Relevant bibliographies by topics / Wesker

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Wesker'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 March 2023

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Journal articles on the topic "Wesker"

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Stevens, Mary. "Wesker's the Wesker Trilogy." Explicator 43, no. 3 (April 1985): 45–48. http://dx.doi.org/10.1080/00144940.1985.9938625.

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Ansari, Sara T., and Dawla S. Alamri. "Arnold Wesker’s The Merchant: Wesker Is My Name." International Journal of Literature Studies 2, no. 1 (April 20, 2022): 08–14. http://dx.doi.org/10.32996/ijts.2022.2.1.2.

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This study seeks to examine how Arnold Wesker’s The Merchant (1976) appropriates the canonical Shakespeare’s The Merchant of Venice (1595). The study investigates Wesker’s reasons behind his adaptation of Shakespeare’s Shylock as a British working-class Jewish playwright. Employing multicultural perspectives, this study discusses how Wesker rewrote his Shylock, subverting and redeeming Shakespeare’s Shylock, and how Wesker’s version represents class, race, religion, and other cultural phenomena to resemble or differ from the original text’s representations. The paper is interested in exploring how Wesker reshapes the popular imagination, the ideological assumptions of the public, and how the cultural tradition of Shakespearean Shylock is viewed. Wesker’s personal struggle as a Jewish working-class playwright is one of the vital variables examined in this study. The study reveals how Wesker voices his own literary thought, ideological philosophies, and anger, redeeming himself of the discrimination and the feeling of being an outsider in the British Theatre establishment.
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Zimmermann, Heinz. "Wesker and Utopia in the Sixties." Modern Drama 29, no. 2 (June 1986): 185–206. http://dx.doi.org/10.3138/md.29.2.185.

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Steedman, Carolyn. "Waiting: Arnold Wesker and The Nottingham Captain." Social History 45, no. 1 (January 2, 2020): 81–114. http://dx.doi.org/10.1080/03071022.2020.1694774.

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Luk, Thomas. "Arnold Wesker’s Rewriting of Shylock in The Merchant (1976) with a Purpose." European Judaism 51, no. 2 (September 1, 2018): 186–95. http://dx.doi.org/10.3167/ej.2018.510225.

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Abstract Rewriting Shakespeare has become a global genre. Arnold Wesker was one of the trailblazers of the genre with his The Merchant (1976). This article argues that Arnold Wesker’s The Merchant, with both its subversion and extension of Shakespeare’s play, in theme, plot and characterization, engages with Shakespeare’s The Merchant of Venice by means of a counter-discourse. Wesker rewrote Shylock by focusing on two episodes in Shakespeare’s play: Jessica’s conversion to Christianity and Shylock’s self-defence. Wesker’s rewriting disrupts the binary as well as Christian conceptions to bestow upon the Jew the ‘protean quality’ of representing just about any sort of ‘Other’ but themselves. Wesker’s Shylock has a rounded humanity and is a cultured, humorous and book-loving Renaissance man. Wesker puts Shakespeare’s work under scrutiny as a culturally constructed world where life can be repositioned, and margins moved to the centre to be in a new light.
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Luk, Thomas. "Arnold Wesker’s Rewriting of Shylock in The Merchant (1976) with a Purpose." European Judaism 51, no. 2 (September 1, 2018): 186–95. http://dx.doi.org/10.3167/ej.2017.510225.

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Rewriting Shakespeare has become a global genre. Arnold Wesker was one of the trailblazers of the genre with his The Merchant (1976). This article argues that Arnold Wesker’s The Merchant, with both its subversion and extension of Shakespeare’s play, in theme, plot and characterization, engages with Shakespeare’s The Merchant of Venice by means of a counter-discourse. Wesker rewrote Shylock by focusing on two episodes in Shakespeare’s play: Jessica’s conversion to Christianity and Shylock’s self-defence. Wesker’s rewriting disrupts the binary as well as Christian conceptions to bestow upon the Jew the ‘protean quality’ of representing just about any sort of ‘Other’ but themselves. Wesker’s Shylock has a rounded humanity and is a cultured, humorous and book-loving Renaissance man. Wesker puts Shakespeare’s work under scrutiny as a culturally constructed world where life can be repositioned, and margins moved to the centre to be in a new light.
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Trussler, Simon. "Remembering Arnold Wesker: Loose Connections from Left Field." New Theatre Quarterly 32, no. 4 (October 14, 2016): 391–94. http://dx.doi.org/10.1017/s0266464x16000452.

