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1
Wang, Serena. "The Aesthetics of Silence in the Works of Federico Mompou, Chou Wen Chung, and George Crumb." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1378195060.
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Chen, Ying-Chen, and 陳盈臻. "Body Writing in Chung Wen Yin’s “Island Trilogy”." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/79088352321564591739.
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碩士國立中興大學
台灣文學與跨國文化研究所
103
The presenting thesis is discussed Chung Wen Yin''s “Island Trilogy”: the body is a key point of view by a way to analyze the text. Based on Chung Wen Yin and the describers are females, does it mean that taking back a historical right of speech equals breaking through a frame of patriarchy or having a completely consciousness after reconstructing sights of the city, recording male disease, discussing sexual power and the bodies’ changes? Otherwise, are they still limited? One chapter one book, there are three parts: Decayed Lust is a description of young men and women in Taipei from 1989 to 2006 by using a sensitive sense of young females. And how to picture the power relationship between men and women from their bodies under the raising and bubble economy. Duan Ge Xing is individually described men in Chung’s, Shu Yi Xiao and Liu Yu Shu, who is a local Taiwanese but adopted as a son of mainlanders. The writing style is similar to novels in chapter- many male characters in this book describe the participation in the history process. The author depicts the point in the male body weak. While they all get ill, there is a possibility of entering by medical matters, diet, women, and so on. The third part, Shang Ge Xing, is told by an individual sight of woman in their or others stories repeatedly. The changing and functions of female bodies widens the special space in women, making efforts to defeat against father right.
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CHANG, LI-JUNG, and 張麗容. "The study of Chung Wen-Yin’s "The Lonely River"." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/cy62qe.
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碩士國立屏東大學
中國語文學系碩士班
103
Chung Wen-Yin, in The Lonely River, tells the story of the common people’s migrating lives of unrest in the 70-80s’ Taiwan, representing the process of social transformation in all aspects and phases, which is full of the nostalgic aura of that period. Based on The Lonely River as a study text, this paper explores the core spirit and artistic characteristics in Chung Wen-Yin’s creative writings. The study consiss of six chapters as follows: The first chapter, “Introduction,” first illustrates the study’s research motivations and objectves. Then Chung Wen-Yin’s identity and her writing process will be described, followed by the present literature review. Also, the research methods and chapter structure will be stated. The second chapter, “Issues of Sexuality in The Lonely River,” is divided into three sections, including “Image creation of men and women,” “Reflection of social gender” and “Uphold the female consciousness.” It focuses on how the novel reflects the era significance through the movement of social gender and cultural change. The third chapter, “Parent’s love in The Lonely River,” will be divided into two sections: “Dialectic on the mother-daughter relationship” and “Contradictory father-daughter relationship.” It analyses how Chung Wen-Yin presents the story of migrant population, the critical changes in family relationship and filiation in the turning era. The fourth chapter, “The Lonely River: Narration of urban and rural,” is divided into two sections, including “Urban and rural temporal thinkings” and “the lost of the ideal family.” This chapter analyses the spacial narrative in the novel, exploring the criticism of urban and rural values from Chung Wen-Yin’s perspectives as well as revealing her contemporaries’ awareness of their lives of unrest. The fifth chapter, “The writing strategy,” consists of two sections: “Form of Mixing” and “Images of Design.” It explores the varied writing patterns and unique imagery aesthetics in The Lonely River. The final chapter, “Conclusions,” summarizes the meaning of creating The Lonely River—to witness the history of social change in Taiwan, which truly shows the features of changing era. Thus, my study expects to prove that The Lonely River is a valuable work of the times.
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Lin, Xin-yi, and 林欣儀. "Portraits of Men in Chung Wen-yin’s Duan Ge Xing." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/28002174912946410657.
