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Relevant bibliographies by topics / White Light Photography

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Academic literature on the topic 'White Light Photography'

Author: Grafiati

Published: 4 June 2025

Last updated: 1 August 2025

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Journal articles on the topic "White Light Photography"

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Sung, Kun-Hwa, Myeong-Kwan Jih, Hyoung-Hoon Jo, Jeong-Bum Min, Ho-Keel Hwang, and Tae-Young Park. "Consideration of the image acquisition result according to the camera white balance setting and the color temperature of the external light source." Journal of The Korean Dental Association 59, no. 2 (2021): 86–94. http://dx.doi.org/10.22974/jkda.2021.59.2.001.

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Digital photography is a very useful recording and communication method for both dentists and dental technicians. Intraoral photography can be influenced by a variety of factors. Among them, the digital camera’s white balance setting and interference of external lighting can greatly affect the intraoral photography. The purpose of this study was to analyze the effect of color temperature of ambient light and white balance of digital camera on intraoral digital photography. The maxillary central incisor made of composite resin was used as an intraoral photographic model. In the first experiment

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Kanicki, Witold. "Blackfaced white: rasowe przypadki negatywu." Artium Quaestiones, no. 28 (May 22, 2018): 111–36. http://dx.doi.org/10.14746/aq.2017.28.5.

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In her essay on the involvement of photography in the system of racial division, Tanya Sheehan (“Comical Conflations: Racial Identity and Science of Photography,” Photography & Culture, vol. 4, no. 2, 2011: 133-156) focused her attention on common comparisons of the photographic negative to the Negroid race. Such a tendency may imply a claim that the negative is racist; once connected, just as African Americans, with pejorative features. The negative picture, different from reality as such but above all negating a realistic (positive) tradition in art, because of being different (other) ca

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Grigsby, Darcy Grimaldo. "Negative-Positive Truths." Representations 113, no. 1 (2011): 16–38. http://dx.doi.org/10.1525/rep.2011.113.1.16.

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Opening with a consideration of the role played by Richard Avedon's photograph of William Casby in Roland Barthes's Camera Lucida, this essay examines Sojourner Truth's precocious and knowing use of the technology of photography. Inscribed with the caption "I Sell the Shadow to Support the Substance," Truth's inexpensive cartes-de-visite functioned as a form of paper currency during the years immediately following the Civil War. As a chemical process, photography transformed precious metals into paper images; as an optical registration of light and shadow, photographic negatives turned white i

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Foster, David William. "The antarctica photography of Adriana Lestido." INTERIN 25, no. 1 (2019): 187–97. http://dx.doi.org/10.35168/1980-5276.utp.interin.2020.vol25.n1.pp187-197.

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During early 2012, the Argentine photographer Adriana Lestido spent two months undertaking photography on the Argentine Peninsula of Antartica. Hers is the first systematic photography of the region, and it demonstrates the attempt to capture visually the fully range of that landscape. Our customary imaginary of the Antarctic landscape is very impoverished, one of ice and white snow, with some scattered fauna. Lestido’s systematic project reveals, by contrast, complex patterns of shifting climatic process and how shadow and light are far more complex than the conventional imaginary holds. A Gu

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M., Nalini, Aishwarya Lakshmi G., Keerthana M., and Mohana Preethi R. "Low-cost imaging using mobile phone to detect and diagnose disease in deep learning." Abstracts of International Conferences & Meetings (AICM) 1, no. 1 (2021): 5. https://doi.org/10.5281/zenodo.4730849.

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<strong>Introduction: </strong>This Artificial intelligence increases the ability of Healthcare to better understand the day-to-day pattern and needs of the patient which will ultimately provide better guidance and support for staying healthy. We use AI to detect and diagnose disease using a fluorescent imaging system or white light photography which is low at cost. <strong>Methods:</strong> Artificial intelligence is poised to make an incredible impact on our life in the future today however we still face new challenges in directing and diagnosing several life-threatening illnesses such as in

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Ambrosini, D., D. Paoletti, and G. Schirripa Spagnolo. "White-light digital speckle photography in free convection." Optics Communications 201, no. 1-3 (2002): 39–44. http://dx.doi.org/10.1016/s0030-4018(01)01674-1.

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Benckert, L. "Wood drying studies using white light speckle photography." Measurement 10, no. 1 (1992): 24–30. http://dx.doi.org/10.1016/0263-2241(92)90037-5.

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Krishna Mohan, N., C. Joenathan, and R. S. Sirohi. "Investigations on multi-aperture white light speckle photography." Optics Communications 67, no. 1 (1988): 27–33. http://dx.doi.org/10.1016/0030-4018(88)90083-1.