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Arnold Wesker, who died in April 2016, denied having been an ‘angry young man’ and, though the cliché clung, he declared, ‘But I am an angry old man.’ In this memoir, Simon Trussler, while reflecting on causes for the anger, does not attempt an analysis of the life and works, but recollects the times when their shared interests and intentions brought them into contact, and explores some of the reasons why the youthful climb to a peak of success was followed by a slow decline not in output or activity but in the critical response to a writer perceived as having gone out of fashion. NTQ's former co-editor, the late Clive Barker, was closely involved with Wesker in the early Centre Forty-Two project and its aim to open wider access to the arts, while Trussler helped to initiate Wesker's later involvement in the International Theatre Institute. Other ‘loose connections’ with Wesker's life and career here flesh out the facts and received opinions of the formal obituaries. Simon Trussler was one of the founding editors of the old Theatre Quarterly , as later of New Theatre Quarterly. He conducted two major interviews with Wesker in the original TQ, both later reprinted in book form, and with Glenda Leeming co-authored the first full-length study of Wesker's plays (Gollancz, 1981). Among many other publications, he is author of the award-winning Cambridge Illustrated History of British Theatre (1994).
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Brauner, David. "Representations of Shylock in Arnold Wesker’s The Merchant, Howard Jacobson’s Shylock Is My Name and Clive Sinclair’s Shylock Must Die." Humanities 10, no. 2 (March 25, 2021): 59. http://dx.doi.org/10.3390/h10020059.

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Given the centrality of Shakespeare to the Western canon and, more specifically, to the idea of a national English literary tradition, and given that Shylock is one of his most (in)famous creations, it is hardly surprising that he has proved irresistible to a number of Anglo-Jewish authors. Attempts to rehabilitate Shylock and/or to reimagine his fate are not a recent phenomenon. In the post-war era, however, the task of revisiting Shakespeare’s play took on a new urgency, particularly for Jewish writers. In this essay I look at the ways in which three contemporary British Jewish authors—Arnold Wesker, Howard Jacobson and Clive Sinclair—have revisited The Merchant of Venice, focusing on the figure of Shylock as an exemplar of what Bryan Cheyette has described as “the protean instability of ‘the Jew’ as a signifier”. Wesker, Jacobson and Sinclair approach Shakespeare’s play and its most memorable character in very different ways but they share a sense that Shylock symbolically transgresses boundaries of time and space—history and geography—and is a mercurial, paradoxical figure: villain and (anti-)hero; victim and perpetrator; scapegoat and scourge. Wesker’s play is more didactic than the fiction of Jacobson and Sinclair but ultimately his Shylock eludes the historicist parameters that he attempts to impose on him, while the Shylocks of Shylock is My Name and Shylock Must Die transcend their literary-historical origins, becoming slippery, self-reflexive, protean figures who talk back to Shakespeare, while at the same time speaking to the concerns of contemporary culture.
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Wesker, Arnold. "The Nature of Theatre Dialogue." New Theatre Quarterly 2, no. 8 (November 1986): 364–68. http://dx.doi.org/10.1017/s0266464x00002372.

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‘What makes one sentence into a line of poetry and another sentence dull and lifeless?’ This was one of the questions Arnold Wesker set out to answer from the point-of-view of the practising playwright rather than the critical theorist, when he delivered the following pape; to the biennial conference of the International Association of Theatre Critics in Rome in 1985. He examines the constituent elements of stage dialogue in supposdly ‘raistic’ drama and th rigorous if not always conscious process of artistic selection and shaping diotated, in his own practice, by the natur of the originating experence. He illustrates his argument with extracts from his own works. including his most recently staged play in London, Annie Wobbler – the first in a now-completed cycle of four plays for on woman of which Four Portraits, Yardsal, and Whatever Happened to Betty Lemon? are the other parts. A frequent contributor to the original series of Theatre Quarterly, Arnold Wesker's earliest works, the plays of the ‘Wesker Trilogy’ and The kitchen, were milestones in the creatior of the ‘now British drama’ of the late fifties, and he has continuec to write for the theatre in a wide range of styles – which have been known to disturb the ‘expectations of realism’ of some of the critics he was here addressing…
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Witte, Felicitas. "Anatomie vom Feinsten." physiopraxis 2, no. 09 (September 2004): 52–53. http://dx.doi.org/10.1055/s-0032-1307839.