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碩士國立雲林科技大學
漢學資料整理研究所碩士班
101
This thesis commences with the discussion on the background of Chung Wen-yin, the author of Duan Ge Xing, as well as the themes presented in the work. The exploration of time setting and the writer''s growing environment reflects the influence of literary trends and family life on Chung Wen-yin and discloses the motifs she creates in the story. The analysis of portrayals of men in Duan Ge Xing begins with Chung Sheng. His image as a Confucian scholar, who pursues not only inner growth but also a better world for people, is examined by inspecting the depiction of his life. His ideal for Pantisocracy, shown in his implementation of the left-wing social movements, though failed, sets a model for intellectuals. Secondly, the discussion on Chung Liu’s indulgence in material life makes contrast between the distinct life choices made by Chung Sheng and Chung Liu; therefore, Chung Liu’s image as a person who has no fixed values and easily yields himself to life is highlighted. Thirdly, to present different aspects of male life stories, other male characters’ attitudes and reactions to life are classified according to the exploration of their different life choices in the story. With the above discussion, this thesis, in terms of Confucian ethics, observes Chung Sheng and Chung Liu’s choices between realization of the individual and the collective, as well as their different Confucian images. Moreover, the analysis of the text presents various enlightenment conveyed in Chung Wen-yin’s depictions of challenges from both fate and self weakness that male life has to face. That is, Chung Wen-yin’s understanding and sympathy for male life are reflected in her portrayals of different male images and their different attitudes toward life in Duan Ge Xing. With her strong female awareness, keen observation, and perception, Chung Wen-yin portrays how men steer their course of life when facing challenges. Also, by creating a distinct writing prospect while echoing with contemporary female writers’ portrayals of men, Chung Wen-yin shows her unique insight and concern, rendering distinctive value to Duan Ge Xing.
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Wen-Chung, Chu, and 朱文忠. "Alienation of Self-Portrait：The Creation Discourse by Wen-Chung, Chu." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/16078793676196523415.
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碩士國立彰化師範大學
美術學系
98
Through the figure painting in the self-portrait, this study dedicates to exploring the association among the body, awareness and image. In addition, the description beyond the reality is regarded as alienation. First, the works from nearly contemporary and contemporary artists are explored in order to figure out their creative state of consciousness, from which the difference of the nature of self-expression and conceptual differences are discussed. Besides, the image paintings of contemporary paintings are explored to provide another dimension of painting. And then return to my own paintings, props, and playing techniques in order to present my own body image, as a fable of fastening the concepts of self-portraits, and an extension of the concept and painting techniques, development of image properties of paintings, will be an integration of the inspiration and self - creative experience, as the development of future creation of the specific points.
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Yao, Pei-Ling, and 姚珮苓. "Escape and Pursuit─To Research the City Writing in Chung Wen-Yin’s Literature." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/95812253063833518779.
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碩士國立臺中教育大學
語文教育學系碩博士班
99
This research focuses on city writing in Chung Wen-Yin’s Literature. There are diverse themes in Chung Wen-Yin’s text that contain with her family, travel, culture, life and so on. She is an professional author since 1998s to this year after thirteen years. She has paid attention to the city subject and had more aspects in text. This research intends to analyze two components that include “space” and “life“ in Chung Wen-Yin’s city writing. By analyzing the different city spaces that we make sense of the escape and pursuit in author’s life. This research includes five chapters. The first chapter is introduction, illustrating the motive, purpose, method of the research, as well as the research outcomes of the predecessors. There compare with the “urban writing” and “city writing “to understand the difference. Then try to illustrate the operation definition in this research. The second chapter focuses on the novel “on the river left bank” to illustrate the space of the border district in Taipei city. To analyze the south country immigrants migrate to the border district in Taipei city and the scenes in their life. The “Tamsui river” as if a demarcation line that everyone discriminates the river left bank and right bank. The south country immigrants have poor life on the river left bank. The south hometown that emerges from the river left bank is a backwardness area. Therefore the immigrants want to escape once more. The third chapter is the expansion of major aspect concentrated and described the meanings of scenes in Taipei city. To analyze the living in Taipei have more freedom than in the country, and on the other hand there are more alienation in inhabits’ mind. And then to illustrate that some roles had sufferings and lost himself in Chung Wen Yin’s Taipei writing. At last to explain the reasons of escape and pursuit again. The fourth chapter focuses on Chung Wen-Yin’s travel writing. First, to analyze the different sights and space in literature and art in foreign country be written in text. The hometown is short of literature and art that emerges from foreign country. Second, she have dialogues with the creator of literature and art to purify the sufferings. By understanding the relationships between travel and mind, then illustrate the process of leaving and coming in author’s life. The fifth chapter is conclusion. The whole research results in the thesis are summarized. At last conclude the characteristics and value of Chung Wen-Yin’s city writing.
