Relevant bibliographies by topics / White tiger (Adiga, Aravind)

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Academic literature on the topic 'White tiger (Adiga, Aravind)'

Author: Grafiati
Published: 2 March 2023

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Journal articles on the topic "White tiger (Adiga, Aravind)"

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Jain, Adhip. "Sociolinguistics Study of Aravind Adiga’s White Tiger." SMART MOVES JOURNAL IJELLH 9, no. 5 (2021): 147–53. http://dx.doi.org/10.24113/ijellh.v9i5.11054.

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This paper comprises the sociolinguistic concepts which are hidden in the Aravind Adiga’s novel White Tiger. And it will let us know how Aravind Adiga managed to reach his audience effortlessly. Aravind Adiga is a Man Booker Prize Winner of 2008, for his debut novel ‘White Tiger’. White Tiger is the story of a common man, who manages to attain tremendous success, later starts working as an Entrepreneur. The protagonist, Balram Halwai, narrates this novel, he sends letters to Premier of China, who will soon be visiting India. Moreover, this novel comprises of sociolinguistic elements such as the names are mostly of Indian origin, prestige feature. Aravind Adiga is being chosen as a writer to be tested on sociolinguistic grounds because there is an apt amount of sociolinguistic elements (code switching, high prestige, low prestige, etc.) in his novels. Aravind Adiga reaches the reader's heart, by using appropriate language in the manner his target audience can understand. This paper also verifies the sociolinguistic impact on Aravind Adiga, in the midst of this we realise the importance of sociolinguistic theories. Society and culture play a vital role in our language acquisition, and it shapes our respective roles in society. Ultimately, this can let us know how language variation occurs and impacts the users. Language is like a river, it changes its directions with time, place, communities, etc, and certain meanings avert or change slightly from the original meanings.
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Abullais, Md. "Corruption as Responsible Factor for Poverty in Aravind Adiga’s The White Tiger." SMART MOVES JOURNAL IJELLH 8, no. 1 (2020): 8. http://dx.doi.org/10.24113/ijellh.v8i1.10341.

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Adiga has written the novel The White Tiger in the phase of his career when India was facing problems of corruption, moral depravity deceit. In the realistic portrayal of Indian society. He has canvassed to us a class of people where are social status are being determined by economic status. In his debut novel. The White Tiger, Adiga exposes the real but ugly face of India’s heart of darkness, mainly the rural India, Indian political system and government machinery. Politicians and bureaucrats misappropriate public money. Politicians and bourgeoisie follow the colonialist tendencies of exploitative methods. Adiga points out the problems of corruption facing by the people in India. The White Tiger expresses the power of the rich and their domination to the poor.
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Ahlawat, RASHMI. "Aravind Adiga’s The White Tiger: A Socio –Political Study of Poverty and Injustice." IJOHMN (International Journal online of Humanities) 2, no. 6 (2016): 11–19. http://dx.doi.org/10.24113/ijohmn.v2i6.24.

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Aravind Adiga’s Man Booker Prize winning debut novel The White Tiger is sharp, fascinating, attacks poverty and injustice. The White Tiger is a ground breaking Indian novel. Aravind Adiga speaks of suppression and exploitation of various sections of Indian society. Mainly a story of Balram, a young boy’s journey from rags to riches, Darkness to Light transforming from a village teashop boy into a Bangalore entrepreneur. This paper deals with poverty and injustice. The paper analyses Balram’s capability to overcome the adversities and cruel realities. The pathetic condition of poor people try to make both ends meet. The novel mirrors the lives of poor in a realistic mode. The White Tiger is a story about a man’s journey for freedom. The protagonist Balram in this novel is a victim of injustice, inequality and poverty. He worked hard inspite of his low caste and overcame the social hindrance and become a successful entrepreneur. Through this novel Adiga portrays realistic and painful image of modern India. The novel exposes the anxieties of the oppressed.
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Dr. Brijesh Kumar. "Social Criticism in Aravind Adiga’s The White Tiger." Creative Launcher 7, no. 1 (2022): 79–85. http://dx.doi.org/10.53032/tcl.2022.7.1.12.

