Relevant bibliographies by topics / Western theatre

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Western theatre'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 July 2025

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Journal articles on the topic "Western theatre"

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Korkut, Perihan. "“Creative Drama” in Turkey." Scenario: A Journal of Performative Teaching, Learning, Research XII, no. 1 (2018): 70–86. http://dx.doi.org/10.33178/scenario.12.1.5.

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The Turkish Republic is a young one. Established in 1923, it has gone through many social and political transformations, which have inevitably had an influence on how science and art are perceived. The Republic inherited from the Ottoman Empire a performative art tradition which had its roots in three distinct types of theatre: village shows; folk theatre played in town centres; and court theatre, which was based on “western” theatrical traditions. Considering the geographical location of Turkey, the term “West” signified the more advanced and civilized countries of the time, most of which wer
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Sun, William H., Faye C. Fei, and Tao-Ching Hsu. "Between Chinese Theatre and Western Theatre." Drama Review: TDR 31, no. 2 (1987): 151. http://dx.doi.org/10.2307/1145822.

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Kolinská, Klára. "“If Only They’d Stop Waiting”: Staging Western Canadian Drama In Central Europe." AUC PHILOLOGICA 2022, no. 2 (2023): 117–29. http://dx.doi.org/10.14712/24646830.2022.42.

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The best of contemporary theatre in Western Canada presents stories of the historical, cultural, and ethnic diversity of the region while taking a critical stand against the traditional stereotypes of “prairie realism and cowboy iconography” which contributed to the creation of its social, as well as artistic awareness. Western Canadian playwrights reflect in their works the wide multicultural spectrum of their region, without writing mere “ethnic theatre” with limited readability and appeal. This is documented by several instances of producing Western Canadian drama “out of its context” – spe
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Owusu, Xornam Atta, and Sika Koomson. "Crossroads of Culture: The African Storyteller and The Western Theatre (Drama) Actor, Director, Producer." British Journal of Multidisciplinary and Advanced Studies 4, no. 3 (2023): 18–33. http://dx.doi.org/10.37745/bjmas.2022.0197.

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The paper argues that in Africa, the storyteller discursively functions as an actor, director, a producer, and all. It investigates the point of emergence and the point of departure between the storyteller in Ghana and that of the Western theatre stage performer, director and producer. The study regards the storytelling art as a literary theory which is an intellectual knowledge paradigm grounded in values derived from indigenous cultural experiences of the storyteller. By analysing and drawing particular attention to roles of the storyteller, this article expresses perspectives, based upon th
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Earnest, Steve. "The East/West Dialectic in German Actor Training." New Theatre Quarterly 26, no. 1 (2010): 81–89. http://dx.doi.org/10.1017/s0266464x10000096.

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In this article Steve Earnest discusses contemporary approaches to performance training in Germany, comparing the content and methods of selected programmes from the former Federal Republic of Germany to those of the former German Democratic Republic. The Hochschule für Musik und Theater Rostock and the University of the Arts in Berlin are here utilized as primary sources, while reference is also made to the Bayerische Theater-akademie ‘August Everding’ Prinzregententheater in Munich, the Hochschule für Musik und Theater ‘Felix Mendelssohn Bartholdy’ in Leipzig, and Justus Leibig Universität i
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Bhuyan, Abul Basher MD Ziaul Haque. "The synthesis of tradition in contemporary theatre of Bangladesh: “The theatre of roots”." ТЕАТР. ЖИВОПИСЬ. КИНО. МУЗЫКА, no. 4 (2022): 84–104. http://dx.doi.org/10.35852/2588-0144-2022-4-84-104.

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The article examines how the Eastern traditional theatre responded to the Western theatre in the context of the British colonial regime in the Indian subcontinent. From this point of view, the dialogue between cultures was practically not considered. Hence, this study is devoted to understanding the synthesis of European theatre and traditional theatre, which began to be considered a rural art form by the early twentieth century, meaning something simple or low. In contrast, urban theatre of the European type was perceived as something refined or high. Rabindranath Tagore had not been fully su
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Sun, William Huizhu. "The Theatre of Purgation and the Theatre of Cultivation." TDR: The Drama Review 65, no. 2 (2021): 8–28. http://dx.doi.org/10.1017/s1054204321000058.