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YUEH, CHUN-CHE, and 岳駿哲. "East-West Cultural Thinking and Musical Expression from Chou Wen-Chung “Cursive”/Graduation Recital." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/88148569404914443030.
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碩士東吳大學
音樂學系
104
Since the 1960s, Asian American composer Chou, Wen-Chung (1923- ) used the I-Ching philosophy as both his mode of expression and underlying composing principle. From this, he pioneered a unique pitch system, variable modes. Today, this variable mode of thinking continues to influence Asian American composers, calling on them to draw from their "root" culture. As Chou, Wen-Chung says time and time again, "successful composers must acknowledge, appreciate, and reflect on their own culture. This renders their work unique." As such, this thesis will analyze Cursive (1963) by Chou, Wen-Chung from the lens of the variable mode technique. This will shed light on other fundamental elements and parlay into analysis of the work's deeper meaning. This enables an understanding of the Asian spirit behind the essence of the piece: how the composer integrated Asian traditional calligraphy's cursive form with Western musical vocabulary.
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Huang, Enci, and 黃恩慈. "Women’s travel－An Obeservation on Shi Shu-qing’s and Chung Wen-yin’s women travel writing." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/51172549690428650084.
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碩士國立成功大學
台灣文學研究所
95
Travel literature publishing has become quite abundant in 90’s Taiwan，and travel literature written by female authors represent the vast majority． Furthermore，works of female writers play a very important role in Taiwan’s travel literature，and the travel literature has shown the special position of female travel in Taiwan． In order to analyzes female authors how to write women travel writing，this study discussing Shi Shu-qing’s and Chung Wen-yin’s women travel writing．The main topic of this study is focused around“ travelling structure”and“ women travel writing”，and intend to observe female writers how respond their travel experience in the work． At the same time， it attempts to uncover how females examine the process that they have made．
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LIN, YA-HUEI, and 林雅慧. "The Study of Middle Age Single Writing in John Sheng Kuo, Chung Wen Yin 's Prose." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/9xk9gf.
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碩士國立臺北教育大學
語文與創作學系碩士班
107
abstract This thesis will discuss John Sheng Kuo's "Why Don't Seriously Come to Sorrow", "The Distance I Will Go", and Chung Wen Yin's "School Must Be" as the main research text. Single is the presentation of an emotional state, while middle-age is the coordinate of the life trajectory. At this stage, the understanding and change of life is worth discussing in the text. In John Sheng Kuo's prose, he witnessed the breakdown of the family and the ruin of the kinship; while Chung Wen Yin had a dialogue with the disease through a relationship with her mother. Therefore, this thesis will start from the perspective of space and material, and explore how the family breaks and recovers in the text, and also how the reconciliation of the relationship can be transferred in the text. The structure of this thesis is as follows: Chapter 1 Introduction. In the discussion of motivation and purpose, research scope, research methods and literature review, the thesis will be based on these. Chapter 2: The fracture and recover of the home in John Sheng Kuo's prose. Starting from the damage of the relationships, explore how the home in the text is on the verge of breaking, and how the home recovered from the space. Chapter 3: Wandering and staying in Chung Wen Yin's prose. Through the discussion of disease and body, explore the reconstruction and re-dialogue of mother and daughter's relationship. Chapter 4: The material and time in John Sheng Kuo and Chung Wen Yin's prose. From the perspective of things and time, another aspect-oriented construction is carried out for the meaning of the family. Chapter 5: Conclusions. Summarize the above discussion and propose research findings and limitations.
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Yin-TingChang and 張茵婷. "Female space and desire of her living city—— Study on Chung Wen-yin's city writing (1990-2010)." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/01533263562857574024.
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"When Chinese Sounds Meet Western Instruments, Yü Ko: Ensemble for Violin, Winds, Piano and Percussion by Chou Wen-Chung." Doctoral diss., 2020. http://hdl.handle.net/2286/R.I.63093.
