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Dissertations / Theses on the topic 'Western influence on Eastern art'

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1

Shao, Yiyang, of Western Sydney Nepean University, Faculty of Visual and Performing Arts, and Department of Art History and Criticism. "Major trends in contemporary Chinese painting." THESIS_FVPA_SD_Shao_Y.xml, 1996. http://handle.uws.edu.au:8081/1959.7/531.

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Three major trends are evident in Chinese ink painting: academic reformism, modernism and neo-traditionalism. While reformists are calling for stylistic freedom and a return to humanism, modernists seek the adoption of Western modes of thought and practice to develop and reform Chinese tradition. The new literati painting which has seen a resurgence of innovative theory and technique of an indigenous Chinese painting tradition distinguishes neo-traditionalism. Many scholars believe that developments in Chinese painting represent a decline in the history of Chinese art but, in this authors’ opi
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2

Justo, Nelia. "An Eastern affair." Thesis, View thesis, 2001. http://handle.uws.edu.au:8081/1959.7/681.

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A continuing interest in the relationship between the 'decorative' and the 'technological' is a key area that underpins the author's artistic practice. This paper surveys the historical links between the production of applied and decorative art and the emergence of associated technologies as it relates to the author's Art practice. The focus is on Asia's influence on European applied and decorative arts as resulting from the trade relationship evolved over many centuries. Particular emphasis is placed on the period between 17th-19th centuries and with specific reference to textiles. This trade
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3

Dong, Yuting. "DESIGN CONCEPT: MY AMALGAMATION OF EASTERN AND WESTERN CULTURES." Master's thesis, Orlando, Fla. : University of Central Florida, 2008. http://purl.fcla.edu/fcla/etd/CFE0002097.

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4

Johnston, Jennene, of Western Sydney Hawkesbury University, and Faculty of Social Inquiry. "Subtle exchanges : cultivating relations with duration : eastern, western and esoteric approaches to contemplating art practice." THESIS_FSI_XXX_Johnston_J.xml, 1999. http://handle.uws.edu.au:8081/1959.7/419.

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This thesis aims to consider the potential for perception of the subtle exchanges of viewers and artwork; subject and object. This necessitates an examination of ontologies, concepts of the body, perceptive schemas and modes of consciousness that ultimately destabilise the assumed solidity and individuality of subject and object. Exchanges of subtle effects are continually taking place between viewer and object, and the space between subject and object is alive with interaction. Process philosophy is introduced as the basic ontological perspective underlying this reflection of subject-object r
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5

El-Turk, Bushra. "Bleeding through… : compositional processes in the integration of Middle Eastern and Western art music." Thesis, University of Birmingham, 2017. http://etheses.bham.ac.uk//id/eprint/7900/.

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This thesis consists of a portfolio of 10 compositions accompanied by a written commentary with audio and video recordings of my works. These compositions span a wide variety of instrumentations from large orchestral works to solo instrumental works, of both Western and Eastern traditions, as well as vocal and live art installation pieces. Throughout the commentary I explore the continuum of how Eastern traditional idioms and Western art music play a role in the creation of my musical language. This includes an overview of the history of bi-cultural integration and an exploration of the motiva
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6

Johnston, Jennene Louise Hooper. "Subtle exchanges : cultivating relations with duration : Eastern, Western and esoteric approaches to contemplating art practice /." [Richmond, N.S.W.] : University of Western Sydney, Hawkesbury, 1999. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030527.120956/index.html.

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7

Malan, Petronel. "Alexander Johnson's Ni' Concerto (1994) - Concerto no. 1 for Piano and Orchestra: a Discussion of Influences from Africa, Eastern and Western Europe." Thesis, University of North Texas, 2001. https://digital.library.unt.edu/ark:/67531/metadc2839/.

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In the new generation of artists emerging in South Africa, Alexander Johnson is considered the most prolific young composer of his day. In a recent review in the Pretoria News, Johnson has been praised by eminent critic Paul Boekkooi as a composer who has “an ear for the exotic and knows exactly how to bring it off....” He continued by noting that his music is “mentally engrossing, pleasurable to the senses and seems refreshingly free from dogmatic formulas." Johnson writes for musicians and the general public to equal satisfaction. His accessible compositions and catching use of melodic mate
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8

Thomas, Jenna Caye. "Visions of the East: Influence of the Levant on the Italian Renaissance." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1448533555.

