Relevant bibliographies by topics / Whitman, Walt, Whitman, Walt

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  2. Dissertations / Theses
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Academic literature on the topic 'Whitman, Walt, Whitman, Walt'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

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Journal articles on the topic "Whitman, Walt, Whitman, Walt"

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Winant, Johanna. "Walt Whitman’s Formalism." Poetics Today 41, no. 1 (March 1, 2020): 59–81. http://dx.doi.org/10.1215/03335372-7974086.

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In this article, the author argues that we should understand Walt Whitman’s catalog as a poetic form that is also a logical form — enumerative induction. Whitman’s catalogs — his characteristic technique of generating long lists — have long been recognized as central to his poetics. The list, or enumeration, is also the most basic form of inductive reasoning. By recognizing that Whitman reasons logically through his poetic form, not only is the common account of Whitman changed, but the concept of form must be revised in three crucial ways. First, form should not be defined in opposition to poetic content— this is a false definitional binary. Second, form and free verse are another false binary, as poems can be written in free verse and also have form, as Whitman’s poetry is and does. Third, form is not just a rubric with which critics interpret poems but the logic by which poems interpret the world.
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Halling, Anna-Lisa. "Pasciolla, Francesca. Walt Whitman in Fernando Pessoa. Critical, Cultural and Communications Press, 2016." Journal of Lusophone Studies 4, no. 2 (January 1, 2020): 302–4. http://dx.doi.org/10.21471/jls.v4i2.350.

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Arianto, Tomi. "NATIONAL ROMANTICISM IN WALT WHITMAN POEMS." Lire Journal (Journal of Linguistics and Literature) 2, no. 1 (August 25, 2018): 14–20. http://dx.doi.org/10.33019/lire.v2i1.18.

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Romanticism is often misunderstood as something genuine love and merely about romance. In fact, romanticism is an understanding of great ideas that also be delivered great ideas. The development of Romanticism delivered a new orientation that called National Romanticism by maintaining the freedom of individual, sovereignty, and independent of human rights. This study took data from three Walt Whitman poems; Patriotic, War Democracy, and Poem of America. Researcher was using the concept of interpretation to explore the meaning of poetry and the influence of romanticism in Whitman poetry. Researchers use Isaiah's theory in his book “the root of romanticism” to explore the influence of the romanticism idea on Whitman's poems. From the three samples of poetry, it is found that romanticism is very influential in Whitman poetry, especially the idea of romantic nationalism. Patriotic themes, nationalities and egalitarian concepts are reflected in Whitman's collection of "Leaves of grass" poems. Patriotic themes and nationalities are seen from the struggle for the right of individual freedom in opposing slavery and aristocratic government. The egalitarian concept is seen from the struggle to promote equality, as well as the democracy system that promotes people's sovereignty. The role of the idea of romanticism has evolved in American territory because it shares the same pattern and state of affairs as revolutions against noble, social, and political norms and rationalization of nature. Thus, the representation of romantic ideas originating from Western Europe of the 18th century has penetrated into the 19th century America which is reflected in the works that carried Whitman.
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Vasseur, Álvaro Armando. "Preface to the Sixth Edition of Walt Whitman: Poemas." PMLA/Publications of the Modern Language Association of America 123, no. 2 (March 2008): 438–51. http://dx.doi.org/10.1632/pmla.2008.123.2.438.

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Álvaro Armando Vasseur's 1912 selection and translation of Walt Whitman's poetry, titled simply Walt Whitman: Poemas, was an extremely influential text for hispanophone readers—the first substantial collection of Whitman poems in Spanish. Scholars have identified Vasseur's translation as instrumental in accelerating Latin American poetry's shedding of its modernista tendencies in favor of franker, often more explicitly socially and politically engaged verse. Republished frequently throughout the period of extraordinary historical and aesthetic change bounded by 1912 and 1951, Poemas played a crucial role in keeping both Whitman and Vasseur in the public eye. Of Vasseur's prefaces to the various editions of the work, that to the sixth edition is the longest and most elaborate declaration of his sense of Whitman's importance to international letters.
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Metzer, David. "Reclaiming Walt: Marc Blitzstein's Whitman Settings." Journal of the American Musicological Society 48, no. 2 (1995): 240–71. http://dx.doi.org/10.2307/3128815.

