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Relevant bibliographies by topics / Whitmer, David

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Academic literature on the topic 'Whitmer, David'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 February 2022

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Journal articles on the topic "Whitmer, David"

1

Hisama, Ellie M. "Letter from the Editor." Journal of the Society for American Music 1, no. 1 (February 2007): vii—viii. http://dx.doi.org/10.1017/s1752196307070058.

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I am delighted to present the inaugural issue of the Journal of the Society for American Music. Launching SAM has been an exciting and labor-intensive undertaking to which many hands have contributed. We look forward to working with Cambridge University Press, which publishes an outstanding line of music journals. I am grateful to SAM's President Michael Broyles and Executive Director Mariana Whitmer for their helpful responses to my countless questions over the past months; Past President Carol J. Oja and Vice President Judith Tick for their inspired ideas about the journal's potential directions; the Editorial Board, Assistant Editor Benjamin Piekut, and Reviews Editors Ron Pen, Charles Hiroshi Garrett, and Daniel Goldmark for their excellent and invaluable work; our many contributors for their patience during the transition of editorial homes and publishers; and—not the least!—SAM's members for their continued vigorous support of our Society's journal. On behalf of SAM, I would also like to thank Columbia University's Department of Music for graciously housing the journal during the term of my editorship, and Kip Lornell, David Patterson, Howard Pollack, and Catherine Parsons Smith, the outgoing Editorial Advisory Board members for American Music, SAM's former journal.

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Couture, Jocelyne, and Kai Nielsen. "Afterword: Whither Moral Philosophy?" Canadian Journal of Philosophy Supplementary Volume 21 (1995): 273–337. http://dx.doi.org/10.1080/00455091.1995.10717441.

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Most of the essays collected here are essays in metaethics seeking in exacting and interesting ways to resolve problems raised by the familiar options in metaethics we outlined in our Introduction. Richard Brandt, for example, forcefully argues, going much against the at least modestly holistic grain of our time, for a foundationalism (noncognitivist though it be) which would be foundational in both metaethics and normative ethics. R.M. Hare makes a brief but systematic defense, which is both spirited and clear, of his prescriptivism (a species of what we, following tradition, have called ‘noncognitivism,’ but which he argues should instead be called ‘nondescriptivism’). His arguments here for his position - call it nondescriptivism or noncognitivism- are directed forcefully against ethical naturalism (descriptivism) and specifically against the naturalism of Philippa Foot. Nicholas Sturgeon and David Copp contribute elaborate and rigorously argued defenses of ethical naturalism, or, as they might prefer to call it, ‘moral realism.’

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Aspiz, Harold. "Reynolds, David S. Walt Whitman [review]." Walt Whitman Quarterly Review 22, no. 4 (April 1, 2005): 203–4. http://dx.doi.org/10.13008/2153-3695.1775.

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Switaj, Elizabeth K. "Whither Teaching in the University Novel?" American, British and Canadian Studies Journal 26, no. 1 (June 1, 2016): 15–35. http://dx.doi.org/10.1515/abcsj-2016-0002.

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Abstract Scenes of explicit teaching make only limited appearances in the university novel since World War II. While it would be easy – if cynical – to attribute this minimization to the devaluation of teaching in the modern university, the importance of teaching and learning to sympathetic characters (and their lack of importance to corrupted figures) suggests that this lack of focus on the classroom stems from something else. Indeed, university novels tend to be fairly conservative aesthetically, and the demands of traditional narrative make extended classroom scenes difficult if not impossible to manage. Because of these narrative demands, learning and teaching take on different forms in the university novel, creating stories in which education corresponds to the struggle of teachers and students with and against administrators and buildings – stories that, therefore, resemble Leo van Lier’s observation about how remembering our own educations as stories contradicts more bureaucratic visions of learning. This observation holds true whether one considers better-known works of university fiction such as David Lodge’s Campus Trilogy, Mary McCarthy’s The Groves of Academe, and Julie Schumacher’s Dear Committee Members or lesser-known works produced by micro-presses and writers who are enabled by current technologies to publish electronically.

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Schaafsma, Polly. "Handbook of Rock Art Research. David S. Whitley." Journal of Anthropological Research 58, no. 3 (October 2002): 422–24. http://dx.doi.org/10.1086/jar.58.3.3631191.