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9

Bunker, Nolen Andrew. "Why Eastern women matter the influence of Byzantine Empresses on Western queenship during the middle ages /." Connect to resource, 2007. http://hdl.handle.net/1811/24688.

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Thesis (Honors)--Ohio State University, 2007.<br>Title from first page of PDF file. Document formatted into pages: contains v, 88 p.; also includes graphics. Includes bibliographical references (p. 85-88). Available online via Ohio State University's Knowledge Bank.
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10

Joumaa, Jamal. "The influence of the icon in contemporary Egyptian art." View thesis View thesis, 2002. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030506.114529/index.html.

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11

Miller, Elizabeth M. "Nationalism and the birth of modern art in Egypt." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:84002959-dc3e-40ad-90b3-f9efcc8846f6.

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This dissertation covers the emergence of a tradition of the fine arts in Egypt during the first half of the twentieth century and its relationship to discourses of nationalism. Taking as a starting point the canon of the ‘pioneer’ generation as it is defined in the historiography, I follow the careers of the sculptor Mahmud Mukhtar and the painters Ragheb ‘Ayyad, Muhammad Nagi, and Mahmud Sa‘id, each of whom is treated in a full chapter. Narratives surrounding the life and work of these artists have tended to emphasize the ways in which the images they created participated in the definition o
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12

Tong, Wei. "Poland's influence in the European Union, a perspective of the Eastern partnership." Thesis, University of Macau, 2011. http://umaclib3.umac.mo/record=b2555598.

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13

Kim, Yun Jeong. "Isang Yun's Violin Concerto No.1 (1981): A Fusion of Eastern and Western Styles, and the Influence of Taoism." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1368086330.

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14

Tajuddin, Tazul I. "Music compositions with commentary : a study of Arabesque." Thesis, University of Sussex, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.390827.

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15

Joumaa, Jamal. "The influence of the icon in contemporary Egyptian art." Thesis, View thesis View thesis, 2002. http://handle.uws.edu.au:8081/1959.7/229.

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The icon represents a great part of the heritage of Christian arts in Egypt. In this thesis the early stages of iconic art are studied to find out the influential factors leading to the formation of the icon as it is now. The Coptic icon in particular is studied, both the icon itself and how it differs from the Byzantine icon. The religious factor is focussed on as an effective and modelling element in defining the icon, and the symbols are studied in order to go back to their historical roots. This study also aims at tracing the phenomenon of iconic art, by studying its characteristics and th
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16

Potter, Shannon L. "The Influence of Western Powers on Central and Eastern European Minority Protection Policy: the League of Nations Minorities Treaties and the EU Copenhagen Criteria." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1281647235.

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17

Fields, Rebecca A. "Bell ownership and the evolving definition of the "Other" in ancient China." Ohio : Ohio University, 2005. http://www.ohiolink.edu/etd/view.cgi?ohiou1125600731.

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18

Bagnole, Rihab Kassatly. "Imaging the Almeh: Transformation and Multiculturalization of the Eastern Dancer in Painting, Theatre, and Film, 1850-1950." Ohio : Ohio University, 2005. http://www.ohiolink.edu/etd/view.cgi?ohiou1132433330.

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19

Silva, Jane Susan. "The growth, development and impact of the Grahamstown Festival of the Arts with special reference to music." Thesis, Rhodes University, 1998. http://hdl.handle.net/10962/d1002322.

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The Grahamstown Festival has become a huge and complex annual celebration of the arts, transforming the small Eastern Cape city for ten days every year. However this event had very modest beginnings, as did music and festivals in the city of Grahamstown. From its early days Grahamstown showed strong signs of becoming an important cultural centre, presenting numerous musical concerts from 1812, the festival tradition in the city beginning in 1887. The modern arts festival, initiated in 1971, had a chequered history during the early and mid 1970's, weathering economic recession, petrol restricti
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20

Iwamoto, Luciana. "A influência japonesa nas artes e na moda europeia da virada do século XX." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/100/100133/tde-27072016-143945/.