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Between 1925 and 1928, Marc Blitzstein composed nine songs to texts by Walt Whitman. These settings highlight homoerotic and corporeal thematics, which dominant views of the poet had either obscured or denied. Challenging such interpretations, Blitzstein advanced a reclaiming of Whitman by homosexual readers. Subtitled "songs for a coon shouter," four of these settings introduce African American elements, either through "coon song" gestures or through incorporation of jazz idioms. These appropriations were intended to enhance Whitman's eroticism. They also create tensions between the "primitive" and the "civilized," high and low art, and white and black bodies.
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Sobolievskyi, Y. "PHILOSOPHICAL POETRY OF THE AMERICAN TRANSCENDENTALIST WALT WHITMAN." Humanities Studies, no. 31 (2018): 117–24. http://dx.doi.org/10.17721/2521-6805.2018/31-11/11.

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The purpose of the article is to reveal the basic philosophical views of the American transcendentalist Walt Whitman. The author has made a historical and philosophical analysis of the basic philosophical views of the thinker, Walt Whitman's literary heritage was analyzed, and ideas typical of American transcendentalism were discovered. The author's interpretation of the basic philosophical views of Walt Whitman is offered. The results complement the idea of the history of American philosophy, namely the period of American transcendentalism, they can be used in educational programs, they can be useful to scientists, teachers, students, etc.
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HAW, RICHARD. "American History/American Memory: Reevaluating Walt Whitman's Relationship with the Brooklyn Bridge." Journal of American Studies 38, no. 1 (April 2004): 1–22. http://dx.doi.org/10.1017/s0021875804007881.

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No one did more to sanctify and enshrine the image of Abraham Lincoln than Walt Whitman. The poet never met the president, but he embraced his image and claimed him as his own. In his “Death of Abraham Lincoln” speech, delivered on numerous occasions during the last 20 years of his life, Whitman involved himself in the cultural work of national definition, of posterity and legacy. He helped bridge the gap between complex personal history and official public memory. In service to the larger, national idea of union, democracy and selfless Americanism, Whitman's Lincoln, when compared to, for example Herndon's Life of Lincoln (1889), razed the contours of ambiguity and established the exemplary image of the “Martyr Chief.” The connection is both apt and ironic. What Whitman did for Lincoln in the aftermath of his death, others would do for the poet. Since Whitman's death in 1892, the poet's life and ideas have often been radically simplified; on other occasions his words have been recontextualized and appropriated to support a variety of different causes, concerns and ideologies. A driving factor in this process has been that, like Lincoln, Whitman's name carries with it a certain legitimacy. To evoke the approval of Whitman is to learn of the authority of an ideal, more perfect, America. And where Lincoln's name is inseparable from the American Civil War, Whitman has become most strongly associated with the metropolitan idea of New York, and Brooklyn in particular.
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Venediktova, Tatiana. "“Je chante avec toi, Walt Whitman”." Literature of the Americas, no. 8 (June 2020): 469–77. http://dx.doi.org/10.22455/2541-7894-2020-8-469-477.

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Tessitore, John. "The ““Sky-Blue”” Variety: William James, Walt Whitman, and the Limits of Healthy-Mindedness." Nineteenth-Century Literature 62, no. 4 (March 1, 2008): 493–526. http://dx.doi.org/10.1525/ncl.2008.62.4.493.

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Although Neo-Pragmatist scholars have long considered Walt Whitman an intellectual and literary forebear to William James and the American Pragmatic tradition, James believed Whitman to be a far more problematic thinker than has been acknowledged. Haunting much of James's writings, and The Varieties of Religious Experience (1902) in particular, is a Whitman who is less a figure for emulation than an embodiment of a particular kind of metaphysical excess, at once unworldly and effeminate. In characterizing Whitman as a paragon of an untrustworthy ““healthy-mindedness”” and a ““queer”” idealism that he wished to excise from his own Transcendental inheritance, James developed a gendered critique of the ““sky-blue”” optimism he recognized as the peculiar legacy of the poet, a critique that took into account Whitman's roots in Hegelian and Emersonian thought as well as the well-publicized homoeroticism of his life and work. Ambivalent about the sexual and moral ““indifferentism”” that he believed accompanied Whitman's ““sky-blue”” acceptance of evil and death, James then traced Whitman's influence——both implicitly and explicitly——through the writings of the leading gay Whitmanites of his era, including the ““mystics”” John Addington Symonds and Edward Carpenter. Thus, in the war for the American soul——a war that James waged on the battlefields of metaphysics, religion, and gender identity as well as within his own person——the father of Pragmatism turned a ““feminine”” and ““unnatural”” Whitman into his chief foil and his main adversary; Whitman became the standard against which his own ““manly”” beliefs and methodologies, particularly with respect to religious experience, were defined.
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McGuiness, Dan, and David Wagoner. "Walt Whitman Bathing." Antioch Review 56, no. 1 (1998): 120. http://dx.doi.org/10.2307/4613645.