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abstract: ABSTRACT
As a composer, Chou Wen-Chung (1923-2019) was a learner and inheritor of Chinese traditional music culture and was committed to carrying it forward. As a native of China who had his primary musical training in the West, Chou Wen-Chung was one of the first Chinese composers to make his mark on Western music. He successfully combined Western elements and Chinese tradition in his music. Chou Wen-Chung was one of the few prominent East Asian composers known in the Western musical world, and his music therefore has had a strong influence on other Chinese composers.
In order to understand more clearly his music, I analyzed his chamber work: Yü Ko. This piece was composed in 1965 for 9 instruments: Violin, Alto Flute, English Horn, Bass Clarinet, 2 Trombones, 2 Percussion and Piano. Inspired by the ancient Chinese musical instrument the Qin (also called guqin, or “ancient qin”), which is a plucked seven-string instrument, Chou Wen-Chung composed Yü Ko. Literally meaning “fisherman’s song,” this work was composed originally for the Qin, based on a melody composed by Mao Min-Zhong who was a very noted scholar and Qin player of the late Southern Song dynasty (C.E.1127-1276).
This paper provides Chou Wen-Chung’s biography, compositional styles and developments. It lists and explains the most common Chinese traditional cultural elements which he used in his compositions. In particular, it introduces the Qin in detail from the external structure, performance techniques, sound characteristics, the tablature notation, and compositional methods.
This document also includes a detailed analysis of Yü Ko in terms of the orchestration, pitch, tonal material, structure and tempo, dynamic and musical materials, and explains Chou Wen-Chung’s imitation of the Qin as well as the influence of Western music shown in this piece.Dissertation/Thesis
Doctoral Dissertation Music 2020
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LAI, YUN-CHIEN, and 賴芸騫. "A Study of Trauma Writing by Female Taiwanese writers in the new century : A Case Study of Chung Wen-Yin, Hao Yu-Hsiang and Hu Shu-wen." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/22eg23.
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碩士國立中正大學
台灣文學與創意應用研究所
104
At the turn of the century, the Taipei city in the continuous renewal, writes by the respective life course at the experience of Taipei space, has returned to look at 1970 since the new century beginning, gradually suddenly transforms the city, before the reconsideration, the Taiwan survival situation of century, changes of various survivals, as well as various trauma of meeting with. Meanwhile, watches at the feminine angle of view, about the previous century organization system the slit of language, changes the symbolic order that the authority rules. The duty is, studies trauma writing of new century Taiwan female writer, in the century text, between the space and change of written village and metropolis as well as city, by, " The Hot Spring Purifies Our Sorrow " The Lonely River ": Recalls passing hydrospace", as well as " Black blood from Sun " are the case, as the main research text and object of this theory. In the discussion of life experience, status and in body, in the childhood memory and urban space, as well as the wound of the collective in the Taipei city and individually appearing, combs the exhibition and trauma into the text the vein.
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Chung, Chen, and 鍾禎. "Generations Genders and Homeland：The Case Study of Research Proses by Chi-Chi, Fen-Ling Chou, I-wen Chung." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/8349k6.
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碩士靜宜大學
中國文學系
102
This paper intends to expand the research methods of text analysis with literature theoretical analysis induction. Expect from a quarter after quarter, Chi-Chi, Fen-Ling Chou,I-wen Chung explore the value of three essays from work.This paper is divided into five chapters to sort content creation prose. First chapter is an introduction described as motivation, previous literature review, research methodology and expected results papers and chapters framework arrangements.The second chapter, "gender awakening", focuses on women and female consciousness writing appearance.Chapter 3, "from generation concept," discusses the changing generations and women writers and writing literary enlightenment session layer.Chapter 4, "homeland to imagine" the writer discusses the home country and sustenance of the emotional feelings of the original village.The last chapter is the conclusion of the preceding chapter for comprehensive conclusion and presents the works attributed to discover its value and prose.
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Chang, Shu-Mien, and 張淑棉. "Female figure/voice’s struggle against imprisonment: A discussion on narrative expression of feminine writing in Chung Wen-Yin’s novel." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/72164190920606473960.