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Algasham, Hawra, Hira Farooq, Ceren Uzun, Sueli Skinner-Ramos, Ayrton A. Bernussi, and Luis Grave de Peralta. "Scanning diffracted-light photography using white-light and thermal radiation sources." Applied Optics 57, no. 34 (2018): 9997. http://dx.doi.org/10.1364/ao.57.009997.

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Mohan, N. Krishna, D. K. Sharma, and R. S. Sirohi. "Determination of longitudinal displacement using white light speckle photography." Optics Communications 78, no. 3-4 (1990): 222–26. http://dx.doi.org/10.1016/0030-4018(90)90349-x.

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Dissertations / Theses on the topic "White Light Photography"

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PERVIZ, ERVIN. "THE CINCINNATI MUSEUM OF BLACK AND WHITE PHOTOGRAPHY." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179415583.

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Lindsay, Clifford. "Programmable Image-Based Light Capture for Previsualization." Digital WPI, 2013. https://digitalcommons.wpi.edu/etd-dissertations/88.

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Previsualization is a class of techniques for creating approximate previews of a movie sequence in order to visualize a scene prior to shooting it on the set. Often these techniques are used to convey the artistic direction of the story in terms of cinematic elements, such as camera movement, angle, lighting, dialogue, and character motion. Essentially, a movie director uses previsualization (previs) to convey movie visuals as he sees them in his "minds-eye". Traditional methods for previs include hand-drawn sketches, Storyboards, scaled models, and photographs, which are created by artists to

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Wylde, Clarissa Eileen Kenney, and Clarissa Eileen Kenney Wylde. "The Art of Optical Aberrations." Thesis, The University of Arizona, 2017. http://hdl.handle.net/10150/624090.

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Art and optics are inseparable. Though seemingly opposite disciplines, the combination of art and optics has significantly impacted both culture and science as they are now known. As history has run its course, in the sciences, arts, and their fruitful combinations, optical aberrations have proved to be a problematic hindrance to progress. In an effort to eradicate aberrations the simple beauty of these aberrational forms has been labeled as undesirable and discarded. Here, rather than approach aberrations as erroneous, these beautiful forms are elevated to be the photographic subject in a

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Gorham, Elizabeth Trabue. "Boundaries." Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/etd/1395.

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The photographer discusses the work in Boundaries, her Master of Fine Arts exhibition on display at Slocumb Galleries, East Tennessee State University, Johnson City, Tennessee from October 31 to November 4, 2011. The exhibition consists of 20 black and white photographs, the main subject of which is the photographer's son. The photographs and supporting thesis explore the idea of boundaries real and implied, and how confinement can prompt a variety of behaviors. Topics include the process and evolution of the work and the artists who have influenced it, the importance of light and the challeng

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Noordhuis-Fairfax, Sarina. "Field | Guide: John Berger and the diagrammatic exploration of place." Phd thesis, Canberra, ACT : The Australian National University, 2018. http://hdl.handle.net/1885/154278.

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Positioned between writing and drawing, the diagram is proposed by John Berger as an alternative strategy for articulating encounters with landscape. A diagrammatic approach offers a schematic vocabulary that can compress time and offer a spatial reading of information. Situated within the contemporary field of direct data visualisation, my practice-led research interprets Berger’s ‘Field’ essay as a guide to producing four field | studies within a suburban park in Canberra. My seasonal investigations demonstrate how applying the conventions of the pictorial list, dot-distribution map, routing

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Books on the topic "White Light Photography"

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Tim, Gibbs. Caught between shadows and light. DPP, 2005.

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Fedorsky, Tsar. The light under the door. Peperoni Books, 2017.

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Galer, Mark. Digital Photography in Available Light. Elsevier Science, 2006.

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Spiess, Karl. Karl Spiess, 1891-1945: Ein sächsischer Lichtbildner und seine Fotografien = a Saxon light artist and his photographs. Mitteldeutscher Verlag, 2017.

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Lemon, Bill. Light, shadow & skin tone: The complete guide to shooting black & white glamour photography both digitally and on film. Atlantic Pub. Group, 2009.

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Myers, Art. Paris mine: Snapshots less seen of the City of Light...and beyond. Photographic Gallery of Fine Art Books, 2011.

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Myers, Art. Paris mine: Snapshots less seen of the City of Light...and beyond. Photographic Gallery of Fine Art Books, 2011.

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Hurter, Bill. The Best of Wedding Photography. Amherst Media, Inc., 2010.