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In China, theatre studies has been dominated by Western discourse on serious drama, mostly the theatre of purgation. It is equally important, however, to study popular Western theatre genres, such as musicals, comedies, and relatively uplifting plays, especially in terms of their similarities with Chinese opera—an epitome of theatre of cultivation.
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Brown, John Russell. "Voices for Reform in South Asian Theatre." New Theatre Quarterly 17, no. 1 (2001): 45–53. http://dx.doi.org/10.1017/s0266464x00014317.

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The classical theatres of southern Asia are variously treated with the reverence thought due to sacrosanct and immutable forms – or as rich sources for plunder by western theatre-makers in search of intra-cultural building-blocks. The rights and wrongs of this latter approach have been much debated, not least in the pages of NTQ; less so the intrinsic desirability of leaving well alone. At the symposium on Classical Sanskrit Theatre, hosted in Dhaka by the Centre for Asian Theatre in December 1999, an unexpected consensus sought ways in which classical theatre forms might best meet contemporar
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Babu, Shyam. "Habib Tanvir’s Experiment with Folk Idioms: An Approach toward an Inclusive Theatre." International Journal of Literature Studies 3, no. 3 (2023): 01–08. http://dx.doi.org/10.32996/ijts.2023.3.3.1.

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Modern Indian theatre has a long and sustained tradition. It got invigorated and exposed to the western conventions of drama and performance in the post-independence scenario. It is therefore, a conglomerate of three strands: Sanskrit, folk and western dramaturgy. All these strands collide, intersect and sometimes blend with each other with a fine balance. Folk theatres and traditions of regional bhasha drama thus are key constituents of Modern theatre, which is rooted in the local cultures of common people’s belief systems and language. Folk theatre in India and modernity thus are integrated
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Korsberg, Hanna. "Geographies of Theatre: the Finnish National Theatre in Stockholm in 1956." Nordic Theatre Studies 28, no. 1 (2016): 27. http://dx.doi.org/10.7146/nts.v28i1.23970.

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During the Cold War, the Finnish National Theatre actively sought possibilities for international visits and co-operation. It wanted to showcase its work abroad and especially connect itself with Western European theatres. In 1956, the Finnish National Theatre visited Stockholm. In terms of politics, it was interesting that the Finnish National Theatre chose to perform Aleksis Kivi’s The Seven Brothers and especially interesting that it performed Anton Chekhov’s The Three Sisters. It seems to be the case that there was a national border between the Finnish National Theatre and Anton Chekhov’s
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Dissertations / Theses on the topic "Western theatre"

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Hsu, Yu-Mei. "Eastern and Western training methods in intercultural theatre with relation to the theatres of Taiwan." Thesis, University of Exeter, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322385.

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au, r. mccarron@ecu edu, and Robyn McCarron. "Performing arts in regional communities: The case of Bunbury, Western Australia." Murdoch University, 2004. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20050501.153348.

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Abstract In Australia during the 1990s increased attention was paid to regional, rural and remote communities and, in terms of arts and culture, the establishment of regional arts umbrella organisations, at both national and state levels, stimulated interest in, and development of, the arts in those communities. Discourses around the notion of the civil society and the ways in which social and cultural capital can be acquired and transferred, have led to renewed interest in the economic and social functions of the voluntary, not-for-profit sector of Australian society. This thesis aims to ad
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Guy, Bette Margaret. "Aristophanes to Fo : conventions of political satire in Western theatre." Thesis, Queensland University of Technology, 2007. https://eprints.qut.edu.au/16499/1/Bette_Guy_-_Soft_Murder.pdf.

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Aristophanes to Fo is a study of the principal comedic conventions of Aristophanes' political satire and their relationship to contemporary political satire. A template of these principal conventions is tabulated. This is then compared to, and contrasted with, conventions used in subsequent plays in the genre of political satire, including one written as the practice component of this exegesis. This process determines the influence of Aristophanic conventions on political satire from 4th century BCE Greece to the modern era. There is an analytical emphasis on three 20th century plays as case s
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Guy, Bette Margaret. "Aristophanes to Fo : conventions of political satire in Western theatre." Queensland University of Technology, 2007. http://eprints.qut.edu.au/16499/.

