Academic literature on the topic 'Wesker, Arnold'

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Journal articles on the topic "Wesker, Arnold"

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Steedman, Carolyn. "Waiting: Arnold Wesker and The Nottingham Captain." Social History 45, no. 1 (2020): 81–114. http://dx.doi.org/10.1080/03071022.2020.1694774.

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Trussler, Simon. "Remembering Arnold Wesker: Loose Connections from Left Field." New Theatre Quarterly 32, no. 4 (2016): 391–94. http://dx.doi.org/10.1017/s0266464x16000452.

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Arnold Wesker, who died in April 2016, denied having been an ‘angry young man’ and, though the cliché clung, he declared, ‘But I am an angry old man.’ In this memoir, Simon Trussler, while reflecting on causes for the anger, does not attempt an analysis of the life and works, but recollects the times when their shared interests and intentions brought them into contact, and explores some of the reasons why the youthful climb to a peak of success was followed by a slow decline not in output or activity but in the critical response to a writer perceived as having gone out of fashion. NTQ's former
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Luk, Thomas. "Arnold Wesker’s Rewriting of Shylock in The Merchant (1976) with a Purpose." European Judaism 51, no. 2 (2018): 186–95. http://dx.doi.org/10.3167/ej.2017.510225.

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Rewriting Shakespeare has become a global genre. Arnold Wesker was one of the trailblazers of the genre with his The Merchant (1976). This article argues that Arnold Wesker’s The Merchant, with both its subversion and extension of Shakespeare’s play, in theme, plot and characterization, engages with Shakespeare’s The Merchant of Venice by means of a counter-discourse. Wesker rewrote Shylock by focusing on two episodes in Shakespeare’s play: Jessica’s conversion to Christianity and Shylock’s self-defence. Wesker’s rewriting disrupts the binary as well as Christian conceptions to bestow upon the
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Luk, Thomas. "Arnold Wesker’s Rewriting of Shylock in The Merchant (1976) with a Purpose." European Judaism 51, no. 2 (2018): 186–95. http://dx.doi.org/10.3167/ej.2018.510225.

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Abstract Rewriting Shakespeare has become a global genre. Arnold Wesker was one of the trailblazers of the genre with his The Merchant (1976). This article argues that Arnold Wesker’s The Merchant, with both its subversion and extension of Shakespeare’s play, in theme, plot and characterization, engages with Shakespeare’s The Merchant of Venice by means of a counter-discourse. Wesker rewrote Shylock by focusing on two episodes in Shakespeare’s play: Jessica’s conversion to Christianity and Shylock’s self-defence. Wesker’s rewriting disrupts the binary as well as Christian conceptions to bestow
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Wesker, Arnold. "The Nature of Theatre Dialogue." New Theatre Quarterly 2, no. 8 (1986): 364–68. http://dx.doi.org/10.1017/s0266464x00002372.

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‘What makes one sentence into a line of poetry and another sentence dull and lifeless?’ This was one of the questions Arnold Wesker set out to answer from the point-of-view of the practising playwright rather than the critical theorist, when he delivered the following pape; to the biennial conference of the International Association of Theatre Critics in Rome in 1985. He examines the constituent elements of stage dialogue in supposdly ‘raistic’ drama and th rigorous if not always conscious process of artistic selection and shaping diotated, in his own practice, by the natur of the originating
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Brauner, David. "Representations of Shylock in Arnold Wesker’s The Merchant, Howard Jacobson’s Shylock Is My Name and Clive Sinclair’s Shylock Must Die." Humanities 10, no. 2 (2021): 59. http://dx.doi.org/10.3390/h10020059.

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Given the centrality of Shakespeare to the Western canon and, more specifically, to the idea of a national English literary tradition, and given that Shylock is one of his most (in)famous creations, it is hardly surprising that he has proved irresistible to a number of Anglo-Jewish authors. Attempts to rehabilitate Shylock and/or to reimagine his fate are not a recent phenomenon. In the post-war era, however, the task of revisiting Shakespeare’s play took on a new urgency, particularly for Jewish writers. In this essay I look at the ways in which three contemporary British Jewish authors—Arnol
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,, Ankita. "Beatie Bryant’s Quest for her Roots through Self Discovery and Expression: A study of Sir Arnold Wesker’s “Roots”." SMART MOVES JOURNAL IJELLH 8, no. 1 (2020): 8. http://dx.doi.org/10.24113/ijellh.v8i1.10323.