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碩士國立中興大學
台灣文學研究所
97
This research paper focuses on narrative expression in Chung Wen-Yin’s novel. From the perspective of feminine writing, this paper analyzes the writing meaning and effect through the narrative strategies adopted in the texts. This paper intends to discuss the narrative characteristic in Chung Wen-Yin’s novel from four different aspects. It expresses females’ multiple viewpoints and the feminine polyphony with exquisite flow in their works, in a writing domain which tolerates grandstanding instead of eliminating the differences. First of all, it shapes a self-centered image from Chung Wen-Yin’s life experience; regardless of dark or bright memory, it is based on myself to link to the previous time and uses as an ever being basis. The southern homeland and Taipei hometown are the geographic coordinates in the author’s spiritual space. Chung Wen-Yin uses self-contemplated as center of her creation. She narrates a feature of female experience and refers author’s thought and feeling towards life and living, through characters’ search for meaning of essential life in the novel. Second, it observes Chung Wen-Yin’s rich female characteristic in her texts, which is a narrate technique of exquisite extension; it recovers things’ original appearances an forms a highly intensive text; at the same time, it utilizes the way of suture to assemble segments, reassemble objects and construct female’s memory and percipience as the writing domain. And female’s detail description itself has a particular meaning which surpasses the text content. In addition, the narrative viewpoint in the text is author’s story telling sound and object observing method. With the transformation of characters’ viewpoints to reach the effect of extending view-domain and observing from diverse perspectives, and achieve the practice of female subject from the voice of a female narrator. As for aspect of author’s travel writing, she is good at applying letter/diary formation to express internal and private soliloquy, which is a discourse of self-contemplated and an interpretation for the process of self-generation. Third, motherhood is Chung Wen-Yin’s important origin of writing. Seeing oneself from the reflection in mirrors with different viewpoint, and overcoming the difficulties between the contradictory mother-daughter relationships by writing. The toleration energy and indomitable character from the mother have formed a conflict contrast and impacted the author’s life tremendously. With lukewarm relationship and the feeling to hang in doubt between the mother and daughter, but somehow involved and implicated with each other; therefore author writes the coarse relation between mother and daughter, which retrospect to the umbilical cord relation. At last, about Chung Wen-Yin’s travel writing, which is female’s run away to recall the different voice inside oneself. The collision with others in the circuitous journey agitates the differential oneself after coming back home, which completes the traveling significance in the circular structure of separation. The predestination of crossing boundaries and shaking off passiveness from the travel of female, which is able to demonstrate the important meaning of one’s independence and capability. To sum up the above discussion for this paper, it is expected to carry out the research perspectives for Chung Wen-Yin’s novel and search for the existent representation of motherhood and female, which expresses the narrative esthetics and literary values retained in the writing tone of feminine characteristic.
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Kao, Pei-Yun, and 高珮芸. "The Construction of Female Subjectivity： A Study of Prose by Huang Pao-lien, Chen Yu-Hui and Chung Wen-Yin." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/25866579007966731479.
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碩士國立東華大學
華文文學系
99
This paper takes “The Construction of Female Subjectivity” as a topic, under which the development of “family and memory”, “female issue” and “travel” to discuss the prose by Huang Pao-lien, Chen Yu-Hui and Chung Wen-Yin, and reflection on how they make the construction and identity of their subjectivity by their writings. First, the writings for “childhood memories” from three authors, to see how they write the image of their parents, and the scene between their parents and them in the past. We can observe the beginning of their individuality with their parents to their influence. Next, in “female issue”, the writing on personal experience or observations of others by three authors, we can see a variety of features that the female face their bodies and sexual passion, love and marriage, and the influence of social opinion. Finally, three authors better known for “travel” in the title, we can see how the female treat “travel” and the features of “travel” in female writing, from the way they search for self, the writing on the humanities scenery, and “home” to their meaning. The subject observations in the childhood memories, female issue and travel by three female authors, they are active to look on their own and others. Only by this way to show the unique nature of female subject, and declare that the female have the ability not to be influenced by others.
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LEE, CHUN-HUNG, and 李俊泓. "The Research of Conflict Management Strategy : A Case Study on Mediation Committee of The San Chung City and Wen Shan District." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/02452430220447866849.