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Haben Sie sich eigentlich schon mal gefragt, wie Bücher entstehen? Seit August gibt es Prometheus: den Anatomie-Atlas von Thieme mit einem neuen Lernkonzept. physiopraxis wollte wissen, was daran anders ist. Grafiker Karl Wesker, Anatom Prof. Michael Schünke und Projektleiter Dr. Jürgen Lüthje erzählen, wie aus einer Bildersammlung ein Atlas entstand.
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Dissertations / Theses on the topic "Wesker"

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Blattès, Susan. "Lecture sémiotique du texte dramatique : le théâtre d'Arnold Wesker de 1956 à 1970." Metz, 1988. http://www.theses.fr/1988METZ003L.

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Comment rendre compte de la spécificité de l'écriture théâtrale par rapport à d'autres types de discours? Il faut faire ressortir cette spécificité, sans pour aurant négliger les ressemblances qui peuvent exister entre le théâtre et le récit ou les différences entre différentes formes d'écriture théâtrale. La question de la spécificité de l'écriture théâtrale est analysée à partir de l'étude de la trilogie d'Arnold Wesker. Cette étude s'articule autour de quatre domaines: L'espace, le temps, les personnages et le discours. Les conclusions tirées à partir de la trilogie sont ensuite confrontées avec l'analyse d'autres pièces écrites ultérieurement pour déterminer s'il est légitime de parler d'évolution dramaturgique chez Wesker. Ensuite, face à la diversité qui caractérise l'écriture théâtrale et les multiples rapports entre l'univers fictif et la réalité extérieure, L'accent est mis sur la façon dont une lecture sémiotique du texte dramatique permet une analyse plus rigoureuse de la notion de réalisme au théâtre avant d'aborder les liens entre texte et représentation
How may we best define the specificity of the dramatic mode of fiction, compared with other types of literary discourse? This specificity needs to be brought out without either neglecting the similarities between the dramatic mode and non-dramatic modes of fiction or ignoring the variety of different types of drama. The question of the specificity of the dramatic text is analyzed from a study of Arnold Wesker's trilogy. This study is centred around four areas: space, time, characters and discourse. The conclusions drawn are then confronted with a study of other plays written later to see whether it is possible to speak of an evolution in Wesker's dramatic style. Next, in the light of the diversity of dramatic texts and the variety of links between the dramatic world and the real world, emphasis is put on the way a semiotic reading of the dramatic text can provide a more precise picture of the notion of realism in the theatre as a prior step to considering the relationship between text and performance
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Blattès, Susan. "Lecture sémiotique du texte dramatique le théâtre d'Arnold Wesker de 1956 à 1970 /." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb376119814.

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Soliman, Mohammad Fathi. "Modes of communication in modern English drama with special reference to John Osborne, Harold Pinter and Arnold Wesker." Thesis, Keele University, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.329096.

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Stadler, Martin Andreas. "Weiser und Wesir : Studien zu Vorkommen, Rolle und Wesen des Gottes Thot im ägyptischen Totenbuch /." Tübingen : Mohr Siebeck, 2009. http://d-nb.info/992561450/04.

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Stadler, Martin Andreas. "Weiser und Wesir Studien zu Vorkommen, Rolle und Wesen des Gottes Thot im ägyptischen Totenbuch." Tübingen Mohr Siebeck, 2007. http://d-nb.info/992561450/04.

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Nein, Lilo. "Wessen Ordnung?" Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2015. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-172695.

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Dokumentarische und archivarische Aneignungen von Performance-Kunst verschieben den Fokus tendenziell von der grundlegenden Frage, ob überhaupt gespeichert werden soll, auf die praktische Auseinandersetzung mit der Art und Weise, wie Wissen über Performances gespeichert, transportiert, vermittelt, interpretiert und aufgeführt werden kann. Als Paradox bleibt: dass Performance als Live-Art auf den Akt, die Aufführung selbst, beschränkt bleibt, dass sie ephemer sein soll, also nichts hinterlassen darf. Damit Performances aber als künstlerische Arbeiten zirkulieren und symbolischen oder diskursiven Status erlangen können, sind Aufzeichnungen der aufgeführten Arbeiten notwendig, die ihre Existenz beweisen. Im Beitrag werden die verschiedenen Argumente, die in dieses Paradox eingegangen sind, nachvollzogen und an der Praxis heutiger Künstler_innen gemessen, die performativ arbeiten.
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Kong, Siu-ping, and 江少萍. "The impacts of Western Harbour Crossing on Western District." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1993. http://hub.hku.hk/bib/B31258244.