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Dissertations / Theses on the topic "Whitman, Walt, Whitman, Walt"

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Fillard-Thévenet, Claudette. "Walt Whitman poète des éléments." Lille 3 : ANRT, 1991. http://catalogue.bnf.fr/ark:/12148/cb37605070r.

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Fillard, Claudette. "Walt Whitman, poète des éléments." Paris 4, 1987. http://www.theses.fr/1987PA040072.

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Alors que de nombreux critiques ont souligné l'importance des quatre éléments dans l'œuvre de Whitman, une étude approfondie de leur influence sur l'imagination, la sensibilité, et l'art poétique de l'écrivain fait cruellement défaut. L'emploi par Whitman de "elements" ou de termes apparentés montre avec quelle facilité on passe des éléments aux aliments et à ces "ailments" que l'anglais associe à la souffrance. Dejà se trouve ébranlée la vision traditionnelle d'un optimisme à toute épreuve. Si l'on essaie d'évaluer le role spécifique de chacun des éléments dans l'œuvre, on s'aperçoit que si l'eau est à la hauteur de sa réputation, l'air, la terre, et le feu ont besoin d'être rehabilites. Le feu surtout, dont le statut particulier et perturbant a ete indument minimise. Mais l'exploration se fait beaucoup plus fructueuse si l'on se debarrasse du carcan de la quaternite elementaire pour recourir a une approche plus diversifiée. Un examen attentif du role joué par les éléments dans la célébration par Whitman du "corps électrique", dans sa conception de l'espace et du temps et ses tentatives changeantes de domestication de la mort, ou son rituel de l'union et sa quête infatigable de l'un, conduit à des conclusions séduisantes et parfois inattendues. L'un des aspects les plus fascinants de l'œuvre ainsi placée sous l'objectif élementaire réside en la réalité protéenne d'une poésie aux perspectives illimitées, extraordinairement moderne, tout aussi ouverte que la route d'un de ses chants. Elle a le pouvoir de rajeunir éternellement. .
While many critics have stressed the importance of the four elements in Whitman's works, a thorough study of their influence on his imagination, sensitivity and theory of poetry has long been overdue. Whitman's use of "elements" and some cognate words shows how easily "elements" become "aliments" and "aliments", and unsettles the traditional vision of the poet's unruffled optimism. Trying to assess the specific role of each of the four elements in his writings, one realizes that if water is equal to its reputation, air, earth and fire are worth rehabilitating. Fire, above all, seems to have a peculiar, disturbing status which has been unduly minimized. But the exploration becomes much more rewarding when one gets rid of the straitjacket of the elementary "quaternion" and resorts to a more variegated approach. A careful perusal of the part played by the elements in Whitman's celebration of the "body electric", in his conception of space and time and variable
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Kolbe, Ben. "Walt Whitman's split poetic personalities." Waltham, Mass. : Brandeis University, 2009. http://dcoll.brandeis.edu/handle/10192/23301.

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Mackay, Daniel. "Advertising the soul : Walt Whitman's luciferic voice in twentieth-century American poetry /." Connect to title online (ProQuest), 2008. http://proquest.umi.com/pqdweb?did=1594829931&sid=2&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Choay-Lescar, Pauline. "Formes de l'absence chez Walt Whitman." Paris 3, 2000. http://www.theses.fr/2000PA030099.

