Yü-ming. Chung-kuo ssu miao wen hua. Shang-hai: Shang-hai jen min chʻu pan she, 1994.
Find full textLee, Leo Ou-fan. Chung hsi wen hsüeh ti hui hsiang. Hsiang-kang: San lien shu tien Hsiang-kang fen tien, 1986.
Find full textShen, Fu-wei. Chung hsi wen hua chiao liu shih. Shang-hai: Shang-hai jen min chʻu pan she, 1985.
Find full textChang, Wen-chiang. Wen hua kʻun lun: Chʻien Chung-shu chuan. Tʻai-pei shih: Yeh chiʻang chʻu pan she, 1993.
Find full textTong, Xiren. Chung-kuo erh túng wen hsüeh hsüan chiang. Shen-yang: Liao-ning shao nien erh túng chʻu pan she, 1988.
Find full textKao-ch"u, Chiang, ed. Huo yung Visual Basic 5 Chung wen pan. Taibei Shi: Qi feng zi xun gu fen yu xian gong si, 1997.
Find full textTong, Xiren. Chung-kuo erh túng wen hsüeh hsüan chiang. Shen-yang: Liao-ning shao nien erh túng chʻu pan she, 1988.
Find full textBook chapters on the topic "Wen-Chung"
Lau, Frederick. "Chou Wen-chung." In Polycultural Synthesis in the Music of Chou Wen-chung, 1–16. Abingdon, Oxon ; New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315267760-1.
Full textShanton, Kristina L. "Chou Wen-chung." In Polycultural Synthesis in the Music of Chou Wen-chung, 288–308. Abingdon, Oxon ; New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315267760-12.
Full textRadice, Mark A. "Chou Wen-chung." In Polycultural Synthesis in the Music of Chou Wen-chung, 17–85. Abingdon, Oxon ; New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315267760-2.
Full textChen, Yi, Zhou Long, and Mark A. Radice. "Radice in conversation about Chou Wen-chung." In Polycultural Synthesis in the Music of Chou Wen-chung, 255–67. Abingdon, Oxon ; New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315267760-10.
Full textKwan, Kenneth. "Chou Wen-chung’s Echoes from the Gorge." In Polycultural Synthesis in the Music of Chou Wen-chung, 124–60. Abingdon, Oxon ; New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315267760-5.
Full textZimmermann, Heidy. "The Chou Wen-chung Collection in the Paul Sacher Foundation." In Polycultural Synthesis in the Music of Chou Wen-chung, 268–87. Abingdon, Oxon ; New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315267760-11.
Full textLai, Eric. "Musical brushstrokes." In Polycultural Synthesis in the Music of Chou Wen-chung, 86–121. Abingdon, Oxon ; New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315267760-3.
Full textPalma, Donald. "Snapshot." In Polycultural Synthesis in the Music of Chou Wen-chung, 122–23. Abingdon, Oxon ; New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315267760-4.
Full textPittman, Richard. "Snapshot." In Polycultural Synthesis in the Music of Chou Wen-chung, 161–66. Abingdon, Oxon ; New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315267760-6.
Full textArlin, Mary I. "The cultural origins of the theoretical structures in Chou Wen-chung’s Windswept Peaks." In Polycultural Synthesis in the Music of Chou Wen-chung, 167–212. Abingdon, Oxon ; New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315267760-7.
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