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Social criticism is a form of criticism that deals with the shortcomings and flawed structures of the society in order to reform them. In India, since the inception of English writings, a number of works especially novels have been written in order to underscore several burning socio-cultural issues which have been problematic for the smooth functioning of the society. Aravind Adiga’s epistolary novel, The White Tiger, is one such novel that tells the venturesome story of a character named Balram Halwai who writes a series of letters to Mr. Wen Jiabao, the Prime Minister of China. In these letters, he elaborates his struggles, his moral degradation and his social upliftment as a result of his daredevilry and hard work. He also mentions how the corrupt behaviour of a number of government officials in the country has helped him to raise his status. Throughout the novel, Adiga tries to portray one or other social, political, religious or cultural problems which hinder the progress of his country. In the novel, he raises many crucial issues of the country such as hunger, oppression, poverty, illiteracy, sufferings, corruption in government offices, unemployment, dowry system, prostitution, rotten political system, feudalism, wrong doings of the religious heads etc. Most of these issues are based on the grounds of caste, class and religion which heavily influence Indian society.
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Ratti, Manav. "Justice, subalternism, and literary justice: Aravind Adiga’sThe White Tiger." Journal of Commonwealth Literature 55, no. 2 (2018): 228–45. http://dx.doi.org/10.1177/0021989418777853.

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This article analyses Aravind Adiga’s Booker prize-winning novel The White Tiger (2008) through the lens of justice: philosophical, legal, and literary. What is justice when its agent is subaltern — disprivileged by both caste and class — and delivers justice to himself? I argue that the fictional representation of class, caste, poverty, and violence can be similar to the structuring and translations of justice. By writing his novel from the perspective of a subaltern character, Adiga joins the call by Dalit critics to reconfigure modernity from the interests of the oppressed and the marginalized. In the process, there can be a rethinking of postcolonial literary criticism from within the postcolonial nation, rather than the established perspective of the postcolonial nation understanding its own colonial oppression. My essay provokes wider insights into the implications for justice and human rights as they are informed and represented by literary fiction, subaltern theory, and deconstructive theory. How can a writer conceive of and represent justice — literary justice — by working within and against philosophical and legal conceptions of justice? The philosophers and theorists I invoke include Drucilla Cornell, Jacques Derrida, Wai Chee Dimock, Emmanuel Levinas, Gayatri Chakravarty Spivak, and Robert Young.
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Lavanya, A., and M. R. Rashila. "Subalterns’ oppression in the Post Colonial Society of Aravind Adiga and Bina Shah." Shanlax International Journal of English 8, no. 3 (2020): 71–73. http://dx.doi.org/10.34293/english.v8i3.3164.

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The term ‘subaltern’ identifies and illustrates the man, the woman, and the public who is socially, politically, and purely outside of the hegemonic power organization. Nowadays, Subaltern concern has become so outstanding that it recurrently used in diverse disciplines such as history, psychology, sociology, anthropology, and literature. The notion of subaltern holds the groups that are marginalized, subjugated, and exploited based on social, cultural, spiritual, and biased grounds. The main purpose of this paper is to expose various themes such as oppression, marginalization, the subjugation of inferior people and working classes, gender discrimination, unnoticed women, deprived classes, racial and caste discrimination, etc. It is one of the subdivisions of post colonialism. In this paper, Aravind Adiga and Bina Shah illustrate subalterns through The White Tiger and Slum Child.
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Dr. Nidhi Gupta. "Globalization and Redevelopment: The Crux of Aravind Adiga’s Last Man in Tower." Creative Launcher 7, no. 6 (2022): 177–85. http://dx.doi.org/10.53032/tcl.2022.7.6.20.

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The metro cities of India are under the influence of the real estate business. Mumbai, the center of India's commerce, is not exempt from the gentrification process. Mumbai is a city of new money and rising real estate in the twenty-first century. The novel Last Man in Tower raises the issues of globalization and redevelopment in Mumbai in the last few years. Further, Globalization has widely affected the morals of the social and cultural arena too. The novel also examines how English literature is affected by the ever-evolving current trends in the postcolonial age by globalisation, which is a sort of neo-colonialism. Like his debut novel The White Tiger, this novel also, Adiga has become the voice of the marginalized section by exposing the pitfall of urban development. This propulsive, explosive, insightful story coming out of the signature wit and magic of Adiga presents several interlinked issues of the teeming city of Mumbai. With great courage, Aravind Adiga explores the theme of lawlessness as the protagonist, Master Yogesh Murthy fails to receive justice and support from law, order, and even from the media. The crux of the novel revolves around the duality of human existence in the modern world and raises the question of whose rights should be preserved in case of a conflict between an individual and society. There are grave consequences of the redevelopment of societies which include not the only issue of compensation but also the larger issue of the acquisition of land, resettlement, rehabilitation, and participation in negotiation which can mitigate the darker side of redevelopment. The novel may be acclaimed as an example of post-modernist ethos seeking to explore the modern way of life. The present paper attempts to throw light on redevelopment and its social, economic, and political impact on society.
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Hussain, Wajid, and Khurram Shahzad Azam. "The Dialectic of Dialectical Materialism and Discourse: A Scrutiny of Aravind Adiga’s The White Tiger." International Journal of English Linguistics 9, no. 2 (2019): 394. http://dx.doi.org/10.5539/ijel.v9n2p394.

