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Journal articles on the topic 'Whitmer, David'

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Published: 4 June 2021

Last updated: 10 February 2022

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1

Hisama, Ellie M. "Letter from the Editor." Journal of the Society for American Music 1, no. 1 (February 2007): vii—viii. http://dx.doi.org/10.1017/s1752196307070058.

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I am delighted to present the inaugural issue of the Journal of the Society for American Music. Launching SAM has been an exciting and labor-intensive undertaking to which many hands have contributed. We look forward to working with Cambridge University Press, which publishes an outstanding line of music journals. I am grateful to SAM's President Michael Broyles and Executive Director Mariana Whitmer for their helpful responses to my countless questions over the past months; Past President Carol J. Oja and Vice President Judith Tick for their inspired ideas about the journal's potential directions; the Editorial Board, Assistant Editor Benjamin Piekut, and Reviews Editors Ron Pen, Charles Hiroshi Garrett, and Daniel Goldmark for their excellent and invaluable work; our many contributors for their patience during the transition of editorial homes and publishers; and—not the least!—SAM's members for their continued vigorous support of our Society's journal. On behalf of SAM, I would also like to thank Columbia University's Department of Music for graciously housing the journal during the term of my editorship, and Kip Lornell, David Patterson, Howard Pollack, and Catherine Parsons Smith, the outgoing Editorial Advisory Board members for American Music, SAM's former journal.

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2

Couture, Jocelyne, and Kai Nielsen. "Afterword: Whither Moral Philosophy?" Canadian Journal of Philosophy Supplementary Volume 21 (1995): 273–337. http://dx.doi.org/10.1080/00455091.1995.10717441.

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Most of the essays collected here are essays in metaethics seeking in exacting and interesting ways to resolve problems raised by the familiar options in metaethics we outlined in our Introduction. Richard Brandt, for example, forcefully argues, going much against the at least modestly holistic grain of our time, for a foundationalism (noncognitivist though it be) which would be foundational in both metaethics and normative ethics. R.M. Hare makes a brief but systematic defense, which is both spirited and clear, of his prescriptivism (a species of what we, following tradition, have called ‘noncognitivism,’ but which he argues should instead be called ‘nondescriptivism’). His arguments here for his position - call it nondescriptivism or noncognitivism- are directed forcefully against ethical naturalism (descriptivism) and specifically against the naturalism of Philippa Foot. Nicholas Sturgeon and David Copp contribute elaborate and rigorously argued defenses of ethical naturalism, or, as they might prefer to call it, ‘moral realism.’

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3

Aspiz, Harold. "Reynolds, David S. Walt Whitman [review]." Walt Whitman Quarterly Review 22, no. 4 (April 1, 2005): 203–4. http://dx.doi.org/10.13008/2153-3695.1775.

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4

Switaj, Elizabeth K. "Whither Teaching in the University Novel?" American, British and Canadian Studies Journal 26, no. 1 (June 1, 2016): 15–35. http://dx.doi.org/10.1515/abcsj-2016-0002.

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Abstract Scenes of explicit teaching make only limited appearances in the university novel since World War II. While it would be easy – if cynical – to attribute this minimization to the devaluation of teaching in the modern university, the importance of teaching and learning to sympathetic characters (and their lack of importance to corrupted figures) suggests that this lack of focus on the classroom stems from something else. Indeed, university novels tend to be fairly conservative aesthetically, and the demands of traditional narrative make extended classroom scenes difficult if not impossible to manage. Because of these narrative demands, learning and teaching take on different forms in the university novel, creating stories in which education corresponds to the struggle of teachers and students with and against administrators and buildings – stories that, therefore, resemble Leo van Lier’s observation about how remembering our own educations as stories contradicts more bureaucratic visions of learning. This observation holds true whether one considers better-known works of university fiction such as David Lodge’s Campus Trilogy, Mary McCarthy’s The Groves of Academe, and Julie Schumacher’s Dear Committee Members or lesser-known works produced by micro-presses and writers who are enabled by current technologies to publish electronically.

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5

Schaafsma, Polly. "Handbook of Rock Art Research. David S. Whitley." Journal of Anthropological Research 58, no. 3 (October 2002): 422–24. http://dx.doi.org/10.1086/jar.58.3.3631191.

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6

Irish, S. "Whither Tycoon Medievalism? A Response to Kathleen Davis." American Literary History 22, no. 4 (September 3, 2010): 801–5. http://dx.doi.org/10.1093/alh/ajq056.

