Academic literature on the topic 'White tiger (Adiga, Aravind)'

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Journal articles on the topic "White tiger (Adiga, Aravind)"

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Jain, Adhip. "Sociolinguistics Study of Aravind Adiga’s White Tiger." SMART MOVES JOURNAL IJELLH 9, no. 5 (2021): 147–53. http://dx.doi.org/10.24113/ijellh.v9i5.11054.

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This paper comprises the sociolinguistic concepts which are hidden in the Aravind Adiga’s novel White Tiger. And it will let us know how Aravind Adiga managed to reach his audience effortlessly. Aravind Adiga is a Man Booker Prize Winner of 2008, for his debut novel ‘White Tiger’. White Tiger is the story of a common man, who manages to attain tremendous success, later starts working as an Entrepreneur. The protagonist, Balram Halwai, narrates this novel, he sends letters to Premier of China, who will soon be visiting India. Moreover, this novel comprises of sociolinguistic elements such as th
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Abullais, Md. "Corruption as Responsible Factor for Poverty in Aravind Adiga’s The White Tiger." SMART MOVES JOURNAL IJELLH 8, no. 1 (2020): 8. http://dx.doi.org/10.24113/ijellh.v8i1.10341.

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Adiga has written the novel The White Tiger in the phase of his career when India was facing problems of corruption, moral depravity deceit. In the realistic portrayal of Indian society. He has canvassed to us a class of people where are social status are being determined by economic status. In his debut novel. The White Tiger, Adiga exposes the real but ugly face of India’s heart of darkness, mainly the rural India, Indian political system and government machinery. Politicians and bureaucrats misappropriate public money. Politicians and bourgeoisie follow the colonialist tendencies of exploit
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Ahlawat, RASHMI. "Aravind Adiga’s The White Tiger: A Socio –Political Study of Poverty and Injustice." IJOHMN (International Journal online of Humanities) 2, no. 6 (2016): 11–19. http://dx.doi.org/10.24113/ijohmn.v2i6.24.

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Aravind Adiga’s Man Booker Prize winning debut novel The White Tiger is sharp, fascinating, attacks poverty and injustice. The White Tiger is a ground breaking Indian novel. Aravind Adiga speaks of suppression and exploitation of various sections of Indian society. Mainly a story of Balram, a young boy’s journey from rags to riches, Darkness to Light transforming from a village teashop boy into a Bangalore entrepreneur. This paper deals with poverty and injustice. The paper analyses Balram’s capability to overcome the adversities and cruel realities. The pathetic condition of poor people try t
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Dr. Brijesh Kumar. "Social Criticism in Aravind Adiga’s The White Tiger." Creative Launcher 7, no. 1 (2022): 79–85. http://dx.doi.org/10.53032/tcl.2022.7.1.12.

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Social criticism is a form of criticism that deals with the shortcomings and flawed structures of the society in order to reform them. In India, since the inception of English writings, a number of works especially novels have been written in order to underscore several burning socio-cultural issues which have been problematic for the smooth functioning of the society. Aravind Adiga’s epistolary novel, The White Tiger, is one such novel that tells the venturesome story of a character named Balram Halwai who writes a series of letters to Mr. Wen Jiabao, the Prime Minister of China. In these let
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Ratti, Manav. "Justice, subalternism, and literary justice: Aravind Adiga’sThe White Tiger." Journal of Commonwealth Literature 55, no. 2 (2018): 228–45. http://dx.doi.org/10.1177/0021989418777853.

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This article analyses Aravind Adiga’s Booker prize-winning novel The White Tiger (2008) through the lens of justice: philosophical, legal, and literary. What is justice when its agent is subaltern — disprivileged by both caste and class — and delivers justice to himself? I argue that the fictional representation of class, caste, poverty, and violence can be similar to the structuring and translations of justice. By writing his novel from the perspective of a subaltern character, Adiga joins the call by Dalit critics to reconfigure modernity from the interests of the oppressed and the marginali
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Lavanya, A., and M. R. Rashila. "Subalterns’ oppression in the Post Colonial Society of Aravind Adiga and Bina Shah." Shanlax International Journal of English 8, no. 3 (2020): 71–73. http://dx.doi.org/10.34293/english.v8i3.3164.