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Esta pesquisa tem como objetivo analisar o período compreendido entre a metade do século XIX e o começo do século XX a fim de identificar que aspectos e componentes da estética e valores culturais japoneses teriam sido eventualmente integrados aos movimentos artísticos europeus e ao design de moda. O interesse ocidental pelo Oriente sempre existiu, porém, foi intensificado após a abertura dos portos japoneses em 1854, depois de mais de dois séculos em reclusão. O encontro entre duas culturas tão distintas causou grande entusiasmo na Europa, com diversos autores que defendem que esta aproximaçã
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21

Li, Min-Yuan. "Apports des traditions scéniques orientales dans les théories esthétiques et les pratiques du théâtre européen au XXe siècle." Thesis, Lyon 2, 2013. http://www.theses.fr/2013LYO20029/document.

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Dans la dernière dizaine années du 19ème siècle, les créations de Lugné-Poe et d’Antoine expérimentent de nouvelles esthétiques de représentation et voient dans la mise en scène l’essence de la création théâtrale. Le metteur en scène devient lui-même auteur, au point de jouer parfois un rôle prédominant. Tout au long du 20ème siècle, cette évolution de la mise en scène, en s’accélérant parfois brutalement, a pu atteindre une certaine anarchie. C’est pourquoi l’esthétique de la tradition scénique orientale, qui passe par des formes artistiques reproductibles, voire stéréotypées, a pu fournir de
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22

Shao, Yiyang. "Major trends in contemporary Chinese painting." Thesis, 1996. http://handle.uws.edu.au:8081/1959.7/531.

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Three major trends are evident in Chinese ink painting: academic reformism, modernism and neo-traditionalism. While reformists are calling for stylistic freedom and a return to humanism, modernists seek the adoption of Western modes of thought and practice to develop and reform Chinese tradition. The new literati painting which has seen a resurgence of innovative theory and technique of an indigenous Chinese painting tradition distinguishes neo-traditionalism. Many scholars believe that developments in Chinese painting represent a decline in the history of Chinese art but, in this authors’ opi
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23

Timme, Matthew Robert. "Art education as violence : Western European influence upon the Mandan." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-05-2869.

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This thesis attempts to complicate the solely positive nature most often attributed to art education. This complication occurs through a deconstruction of an episode of art education and subsequent interpretation and analysis through both poststructural literary theory and postcolonial theory. By conducting a close reading of a colonial interaction, between two artists trained in the Western canon and two Native American artists, the study begins to view the process of art education as an act of violence, manifested in the rapid shift in artistic style away from a traditional Mandan techniqu
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24

Johnston, Jennene. "Subtle exchanges : cultivating relations with duration : eastern, western and esoteric approaches to contemplating art practice." Thesis, 1999. http://handle.uws.edu.au:8081/1959.7/419.

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This thesis aims to consider the potential for perception of the subtle exchanges of viewers and artwork; subject and object. This necessitates an examination of ontologies, concepts of the body, perceptive schemas and modes of consciousness that ultimately destabilise the assumed solidity and individuality of subject and object. Exchanges of subtle effects are continually taking place between viewer and object, and the space between subject and object is alive with interaction. Process philosophy is introduced as the basic ontological perspective underlying this reflection of subject-object r
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25

Chang, Wei-hsiu, and 張維修. "A Research into Factors that Influence Medical Students’ Recognition and Preference of Eastern/Western Medicine." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/89406806947752270763.

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碩士<br>國立成功大學<br>企業管理學系專班<br>96<br>Chinese medicine had its origin ever since the ancestor, Shen-non, first experimented with herbs as a healing agent for illnesses over thousands of years ago. Then after thousands of years of trials and errors, we come to have the practice of Chinese medicine as it is known today. On the other hand, Western practice takes a different approach in understanding the effectiveness of a medicine. For the same purpose of curing diseases, Western practitioners’ experimental process begins with test tubes; then through the rigorous process of discovery, learning, imp
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26

Gursoy, Beylem Cansu. "Fashion and art : the influence of art on fashion and the coexisting relationship in the 20th century western culture." Master's thesis, 2012. http://hdl.handle.net/1822/22401.