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Aristophanes to Fo is a study of the principal comedic conventions of Aristophanes' political satire and their relationship to contemporary political satire. A template of these principal conventions is tabulated. This is then compared to, and contrasted with, conventions used in subsequent plays in the genre of political satire, including one written as the practice component of this exegesis. This process determines the influence of Aristophanic conventions on political satire from 4th century BCE Greece to the modern era. There is an analytical emphasis on three 20th century plays as case s
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Pretorius, Louis. "An analysis and proposed expansion of the market for theatre for young people in the Western Cape." Thesis, Link to the online version, 2008. http://hdl.handle.net/10019/1552.

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Layson, June. "Isadora Duncan : her life, work and contribution to Western theatre dance." Thesis, University of Leeds, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.405155.

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Al-Abdulla, Abdulaziz Hafez. "Western influences on the theatre of the Syrian playwright Sa'd Allāh Wannūs." Thesis, University of Manchester, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.582615.

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This thesis introduces the work of the Syrian playwright, Sacd Allah Wannus, one of the few modern Arab dramatists, who have persistently pursued the development of a vigorous and innovative indigenous tradition of drama in the Arab world. In the face of considerable odds, both in Syria and in other Arab countries, he has managed consistently to write serious and challanging works for the theatre. The study will briefly give a historical background to the emergence of modem theatre in Syria making comparisons with developments in Egypt and the Lebanon. It will look into Wannus's own life, his
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Fletcher, Narelle Genet Jean Dorst Tankred. "The role of the translator in theatre /." View thesis, 1999. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030910.105959/index.html.

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Bonshek, Corrina. "Australian deterritorialised music theatre a theoretical and creative exploration /." View thesis, 2007. http://handle.uws.edu.au:8081/1959.7/19308.

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Thesis (Ph.D.) -- University of Western Sydney, 2007.<br>A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the University of Western Sydney, College of Arts, School of Communication Arts. Includes bibliography.
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Lee, Hyung Don. "COMPARATIVE STUDY OF THE RITUAL ASPECTS OF WESTERN AND ASIAN PERFORMANCE." VCU Scholars Compass, 2009. http://hdl.handle.net/10156/2394.

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Books on the topic "Western theatre"

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Tian, Min. The Use of Asian Theatre for Modern Western Theatre. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97178-0.

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Bush, Bryan S. Civil War battles of the Western Theatre. Turner Pub. Co., 1998.

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Sörgel, Sabine. Dance and the Body in Western Theatre. Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-03489-2.

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Dromgoole, Nicholas. Performance style and gesture in western theatre. Oberon Books, 2007.

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Franklin, Kenworthy O., ed. A mirrorto life: A history of Western theatre. Harcourt Brace Jovanovich, 1985.

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Bush, Bryan S. Lloyd Tilghman: Confederate general in the Western theatre. Acclaim Press, 2006.

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Cathia, Pagotto, and Oregon State University. Dept. of Theatre., eds. Western theatre theory and criticism: TA444/544 winter 2004. Oregon State University, Dept. of Theatre, 2004.

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Grose, B. Donald. A mirror to life: A history of western theatre. Holt, Rinehart, and Winston, 1985.

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Jennifer, Wise, and Walker Craig Stewart 1960-, eds. The Broadview anthology of drama: Plays from the Western theatre. Broadview Press, 2003.

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Bailey, Evelyn Hope. Parkway Playhouse: History of a western North Carolina summer theatre. E.H. Bailey, 1999.

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Book chapters on the topic "Western theatre"

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Sörgel, Sabine. "Writing Dance into Theatre." In Dance and the Body in Western Theatre. Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-03489-2_2.

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Tian, Min. "Theatre of Transposition: Charles Dullin and East Asian Theatre." In The Use of Asian Theatre for Modern Western Theatre. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97178-0_6.

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Frost, Anthony, and Ralph Yarrow. "Improvisation in Non-Western Performance." In Improvisation in Drama, Theatre and Performance. Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-34812-8_5.

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Collins, Christopher. "Savage Paganism: The Playboy of the Western World." In Theatre and Residual Culture. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-349-94872-7_7.