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Kong, Siu-ping. "The impacts of Western Harbour Crossing on Western District /." [Hong Kong] : University of Hong Kong, 1993. http://sunzi.lib.hku.hk/hkuto/record.jsp?B13814163.

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Biermann, Friedhelm. "Der Weserraum im hohen und späten Mittelalter : Adelsherrschaften zwischen welfischer Hausmacht und geistlichen Territorien /." Bielefeld : Verl. für Regionalgeschichte, 2007. http://deposit.ddb.de/cgi-bin/dokserv?id=2820569&prov=M&dok_var=1&dok_ext=htm.

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Univ., Diss. u.d.T.: Biermann, Friedhelm: Die Adelsherrschaften an Ober- und Mittelweser des 13. und 14. Jahrhunderts im Kräftespiel zwischen einer neu formierten welfischen Hausmacht und expandierenden geistlichen Territorien--Münster, 2005.
Literaturverz. S. [736] - 782.
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Nikaj, Adriatik [Verfasser], and Mathias [Akademischer Betreuer] Weske. "Restful choreographies / Adriatik Nikaj ; Betreuer: Mathias Weske." Potsdam : Universität Potsdam, 2019. http://d-nb.info/1218169648/34.

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Books on the topic "Wesker"

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Wesker, Arnold. Arnold Wesker. London: Institute of Contemporary Arts, 1985.

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1944-, Lindemann Valeska, ed. Arnold Wesker. München: W. Fink, 1985.

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Drabble, Margaret. Arnold Wesker. London: British Council, 1988.

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Dornan, Reade W. Arnold Wesker revisited. New York: Twayne Publishers, 1994.

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Wesker on file. London: Methuen, 1985.

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Wilcher, Robert. Understanding Arnold Wesker. Columbia, S.C: University of South Carolina Press, 1991.

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W, Dornan Reade, ed. Arnold Wesker: A casebook. New York: Garland Pub., 1998.

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Seminario, "Progetto Wesker" (1988 Bergamo Italy). Arnold Wesker, past and present: Atti del Seminario "Progetto Wesker", aprile-maggio 1988. Bergamo: Istituto universitario, 1988.

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Plays 1: The Wesker trilogy. London: Methuen, 2001.

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Wesker, Arnold. Ambivalenze: Ritratto di Arnold Wesker dalla A alla W. Roma: Lithos, 2011.

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Book chapters on the topic "Wesker"

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Stegmann, Annegret. "Wesker, Arnold." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17353-1.

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Itzin, Catherine. "Arnold Wesker." In Stages in the Revolution, 102–16. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003194255-14.

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Stegmann, Annegret. "Wesker, Arnold: Shylock." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17357-1.

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Feest, Johannes, and Annegret Stegmann. "Wesker, Arnold: Chips with Everything." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17355-1.

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Stegmann, Annegret. "Wesker, Arnold: Chicken Soup with Barley." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17354-1.

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Stegmann, Annegret. "Wesker, Arnold: Their Very Own and Golden City." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17356-1.

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Saunders, Graham. "Anyone for Venice? Wesker, Marowitz, and Pascal Appropriate The Merchant of Venice." In Elizabethan and Jacobean Reappropriation in Contemporary British Drama, 127–49. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-44453-0_6.

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Scott, Michael. "Demythologising Shylock: Arnold Wesker, The Merchant; Charles Marowitz, Variations on The Merchant of Venice." In Shakespeare and the Modern Dramatist, 44–59. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-13340-6_4.

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Ballantyne, Colin K., and Tom Bradwell. "Wester Ross." In World Geomorphological Landscapes, 251–69. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71246-4_13.

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Klein, Thomas. "Western." In Handbuch Filmsoziologie, 615–28. Wiesbaden: Springer Fachmedien Wiesbaden, 2021. http://dx.doi.org/10.1007/978-3-658-10729-1_45.