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The powerful social class exercises its hegemonic practices mainly on the basis of cognitive and discursive strategies. These strategies are accomplished through the exploitation of social knowledge, identities and ideologies, which, for their constitution, owe to the cognitive and discursive tactics themselves. The hegemony of the powerful social groups may, however, be countered when the manipulated individuals come to achieve enough knowledge and realization which protect their cognition from being manipulated further. Moreover, this achieved knowledge and realization also enables them to adapt themselves to the cognitive and discursive practices of the dominant class for the improvement of their socioeconomic position. The paper scrutinizes this notion in Aravind Adiga’s The White Tiger. The study applies Marx’s Dialectical Materialism and van Dijk’s concept of Discourse and Manipulation. Additionally, the latter perspective also works as a model for the research. The study elucidates that the poor-rich divide, which is prevalent in the Indian society, is mainly created by the dominant class through their manipulation of the cognition of the dominated class. It also highlights the productive attempt by a lowest of the low caste individual to become a successful entrepreneur by adapting to and using the same cognitive and discursive tactics as employed against people like him by the powerful social class.
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Solanki., PragneshIshwarbhai. "THE ECONOMIC AND SOCIAL DICHOTOMY BETWEEN THE DARKNESS AND THE LIGHT IN ‘THE WHITE TIGER’ BY ARAVIND ADIGA." International Journal of Advanced Research 4, no. 8 (2016): 389–95. http://dx.doi.org/10.21474/ijar01/1227.

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Mondo, Costanza. "A Bird’s-Eye View over Sydney: Animal Imagery in Amnesty by Aravind Adiga." Revista Alicantina de Estudios Ingleses, no. 38 (January 30, 2023): 43. http://dx.doi.org/10.14198/raei.2023.38.03.

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The creative and meaningful use of animal imagery plays an important role in Aravind Adiga’s novels. In his previous works, such as the 2008 Booker-prize-winning The White Tiger and Last Man in Tower (published in 2011), animal references frequently feature in the narration, thus conveying multi-layered meanings. However, animal references become particularly noticeable in Amnesty, his latest novel published in 2020. The aim of this paper is to investigate the use of animal imagery in Amnesty and unravel some of its possible meanings. Starting from interpretations of animal metaphors related to humans, the paper will then put under scrutiny other interpretations of animal references which progressively enlarge their reach, thereby involving not only the city of Sydney, but the whole novel. By making reference to specific passages, I will explore the meanings of the animal imagery with respect to the illegal immigrants, their condition and to isolation, which acquires particular relevance, since the narrator is a Sri Lankan illegal immigrant who initially reached Australia thanks to a student visa. Furthermore, other interpretations of the animal references could revolve around the city of Sydney, its curious representation as a jungle and its representational use of animal imagery in the coat of arms and official contexts. Finally, light will be shed on the interesting role played by animals in pivotal scenes and their unexpected powerful revelations, which allow readers to better understand some episodes in the novel and interpret them from a different, enlightening perspective.
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Dissertations / Theses on the topic "White tiger (Adiga, Aravind)"

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"Shifting Indian Identities in Aravind Adiga's Work: The March from Individual to Communal Power." Master's thesis, 2013. http://hdl.handle.net/2286/R.I.17980.

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abstract: In contemporary Indian literature, the question over which sets of Indian identities are granted access to power is highly contested. Critics such as Kathleen Waller and Sara Schotland align power with the identity of the autonomous individual, whose rights and freedoms are supposedly protected by the state, while others like David Ludden and Sandria Freitag place power with those who become a part of group identities, either on the national or communal level. The work of contemporary Indian author Aravind Adiga attempts to address this question. While Adiga's first novel The White Tiger applies the themes and ideology of the worth of the individual from African American novelists Ralph Ellison, Richard Wright, and James Baldwin, Adiga's latest novel, Last Man in Tower, shifts towards a study of the consequences of colonialism, national identity, and the place of the individual within India in order to reveal a changing landscape of power and identity. Through a discussion of Adiga's collective writings, postcolonial theory, American literature, South Asian crime novels, contemporary Indian popular fiction, and some of the challenges facing Mumbai, I track Adiga's shifts and moments of growth between his two novels and evaluate Adiga's ultimate message about who holds power in Indian society: the individual or the community.<br>Dissertation/Thesis<br>M.A. English 2013
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Su, Wei-Ling, and 蘇維翎. "Situating Indian Globalization and Inter-caste Antagonisms in Aravind Adiga’s The White Tiger." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/00850359301412955134.