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Deutschmann, Rod. Off-camera flash: Creative techniques for digital photographers. Amherst, 2010.

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Richter, Fred. Die Weltstadt im Licht: Berliner Nachtfotografien von Martin Höhlig aus den Jahren 1925 bis 1932. Bussert & Stadeler, 2019.

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Book chapters on the topic "White Light Photography"

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Boone, Pierre. "From Coherent Speckle Photography to White Light Scratch Correlation." In Interferometry in Speckle Light. Springer Berlin Heidelberg, 2000. http://dx.doi.org/10.1007/978-3-642-57323-1_7.

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Lucia, Andrew. "37. Notes on A Catalog of Difference." In Meta-Xenakis. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0390.39.

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This chapter focuses on the author’s decade-long research project, A Catalog of Difference (2017). Approached from a background in architecture and art, this inquiry into spatial-material perception and its representation synthesizes information theoretic methodologies and concepts derived from Iannis Xenakis, Gregory Bateson, and the perceptual psychologist James J. Gibson, giving priority to an informational approach over that of the geometric. Architecture, through its representational tools and design workflows, has historically favored the latter of these distinctions, giving primacy to l

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Gršić, Jana Žiljak, Silvio Plehati, Tomislav Bogović, and Roko Vujić. "Proposal for a New Separation Method for Reproducing Images with Properties in the Visible and Near-Infrared Spectrum." In Lecture Notes in Networks and Systems. Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-97-4581-4_16.

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AbstractPainting dyes and artworks exhibit duality with different states in the visible (V) and near-infrared (Z) spectrum. “V” denotes the solar spectrum ranging from 400 to 750 nm, while “Z” indicates the solar spectrum up to 1000 nm. The infrared state of an artwork can be an independent, “hidden” image. The paper demonstrates a new procedure of graphic preparation for the separation of process inks for reproducing artworks in monographs, with a focus on integration in the visible and near-infrared spectrum. The practical part of the paper uses the Projectina PAG B50 forensic scanner, which

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FARACE, J. "White balance techniques." In Better Available Light Digital Photography. Elsevier, 2009. http://dx.doi.org/10.1016/b978-0-240-80999-1.50006-3.

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"White balance techniques." In Better Available Light Digital Photography. Routledge, 2008. http://dx.doi.org/10.4324/9780080886183-9.

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Bokelman, Marina. "How to Look at the Photographs." In Going Up the Country. University Press of Mississippi, 2022. http://dx.doi.org/10.14325/mississippi/9781496841971.003.0003.

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This chapter discusses in detail the photographic methodology of co-author Marina Bokelman—how she worked with the limitations of the black and white film available at the time, and the resulting qualities of the photographs. She discusses her decision not to use flash photography and its ramifications, the problems of photographing indoors in low light conditions, and the challenges of photographing subjects with dark skin. She emphasizes the importance of using framing and loose cropping in order to document and illustrate cultural context. She also touches on the importance of gaining permi

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"Pinhole Photography." In Lo-Fi Photography. Royal Society of Chemistry, 2024. http://dx.doi.org/10.1039/bk9781839169311-00284.

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Pinhole photography is described, with an emphasis on simple, homemade cameras and using developed-out, black-and-white silver gelatin enlarging paper as the detector. Some simple camera designs are considered. Strategies are reviewed for making a precise pinhole of the optimal size, and three methods are illustrated for measuring the size of a tiny pinhole—direct comparison with a pocket microscope, enlargement with a slide projector, and by projecting a laser pen through the pinhole and measuring the size of the resulting diffraction pattern. Basic darkroom procedures are outlined for develo

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Kalantzis, Konstantinos. "Photography, Citizenship, and Accusatory Memory in the Greek Crisis." In Citizens of Photography. Duke University Press, 2023. http://dx.doi.org/10.1215/9781478024590-004.

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The years following Greece's 2010 bailout deal with the EU featured an understanding of Germany as an executor of austerity measures that descends from the executioners of the 1940s. This chapter sheds light on the political imagination, particularly perceptions of difference and coexistence, by exploring photographs in two Greek–German constellations: images of “traditional” old men and women gifted back to their descendants by grateful German tourists who first visited the mountainous Cretan area of Sfakia in the 1960s; and black-and-white photographs of survivors of atrocities perpetrated b

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"Ephemeral Process (EP) Photography." In Lo-Fi Photography. Royal Society of Chemistry, 2024. http://dx.doi.org/10.1039/bk9781839169311-00268.