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En depit des apparences, l'absence semble etre au coeur de l'oeuvre de whitman. Absence fondatrice, on la trouve dans l'intention poetique de l'auteur qui s'autocree et par lameme cree l'amerique a partir d'un neant originel ou d'une page blanche. Il donne a voir un monde autre ou le corps est un texte, support de l'ecriture de soi, et le texte une parole. Absence creatrice, elle apparait dans leprocessus creatif meme, a travers les moyens mis en oeuvre - comme la negation - pour modeler et informer cette nouvelle realite. Grace a un jeu subtil de miroirs et d'echos, metaphores, metonymies et hypallages multiplient les signifiances a l'infini, instaurant un espace imaginaire fluide ou le texte, affranchi de toutes contraintes, parvient a s'enoncer seul. Mais l'absence destructrice, qui engendre le doute et le desespoir, est toujours presente et malgre les strategies qu'il deploie pour se dissimuler, pour se soustraire aux frontieres du moi du monde, du lexique, et de la syntaxe, whitman finit par se laisser happer par le mot meme de << mort >>. En definitive, c'est l'absence destructrice qui triomphe : la mort demeure une enigme et la creation poetique une illusion.
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Moores, Don. "The essentially mystical Walt Whitman : an elucidation of the mystical dimension in Leaves of grass /." Click for abstract, 1997. http://library.ctstateu.edu/ccsu%5Ftheses/1500.html.

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Thesis (M.A.)--Central Connecticut State University, 1997.
Thesis advisor: John A. Heitner. "... in partial fulfillment of the requirements for the degree of Masters of Arts in English." Includes bibliographical references (leaves 90-92).
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Hecker-Bretschneider, Elisabeth. "Bedingte Ordnungen : Repräsentationen von Chaos und Ordnung bei Walt Whitman, 1840-1860 /." Frankfurt am Main ; New York : P. Lang, 2009. http://d-nb.info/994722680/04.

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Austin, Kelly. "A poet of the Americas Neruda's translations of Whitman and North American translations of Neruda /." Diss., Restricted to subscribing institutions, 2005. http://proquest.umi.com/pqdweb?did=1003847081&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Green, Charles B. "Passing into print: Walt Whitman and his publishers." W&M ScholarWorks, 2004. https://scholarworks.wm.edu/etd/1539623452.

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Few scholars have attempted to conduct a close examination of Whitman's relationship to his publishers in the context of Leaves of Grass. In their "Typographic Yawp: Leaves of Grass , 1855--1992," Megan and Paul Benton present a minimal, but interesting examination of the typographic story of Leaves, but they ignore three of the editions and deal with author-publisher relations only superficially. Other articles examine individual editions of Leaves of Grass, but none really explore what Whitman's complicated relationships with the publishers of his time tell us about the conditions for his work and for authorship in mid-nineteenth-century America. Most studies tend to focus on Whitman's poetry, rather than on issues associated with his publication history. In his Disseminating Whitman: Revision and Corporeality in Leaves of Grass, for example, Michael Moon carefully examines various editions, but chooses to concentrate on Whitman's poetic revisions and program, rather than discussing aspects related to the publication story behind Leaves of Grass. This study will try to address this gap in Whitman scholarship and, in so doing, try to answer the following questions: Were Whitman's ambitions for his Leaves of Grass fulfilled? Did he ever reach his intended audience?
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Sowder, Michael. "Whitman's ecstatic union : conversion and ideology in "Leaves of grass /." New York : Routledge, 2005. http://catalogue.bnf.fr/ark:/12148/cb40057342z.

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Books on the topic "Whitman, Walt, Whitman, Walt"

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Whitman, Walt. Walt Whitman. Lake Forest, CA: Moondance Press, 2017.

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Whitman, Walt. Walt Whitman. London: Phoenix Poetry, 2002.

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Walt Whitman. Boston: Twayne Publishers, 1990.

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Loewen, Nancy. Walt Whitman. Mankato, MN: Creative Education, 2015.

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Whitman, Walt. Walt Whitman. New York: Barnes & Noble, 2002.

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Walt Whitman. Minneapolis: ABDO Pub. Co., 2013.

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1819-1892, Whitman Walt, and Day Rob ill, eds. Walt Whitman. Mankato, Minn: Creative Editions, 1994.

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Walt Whitman. Oxford: Oxford University Press, 2005.

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Walt Whitman. New York: Clarion Books, 1995.

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Whitman, Walt. Walt Whitman. New York: C.N. Potter, 1987.

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Book chapters on the topic "Whitman, Walt, Whitman, Walt"

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Herrmann, Steven B. "Whitman, Walt." In Encyclopedia of Psychology and Religion, 1881–84. Boston, MA: Springer US, 2014. http://dx.doi.org/10.1007/978-1-4614-6086-2_9011.