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The Wesker Trilogy is critically acclaimed as one of the most ambitious project by a young playwright under the age of thirty years. The trilogy in its broader aspect reflects the situation of the working class community after the Second World War was over. Roots is the central play of the famous trilogy which deals with the personal aspect of the humanitarian society. The story revolves around the protagonist of the play and gives an account of a fortnight in Beatie’s life. All her dreams shattering within a fortnight and her journey towards the path of self discovery become the central theme
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Ostrander, Diana Louise Gander. "Wordsworth in the Himalayas: Indian Narratology and Sacred Space in William Delafield Arnold’s Oakfield: Fellowship in the East." Religion and the Arts 14, no. 1-2 (2010): 34–58. http://dx.doi.org/10.1163/107992610x12592913031784.

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AbstractWilliam Delafield Arnold’s single novel, Oakfield: Fellowship in the East, is a transparently autobiographical account of what happens when the earnestness of a son and pupil of Dr. Thomas Arnold encounters the ancient world of India in the decade of the Sepoy Rebellion. This essay explores what has been far less apparent to Western readers and critics: the presence of Indian philosophy at the heart of the novel. Following in the tradition of the Wordsworthian Romantic prophet, W. D. Arnold relates Oakfield’s spiritual search and enlightenment to present the novel itself as the spiritu
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Kim, So-im. "Arnold Wesker’s Kitchen : Is There Any Exit?" Journal of Modern English Drama 31, no. 2 (2018): 5–31. http://dx.doi.org/10.29163/jmed.2018.8.31.2.5.

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Patterson, Michael. "The reception of Arnold Wesker's plays in Europe." History of European Ideas 20, no. 1-3 (1995): 31–34. http://dx.doi.org/10.1016/0191-6599(95)92920-p.

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Dissertations / Theses on the topic "Wesker, Arnold"

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Blattès, Susan. "Lecture sémiotique du texte dramatique : le théâtre d'Arnold Wesker de 1956 à 1970." Metz, 1988. http://www.theses.fr/1988METZ003L.

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Comment rendre compte de la spécificité de l'écriture théâtrale par rapport à d'autres types de discours? Il faut faire ressortir cette spécificité, sans pour aurant négliger les ressemblances qui peuvent exister entre le théâtre et le récit ou les différences entre différentes formes d'écriture théâtrale. La question de la spécificité de l'écriture théâtrale est analysée à partir de l'étude de la trilogie d'Arnold Wesker. Cette étude s'articule autour de quatre domaines: L'espace, le temps, les personnages et le discours. Les conclusions tirées à partir de la trilogie sont ensuite confrontées
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Soliman, Mohammad Fathi. "Modes of communication in modern English drama with special reference to John Osborne, Harold Pinter and Arnold Wesker." Thesis, Keele University, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.329096.

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Books on the topic "Wesker, Arnold"

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Drabble, Margaret. Arnold Wesker. British Council, 1988.

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1944-, Lindemann Valeska, ed. Arnold Wesker. W. Fink, 1985.

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Wesker, Arnold. Arnold Wesker. Institute of Contemporary Arts, 1985.

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Dornan, Reade W. Arnold Wesker revisited. Twayne Publishers, 1994.

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Wilcher, Robert. Understanding Arnold Wesker. University of South Carolina Press, 1991.

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Seminario, "Progetto Wesker" (1988 Bergamo Italy). Arnold Wesker, past and present: Atti del Seminario "Progetto Wesker", aprile-maggio 1988. Istituto universitario, 1988.

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Wesker, Arnold. Ambivalenze: Ritratto di Arnold Wesker dalla A alla W. Lithos, 2011.

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Ambivalences: A portrait of Arnold Wesker from A to W. Oberon Books, 2011.

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Frauengestalten und Frauenthemen bei John Arden und Margaretta D'Arcy: Mit Vergleichskapiteln zu Ann Jellicoe, Arnold Wesker, John McGrath und Caryl Churchill. P. Lang, 1996.