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Aragón, Cecilia Josephine. "An Overview of United States Children's Theatre and the Western Concept of Childhood." In Borderlands Children's Theatre. Routledge, 2022. http://dx.doi.org/10.4324/9781003095705-2.

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Tian, Min. "Introduction: The Displaced Mirror." In The Use of Asian Theatre for Modern Western Theatre. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97178-0_1.

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Tian, Min. "“The ‘Asiatic’ Model”: The Brechtian Art of Refunctioning of Japanese (Asian) Theatre." In The Use of Asian Theatre for Modern Western Theatre. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97178-0_10.

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Tian, Min. "Conclusion: A Haunting Legacy." In The Use of Asian Theatre for Modern Western Theatre. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97178-0_11.

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Tian, Min. "International Dramatic Prospecting: Aurélien Lugné-Poe’s Use of Asian Dramas." In The Use of Asian Theatre for Modern Western Theatre. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97178-0_2.

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Tian, Min. "“In Our Two Selves”: Adolphe Appia and Gordon Craig on Japanese Theatre." In The Use of Asian Theatre for Modern Western Theatre. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97178-0_3.

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Conference papers on the topic "Western theatre"

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Chen, Xilin, and Tao Xi. "Cross-Cultural Management of Chinese Traditional Theatre Industry Based on Broadway Operation Model." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001860.

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Broadway, as one of the leading commercial show districts in the West, has a mature commercial experience and operation model. The theatre industry on Broadway is different from other places, and its production and marketing methods have also proven to be highly successful. This paper analyses the business model, artistic concept, communication strategy, and user research of Western theatre based on Broadway at the academic level. At the practical level, the paper investigates the cross-cultural management and communication model of the Chinese theatre industry. The Broadway theatre management
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Mukai, Hibiki. "An Interactive and Digital Puppeteering Interface for new musical expression (IDPI)." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.115.

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Puppetry is the oldest form of the virtual reality and has a strong tradition as a theatrical art. The aim of this research project is to create digital puppeteering system which translates gestural acts into live and expressive control of virtual 3D models including in real-time 3D sound. I will devise a model of practice that extends our understanding and notion of the digital puppet. It seeks to establish new practical and conceptual relations between the puppet and new technologies in the framework of puppet theatre. The practical aim is to focus on the special spirit of animated 3D models
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Casian, Tatiana. "THE MODIFICATION OF THE BALLET LEXIC IN THE MIDDLE OF THE XX CENTURY." In Conferinţa ştiinţifică internaţională „Învăţământul artistic – dimensiuni culturale“ 2023. Academy of Music, Theater and Fine Arts, 2024. http://dx.doi.org/10.55383/iadc2023.23.

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The changes in the language of ballet theatreare examined in this article. The processes of transformation of thelexic and form of the performance took place in the Russian and Western ballet not simultaneously sometimes, but with characteristic features. However, the formation of means of expression became a result of those processes, which by the end of the XX century were used by ballettmeisters, regardless of their origin and the origin of the troupe they worked with. Thus, the general trends in the change of means of expression of the world ballet theatre lexicof the last century are exam
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BELLEAU, Sylvie. "The Otherness through Le rêve d’Urmila (Urmila’s Dream), an Interdisciplinary and Intercultural Research Creation Doctoral Project through Natyashastra." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0016.

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This communication will present how research creation based doctoral project can be an opportunity to explore the Otherness and other disciplines, to open to new realms of research as well as to question the artist’s posture in his journey between the culture of origin and the culture of the discipline in which he trains. As an apprentice, I studied kathakali in South India in my early twenties and it influenced all my theatre practice. The dance-theatre of Kerala has been part of my creative tools since the beginning of my creative life as a professional stage artist. My doctoral research was
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Tassis, Georgios, Jan Steiner Rønning, Terje Kirkeby, and Morgan Wåle. "COMBINATION OF GEOPHYSICAL AND GEOTECHNICAL INVESTIGATION FOR A PROPOSED NEW LECTURE THEATRE AT FEDERAL UNIVERSITY OF AGRICULTURE, ABEOKUTA, SOUTH WESTERN NIGERIA." In Symposium on the Application of Geophysics to Engineering and Environmental Problems 2017. Society of Exploration Geophysicists and Environment and Engineering Geophysical Society, 2017. http://dx.doi.org/10.4133/sageep.30-021.