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Irish, S. "Whither Tycoon Medievalism? A Response to Kathleen Davis." American Literary History 22, no. 4 (September 3, 2010): 801–5. http://dx.doi.org/10.1093/alh/ajq056.

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LANDIS, JOEL E. "Whither Parties? Hume on Partisanship and Political Legitimacy." American Political Science Review 112, no. 2 (December 12, 2017): 219–30. http://dx.doi.org/10.1017/s0003055417000545.

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Recent work by party scholars reveals a widening gap between the normative ideals we set out for political parties and the empirical evidence that reveals their deep and perhaps insurmountable shortcomings in realizing these ideals. This disjunction invites us to consider the perspective of David Hume, who offers a theory of the value and proper function of parties that is resilient to the pessimistic findings of recent empirical scholarship. I analyze Hume's writings to show that the psychological experience of party informs the opinions by which governments can be considered legitimate. Hume thus invites us to consider the essential role parties might play in securing legitimacy as that ideal is practiced or understood by citizens, independent of the ideal understandings of legitimacy currently being articulated by theorists. My analysis contributes to both recent party scholarship and to our understanding of the role of parties in Hume's theory of allegiance.

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Gupta, Arvind. "Whither Asia?International Relations in Asiaby David Shambaugh and Michael Yahuda." Strategic Analysis 35, no. 4 (July 2011): 683–85. http://dx.doi.org/10.1080/09700161.2011.576101.

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Phillips, Roger J. "David E. Smith Receives 2012 Charles A. Whitten Medal: Citation." Eos, Transactions American Geophysical Union 94, no. 1 (January 1, 2013): 11–12. http://dx.doi.org/10.1002/2013eo010032.

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Smith, David E. "David E. Smith Receives 2012 Charles A. Whitten Medal: Response." Eos, Transactions American Geophysical Union 94, no. 1 (January 1, 2013): 12. http://dx.doi.org/10.1002/2013eo010033.

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Dissertations / Theses on the topic "Whitmer, David"

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Mayweg, David Verfasser], Dierk [Akademischer Betreuer] Raabe, and Joachim [Akademischer Betreuer] [Mayer. "Microstructural characterization of white etching cracks in 100Cr6 bearing steel with emphasis on the role of carbon / David Mayweg ; Dierk Raabe, Joachim Mayer." Aachen : Universitätsbibliothek der RWTH Aachen, 2021. http://d-nb.info/1232576689/34.

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CZERNIAK-DROŻDŻOWICZ, Marzenna. "BOOK REVIEW: David Gordon White (ed.), Tantra in Practice, Delhi: Motilal Banarsidass, frrst Indian edition, 2001, XVIII + 640 Pp. Rs. 495 (first edition, UK, 2000)." 名古屋大学大学院文学研究科インド文化学研究室 (Department of Indian Studies, Graduate School of Letters, Nagoya University), 2003. http://hdl.handle.net/2237/19250.

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3

Lee, Deva. "The unstable earth landscape and language in Patrick White's Voss, Michael Ondaatje's The English Patient and David Malouf's An Imaginary Life." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1002281.

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This thesis argues that Patrick White’s Voss, Michael Ondaatje’s The English Patient and David Malouf’s An Imaginary Life depict landscape in a manner that reveals the inadequacies of imperial epistemological discourses and the rationalist model of subjectivity which enables them. The study demonstrates that these novels all emphasise the instabilities inherent in imperial epistemology. White, Ondaatje and Malouf chart their protagonists’ inability to comprehend and document the landscapes they encounter, and the ways in which this failure calls into question their subjectivity and the epistemologies that underpin it. One of the principal contentions of the study, then, is that the novels under consideration deploy a postmodern aesthetic of the sublime to undermine colonial discourses. The first chapter of the thesis outlines the postcolonial and poststructural theory that informs the readings in the later chapters. Chapter Two analyses White’s representation of subjectivity, imperial discourse and the Outback in Voss. The third chapter examines Ondaatje’s depiction of the Sahara Desert in The English Patient, and focuses on his concern with the ways in which language and cartographic discourse influence the subject’s perception of the natural world. Chapter Four investigates the representation of landscape, language and subjectivity in Malouf’s An Imaginary Life. Finally, then, this study argues that literature’s unique ability to acknowledge alterity enables it to serve as an effective tool for critiquing colonial discourses.