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What we call EP photography uses stock silver gelatin enlarging paper as a negative in a camera, but in a printing-out mode that does not use a chemical developer or fixer. Instead, a printing-out accelerator, applied immediately before the exposure, temporarily increases the printing-out speed by a large factor. After exposure in the camera, the negative is washed and dried, and it returns to its very-low sensitivity, at which point it can be scanned to make a digital positive image. The procedure is outlined and suitable cameras are described. The accelerator must be applied quickly, in very

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"Lumen and Accelerated Lumen." In Lo-Fi Photography. Royal Society of Chemistry, 2024. http://dx.doi.org/10.1039/bk9781839169311-00178.

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The so-called “lumen process,” stock silver gelatin enlarging paper exposed in a printing-out mode with no chemical development, is illustrated for making photograms and prints from transparencies. The result is usually fixed to make a permanent print, but we review the possibility of using it instead to produce a paper negative to be scanned for a digital image. The author’s accelerated lumen process is also reviewed; a solution is applied just before exposure that temporarily increases the speed at which the paper prints out. The photochemistry of this process is examined, and examples are p

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Conference papers on the topic "White Light Photography"

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Shi, W., and S. B. Lyon. "Advances and Application of Scanning Vibrating Electrode Technique on Coated Mild Steel under Cathodic Protection." In CORROSION 2015. NACE International, 2015. https://doi.org/10.5006/c2015-05946.

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Abstract An in situ Scanning Vibrating Electrode Technique (SVET) was employed to investigate corrosion activities on coated mild steel in thin layer sodium chloride solutions at free corrosion potential and under cathodic protection. Besides of the processes of applying impressed current cathodic protection, this technique was introduced to monitor electrochemical processes occurring at the surface of coated steel when electrically connected with sacrificial anode. Thanks to the high spatial resolution and sensitivity, a SVET system could investigate local anode current density, cathodic acti

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Wallbank, Craig. "Surface Cleanliness Measurement Tool." In Coatings+ 2020. SSPC, 2020. https://doi.org/10.5006/s2020-00071.

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Surface cleanliness has been measured visually for the past 30 years using SSPC –VIS- 1 (ISO 8501-1) reference photographs. This method, while recognized as the industry standard, does have its disadvantages. It is deemed a subjective measurement rather than objective and is vulnerable to human error. This can be from experience level of the user to the condition of the visual reference chart itself; this often causes difficulties between operators, quality control and inspection personnel. There is also a great deal of external conditions that can affect the desired results wishing to be obta

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Erskine, David J., and Neil C. Holmes. "Imaging white-light VISAR." In 22nd Int'l Congress on High-Speed Photography and Photonics, edited by Dennis L. Paisley and ALan M. Frank. SPIE, 1997. http://dx.doi.org/10.1117/12.273416.

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Zhengyuan, Cao, Chen Fang, and Fang Ruhua. "The Sensitivity Of The Dynamic White Light Speckle Method And Its Improvement." In 18th Intl Congress on High Speed Photography and Photonics, edited by DaHeng Wang. SPIE, 1989. http://dx.doi.org/10.1117/12.969164.

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Wu, X. P., S. Q. Shen, and Fu-Pen Chiang. "Chromatic speckle: its characteristics and applications." In OSA Annual Meeting. Optica Publishing Group, 1985. http://dx.doi.org/10.1364/oam.1985.tuf10.

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It is well known that when a diffusing surface is illuminated by a coherent or quasi-monochromatic light source, a volume of random speckle is created. We examine a new phenomenon: when a diffusing surface is illuminated by a broad bandlimited or even white-light source (e.g., incandescent lamp, arc lamp, or sunlight) a field of colored speckles exists in the region near the rough surface. We refer to them as chromatic speckles. In this article we explore the statistical properties of the chromatic speckle, its 3-D size and its relationship to the roughness of the generating surface. We also e

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Sellar, Christopher, Alexander Ashcroft Valente, David Rafael Contreras Perez, Humberto Parra, and Nader Gerges. "Utilizing Core Fluorescence to Reduce Uncertainty in the Petrophysical Interpretation of Thin and Low Relief Carbonate Oil Reservoirs." In Gas & Oil Technology Showcase and Conference. SPE, 2023. http://dx.doi.org/10.2118/214107-ms.

