Relevant bibliographies by topics / Werewolves in art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Werewolves in art'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Werewolves in art.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Werewolves in art"

1

Guðmundsdóttir, Aðalheiður. "Werewolves in Old Norse-Icelandic Literature: Between the Monster and the Man by Minjie Su (review)." Arthuriana 34, no. 3 (2024): 75–77. http://dx.doi.org/10.1353/art.2024.a943462.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Radaeva, E. A. "EIDOS OF THE THIRD REICH IN CONTEMPORARY FOREIGN HORROR FILMS: THE PROBLEM OF CLASSIFICATION." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 26, no. 98 (2024): 106–14. https://doi.org/10.37313/2413-9645-2024-26-98-106-114.

Full text
Abstract:
In this article, the phenomenon of the Third Reich eidos in modern horror cinema is examined on a fairly broad basis. Nazi Germany in the "corporeal-plastic intuitions" of Western and American directors is presented as predominantly charismatic, possessing truly indestructible power, endurance, grandeur, filled with a special demonic charm and embodying unity, fearlessness and selflessness - this is an all-conquering "death machine", in whatever guise it appears: zombies, werewolves, vampires, Frankenstein's monsters, etc. In domestic cinema, there are no similar images and films on this topic
APA, Harvard, Vancouver, ISO, and other styles
3

Nosenok, B. E. "DECADENCE-LITERATURE: THE IMAGERY SPECIFICITY." UKRAINIAN CULTURAL STUDIES, no. 1 (2017): 34–39. http://dx.doi.org/10.17721/ucs.2017.1.08.

Full text
Abstract:
This article is devoted to the imagery problem of the decadence-literature (as a general phenomenon that periodically repeats itself) and of the literature of the decadency (as an oeuvre of crisis developments in art of the late 19th and early 20th century). The decadence-literatureis a manifestation of the irreducibility. It is proposed to analyze the imagery based on the context of the modernist interpretation of the image / icon. Before the image was considered together with its mimetic foundation – as an imitation of the external world. But here the image is freed from its mimetism, and it
APA, Harvard, Vancouver, ISO, and other styles
4

Ginzburg, Carlo. "Conjunctive Anomalies: A Reflection on Werewolves." Revista de Estudios Sociales, no. 60 (April 2017): 110–18. http://dx.doi.org/10.7440/res60.2017.09.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Summers, Tim. "Opera Scenes in Video Games: Hitmen, Divas and Wagner’s Werewolves." Cambridge Opera Journal 29, no. 3 (2017): 253–86. http://dx.doi.org/10.1017/s0954586718000046.

Full text
Abstract:
AbstractThis article aims to illuminate the meanings and aesthetic effects generated by scenes of staged opera in video games. It also explores the images of opera transmitted to the huge audiences that games address. Three dimensions of the opera-game encounter are discussed. First,ToscainHitman: Blood MoneyandThe Beggar’s OperainAssassin’s Creed IIIare used to examine the treatment of violence and the discourse of popular appeal in games and opera. Second, the arias sung by women inFinal Fantasy VIandParasite Eveillustrate how a melodramatic mode of expression represents a confluence of the
APA, Harvard, Vancouver, ISO, and other styles
6

Daly-Galeano, Marlowe. "“Oh Dear, Yes!”: Mashing upLittle Women, Vampires, and Werewolves." Women's Studies 48, no. 4 (2019): 393–406. http://dx.doi.org/10.1080/00497878.2019.1614871.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Lawrence, Elizabeth A. "Werewolves in Psyche and Cinema: Man-Beast Transformation and Paradox." Journal of American Culture 19, no. 3 (1996): 103–12. http://dx.doi.org/10.1111/j.1542-734x.1996.1903_103.x.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Ziolkowski, Jan M. "A Lycanthropy Reader: Werewolves in Western Culture. Charlotte F. Otten." Speculum 63, no. 2 (1988): 451–52. http://dx.doi.org/10.2307/2853280.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Mendik, Xavier. "Menstrual meanings: Brett Sullivan discusses werewolves, hormonal horror & theGinger Snapsaudience research project." Film International 4, no. 3 (2006): 78–83. http://dx.doi.org/10.1386/fiin.4.3.78.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Carter, Karen E. "Werewolves, Witches, and Wandering Spirits: Traditional Belief and Folklore in Early Modern Europe (review)." Catholic Historical Review 91, no. 3 (2005): 523–25. http://dx.doi.org/10.1353/cat.2005.0189.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Werewolves in art"

1

Edwards, Frisco. "“Werewolves and Time Machines”." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc500203/.