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The term ‘subaltern’ identifies and illustrates the man, the woman, and the public who is socially, politically, and purely outside of the hegemonic power organization. Nowadays, Subaltern concern has become so outstanding that it recurrently used in diverse disciplines such as history, psychology, sociology, anthropology, and literature. The notion of subaltern holds the groups that are marginalized, subjugated, and exploited based on social, cultural, spiritual, and biased grounds. The main purpose of this paper is to expose various themes such as oppression, marginalization, the subjugation
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Dr. Nidhi Gupta. "Globalization and Redevelopment: The Crux of Aravind Adiga’s Last Man in Tower." Creative Launcher 7, no. 6 (2022): 177–85. http://dx.doi.org/10.53032/tcl.2022.7.6.20.

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The metro cities of India are under the influence of the real estate business. Mumbai, the center of India's commerce, is not exempt from the gentrification process. Mumbai is a city of new money and rising real estate in the twenty-first century. The novel Last Man in Tower raises the issues of globalization and redevelopment in Mumbai in the last few years. Further, Globalization has widely affected the morals of the social and cultural arena too. The novel also examines how English literature is affected by the ever-evolving current trends in the postcolonial age by globalisation, which is
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Hussain, Wajid, and Khurram Shahzad Azam. "The Dialectic of Dialectical Materialism and Discourse: A Scrutiny of Aravind Adiga’s The White Tiger." International Journal of English Linguistics 9, no. 2 (2019): 394. http://dx.doi.org/10.5539/ijel.v9n2p394.

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The powerful social class exercises its hegemonic practices mainly on the basis of cognitive and discursive strategies. These strategies are accomplished through the exploitation of social knowledge, identities and ideologies, which, for their constitution, owe to the cognitive and discursive tactics themselves. The hegemony of the powerful social groups may, however, be countered when the manipulated individuals come to achieve enough knowledge and realization which protect their cognition from being manipulated further. Moreover, this achieved knowledge and realization also enables them to a
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Solanki., PragneshIshwarbhai. "THE ECONOMIC AND SOCIAL DICHOTOMY BETWEEN THE DARKNESS AND THE LIGHT IN ‘THE WHITE TIGER’ BY ARAVIND ADIGA." International Journal of Advanced Research 4, no. 8 (2016): 389–95. http://dx.doi.org/10.21474/ijar01/1227.

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Mondo, Costanza. "A Bird’s-Eye View over Sydney: Animal Imagery in Amnesty by Aravind Adiga." Revista Alicantina de Estudios Ingleses, no. 38 (January 30, 2023): 43. http://dx.doi.org/10.14198/raei.2023.38.03.

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The creative and meaningful use of animal imagery plays an important role in Aravind Adiga’s novels. In his previous works, such as the 2008 Booker-prize-winning The White Tiger and Last Man in Tower (published in 2011), animal references frequently feature in the narration, thus conveying multi-layered meanings. However, animal references become particularly noticeable in Amnesty, his latest novel published in 2020. The aim of this paper is to investigate the use of animal imagery in Amnesty and unravel some of its possible meanings. Starting from interpretations of animal metaphors related t
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Dissertations / Theses on the topic "White tiger (Adiga, Aravind)"

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"Shifting Indian Identities in Aravind Adiga's Work: The March from Individual to Communal Power." Master's thesis, 2013. http://hdl.handle.net/2286/R.I.17980.

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abstract: In contemporary Indian literature, the question over which sets of Indian identities are granted access to power is highly contested. Critics such as Kathleen Waller and Sara Schotland align power with the identity of the autonomous individual, whose rights and freedoms are supposedly protected by the state, while others like David Ludden and Sandria Freitag place power with those who become a part of group identities, either on the national or communal level. The work of contemporary Indian author Aravind Adiga attempts to address this question. While Adiga's first novel The White T
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Su, Wei-Ling, and 蘇維翎. "Situating Indian Globalization and Inter-caste Antagonisms in Aravind Adiga’s The White Tiger." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/00850359301412955134.