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碩士<br>淡江大學<br>英文學系碩士班<br>100<br>This thesis aims to read Aravind Adiga’s The White Tiger in terms of post-colonialism with the discussion of Indian globalization and inter-class antagonism as well as attempts to figure out if there are any other means of action to take when facing the conflict and contradictions presented in the text. In the first chapter, I would like to lead the discussion by exploring the binary influence of the Indian caste system, colonialism and globalism to the protagonist, the people around him and India society in the text. In the second chapter, for the Indian historical complexities, the Indian people, as Balram, face the ambiguities of self-identification. Therefore, the second chapter mainly pays attention to the representation of Balram’s self-formation and subjectivity. In the last chapter, the focus turns to the analysis of power representation in the text. The thesis would like to analyze the exercise of power with the analysis of naming, the reading of landscape, the protagonist’s crime commitment, and the narrative term and tone which the author adopts. With the discussion so far, the thesis would like to argue that the binarism deconstruction would be lead with the deconstruction and reconstruction of space.
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Books on the topic "White tiger (Adiga, Aravind)"

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ADIGA, ARAVIND. The white tiger: Aravind Adiga. Atlantic, 2008.

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Aravind Adiga's The white tiger. Roman Books, 2012.

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Aravind Adiga's The white tiger: A freakish booker. Authorpress, 2011.

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Aravind Adiga's The white tiger: A symposium of critical response. Prestige Books, 2011.

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Lucas, Olivia. Cambridge Checkpoints VCE Text Guides: The White Tiger by Aravind Adiga. Cambridge University Press, 2015.

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Herbert, Marilyn. The White Tiger, the novel by Aravind Adiga, discussed by Bookclub-in-a-Box. Bookclub-in-a-Box, 2010.

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Gale, Cengage Learning. A Study Guide for Aravind Adiga's "The White Tiger". Gale, Study Guides, 2018.

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Book chapters on the topic "White tiger (Adiga, Aravind)"

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Wiemann, Dirk. "Adiga, Aravind: The White Tiger." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_9162-1.

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Pandey, Anjali. "Outsourcing English: Liberty, Linguistic Lust, and Loathing in Aravind Adiga’s The White Tiger." In Monolingualism and Linguistic Exhibitionism in Fiction. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137340368_5.

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Kiran, S. D. Sasi. "Hero or Villain: A Study Based on Aravind Adiga’s “the White Tiger” as Reach of Realism." In The Components of Sustainable Development. Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-9209-2_7.

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Tickell, Alex. "Driving Pinky Madam (and Murdering Mr Ashok): Social Justice and Domestic Service in Aravind Adiga’s The White Tiger." In Reworking Postcolonialism. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137435934_10.

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Brouillette, Sarah. "Economy and Pathology in Aravind Adiga’s The White Tiger and Monica Ali’s In the Kitchen." In Literature and the Creative Economy. Stanford University Press, 2014. http://dx.doi.org/10.11126/stanford/9780804789486.003.0005.

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"Economy and Pathology in Aravind Adiga’s The White Tiger and Monica Ali’s In the Kitchen." In Literature and the Creative Economy. Stanford University Press, 2014. http://dx.doi.org/10.2307/j.ctvqsf2t2.8.

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"4. Economy and Pathology in Aravind Adiga’s The White Tiger and Monica Ali’s In the Kitchen." In Literature and the Creative Economy. Stanford University Press, 2020. http://dx.doi.org/10.1515/9780804792431-006.

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Saxena, Akshya. "Text." In Vernacular English. Princeton University Press, 2022. http://dx.doi.org/10.23943/princeton/9780691219981.003.0004.

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This chapter discusses Indian Anglophone novels about caste in the shadow of the caste politics of English noted in the previous chapter. Over three hundred years of Indian English literature, there have been only a few low-caste or Dalit protagonists even as almost all of the novels are written by upper-caste and upper-class writers. The narrative logic of these novels rests on the characters' inability to speak English. However, despite the literal and literary impossibility of English of those characters, they are also shown desiring English and performing Englishness to manipulate the performativity of caste. The chapter identifies two well-known caste-marked character types in Indian Anglophone literature, Bakha in Mulk Raj Anand's Untouchable (1935) and Balram Halwai in Aravind Adiga's The White Tiger (2008). It shines a light on an enduring hermeneutic knot in Indian Anglophone literature and imagines a mode of reading beyond suspicion that rehabilitates, rather than dismisses, these characters.
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