Full text
Abstract:
This collection consists of a critical preface and five short stories. The preface considers the use of the fantastical in fiction and how it works as a tool to reach readers in comparison with realistic fiction. The stories investigate this in by following several strange characters put in everyday human situations.
APA, Harvard, Vancouver, ISO, and other styles
2

Hirsch, Brett Daniel. "Werewolves and women with whiskers : figures of estrangement in early modern English drama and culture." University of Western Australia. English and Cultural Studies Discipline Group, 2009. http://theses.library.uwa.edu.au/adt-WU2009.0175.

Full text
Abstract:
Each chapter of Werewolves and Women with Whiskers: Figures of Estrangement in Early Modern English Drama and Culture explores a particular figure of fascination and fear in the early modern English imagination: in one it is owls, in another bearded women, in a third werewolves, and in yet another Jews. Drawing on instances from drama and other cultural forms, this thesis seeks to examine each of these phenomena in terms of their estrangement. There is a symbolic appositeness in each of these figures, whether in estranged and estranging minority groups, such as Catholics, Jesuits, Jews, Purita
APA, Harvard, Vancouver, ISO, and other styles
3

Aslett, Michelle. "Fowl feathered fox: Monsters, pipers, families and flocks." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2015. https://ro.ecu.edu.au/theses/1633.

Full text
Abstract:
Fowl Feathered Fox: Monsters, Pipers, Families and Flocks is a doctoral work consisting of a full-length stage play and an exegesis. An introduction outlines the scope of the doctoral work, while a concluding chapter reflects on research findings and considers staging issues and implications. Appendices include images incorporated into the play’s action as well as photographed excerpts from a series of visual diaries used to document the play’s evolution. The play, Fowl Feathered Fox, explores the nature of delusion, deception and the tragedy of The Beast Within. Borrowing as it does from the
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Werewolves in art"

1

Milin, Gaël. Les chiens de Dieu: La représentation du loup-garou en Occident, XIe-XXe siècles. Centre de recherche bretonne et celtique, Université de Bretagne occidentale, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Noor, Viive. Międzynarodowa Wystawa Ilustracji: Biegnąc z Wilkami. Płocka Galeria Sztuki, 2019.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Copyright Paperback Collection (Library of Congress), ed. The Art of Seducing a Naked Werewolf: Naked Werewolf - 2. Pocket, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Cadnum, Michael. Saint Peter's wolf. Kensington Pub., 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Véronique, Campion-Vincent, ed. Des fauves dans nos campagnes: Légendes, rumeurs et apparitions. Editions Imago, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Barreiro, Santiago Francisco, and Luciana Mabel Cordo Russo, eds. Shapeshifters in Medieval North Atlantic Literature. Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462984479.

Full text
Abstract:
Representations of shapeshifters are prominent in medieval culture and they are particularly abundant in the vernacular literatures of the societies around the North Sea. Some of the figures in these stories remain well known in later folklore and often even in modern media, such as werewolves, dragons, berserkir and bird-maidens. Incorporating studies about Old English, Norse, Latin, Irish, and Welsh literature, this collection of essays marks an important new contribution to the study of medieval shapeshifters. Each essay highlights how shapeshifting cannot be studied in isolation, but inter
APA, Harvard, Vancouver, ISO, and other styles
7

Hayn, Carter. Drawing Werewolves. Penguin Random House, 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Hayn, Carter. Drawing Werewolves. Rosen Publishing Group, 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Hayn, Carter. Drawing Werewolves. Windmill Books, 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Werewolves, Wolves and the Gothic. Gwasg Prifysgol Cymru / University of Wales Press, 2017.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Werewolves in art"

1

Franck, Kaja, and Sam George. "Contemporary Werewolves." In Twenty-First-Century Gothic. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474440929.003.0011.