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Conference papers on the topic "Wesker"

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Kim, Yoo-Ah, Sanna Madan, and Teresa M. Przytycka. "WeSME." In BCB '16: ACM International Conference on Bioinformatics, Computational Biology, and Health Informatics. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2975167.2985633.

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Barnette, J. C., and J. W. Spearman. "Service Companies' Perspective of Strategic Alliancing in Alaska." In SPE Western Regional Meeting. Society of Petroleum Engineers, 1994. http://dx.doi.org/10.2118/27859-ms.

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Roberts, J. A. "Reverse Osmosis System Reduces Demineralized Water Costs." In SPE Western Regional Meeting. Society of Petroleum Engineers, 1994. http://dx.doi.org/10.2118/27862-ms.

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Smith, M. V., and J. M. Pitura. "Cost-Effective Solutions to Well Plugging and Abandonment." In SPE Western Regional Meeting. Society of Petroleum Engineers, 1994. http://dx.doi.org/10.2118/27864-ms.

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Blacker, H. F., and M. G. Rutter. "Multiphase Production Metering in Field Applications." In SPE Western Regional Meeting. Society of Petroleum Engineers, 1994. http://dx.doi.org/10.2118/27865-ms.

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Jansen, F. E., and Ovadia Shoham. "Methods for Eliminating Pipeline-Riser Flow Instabilities." In SPE Western Regional Meeting. Society of Petroleum Engineers, 1994. http://dx.doi.org/10.2118/27867-ms.

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Woollam, R. C., and S. J. Merrett. "Why Water Soluble Corrosion Inhibitors Should be the Preferred Choice for Continuous Applications." In SPE Western Regional Meeting. Society of Petroleum Engineers, 1994. http://dx.doi.org/10.2118/27869-ms.

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Northrop, P. S., J. L. Wilson, and P. G. Soustek. "Study of a Mature Fireflood: MOCO-T." In SPE Western Regional Meeting. Society of Petroleum Engineers, 1994. http://dx.doi.org/10.2118/27889-ms.

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Harrison, R. D., and T. F. Grigsby. "Case Histories: New Horizontal Completion Designs Facilitate Development and Increase Production Capabilities in Sandstone Reservoirs." In SPE Western Regional Meeting. Society of Petroleum Engineers, 1994. http://dx.doi.org/10.2118/27890-ms.

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Harms, D. A. "Coiled-Tubing Completion Procedure Reduces Cost and Time for Hydraulically Fractured Wells." In SPE Western Regional Meeting. Society of Petroleum Engineers, 1994. http://dx.doi.org/10.2118/27892-ms.

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Reports on the topic "Wesker"

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Beakhouse, G. P., C. E. Blackburn, F. W. Breaks, J. Ayer, D. Stone, and G. M. Stott. Western Superior Province. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1995. http://dx.doi.org/10.4095/205282.

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Steve Reese, George Miller, Stephen Frantz, Denis Beller, Denis Beller, Ed Morse, Melinda Krahenbuhl, Bob Flocchini, and Jim Elliston. Western Nuclear Science Alliance. Office of Scientific and Technical Information (OSTI), December 2010. http://dx.doi.org/10.2172/993827.

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Caldwell, R. H. Reserves in western basins. Office of Scientific and Technical Information (OSTI), January 1993. http://dx.doi.org/10.2172/7052478.

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Bruce, Barry. 26th Western Photosynthesis Conference. Office of Scientific and Technical Information (OSTI), January 2019. http://dx.doi.org/10.2172/1545635.

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Roush, Wayne. Western Research Farm Summary. Ames: Iowa State University, Digital Repository, 2015. http://dx.doi.org/10.31274/farmprogressreports-180814-1007.

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Roush, Wayne B. Western Research Farm Summary. Ames: Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/farmprogressreports-180814-1369.

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Beedle, Chris. Western Farm Research Summary. Ames: Iowa State University, Digital Repository, 2016. http://dx.doi.org/10.31274/farmprogressreports-180814-1426.

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Beedle, Chris. Western Research Farm Summary. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/farmprogressreports-180814-1722.

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Beedle, Chris. Western Research Farm Summary. Ames: Iowa State University, Digital Repository, 2018. http://dx.doi.org/10.31274/farmprogressreports-180814-2064.

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Roush, Wayne B. Western Research Farm Summary. Ames: Iowa State University, Digital Repository, 2011. http://dx.doi.org/10.31274/farmprogressreports-180814-2792.

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