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7

LANDIS, JOEL E. "Whither Parties? Hume on Partisanship and Political Legitimacy." American Political Science Review 112, no. 2 (December 12, 2017): 219–30. http://dx.doi.org/10.1017/s0003055417000545.

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Recent work by party scholars reveals a widening gap between the normative ideals we set out for political parties and the empirical evidence that reveals their deep and perhaps insurmountable shortcomings in realizing these ideals. This disjunction invites us to consider the perspective of David Hume, who offers a theory of the value and proper function of parties that is resilient to the pessimistic findings of recent empirical scholarship. I analyze Hume's writings to show that the psychological experience of party informs the opinions by which governments can be considered legitimate. Hume thus invites us to consider the essential role parties might play in securing legitimacy as that ideal is practiced or understood by citizens, independent of the ideal understandings of legitimacy currently being articulated by theorists. My analysis contributes to both recent party scholarship and to our understanding of the role of parties in Hume's theory of allegiance.

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8

Gupta, Arvind. "Whither Asia?International Relations in Asiaby David Shambaugh and Michael Yahuda." Strategic Analysis 35, no. 4 (July 2011): 683–85. http://dx.doi.org/10.1080/09700161.2011.576101.

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9

Phillips, Roger J. "David E. Smith Receives 2012 Charles A. Whitten Medal: Citation." Eos, Transactions American Geophysical Union 94, no. 1 (January 1, 2013): 11–12. http://dx.doi.org/10.1002/2013eo010032.

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10

Smith, David E. "David E. Smith Receives 2012 Charles A. Whitten Medal: Response." Eos, Transactions American Geophysical Union 94, no. 1 (January 1, 2013): 12. http://dx.doi.org/10.1002/2013eo010033.

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11

Scuka, Robert F. "Whither Christianity? Charles Davis and the Future of Christian Religion." Theological Studies 48, no. 3 (September 1987): 527–36. http://dx.doi.org/10.1177/004056398704800307.

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12

Maas, Korey D. "Whither God Brings Us: Cambridge and the Reformation Martyrs by David Llewellyn Jenkins." Lutheran Quarterly 33, no. 3 (2019): 345–46. http://dx.doi.org/10.1353/lut.2019.0065.

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13

Kane, Brian. "Whitney Davis,A General Theory of Visual Culture." Art Bulletin 96, no. 4 (October 2, 2014): 491–93. http://dx.doi.org/10.1080/00043079.2014.958006.

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14

Bauerlein, Mark. "Reynolds, David S., ed., A Historical Guide to Walt Whitman [review]." Walt Whitman Quarterly Review 18, no. 3 (January 1, 2001): 147–49. http://dx.doi.org/10.13008/2153-3695.1648.

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15

Nichols, Bill. "Kabul Transit edited by David Edwards, Gregory Whitmore, and Maliha Zulfacar." American Anthropologist 112, no. 1 (February 23, 2010): 149. http://dx.doi.org/10.1111/j.1548-1433.2009.01208_1.x.

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16

Copeland, Huey. "A Seat at the Table: Notes of an Institutional Creature." October 168 (May 2019): 63–78. http://dx.doi.org/10.1162/octo_a_00348.

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In this article, occasioned by the fiftieth-anniversary of the Whitney Independent Study Program, art-historian Huey Copeland considers the vexed intersections of blackness, gender, and institutional critique in the contemporary art world as modeled both by his own practice and that of David Hammons.

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17

Thomas, Brook. "The Galaxy, National Literature, and Reconstruction." Nineteenth-Century Literature 75, no. 1 (June 2020): 50–81. http://dx.doi.org/10.1525/ncl.2020.75.1.50.

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Brook Thomas, “The Galaxy, National Literature, and Reconstruction” (pp. 50–81) The North’s victory in the Civil War preserved the Union and led to the abolition of slavery. Reconstruction was a contentious debate about what sort of nation that union of states should become. Published during Reconstruction before being taken over by the Atlantic Monthly, the Galaxy tried, in Rebecca Harding Davis’s words, to be “a national magazine in which the current of thought of every section could find expression.” The Galaxy published literature and criticism as well as political, sociological, and economic essays. Its editors were moderates who aesthetically promoted a national literature and politically promoted reconciliation between Northern and Southern whites along with fair treatment for freedmen. What fair treatment entailed was debated in its pages. Essayists included Horace Greeley, the abolitionist journalist; Edward A. Pollard, author of The Lost Cause (1866); and David Croly, who pejoratively coined the phrase “miscegenation.” Literary contributors included Davis, Walt Whitman, Henry James, Mark Twain, Constance Fenimore Woolson, John William De Forest, Julian Hawthorne, Emma Lazarus, Paul Hayne, Sidney Lanier, and Joaquin Miller. Juxtaposing some of the Galaxy’s literary works with its debates over how the Union should be reimagined points to the neglected role that Reconstruction politics played in the institutionalization of American literary studies. Whitman is especially important. Reading the great poet of American democracy in the context of the Galaxy reveals how his postbellum celebration of a united nation—North, South, East, and West—aligns him with moderate views on Reconstruction that today seem racially reactionary.