Full text
Abstract:
Twenty-first-century werewolves (following vampires) have become humanised, as identity politics have become mainstream and the Other assimilated. Young Adult fiction and paranormal romance have proved to be where the most radical transformations of the theme have occurred. Two other, related, strands are to be found: ecology has shaped our understanding of creatures which oscillate between nature and culture, and the Ecogothic has generated more positive representations of hybridity and animality. There are now werewolf hauntings and sightings, and a revival of folkloric elements which posit
APA, Harvard, Vancouver, ISO, and other styles
2

Metsvahi, Merili. "“Ühel mehel käind naine undiks…”. Saaremaalt kogutud libahundimuistenditest." In Pühad allikad. Paar sammukest XXVII. Eesti Kirjandusmuuseumi aastaraamat 2010. EKM Teaduskirjastus / ELM Scholarly Press, 2019. http://dx.doi.org/10.7592/ps/27.metsvahi.

Full text
Abstract:
The articles discusses the material relating to werewolves collected from the island of Saaremaa that is stored at the Estonian Folklore Archives. It is presumed that belief in werewolves persisted longer on Saaremaa than in many other Estonian regions. Interpretations are offered to the werewolf legends. For this purpose, historical background data and information on the significance of wolves in the mental world of the Estonian peasant is introduced. Werewolf legends represent alternative strategies of coping with difficulties (the danger of famine, tension between genders and social classes
APA, Harvard, Vancouver, ISO, and other styles
3

Ogden, Daniel. "The Werewolves of Arcadia." In The Werewolf in the Ancient World. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198854319.003.0007.

Full text
Abstract:
This chapter separates the ancient data on the werewolves of Mt Lykaion into three categories: (1) that bearing on the elaborate complex of aetiological myths about Lykaon himself and his human sacrifice, the bulk of which is surprisingly late; (2) that bearing upon the historical Anthid rite associated with the Lykaia festival, a rite of maturation with affinities to such rites known from other Greek cities; and (3) that bearing upon a traditional tale in which Damarchus was transformed into a wolf at the Lykaia festival. The data in the latter two categories is heavily and confusingly concat
APA, Harvard, Vancouver, ISO, and other styles
4

Ogden, Daniel. "Werewolves and Projected Souls." In The Werewolf in the Ancient World. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198854319.003.0005.

Full text
Abstract:
This chapter argues that the ideas of soul-projection so strongly associated with werewolfism in the medieval and early modern periods were already associated with it in the ancient world. This notion is more or less explicitly articulated by Augustine, but long before him there obtained a striking parallel between werewolf narratives (in which the werewolf off on his adventures leaves behind the human shell constituted by his clothes and must keep them secure, so that he can don them again to retrieve his human form), and the ‘Greek shaman’ narratives (in which the soul-projector must keep hi
APA, Harvard, Vancouver, ISO, and other styles
5

Ogden, Daniel. "Werewolves, Ghosts, and the Dead." In The Werewolf in the Ancient World. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198854319.003.0003.

Full text
Abstract:
This chapter traces the persistent association between werewolves, ghosts and the dead in the ancient world. As to werewolves proper, Herodotus’ application of the word goētes to his werewolf Neuri, in addition to saluting their ability to transmute their form, probably also implies that they engaged in ghost- or soul-manipulation. Virgil’s werewolf Moeris is a raiser of ghosts. Petronius’ werewolf story is richly decked out with the imagery of ghosts and the underworld. Marcellus of Side’s medical ‘lycanthropes’ roll around in graveyards, and indeed it would appear to be on the basis of this
APA, Harvard, Vancouver, ISO, and other styles
6

Mann, Craig Ian. "Dogs of War." In Phases of the Moon. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474441117.003.0003.

Full text
Abstract:
Chapter 2 concentrates on wartime themes in werewolf films of the 1940s through to the Cold War era, with a particular emphasis on the American home front. It initially discusses several 1940s pictures that depict werewolfism as a hereditary affliction of invariably European descent. It then closely analyses Cat People (1942), Cry of the Werewolf (1944) and She-Wolf of London (1946) and suggests that they concentrate on female werewolves to negotiate wartime gender politics. The second half of this chapter explores The Mad Monster (1942) and The Werewolf (1956), two films in which werewolves a
APA, Harvard, Vancouver, ISO, and other styles
7

Baldwin, Clive, Lauren Ripley, and Shania Arsenault. "Speaking of Elves, Dragons, and Werewolves." In The Use and Abuse of Stories. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197571026.003.0008.