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Donley, Genie A. "The Gathering Storm: The Role of White Nationalism in U.S. Politics." Cleveland State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=csu1526041792631243.

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Beale, James. ""The Strong, Silent Type": Tony Soprano, Don Draper, and the Construction of the White Male Antihero in Contemporary Television Drama." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1395641750.

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Yamauchi, Chikako. "Talking Story about Art and Life: Narratives of Contemporary Oceanic Artists and Their Work." Thesis, University of Canterbury. School of Humanities and Creative Arts, 2014. http://hdl.handle.net/10092/9354.

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Talking Story about Art and Life: Narratives of Contemporary Oceanic Artists and Their Work takes a narrative, biographical approach to examine the lives and selected works of five contemporary Oceanic artists living and working in Aotearoa New Zealand – Ioane Ioane, Ema Tavola, Brett Graham, Robin White, and Siliga David Setoga. The narrative methodology, inspired by the Hawaiian notion of “talking story,” utilises informal conversations as sites of knowledge production. This approach allowed more personal and varied information to emerge, which speaks to the pluralities of identity. Instead of focusing primarily on visually analysing the creative output of the artists, their artworks and practices are incorporated as aspects of their voices that contribute to the narratives of their lives. The participants told stories that engage with the complexities intrinsic to their lives, revealing areas to research for the purpose of supporting their narratives. The supporting research investigates the notion of vā, Oceanic curatorial practices, trickster discourse, insider/outsider discourse, and fa‘a Sāmoa. In carrying out this investigation, this thesis illustrates choices artists are making to express their voices on their own terms. Bringing to light these choices also reminds viewers/readers that we can actively shape our own narratives. By privileging the artists’ stories told in their own words, this thesis honours Oceanic oral traditions and moves forward our understanding of these contemporary Oceanic artists and their artistic practices.

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Whitaker, David S. "The Use of Evidence-Based Design in Hospital Renovation Projects." BYU ScholarsArchive, 2018. https://scholarsarchive.byu.edu/etd/6692.

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Since the 1960s, researchers have been exploring how the design of the built environment impacts the health and well-being of occupants and users. By the 1980s, further research began to focus on healthcare facilities in particular and how design could influence patient healing and medical staff performance (Alfonsi, 2014). Evidence-Based Design (EBD) is "the process of basing decisions about the built environment on credible research to achieve the best possible outcomes" (CHD, 2016). The desired outcomes of Evidence-Based Design recommendations include improvements in the following: patient healing, patient experience and comfort, medical staff performance, and medical staff job satisfaction (CHD, 2017). Extensive research has been done on the subject of EBD; however, the question remains whether or not the latest research findings are being utilized by the design and construction industries in practice. The purpose of this research is to determine whether or not the latest scientific knowledge and research findings are being implemented into hospital renovation projects by the healthcare design and construction industries. A list of recommendations from existing EBD literature was compiled. Construction documents from 30 recent healthcare facility renovation projects across the United States were then obtained and analyzed. The findings indicate that EBD recommendations are being adopted in practice at consistently high levels. These findings also reveal that there are still areas of potential improvement which could inform those who influence or determine building and design codes, standards, and guidelines. The results are instructive to owners, designers, and contractors by providing a glimpse into how well the industry is recognizing and implementing known best practices. The findings likewise open up new opportunities for further research which could lead to additional improvement in the healthcare facilities of the future.

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Tucker, Wallace E. (Wallace Edward). "The Solo Tenor Trombone Works of Gordon Jacob: A Lecture Recital, Together with Three Recitals of Selected Works by L. Bassett, W. Hartley, B. Blacher, E. Bloch, D. White, F. David, G. Wagenseil, J. Casterede, L. Larson, and Others." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc330731/.