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碩士<br>淡江大學<br>英文學系碩士班<br>100<br>This thesis aims to read Aravind Adiga’s The White Tiger in terms of post-colonialism with the discussion of Indian globalization and inter-class antagonism as well as attempts to figure out if there are any other means of action to take when facing the conflict and contradictions presented in the text. In the first chapter, I would like to lead the discussion by exploring the binary influence of the Indian caste system, colonialism and globalism to the protagonist, the people around him and India society in the text. In the second chapter, for the Indian histor
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Books on the topic "White tiger (Adiga, Aravind)"

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ADIGA, ARAVIND. The white tiger: Aravind Adiga. Atlantic, 2008.

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Aravind Adiga's The white tiger. Roman Books, 2012.

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Aravind Adiga's The white tiger: A freakish booker. Authorpress, 2011.

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Aravind Adiga's The white tiger: A symposium of critical response. Prestige Books, 2011.

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Lucas, Olivia. Cambridge Checkpoints VCE Text Guides: The White Tiger by Aravind Adiga. Cambridge University Press, 2015.

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Herbert, Marilyn. The White Tiger, the novel by Aravind Adiga, discussed by Bookclub-in-a-Box. Bookclub-in-a-Box, 2010.

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Gale, Cengage Learning. A Study Guide for Aravind Adiga's "The White Tiger". Gale, Study Guides, 2018.

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Book chapters on the topic "White tiger (Adiga, Aravind)"

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Wiemann, Dirk. "Adiga, Aravind: The White Tiger." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_9162-1.

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Pandey, Anjali. "Outsourcing English: Liberty, Linguistic Lust, and Loathing in Aravind Adiga’s The White Tiger." In Monolingualism and Linguistic Exhibitionism in Fiction. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137340368_5.

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Kiran, S. D. Sasi. "Hero or Villain: A Study Based on Aravind Adiga’s “the White Tiger” as Reach of Realism." In The Components of Sustainable Development. Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-9209-2_7.

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Tickell, Alex. "Driving Pinky Madam (and Murdering Mr Ashok): Social Justice and Domestic Service in Aravind Adiga’s The White Tiger." In Reworking Postcolonialism. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137435934_10.

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Brouillette, Sarah. "Economy and Pathology in Aravind Adiga’s The White Tiger and Monica Ali’s In the Kitchen." In Literature and the Creative Economy. Stanford University Press, 2014. http://dx.doi.org/10.11126/stanford/9780804789486.003.0005.

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"Economy and Pathology in Aravind Adiga’s The White Tiger and Monica Ali’s In the Kitchen." In Literature and the Creative Economy. Stanford University Press, 2014. http://dx.doi.org/10.2307/j.ctvqsf2t2.8.

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"4. Economy and Pathology in Aravind Adiga’s The White Tiger and Monica Ali’s In the Kitchen." In Literature and the Creative Economy. Stanford University Press, 2020. http://dx.doi.org/10.1515/9780804792431-006.

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Saxena, Akshya. "Text." In Vernacular English. Princeton University Press, 2022. http://dx.doi.org/10.23943/princeton/9780691219981.003.0004.

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This chapter discusses Indian Anglophone novels about caste in the shadow of the caste politics of English noted in the previous chapter. Over three hundred years of Indian English literature, there have been only a few low-caste or Dalit protagonists even as almost all of the novels are written by upper-caste and upper-class writers. The narrative logic of these novels rests on the characters' inability to speak English. However, despite the literal and literary impossibility of English of those characters, they are also shown desiring English and performing Englishness to manipulate the performativity of caste. The chapter identifies two well-known caste-marked character types in Indian Anglophone literature, Bakha in Mulk Raj Anand's Untouchable (1935) and Balram Halwai in Aravind Adiga's The White Tiger (2008). It shines a light on an enduring hermeneutic knot in Indian Anglophone literature and imagines a mode of reading beyond suspicion that rehabilitates, rather than dismisses, these characters.
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