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WANG, YULU. "A CASE STUDY OF WUHAN CITY IN THE INTERNATIONAL CONTEXT OF GREEN SUSTAINABLE USE OF HISTORIC BUILDING CONSERVATION." In 2023 9TH INTERNATIONAL SYMPOSIUM ON SOCIAL SCIENCE. Destech Publications, Inc., 2023. http://dx.doi.org/10.12783/dtssehs/isss2023/36056.

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The conservation of historic buildings is currently a key concern of the state, and historic buildings contain the rich cultural heritage and social significance of the city. With the continuous development of the city, the demand for the sustainable use and renewal of historical buildings has increased. In the research of green sustainable use of historical buildings conservation, western countries have accumulated a series of pioneering theories and practical experiences for the relevant development of Asian countries and provided an international context for the relevant development of Asia
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Freshwater-Turner, Dan, Paula Windsor, Lynn Garland, and Wayne Evans. "SC5 Design, development and delivery of an intervention to embed simulation-based educational methodology within the south western ambulance service NHS foundation trust." In Abstracts of the Association for Simulated Practice in Healthcare 9th Annual Conference, 13th to 15th November 2018, Southport Theatre and Convention Centre, UK. The Association for Simulated Practice in Healthcare, 2018. http://dx.doi.org/10.1136/bmjstel-2018-aspihconf.29.

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Saban, Nedim. "The Quest for Identity in Turkish Theater Amidst Western Influences." In The Korean Conference on Arts & Humanities 2024. The International Academic Forum(IAFOR), 2025. https://doi.org/10.22492/issn.2759-7571.2024.29.

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Cakit ª, Erman, and Waldemar Karwowski. "Using Geographic Information Systems Analysis for Mapping Adverse Events in an Active War Theater." In Applied Human Factors and Ergonomics Conference. AHFE International, 2019. http://dx.doi.org/10.54941/ahfe100200.

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This study is a review of adverse events throughout the war in Afghanistan by representing the mapping of these events, where we considered three types of adverse events in terms of number of people killed, wounded and hijacked, and their total number in the active war theater of Afghanistan over the period 2004-2010. The country was divided into seven regions for pattern analysis, where each region has different numbers of provinces, districts, and number of records. A point-density analysis was conducted to detect those areas where a high density of data point locations was concentrated. Bas
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Слабинский, В. Ю., and Н. М. Воищева. "MODERN PSYCHOTHERAPY AS AN ELEMENT OF PROACTIVE SOFT POWER." In Антология российской психотерапии и психологии. Crossref, 2023. http://dx.doi.org/10.54775/ppl.2023.66.19.001.

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Начало специальной военной операции на Украине по демилитаризации и денацификации привело к яркому проявлению целого ряда трендов в самых разных областях жизни. Одним из таких трендов стала культура отмены русскости во всех ее проявлениях (культурном, научном, историческом и др.), что свидетельствует о трансформации военной доктрины и формировании новых театров военных действий, среди которых особое значение приобретает сфера информационно-психологического противоборства. Еще в 1960 году Е. Э. Месснер (1891-1974) предсказал, что в ХХI веке главным театром военных действий станет ментальная сфе
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Reports on the topic "Western theatre"

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Mehra, Tanya, Merlina Herbach, Devorah Margolin, and Austin C. Doctor. Trends in the Return and Prosecution of ISIS Foreign Terrorist Fighters in the United States. ICCT, 2023. http://dx.doi.org/10.19165/2023.3.04.

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Approximately 300 Americans are estimated to have traveled or attempted to join the Islamic State (ISIS) as part of the group’s campaign in Syria and Iraq between 2013 and 2019. These individuals joined more than 53,000 men, women, and minors from roughly 80 countries. Often referred to as foreign (terrorist) fighters (FTF), these are individuals from third countries who travel to join a terrorist group to support its activities. In the United States (U.S.) context, the FTF designation does not denote the act of fighting itself, but rather the support of a designated foreign terrorist organiza
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