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The three recitals consisted of performances of original eighteenth, nineteenth and twentieth century solo works for trombone with the exception of Lyric Suite for Euphonium and Piano by Donald White, Divertimento for Trumpet, Trombone and Piano by Boris Blacher, and Dialogue and Dance for Trombone and Tuba by Newel Kay Brown. The premiere performance of Straight As An Arrow for B-flat-F Trombone and Prepared Tape by Ronn Cox and Dean Crocker was also included. After presenting a brief biography and discussing Gordon Jacob's (1895-1984) stylistic influences, the lecture continues with a Tonal, Motivic and Formal analysis of his three works for solo tenor trombone: Concerto for Trombone and Orchestra, Concertino for Trombone and Wind Orchestra, and the Trombone Sonata. Tonality, modality, polymodality and free association of pitches are elements that are present at one time or another in these compositions. Jacob's inclination for using the folk song style is evident in his writing, especially in the slow movements. Introductions, transition areas, and secondary themes, with tonally ambiguous harmonies and instrumental concepts of melodies, create a tension that is released by the return to tonality in the areas that follow. Treatment of rhythmic and melodic motives helps produce the special quality found in Gordon Jacob's compositions. Over half the themes in the works being investigated are built around motivic development. Neoclassicism results from the use of forms rooted in earlier centuries, but the choice of key centers gives these forms a new life. Jacob's composition of absolute music, as well as his use of the older compositional techniques of parallel harmonies and slow introductions, reflect neoclassical practices. The performance of Jacob's pieces is facilitated by his use of musical materials idiomatic to the instrument.

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9

Griffith, Joseph K. II. ""That That Nation Might Live" - Lincoln's Biblical Allusions in the Gettysburg Address." Ashland University Honors Theses / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=auhonors1399998979.

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Gabriel, Schenk. "A type of king : the figure of Arthur in mid-nineteenth to mid-twentieth century literature." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:6c284cea-e72c-49b0-ba87-29cf7b960ba9.

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This thesis analyses the figure of Arthur, in a period spanning the mid-nineteenth to mid-twentieth centuries, when that figure became increasingly protean and multifaceted, and the audience for the Arthurian legend grew in both size and variety. It argues that many authors wrote through Arthur, as well as about Arthur, using the figure to understand and test their own ideas about ideals (e.g. of manliness, kingship, or heroism) as well as problems (such as war, despotism, or ungodliness). This thesis analyses Arthur by considering him as a 'type', using a definition of the term that highlights a paradox: a type, in a scientific sense, is both perfect (an exemplary model) and normal (common enough to be representative). When applied to Arthur, it means that he is both a perfect, or near perfect, example, but is also to some extent a 'normal' human being. Different authors analysed in this thesis emphasise different aspects of the figure, according to whether they focus on Arthur's perfection or his normality. Other meanings of the word 'type' are also applied when relevant: the idea is not to force all versions of Arthur into a single or definitive category, but to retain the complexity of how Arthur is characterised and written about in texts. The ultimate aim of this thesis is to put the figure of Arthur into critical focus, and explain why he has been returned to so often in history.

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Books on the topic "Whitmer, David"

1

David, Bailey. David Bailey: Black and white memories. [London]: Arts Council of Great Britain, 1985.

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Silverstein, David. The suspicious sympathy of white / David Silverstein. Tokyo: Saru, 1990.

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(Firm), Memoir Club, ed. Whither thou goest: The life and times of David Tonge. Stanhope: Memoir Club, 2007.

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Stern, Kenneth S. David Duke: A Nazi in politics. New York: American Jewish Committee, Institute of Human Relations, 1991.

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Caris Davis' Stealth: The white edition. London: Penguin, 1989.

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The rise of David Duke. Jackson: University Press of Mississippi, 1994.

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Lane, David. Deceived, damned & defiant: The revolutionary writings of David Lane. St. Maries, Idaho (HC 01 Box 268K, St. Maries 83861): 14 Word Press, 1999.

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8

W, Whitten Kenneth, Gailey Kenneth D, Whitten Kenneth W, Whitten Kenneth W, and Whitten Kenneth W, eds. Problem solving in general chemistry: Whitten, Gailey, Davis. 4th ed. Fort Worth: Saunders College Pub., 1992.

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9

Zatarain, Michael. David Duke, evolution of a Klansman. Gretna, La: Pelican Pub. Co., 1990.

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Wilkin, Karen. Stuart Davis: Black and White: [exhibition catalogue]. New York: Salander-O'Reilly Galleries, 1985.

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Book chapters on the topic "Whitmer, David"

1

McHale, Brian. "The Pale King, Or, The White Visitation." In A Companion to David Foster Wallace Studies, 191–210. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137078346_10.

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Morris, Larry E. "“I Often Sat By and Saw and Heard Them Translate and Write for Hours Together”." In A Documentary History of the Book of Mormon, 342–69. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190699093.003.0009.

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Around June 1, 1829, David Whitmer arrived in Harmony, Pennsylvania, to move Joseph Smith and Oliver Cowdery to Fayette Township, New York, a journey of more than one hundred miles. With the help of David and his family, the translation was completed at the Whitmer farm by the end of June. Several individuals witnessed the translation, including David Whitmer and his sister, Elizabeth (future wife of Cowdery). During this same period, Jesse Smith wrote a hostile letter to Hyrum Smith—this is the first extant letter mentioning the Book of Mormon. This chapter also includes a contemporaneous letter from Oliver Cowdery to Hyrum Smith as well as Cowdery’s “Articles of the Church of Christ.”

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Morris, Larry E. "“An Angel of God Came Down from Heaven”." In A Documentary History of the Book of Mormon, 370–414. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190699093.003.0010.

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The documents in this chapter deal with the experience reported by Oliver Cowdery, David Whitmer, and Martin Harris in June 1829. Both first-and secondhand accounts are included. The statement of Cowdery, Whitmer, and Harris, titled “The Testimony of Three Witnesses,” states that “we, through the grace of God have seen the plates which contain this record, and we also know they have been translated by the gift and power of God, for his voice hath declared it unto us. And we declare with words of soberness than an angel of God came down from heaven, and he brought and laid before our eyes, that we beheld and saw the plates, and the engravings thereon.”

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Morris, Larry E. "“It Is Marvelous to Me”." In A Documentary History of the Book of Mormon, 287–308. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190699093.003.0007.

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The period from the autumn of 1828 to March 1829 was an interregnum of sorts because Joseph Smith was in Harmony, Pennsylvania, providing for his family, as shown by David Hale’s store ledger. Joseph “Could not translate But little Being poor and nobody to write for him But his wife and she Could not do much and take Care of her house and he Being poor and no means to live But work.” In another sense, however, this interregnum proved quite significant because Oliver Cowdery arrived on the scene. In September 1828 he likely knew nothing of any gold plates, but by the end of March 1829, he was well on his way to becoming the cofounder of Mormonism. When the rehabilitation of Martin Harris and the curiosity of newcomer David Whitmer are figured into the equation, this seven-month period looks anything but routine.

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"David Attyah." In White Men Challenging Racism, 121–31. Duke University Press, 2003. http://dx.doi.org/10.1215/9780822384847-013.

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"David Attyah." In White Men Challenging Racism, 121–31. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822384847-016.

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"David Attyah." In White Men Challenging Racism, 121–31. Duke University Press, 2003. http://dx.doi.org/10.2307/j.ctv11smt04.18.

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"David Duke." In Contemporary Voices of White Nationalism in America, 166–83. Cambridge University Press, 2003. http://dx.doi.org/10.1017/cbo9780511610080.007.

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Shuback, Alan. "Jock Whitney." In Hollywood at the Races, 172–88. University Press of Kentucky, 2019. http://dx.doi.org/10.5810/kentucky/9780813178295.003.0010.

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The family of John Hay “Jock” Whitney, descendant of Mayflower traveler William Bradford, owned the fabulously successful Thoroughbred estate known as Greentree Stables, which he ran for much of his life. Greentree produced the superb champions Twenty Grand, Capot, and Tom Fool. Whitney was also successful in England with the great steeplechaser Easter Hero, two-time winner of the Cheltenham Gold Cup. An early backer of Fred Astaire’s Broadway musicals, Whitney was an inveterate “stage-door Johnny,” well known for his ability to pick up chorus girls after the show. He was also a keen filmgoer, an early investor in Technicolor, and the man who backed David O. Selznick’s productions of Gone with the Wind and Rebecca.Despite his financial largesse, business acumen, and cinematic insight, the self-effacing Whitney never received a single screen credit for any of the dozens of films he was involved in.

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"David: My Daring, Dauntless, Devoted White Knight." In Faith, Medicine, and Science, 251–66. Routledge, 2013. http://dx.doi.org/10.4324/9781315043968-26.

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