Academic literature on the topic 'Wenderoman'

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Journal articles on the topic "Wenderoman"

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Donahue, William. "The Impossibility of the Wenderoman: History, Retrospective, and Conciliation." Konturen 4 (May 13, 2013): 167. http://dx.doi.org/10.5399/uo/konturen.4.0.3191.

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“The Impossibility of the Wenderoman” argues against the conventional conception of the Wenderoman (and of thematically related films and plays) that views it essentially as a kind of cultural document of the German “Wende.” Placing the question within the larger problematic of historical fiction and political literature, this paper notes first that the very genre is itself an impossibility insofar as its boundaries are ever-expanding. The quintessential contribution of the genre, this paper argues, is twofold: retrospective and “conciliatory.” It is the first insofar as we are willing to look beyond literature and film that focuses principally on the Wende per se, and instead take Unification as a juncture from which truly to look back (taking advantage of the new temporal perspective given us by “the turn”), and thus reevaluate Cold War conventions, specifically those governing German-German and German-American cultural relations that often went unquestioned in the postwar period. In other words, the Wenderoman dimension I elaborate (drawing especially on Kempowski’s Letzte Gruesse) may contribute to a more profound understanding of the period it “closes” than the one it ostensibly celebrates and inaugurates. Secondly, the Wenderoman functions as a prominent vehicle of cultural memory, preserving various moments of a Marxist-inspired social agenda for future generations. Agamben’s notion of “the contemporary” as well as foundational concepts of “cultural memory” are useful here. The discussion features well-known films (Good Bye, Lenin! and Das Leben der Anderen), theater (Brussig’s Leben bis Maenner), as well as several novels. Whether this process of cultural “sifting” will remain purely elegiac, or serve as a resource for imagining alternative social possibilities in the future is of course impossible to know—both because it is far too general of a hypothesis, and still far too early to tell.
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Dufresne, Marion. "Marie-Hélène Quéval, Wenderoman. Déconstruction du roman et roman de la déconstruction en RDA (1985-1995)." Germanica, no. 55 (December 30, 2014): 249–50. http://dx.doi.org/10.4000/germanica.2796.

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Ludwig, Janine. "„In der letzten Zeit ist viel Zeit vergangen.“ Zeitenwende, Übergangszeit und Umbrüche in Bernd Schirmers Wenderoman Schlehweins Giraffe." Germanica, no. 68 (June 28, 2021): 17–30. http://dx.doi.org/10.4000/germanica.10528.

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Ledanff, Susanne. "Trauer und Melancholie: "Weibliche" Wenderomane zwischen 1993 und 1994." GDR Bulletin 25, no. 1 (October 17, 1998): 7–20. http://dx.doi.org/10.4148/gdrb.v25i0.1244.

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Weidauer, Friedemann. "Käferplagen und Kirchenburgen: Defensivhaltungen des Ichs in Wenderomanen Christoph Heins." Seminar: A Journal of Germanic Studies 44, no. 2 (May 2008): 252–71. http://dx.doi.org/10.3138/seminar.44.2.252.

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Schult, Maike. "Echtes Holz sieht anders aus: Wahres und Falsches im neuen Wenderoman von Ingo Schulze." Praktische Theologie 44, no. 4 (January 2009). http://dx.doi.org/10.14315/prth-2009-44-4-287.

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Dissertations / Theses on the topic "Wenderoman"

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Rödholm, Siegrist Helena. "„Nichts ist verschwunden“ : Eine Analyse des Zusammenwirkens von Dokumentarischem und Literarischem in Martin Jankowskis Roman Rabet oder Das Verschwinden einer Himmelsrichtung." Thesis, Uppsala universitet, Institutionen för moderna språk, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-448006.