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Arnold Wesker's social plays. Oberon Books, 2009.

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Book chapters on the topic "Wesker, Arnold"

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Stegmann, Annegret. "Wesker, Arnold." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17353-1.

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Itzin, Catherine. "Arnold Wesker." In Stages in the Revolution. Routledge, 2021. http://dx.doi.org/10.4324/9781003194255-14.

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Stegmann, Annegret. "Wesker, Arnold: Shylock." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17357-1.

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Feest, Johannes, and Annegret Stegmann. "Wesker, Arnold: Chips with Everything." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17355-1.

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Stegmann, Annegret. "Wesker, Arnold: Chicken Soup with Barley." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17354-1.

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Stegmann, Annegret. "Wesker, Arnold: Their Very Own and Golden City." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17356-1.

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Scott, Michael. "Demythologising Shylock: Arnold Wesker, The Merchant; Charles Marowitz, Variations on The Merchant of Venice." In Shakespeare and the Modern Dramatist. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-13340-6_4.

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Linden, Bob van der. "Western intermezzo." In Arnold Bake. Routledge, 2018. http://dx.doi.org/10.4324/9780203709955-3.

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Binnie, Eric Alexander G. "The Norwich Blood Libel Mounted Once Again: A Pedagogy for Tolerance in Arnold Wesker’s Blood Libel (1991)." In Jews in Medieval England. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63748-8_11.

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Moebius, Stephan. "Reconstruction and Consolidation of Sociology in West Germany from 1945 to 1967." In Sociology in Germany. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71866-4_3.

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AbstractThis chapter will focus on the two decades after 1945, the period of the “post-war society” (1945–1967), which in the historical sciences is also characterized as a period of boom (keywords: “Wirtschaftswunder” (“economic miracle”), expansion of the welfare state, expansion of the educational sector, certainty about the future) and which comes to an end in the 1970s. Germany was undergoing a profound process of change: socio-structural changes in an advanced industrial society, structural changes in the family and a retreat into the private sphere, new opportunities in the areas of consumption and leisure due to the “Wirtschaftswunder,” urbanization and changes in communities, “Western Integration” (“Westbindung”), the ban on the KPD (Communist Party of Germany) in 1956, remilitarization, the development of the mass media and mass motorization, and the repression of the Nazi past were central social and sociological issues. At the same time, fascist tendencies were still virulent during the 1950s and 1960s. After 1945, sociology had to be rebuilt. Journals were refounded or newly founded, the German Sociological Association was restored and sociology was re-established as a teaching subject. Different “schools” and regional centers of sociology emerged. The so-called Cologne School centered around René König, the Frankfurt School around Adorno and Horkheimer, and the circle around Helmut Schelsky should be mentioned in particular; but also, Wolfgang Abendroth, Werner Hofmann, and Heinz Maus (Marburg School), Otto Stammer (Berlin), Arnold Bergstraesser (Freiburg i.Br.), and Helmuth Plessner (Göttingen). Despite their theoretical and political differences, up until the 1950s, they all had in common the decisive will for political and social enlightenment regarding the post-war situation. Furthermore, the particular importance that empirical social research and non-university research institutions had for the further development of sociology after 1945 is worth mentioning.At the end of the 1950s, field-specific dynamics gained momentum. The different “schools” and groups tried to secure and expand their position in the sociological field and their divergent research profiles became increasingly visible. The so-called civil war in sociology drove the actors further apart. Additionally, disciplinary struggles and camp-building processes during the first 20 years of West German sociology revolved around the debate on role theory and the dispute over positivism. By the end of the 1950s, an institutional and generational change can be observed. The so-called post-war generation, which included Ralf Dahrendorf, Jürgen Habermas, Niklas Luhmann, Erwin K. Scheuch, Heinrich Popitz, Hans Paul Bahrdt, M. Rainer Lepsius, and Renate Mayntz, assumed central positions in organizations, editorial boards of journals, and universities. While the early “schools” and circles (König, Schelsky, Adorno, and Horkheimer) initially focused on the sociology of the family and empirical research, the following generation concentrated foremost on industrial sociology, but also on topics of social structure and social stratification as well as on social mobility.
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