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碩士國立臺北大學
公共行政暨政策學系
97
The mediation committee is the fair third party and handles populace's conflict. Therefore, the mediation committee is acting the extremely important role in the social conflict. However the mediation committee just only has recorded the conflict type and it’s origin, it has actually neglected the mediation strategy which in the mediation process committee members use, if we can reorganize this part, discovers the mediation strategy the service condition and the result, it will have certain help to the future mediation operation.
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"I ching in the music of John Cage, Chou Wen Chung (周文中) and Zhao Xiao Sheng (趙曉生)." 2013. http://library.cuhk.edu.hk/record=b5884427.
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Au, Sau Woon Rebecca.Thesis (Ph.D.)--Chinese University of Hong Kong, 2013.
Includes bibliographical references.
Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Abstract also in Chinese; includes Chinese.
Au, Sau Woon Rebecca.
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PEI-JU, HO, and 何蓓茹. "The Travel Writings of Women Writer in the 90''s- An Empirical Study of Chung Wen-Yin, Shih Chun-Yu, Hao The Travel Writings of Women Writer in the 90''s- An Empirical Study of Chung Wen-Yin, Shih Chun-Yu, Hao Yu- Hsia." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/83980994776365105205.
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碩士國立中正大學
台灣文學所
98
Owing to the globalization and efficient domestic and foreign information, travelling has become a national sport and formed a fever of travel writing. The study aims to discuss antecedent female travel poets first, which finds the female travel writing style goes from reporting to themselves having a mental inward look and self reflection. It is not until the diverse and flourishing travel writing style in the 1990s that do the meaning of travelling be deepened. The researcher chooses four writers of different writing style in new generation- Chung Wen-Yin, Shih Chun-Yu, Hao Yu- Hsiang, and Chang Hui-Ching, and hopes to find the meaning of female poets’ travel writing in new generation through analyzing the texts of their travel prose, encountering with other people during travel and observation while traveling. By means of constant travel, the four female travel writers have different inner ideas and experience. They establish the self-identity by tracking down the classical character and recognize themselves again during the encountering with other people from different place. They feel the change of the times as well as the conflict of different cultures by observing the landscapes while traveling, which initiates the rethinking of the self-faith and the understanding of their inner self. In sum, they pursuit what they want and enrich their own life via continual travel.
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Chen, Fang-li, and 陳芳莉. "The Homeland Representation in Chinese Malaysian Literature in Taiwan—The Cases of Chin-shu Huang, I-wen Chung and Da-wei Chen." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/70626765565395287390.
Full textAbstract:
碩士國立成功大學
台灣文學研究所
96
This research aim of this paper is the homeland representation in Chinese Malaysian literature in the 90s in Taiwan. With this research purpose, the researcher focuses on three Malaysian writers in Taiwan: Chin-shu Huang, I-wen Chung, and Da-wei Chen. By observing and discussing their representative works in different genres, which are novel, essay, and poem respectively, the researcher intends to unveil how homeland representation is written and presented in these works. The dissertation consists of five chapters. The first chapter gives forth the research motivation, definitions of related terms, and provides a general description of the development of Chinese Malaysian literature in Taiwan. Chapter 2 focuses on the outspoken writer Chin-shu Huang. The characters of his first published two novels are basically the same: the bakelite forest was described as the horrible, painstaking and impoverished aspect of life, which may represent the homeland image he has seen throughout his life. This may also be the indication of the life style in his own homeland image, in which people need to strive for living. His later works not only focuses on the writing of bakelite forest, but also use the sarcasm of novel plots to point out the scattered lives and the identification difficulty of Chinese origin population. In addition, his cynical tone of speech and attitude also reveal his mocking of politics and culture. Chapter 3 discusses the I-wen Chung’s essay to illustrate how homeland writing can be elaborated into the stretch of personal affection. By exploring on the details of life, homeland image is personalized. For her, the public and the historical structures are not her main points to convey. Rather, the personal affection and the expanding of homeland images are her main concern. Chapter 4 focuses on Da-wei Chen’s epics of the Malay Archipelago. In these works, he not only uses the Malay Archipelago history as his context of narration, but also plays as the narrator of the Malay Archipelago history. In this way, the grand homeland image of his work is revealed. As he frequently merges the image of Malay Archipelago history in his poems, by reading his poems, it seems that the readers could experience and, even in advance, construe the history within this writing context. Chapter 5 then gives a summery of this research.
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HUANG, CHING-CHIU, and 黃瀞萩. "A Study on the Student’s Service Quality Expectation and Satisfaction of School Lunch—A Case Study of Pingtung County Chung Wen Junior High School." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/4epvkd.
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碩士大仁科技大學
食品科技研究所
105
This study was designed to evaluate the current status of the student’s service quality expectation and satisfaction of school lunch in Pingtung County Chung Wen Junior High School via questionnaire method. The design of this research was based on the widely accepted SERVQUAL template in order to analyze the practical perspectives of school lunch service quality. Five attributes, including administrative aspects, food hygiene & safety, food delivery service, menu design and life education. Among 270 collected questionnaires, 255 were valid after ruling out 15 invalid ones (valid: 94.4%). The results were shown below: The first, the average score of students’ service quality expectation of school lunch was 4.19, belonging to high-score group. Furthermore, the seventh grade students and females had higher expectations. Overall, among the five attributes, results showed that food hygiene & safety was the most crucial factor for all students. The second, the average score of students’ service quality satisfaction of school lunch was 3.94, which was also above the average. Like previous results, the seventh grade students and females had overall higher satisfaction. Among five attributes, food delivery service was voted as highest score for satisfaction evaluation. The third, there is only one (life education) out of five attributes had the higher score of satisfaction than the expectation. The fourth, a significant positive correlation was observed between over-all expectationand satisfaction (r=0.39, p<0.01). The result of this study can be a good reference for other schools, which also have lunch service and seek to improve it.
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Yang, Fang-Lin, and 楊芬林. "THE ACTION STUDY OF THE DESIGE AND IMPLEMENTATION OF DANCING CURRICULUM INTEGRATION：A CASE STUDY OF DRUM-DANCINGARRAY IN DANCING CLASS OF CHUNG-WEN ELEMENTARY SCHOOL IN CHIA-YI CITY." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/88703168548566210148.
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碩士國立臺灣體育學院
體育研究所
92
Abstract This study is based on the spirit of “Learning Area of Arts and Humanities” in Nine-year Curriculum Integration Program to develop the suitable drum-jumping array unit for dancing courses. The phenomena and problems are observed during the implementation of drum-jumping array curriculum integration toward the fifth grade dancing class students. These results can be used to explore teacher’s teaching and ability to solve the problem when they execute the curriculum design. And the feasibility study of dancing curriculum integration design is also examined. The purpose of this study not only develops the dancing course structure and skeleton of “Learning Area of Arts and Humanities” in dancing curriculum integration, but also promotes the professional knowledge and growth through the teacher’s team work. This study adopts action research to examine various information by participative observation, focus interview, questionnaire, teacher’s retrospective diary and written form data. The phenomena and problems of the dancing course design during the implementation of teaching are also explored and further analysis and suggestion are proposed. The results of this study are: 1.In traditional dancing curriculum integration design, the proper integrative curriculum can help teaching. Nevertheless the combination of course topics and teaching activities can be also vivided the course content . 2.The closed cooperation of teacher’s team work can draw on the strength of each to offset the weakness of the other.In the harmonious atmosphere, the teaching activities can be implemented smoothly in order to promote the operation operation efficiency. 3.The diversified learning ways stud can fully help students express their ego’s point of view. In the cooperative learning situation, the students can fully elaborate and cultivate team´s tacit understanding. by admiration and sharing with each other .
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Lin, Shih-chia, and 林世加. "The “Representation” of Traditional Asian Music in the Context of Modern Music: Chou Wen-chung''s The Willows Are New and Yü Ko revisited, their Origins and Historical Position." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/sz737f.
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Wei, Mei-Ling, and 魏美凌. "wei shih (STAR TV)chieh mu ts''e lueh fen hsil chi ch''i chung wen t''ai yu kuo nei san chia tien shih t''ai chieh mu i t''ung pi chiao chih yan chiu." Thesis, 1995. http://ndltd.ncl.edu.tw/handle/74383195209448658773.
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