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Bischoff, Volker. "Whitman, Walt." In Englischsprachige Autoren, 289–92. Stuttgart: J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02951-5_107.

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Hebel, Udo. "Whitman, Walt." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18896-1.

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Herrmann, Steven B. "Whitman, Walt." In Encyclopedia of Psychology and Religion, 2465–68. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-24348-7_9011.

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Hebel, Udo. "Whitman, Walt: Democratic Vistas." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18897-1.

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Kreutzberger, Wolfgang. "Walt Whitman (1819–1892)." In Frauenliebe Männerliebe, 452–57. Stuttgart: J.B. Metzler, 1997. http://dx.doi.org/10.1007/978-3-476-03666-7_101.

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Silverman, Kenneth. "Walt Whitman and His Mother." In Writers and Their Mothers, 31–37. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-68348-5_4.

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Dacy, Douglas Calvin. "Rostow, Walt Whitman (1916–2003)." In The New Palgrave Dictionary of Economics, 1–3. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/978-1-349-95121-5_2800-1.

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Dacy, Douglas Calvin. "Rostow, Walt Whitman (1916–2003)." In The New Palgrave Dictionary of Economics, 11812–14. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-349-95189-5_2800.

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Hebel, Udo. "Whitman, Walt: Leaves of Grass." In Kindlers Literatur Lexikon (KLL), 1–4. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18898-1.

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Conference papers on the topic "Whitman, Walt, Whitman, Walt"

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Freire, Flávia Magalhães, and Daniela Da Costa Britto Pereira Lima. "A Aliança para o Progresso, a Teoria da Modernização e a EAD no Brasil." In II Seminário de Educação a Distância da Região Centro-Oeste. Sociedade Brasileira de Computação, 2018. http://dx.doi.org/10.5753/seadco.2018.14816.

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O artigo busca analisar de que forma o programa americano Aliança para o Progresso exerceu influência na política educacional brasileira, culminando na política para educação a distância. A pesquisa foi realizada por meio de revisão bibliográfica e fundamentada pela Teoria da Modernização, de Walt Whitman Rostow, que foi também a base teórica que respaldou a Aliança Para o Progresso. Concluiu-se que o Programa, ao atuar no Brasil por meio, principalmente, da agência criada nos Estados Unidos em 1961, United States Agency For International Development (USAID), trouxe as bases para as políticas de incentivo à EaD no Brasil.
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Lopez de Bertodano, Martin A., and William D. Fullmer. "Two Equation Two-Fluid Model Analysis for Stratified Flow Under Kinematic and Dynamic Instabilities." In ASME 2013 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/imece2013-66743.

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The unstable one-dimensional incompressible two-fluid model including a hydrostatic force is reduced to a two equation model in terms of the liquid volume fraction and the liquid velocity. For small density ratios the model may be simplified to a formulation that is equivalent tothe Shallow Water Theory (SWT) equations [Whitham, 1975] with a source term corresponding to the two-fluid model constitutive relations for wall and interfacial shear and to a void gradient term that contains the Kelvin-Helmholtz mechanism. Linear stability of the SWT equations shows that the model is made well-posed stable by the hydrostatic force. However, unlike the SWT equations, the two equation two-fluid model is only conditionally stable. As the gas velocity increases the model becomes unstable once the kinematic instability occurs, i.e., the Viscous Kelvin-Helmholtz (VKH) instability. When the gas velocity is increased further the model becomes dynamically unstable, i.e., it reaches the Inviscid Kelvin-Helmholtz (IKH) instability limit. Beyond the IKH limit the model becomes ill-posed and requires higher order modelling, e.g. surface tension. Simple analytic expressions for the two instabilities are obtained because of the simplified mathematics of the two equation model. Furthermore, the wave “sheltering” effect, which allows more accurate predictions of the flow regime transition, may be easily incorporated into the analysis. The theory is validated with the new HAWAC flow regime map [Vallee et al., 2010]. The two equation two-fluid model is consistent with all previous results of two-fluid model linear stability for stratified flow and, since it is a special case of SWT, it is amenable to non-linear stability analysis and a very broad body of mathematics literature on non-linear kinematic waves, e.g., Whitham (1974) is now directly applicable when the model is not IKH unstable.
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Reports on the topic "Whitman, Walt, Whitman, Walt"

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Janssen, David. Walt Whitman's Poetics of Labor. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.6477.

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