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Diese Analyse von Martin Jankowskis Roman Rabet oder Das Verschwinden einer Himmelsrichtung untersucht die Konstruktion einer literarischen Fiktion, die durch die dokumentarische Schilderung der friedlichen Revolution in Leipzig 1989 einen korrigierenden Beitrag zum Erinnerungsdiskurs leistet. Im Aufsatz werden Themen beschrieben, die durch das Fiktive, Metaphorische und Dialogische der Romanerzählung für die Gegenwart relevant gemacht werden. Dazu wird die Anwendung von literarischen Stilmitteln wie Metaphern, Ironie, Verschweigen, intertextuellen Referenzen und Transformationen analysiert. Neben der Interpretation des fiktionalen Erzählens, werden im Roman hervorgehobene und angedeutete Vorkommnisse untersucht, die noch heute sowohl auf gesellschaftliche Prozesse als auch auf private Beziehungen einwirken.
This analysis of Martin Jankowski’s Rabet oder Das Verschwinden einer Himmelsrichtung explores the construction of a literary fiction, which consists of a documentary and corrective contribution to the remembrance discourse of the Peaceful Revolution in the German Democratic Republic in 1989. Along with a description of themes which gain relevance through the fictional, metaphorical and dialogical features of the narration, the study undertakes an analysis of stylistic devises such as metaphors, irony, concealment, intertextual references and transformations. Besides an interpretation of the literary narration, the study examines the novel’s emphasis on the influence of past events on contemporary society and private relationships.
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Hector, Anne. "Der Wenderoman: Definition eines genres." 2009. https://scholarworks.umass.edu/dissertations/AAI3359139.

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This dissertation investigates the literary landscape in Germany after the fall of the Berlin Wall in 1989. The first chapter provides the historical context and examines the different generations of authors growing up in the GDR. The term 'Wenderoman' is coined through the historical event of the opening of the Berlin Wall, also referred to as turning point or change, and subsequently followed by the reunification of East and West Germany in 1990. The second chapter demonstrates how the assimilation of East German people into the free market economy has been interpreted by scholars such as Paul Cooke in the context of Postcolonialism. This theoretical framework allows for a study of the patterns and structures that guide this new fictional genre within Wende-literature. In the prototypical Wenderoman viable individual identities are created by taking its main protagonist/s through the historical Wende which also provides the context for a personal Wende. The GDR Secret Police, whether in the background or foreground of the plot, is an essential element in the plot, as is a major city, generally Berlin. Each chapter, from chapters three to seven, provides an analysis of a Wenderoman according to these categories. Chapter eight concludes that one of the most important consequences of the Wende is the requirement to create a German history and identity which accepts responsibility for Nazism (the GDR by and large repudiated any such responsibility) and GDR state repression (West Germans do not see this as a common German heritage). The reverse side to this is that West Germans must accept East Germans' positive evaluations of aspects of their GDR past, just as East Germans must accept both the positive and negative consequences of a market economy and democracy. Coming from very different angles to the definition of German identity, East and West Germans define themselves in very different ways in Wenderomanen.
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Books on the topic "Wenderoman"

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Erich Loests Nikolaikirche Ein Wenderoman Analyse. Grin Verlag, 2011.

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Book chapters on the topic "Wenderoman"

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Prinz, Kirsten. "Mauerfall, Migrationsdebatten und Generationen – Türkisch-deutsche Geschichtsdarstellung in Yadé Karas Wenderoman »Selam Berlin«." In Zwischen Erinnerung und Fremdheit, 101–16. Göttingen: V&R Unipress, 2015. http://dx.doi.org/10.14220/9783737003827.101.

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Gabler, Wolfgang. "Diskurs der Unbegreiflichkeit – Zur Geschichte der Wenderomane." In Diskurse der deutschen Einheit, 167–92. Wiesbaden: VS Verlag für Sozialwissenschaften, 2011. http://dx.doi.org/10.1007/978-3-531-93351-1_5.

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"Der geliebte Freund. Marion Poschmanns Wenderoman Die Sonnenposition." In Freundschaft erschreiben im Gegenwartsroman, 63–92. Brill | Fink, 2021. http://dx.doi.org/10.30965/9783846766774_005.

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Pomohaibo, J. O. "MYTH OF THE BERLIN WALL IN THE GERMAN WENDEROMAN (T. BRUSSIG, ”HEROES LIKE US”)." In PHILOLOGICAL SCIENCES: MODERN SCHOLARLY DISCUSSIONS, 100–120. Liha-Pres, 2019. http://dx.doi.org/10.36059/978-966-397-120-9/100-120.

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