Full text
Abstract:
Abstract Much has been written on how individuals construct and maintain their identities through the stories they tell about themselves and the stories others tell about them. Often, but not always, there is enough convergence between these inner and outer stories not to cause significant conflict. However, it is also the case that certain identities are deemed more acceptable than others, and, while such acceptability may wax and wane for some identities, others remain very much marginalized and excluded. Such is the case of Other-than-human (OtH) identities—Otherkin, therians, vampires, and
APA, Harvard, Vancouver, ISO, and other styles
8

Elliott-Smith, Darren. "‘Queer-Wolves and Wolf-Boyz and Were-Bears, Oh My!’: Queering the Wolf in New Queer Horror Film and TV." In Queer Gothic. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781474494380.003.0009.

Full text
Abstract:
Just as the zombie chapter moves to reclaim queer sex outside of homonormative parameters, so, too, does this chapter on queer werewolves that celebrates radical queer sex and queer fetishes. The author considers four main concerns focused on the queer werewolf: werewolf transformations that represent the ways culture fails in repressing queer desires; ‘queerwolves’ who are subsumed by hypermasculinity and who demonstrate ‘effeminaphobia’; explorations of the celebration of the hypermasculine ‘daddy-wolf’ and ‘were-bears’; and, finally, trans possibilities for the werewolf. The chapter probes
APA, Harvard, Vancouver, ISO, and other styles
9

Anderson, Eric Gary. "Native Southern Transformations, or, Light in August and Werewolves." In Faulkner and the Native South. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496818096.003.0009.

Full text
Abstract:
In the world of Light in August, a cotton warehouse tank can look like the torso of a beheaded mastodon and an elderly couple "might have been two muskoxen strayed from the north pole, or two homeless and belated beasts from beyond the glacial period." Here and elsewhere in the novel, Faulkner's reach transforms characters and environs. While none of the major characters is native to Jefferson, let alone Indigenous, some are astonishingly non-native and most if not all become more non-native and more homeless as the novel unfolds. With these and other unsettlements in mind, the chapter places
APA, Harvard, Vancouver, ISO, and other styles
10

Wisker, Gina. "27. Gothic and Young Adult Literature: Werewolves, Vampires, Monsters, Rebellion, Broken Hearts and True Romance." In The Edinburgh Companion to Gothic and the Arts. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474432375-030.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Werewolves in art"

1

Wang, Yudong. "The Werewolves of Miller's Hollow as a Performance." In Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/icassee-19.2019.76.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

ZHINDEEVA, E. A., and R. V. ALFEROV. "INFERNALITY AS A DISTINCTIVE FEATURE OF A.V. IVANOV’S NARRATION THROUGH THE PRISM OF RUSSIAN LITERATURE." In СЛОВО, ВЫСКАЗЫВАНИЕ, ТЕКСТ В КОГНИТИВНОМ, ПРАГМАТИЧЕСКОМ И КУЛЬТУРОЛОГИЧЕСКОМ АСПЕКТАХ. Chelyabinsk State University Publishing House, 2024. http://dx.doi.org/10.47475/9785727119631_294.

Full text
Abstract:
The proposed material is the result of consideration of A. Ivanov’s work in the mode of his belonging to the samples of Russian literature. Pointing to interference as a distinctive feature of the selected author’s narration, we state his non-standard approach to describing the events and experiences of the characters. Taking into account the author’s myth-making as one of the narrative strategies of A. Ivanov, we came to the conclusion that there is a selectivity in the derivation of the characters of the author’s narrative. Additional functionality and new author’s interpretations of mythica
APA, Harvard, Vancouver, ISO, and other styles
3

Ke, Lingyan. "Two Poets, One Moon: A Comparison of Su Shi and Samuel Taylor Coleridge." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. https://doi.org/10.62119/icla.2.8399.

Full text
Abstract:
Only a few decades ago, Western scholars of comparative literature tended to argue that any English-Chinese comparison was “futile or meaningless” (Yu, 162). As this discipline evolves, however, this previous notion is being replaced by the perspective that “a glimpse of the otherness of the other can produce new perspectives on our own faces in the great mirror of culture” (Hayot, 90). My thesis contributes to this stream of innovation by bringing into comparison the function of the moon in Su Shi’s “Water Melody” and in Samuel Coleridge’s “Dejection: An Ode”, finding that in both poems, the
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Werewolves in art' for particular source types:
Journal articles Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography