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Books on the topic 'Whitmer, David'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 February 2022

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1

David, Bailey. David Bailey: Black and white memories. [London]: Arts Council of Great Britain, 1985.

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2

Silverstein, David. The suspicious sympathy of white / David Silverstein. Tokyo: Saru, 1990.

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3

(Firm), Memoir Club, ed. Whither thou goest: The life and times of David Tonge. Stanhope: Memoir Club, 2007.

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4

Stern, Kenneth S. David Duke: A Nazi in politics. New York: American Jewish Committee, Institute of Human Relations, 1991.

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5

Caris Davis' Stealth: The white edition. London: Penguin, 1989.

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6

The rise of David Duke. Jackson: University Press of Mississippi, 1994.

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7

Lane, David. Deceived, damned & defiant: The revolutionary writings of David Lane. St. Maries, Idaho (HC 01 Box 268K, St. Maries 83861): 14 Word Press, 1999.

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8

W, Whitten Kenneth, Gailey Kenneth D, Whitten Kenneth W, Whitten Kenneth W, and Whitten Kenneth W, eds. Problem solving in general chemistry: Whitten, Gailey, Davis. 4th ed. Fort Worth: Saunders College Pub., 1992.

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9

Zatarain, Michael. David Duke, evolution of a Klansman. Gretna, La: Pelican Pub. Co., 1990.

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10

Wilkin, Karen. Stuart Davis: Black and White: [exhibition catalogue]. New York: Salander-O'Reilly Galleries, 1985.

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11

Wilkin, Karen. Stuart Davis (1892-1964), black and white: Essay. New York, NY (22 E. 80 St., New York): Salander-O'Reilly Galleries, 1985.

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12

ill, VanNest Wendy, ed. Whitney coaches David on fighting Goliath: And learns to stand up for herself. New York: Paulist Press, 1999.

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13

David, Brooks. The Theodore H. White Lecture on Press and Politics with David Brooks. Cambridge, Massachusetts: Harvard Kennedy School, Joan Shorenstein Center, Press, Politics, and Public Policy, 2012.

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14

Bruskin, David N. Behind the Three Stooges: The White brothers : conversations with David N. Bruskin. Los Angeles: Directors Guild of America, 1993.

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15

In black and white: The life of Sammy Davis, Jr. N.Y: Alfred A. Knopf, 2003.

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16

Haygood, Wil. In black and white: The life of Sammy Davis, Jr. New York: A.A. Knopf, 2003.

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17

Whitener, Robert Campbell. "Gold mining son of a gold miner": David William Whitener, his ancestors and descendants, 1717-1987. Williston, FL (Rte. 3, Box 19, Williston 32696): R.C. Whitener, 1987.

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18

Whitaker, Robert. Underground London: The photographs of Robert Whitaker 1965-1970 : an exhibition selected by David Alan Mellor. [Brighton: Brighton Museum and Art Gallery, 1995.

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19

Pittman, Rickey. Jim Limber Davis: A Black orphan in the Confederate White House. Gretna: Pelican Publishing Co., 2007.

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20

Zebratown: The true story of a Black ex-con and a white single mother in small town America. New York: Scribner, 2010.

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21

Haygood, Wil. In black and white: The life and times of Sammy Davis, Jr. New York: A.A. Knopf, 2003.

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22

Haygood, Wil. In black and white: The life and times of Sammy Davis, Jr. New York: A.A. Knopf, 2003.

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23

Hill, Tucker. Victory in defeat: Jefferson Davis and the lost cause. Richmond, Va: Museum of the Confederacy, 1986.

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24

Ellroy, James. White jazz. New York: Vintage Books, 2001.

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25

Reese, Cynthia Jones. The genealogical study of David Reese: With allied families : Polk, Brevard, Davidson, Caldwell, White, Alexander, McKnitt, Bradley. Wichita Falls, Tex. (4807 Bonny Dr., Wichita Falls 76302): C.J. Reese, 1990.

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26

Ellroy, James. White jazz: A novel. New York: Knopf, 1992.

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27

Sue, Jacqueline Annette. A dream begun so long ago: The story of David Johnson ; Ansel Adams' first African American student. Corte Madera, CA: Khedcanron Pub., 2012.

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28

Davis, Stuart. Stuart Davis, an American in Paris: Whitney Museum of American Art at Philip Morris, October 2-December 10, 1987. New York, N.Y. (945 Madison Avenue, New York NY 10017): The Museum, 1987.

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29

United States. Congress. House. Committee on Government Reform and Oversight. Proceedings against John M. Quinn, David Watkins, and Matthew Moore (pursuant to Title 2, United States Code, sections 192 and 194): Report of the Committee on Government Reform and Oversight citing John M. Quinn, David Watkins, and Matthew Moore together with additional and dissenting views, H. Res. [sic]. [Washington, D.C.?: U.S. G.P.O., 1996.

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30

David Whitaker Painting. Black Dog Publishing, 2012.

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31

Gray, David. David Gray: "White Ladder". Omnibus Press, 2000.

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32

David Gray: "White Ladder". Omnibus Press, 2000.

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33

(EDT), Alfred Publishing. David Gray: White Ladder. Alfred Publishing Company, 2001.

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34

Garrett, Aaron, and Silvia Sebastiani. David Hume on Race. Edited by Naomi Zack. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190236953.013.43.

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David Hume in a notorious footnote in “Of National Characters,” in his Essays, Moral, Political and Literary, explicitly wrote that there were human races and that nonwhites were inferior to whites. The footnote has been characterized as “just an offhand comment.” However, the footnote reflects Hume’s deeper views about methodology in the sciences of man, and it can be connected to passages in Hume’s other works and to a broader Scottish and European intellectual and historical setting. Hume consistently insisted on a natural inferiority of blacks which set them apart from other races and believed that the difference between Europeans and Amerindians was a great as the difference between human beings and animals. He rejected slavery, which rendered his ideology of white supremacy enigmatic, because his rejection of geographical or climatic differences as causes meant that he could not provide a convincing causal account of what he took to be racial difference.

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35

Moore, David. David Moore: Australian Photographer : Black and White. Australia in Print, 1989.

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36

Patrick White A Life - By David Marr. Random House Australia, 1992.

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37

Patrick White A Life - By David Marr. Random House Australia, 1992.

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38

G, McCullough David, and Joan Shorenstein Center on the Press, Politics, and Public Policy., eds. The Theodore H. White lecture with David McCullough. [Cambridge, Mass.]: Joan Shorenstein Center, 2002.

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39

Harris, Margaret. Major Authors: Christina Stead, Patrick White, David Malouf. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.003.0019.

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This chapter examines the work of three Australian novelists who are read in the context of modernism, introducing a new dimension for the exploration of individual and national identity. David Malouf defines his Old and New World cultural heritage in a significant body of non-fiction prose, encompassing memoir and cultural commentary, along with reviews and interviews, that runs in tandem with his fiction. His intense literary self-consciousness is manifest in an extended mythology of place and history that emerges in his writing, such as Johnno (1975) and Remembering Babylon (1993). Patrick White's spiritual evocation of Australian landscape is evident from his first novel Happy Valley (1934) through The Tree of Man (1956) and Voss (1957), while issues of the construction of gender and identity are explicit in his memoir Flaws in the Glass: A Self-Portrait (1981) and the posthumously published The Hanging Garden (2012). Christina Stead's later international career, initiated by the republication in 1965 of The Man Who Loved Children (1940) followed by For Love Alone (1944), reveals her radical modernist techniques, her radical politics, and her focus on gender issues, particularly her concern with women artists, ending with the posthumous publication of I'm Dying Laughing: the Humourist (1986).

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40

Leser, David. The Whites of Their Eyes: Profiles by David Leser. Allen & Unwin Academic, 2000.

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41

Archer, Richard. The World of Hosea Easton and David Walker. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190676643.003.0001.

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Hosea Easton and David Walker described and analyzed racism in New England during the late 1820s. New England had initially been more receptive to its black population than were other sections of the United States, but as their populations of free people of African descent dramatically increased, states began to reverse themselves. By the 1820s, laws forbade free people of African descent from marrying whites, employment was limited to the most menial jobs, and education—where available—was inadequate. African Americans could not serve on juries or hold public office. Their housing opportunities were restricted, and they were segregated in church seating. They were barred from theaters, hotels, hospitals, stagecoaches, and steamships. Worst of all, whites denied blacks their humanity. Their belief that people of color were inferior to themselves underlay slavery and racism.

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42

S, Broder David, and Joan Shorenstein Center on the Press, Politics, and Public Policy., eds. The Theodore H. White lecture with David S. Broder. [Cambridge, Mass.]: Joan Shorenstein Center on the Press, Politics, Public Policy, John F. Kennedy School of Government, Harvard University, 1998.

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43

Carleton, Phillips D. Hawk, The White Indian: The Captivity Of David Aiken. Kessinger Publishing, LLC, 2007.

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44

Working in White Hart Lane: Focus on David Gent. 1996.

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45

Peck, Larry, George G. Stanley, Kenneth W. Whitten, and Raymond E. Davis. Study Guide for Whitten/Davis/Peck/Stanley's Chemistry. Brooks/Cole, 2013.

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46

Bontemps, Arna. Literature. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037696.003.0026.

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This chapter examines Negro literature in Illinois, beginning with the literary societies, orators, and slave narratives of the nineteenth century. The Illinois Negroes' interest in literature had been recorded almost a decade before the Civil War by the organization of the Chicago Literary Society. Prior to 1861, there had been thirty-five works of Afro-American authorship published and sold in the United States; at the time of the World's Columbian Exposition in 1893 in Chicago more than 100 had been issued. This chapter considers the literary turn marked by the dialect poetry of Paul Lawrence Dunbar, James Edwin Campbell, and James David Corrothers, along with the free verse of Fenton Johnson. It also discusses the works of other Negro writers such as Frank Marshall Davis, Langston Hughes, and Arna Bontemp, as well as those of a number of white scholars, poets, and novelists from Illinois who had written sympathetically about African Americans.

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47

Phillips, David G. White Magic (The Works Of David G. Phillips - 26 Volumes). Reprint Services Corp, 1999.

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48

Study Guide for Whitten/Davis/Peck/Stanley's Chemistry, 8th. 8th ed. Brooks Cole, 2006.

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49

Altman, Michael J. Orientalism in Nineteenth-Century America. Edited by Paul Harvey and Kathryn Gin Lum. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190221171.013.19.

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During the nineteenth century, Americans encountered Asia through a number of exchanges. Drawing on the work of Edward Said, this chapter surveys the development of American Orientalism across three areas: academic Orientalism, representative Orientalism, and Orientalist discourses of power. Academic Orientalism first developed in the United States as the work of British Orientalists in India filtered into the country. Later, Americans such as William D. Whitney placed American Orientalism on par with its European competitors. Meanwhile, Ralph Waldo Emerson, Henry David Thoreau, imagined Asia as a land of Oriental mysticism and contemplation in contrast to American materialism and reason. Finally, the World’s Parliament of Religion in 1893 used representations of the Orient to bolster claims of American cultural supremacy. Through all of these examples, Orientalism collapsed the line between religion and race such that the Orient always represented racial and religious inferiority to white Christian America.

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50

Grigg, Gordon, and David Kirshner. Biology and Evolution of Crocodylians. CSIRO Publishing, 2015. http://dx.doi.org/10.1071/9781486300679.

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Biology and Evolution of Crocodylians is a comprehensive review of current knowledge about the world's largest and most famous living reptiles. Gordon Grigg's authoritative and accessible text and David Kirshner's stunning interpretive artwork and colour photographs combine expertly in this contemporary celebration of crocodiles, alligators, caimans and gharials. This book showcases the skills and capabilities that allow crocodylians to live how and where they do. It covers the biology and ecology of the extant species, conservation issues, crocodylian–human interaction and the evolutionary history of the group, and includes a vast amount of new information; 25 per cent of 1100 cited publications have appeared since 2007. Richly illustrated with more than 500 colour photographs and black and white illustrations, this book will be a benchmark reference work for crocodylian biologists, herpetologists and vertebrate biologists for years to come. Winner of the 2015 Whitley Medal.

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