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Abstract The water saturation (Sw) interpretation from resistivity logs has been observed to be highly uncertain in Oilfield A. By integrating core fluorescence observations from underutilized ultraviolet (UV) light core photography images, it is possible to QC these interpretations in challenging thin reservoirs, thinly bedded reservoirs, compacted reservoirs and low relief structures with significant oil volumes at intermediate oil saturation. High-quality core is routinely taken in appraisal wells in Oilfield A. A standard core analysis work programme has been applied to these cores includi

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Yang, Wen-Jei, and Shuichi Torii. "Experimental and Theoretical Study on Mixing Performance in Gas-Stirred Ladles With Throughflow Having Tap-Stream Addition of Particulates." In 2010 14th International Heat Transfer Conference. ASMEDC, 2010. http://dx.doi.org/10.1115/ihtc14-22115.

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An experimental study is performed to determine mixing performance in gas-ladles with throughflow having tap-addition of particles. Behavior of ascending gas bubbles in the plume and recirculating liquid-particle two-phase flow is visualized by means of direct photography aided by white light-sheet illumination. The path line profile and the history of ascending velocity of gas bubbles from the gas-injection nozzle installed at the ladle bottom are measured with the aid of the image processing method. It is disclosed that a rhythm is discovered in bubble detachment from the nozzle tip. This rh

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Simpson, Harry J., and Philip L. Marston. "Scattering of White Light from Oblate Water Drops Near Rainbows and Other Diffraction Catastrophes." In Light and Color in the Open Air. Optica Publishing Group, 1990. http://dx.doi.org/10.1364/lcoa.1990.wb5.

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Mishra, D., A. Pal, N. Nemick, A. K. Saha, V. Prasad, and H. Zhang. "Experimental and Numerical Study of Transport Phenomena in a Simulated Hydrothermal Crystal Growth System of Fluid-Saturated Porous Layer." In ASME 2000 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2000. http://dx.doi.org/10.1115/imece2000-1482.

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Abstract A simulated, non-pressurized hydrothermal system consisting of a fluid-superposed porous layer is fabricated and used for visualization and measurement of the temperature field using liquid crystal thermography. The system is used for various boundary conditions with pure glycerine as the working fluid and the porous layer is made of 3mm diameter glass beads. Experimental data is recorded using a color CCD camera and flow visualization is obtained through a long exposure video photography. A calibration is performed to relate the temperature with scattered colors at an orthogonal angl

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Chao, T. H., L. Z. Cai, and M. Chen. "White-light image subtraction using a liquid crystal television." In OSA Annual Meeting. Optica Publishing Group, 1986. http://dx.doi.org/10.1364/oam.1986.thl2.

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A white-light processing technique for optical image subtraction using a liquid crystal television (LCTV) spatial light modulator is described. Real-world scenes are fed into the LCTV through a TV camera. The input image is then processed by a dual-channel white-light optical processor. A pair of double-grating interferometers is inserted into the Fourier plane of the optical processor such that the output image is modulated by two sets of complementary achromatic fringe patterns, each possessing the same spatial frequency but shifted by a half-period. Two sequential exposures are needed for c

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Reports on the topic "White Light Photography"

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Morriss, Matthew C. Interim Geologic Map of the Vernal NE Quadrangle, Uintah County, Utah. Utah Geological Survey, 2024. http://dx.doi.org/10.34191/ofr-762.

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The Vernal NE 7.5' quadrangle is located at the northern boundary of the Colorado Plateau physiographic province, within the Uinta Basin sub-province (Fenneman and Johnson, 1946). The Middle Rocky Mountains, in Fenneman and Johnson’s (1946) classification, is located east and north of the quadrangle. The quadrangle includes Ashley Valley, centered on Ashley Creek, which drains the southern flank of the Uinta Mountains. The western part of the quadrangle is defined by the northwest-southeast-trending Asphalt Ridge and the west-dipping slope along the flank of the ridge. The northeastern part of

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Porosity, permeability, and grain density core analysis results from the FEX Limited Partnership Aklaq #6 well and white light and ultra-violet photography of the FEX Limited Partnership Aklaq #2, Aklaq #6, and Aklaqyaak #1 wells. Alaska Division of Geological & Geophysical Surveys, 2011. http://dx.doi.org/10.14509/22925.

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Two types of lenses for deep underwater photography. Woods Hole Oceanographic Institution, 2022. http://dx.doi.org/10.1575/1912/29564.

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In underwater photography, the object is immersed in water while the image is usually formed in air. The most obvious, straightforward way to form an image under these circumstances with a conventional type of lens is to use a plane parallel slab of glass as a window in front of the lens to separate the water from the air space. For most types of camera lenses, this is a perfectly adequate solution; But if one looks at the problem carefully, it is evident that such a system introduces a chromatic aberration referred to as lateral color. The source of this aberration is illustrated in Fig. 1. T

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