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Dissertação de mestrado em Design and Marketing de Moda<br>This work aims to present the relationship between art and fashion in the 20th century western culture focusing particularly on art movements and how fashion and art inspired each other throughout the years. The specific art movements which are investigated are Surrealism, Cubism, Pop art and the inspiration in contemporary designers such as Alexander McQueen and John Galliano. Notions of fashion and art have been investigated by various numbers of academics and philosophers and the relationship of the two has also been an intere
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27

蔡愷俐. "“God of Death”-The Different Perspectives Between the Eastern and Western of Presenting Religion Through Computer Animation Art." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/30221645104141990755.

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碩士<br>國立臺灣藝術大學<br>多媒體動畫藝術學系碩士班<br>99<br>This animation, “God of Death”, is based on the conflicts between the eastern and western concept of transmigration which enrich many joy in the scene. In the story, the Taoism represents eastern religion, and the Christian represents western religion. The characters are referred from the various type of temple art of God Of Death in Taiwan. Beside, the whole scene using cartoonic and personalized render technique in stead of realism increase the interesting of the creativity and visualization in this short animation. The synopsis as follow: The Se
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28

Herbaugh, Karen J. "A comparative analysis of Far Eastern influence on Western women's clothing styles : high fashion and mass fashion, 1910-1925." Thesis, 1994. http://hdl.handle.net/1957/35751.

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The purpose of this study was to compare Far Eastern influences on Western women's dress as represented in both a high fashion and mass fashion magazine between 1910 and 1925. Vogue was selected as the high fashion magazine and Ladies Home Journal as the mass fashion magazine. The questions that were addressed were: was there a difference in the influence of the Far East on high fashion styles and mass fashion styles, was there a time lapse between the appearance of fashion styles influenced by the Far East within Vogue and Ladies Home Journal, and was the trickle-down theory applicable when e
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29

Hanstein, Ulrike. "Framing performance art: Acts of documenting in 'Being and Doing' (1984)." 2017. https://slub.qucosa.de/id/qucosa%3A35582.

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To explore documenting practices in detail that use the time-based medium of film to engage with performance art’s negotiation of duration and disappearance, this article addresses Stuart Brisley’s and Ken McMullen’s 16 mm film “Being and Doing”. “Being and Doing” is an experimental, highly subjective documentation of live art practices of the late 1970s and early 1980s in Eastern and Western Europe. The film’s highly concentrated and rhythmically elaborate montage assembles photographs, sound recordings, footage of communal rituals, and artists’ performances with a voice-over narration by Bri
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30

Coetzee, Derick. "The impact of the symbolism and iconography of the Ankh, sun-disk and Wadjet eye on modern (“western”) society." Diss., 2017. http://hdl.handle.net/10500/23328.

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Ancient Egypt has long been a place of intrigue and mystery, being held in high esteem during ancient times. In modern times ancient Egypt has once again risen to such a position with many ancient Egyptian-based symbols and iconology being used in modern culture since its birth in the renaissance. Three easily identifiable and commonly used symbols are identified: the ankh, sun-disk and Wadjet Eye. This study attempts to evaluate and explore the extent of the influence of ancient Egyptian symbols and iconography on modern culture as a whole. This is achieved through emic analysis and comparati
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31

Wang, Tzu-ting, and 王姿婷. "The fusion of Chinese and Western floral patterns and influence on modern fashion brands in the late Ching dynasty to early Minguo and Art Nouveau period." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/24325854745852731748.

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碩士<br>輔仁大學<br>織品服裝學系<br>99<br>Oriental and Western culture contacted frequently since Qin and Han dynasties in China. That improved patterns new development in design,especially after Buddhism spreading to China via Silk Road. The ornamental patterns for decoration were changed from animal-design to flower-design. And Chinese traditional floral patterns vary with different dynasties.This research uses the Chinese and the Western historical data analysis and pictures comparison to discuss the flower-design patterns of the Art Nouveau and Oriental culture from the end of 19th century to the begi
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32

Müllerová, Alexandra. "The Migrant Crisis and its Representation in Frankfurter Allgemeine Zeitung and Lidové noviny." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-350738.

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Over the last two years the number of refugees and asylum seekers in European countries dramatically increased, with asylum claims mostly originating from countries affected by war and poverty, especially in the Middle East, Africa, and the Balkans. The rapid increase of the mobility of migrants raises contradictory reactions in society and individual countries can not agree on an acceptable solution. Against the background, Western European countries usually approach the immigrants more openly than Eastern European countries. A big role in the question of acceptance of migrants in different c
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