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18

Lockard, Ray Anne. "GAY AND LESBIAN STUDIES IN ART HISTORY. Whitney Davis." Art Documentation: Journal of the Art Libraries Society of North America 14, no. 1 (April 1995): 40. http://dx.doi.org/10.1086/adx.14.1.27948724.

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19

Corcoran, Lorelei H. "The Canonical Tradition in Ancient Egyptian Art. Whitney Davis." Journal of Near Eastern Studies 54, no. 2 (April 1995): 137–44. http://dx.doi.org/10.1086/373743.

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20

Cady, Joseph. "Whitman and the Romance of Medicine. Robert Leigh Davis." Modern Philology 99, no. 1 (August 2001): 150–54. http://dx.doi.org/10.1086/493053.

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21

Weeks, Kent R. ": The Canonical Tradition in Ancient Egyptian Art . Whitney Davis." American Anthropologist 93, no. 2 (June 1991): 502–3. http://dx.doi.org/10.1525/aa.1991.93.2.02a00680.

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22

Glass, Loren. "Blake, David Haven. Walt Whitman and the Culture of American Celebrity [review]." Walt Whitman Quarterly Review 24, no. 4 (April 1, 2007): 228–31. http://dx.doi.org/10.13008/2153-3695.1832.

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23

Macekura, Stephen. "Whither growth? International development, social indicators, and the politics of measurement, 1920s–1970s." Journal of Global History 14, no. 2 (July 2019): 261–79. http://dx.doi.org/10.1017/s1740022819000068.

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AbstractFew concepts in the history of twentieth-century history proved as important as economic growth. Scholars such as Charles Maier, Robert Collins, and Timothy Mitchell have analysed how the notion that an entity called ‘the economy’ (defined by metrics such as Gross National Product, or GNP) could be made to grow came to define economic thought and policy worldwide. Yet there has been far less attention paid to the fact that neither growth nor GNP went without challenge during their emergence and global diffusion. This article focuses on one set of growth critics: those who advocated for ‘social indicators’ in international development policy during the 1960s and 1970s. It advances three overlapping arguments: that advocates for social indicators harkened back to early twentieth-century transnational efforts to make workers’ ‘standard of living’ the primary statistical framework for policy-makers; that, while supporters of social indicators expressed frustration with technocratic governance, their reform efforts nevertheless represented technocratic critiques of modernity; and finally, that one of the major reform efforts, Morris David Morris’s advocacy on behalf of the ‘Physical Quality of Life Index’ (PQLI), as an alternative measure of national wellbeing, ultimately struggled to challenge the GNP growth paradigm, and yet proved influential in spawning subsequent research into new measures and approaches to development.

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24

Bauerlein, Mark. "Davis, Robert Leigh. Whitman and the Romance of Medicine [review]." Walt Whitman Quarterly Review 15, no. 2-3 (October 1, 1997): 126–30. http://dx.doi.org/10.13008/2153-3695.1525.

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25

Pollak, Vivian R. "Cavitch, David. My Soul and I: The Inner Life of Walt Whitman [review]." Walt Whitman Quarterly Review 4, no. 1 (July 1, 1986): 44–46. http://dx.doi.org/10.13008/2153-3695.1133.

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26

Burke, David. "Corrigendum to “Editorial: Whither needle EMG? by David Burke” [Clinical Neurophysiology 121 (9) (2010) 1373–1375]." Clinical Neurophysiology 121, no. 10 (October 2010): 1788. http://dx.doi.org/10.1016/j.clinph.2010.08.001.

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27

Jackson, Shannon. "The Way We Perform Now." Dance Research Journal 46, no. 3 (December 2014): 53–61. http://dx.doi.org/10.1017/s0149767714000059.

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This piece is adapted from a lecture delivered in the “Performing Institutions” series curated by Artists Space with the 2012 Whitney Biennial. The event also included David Velasco of Artforum as well as Sarah Michelson, who had just become the first choreographer to win the Bucksbaum Award for the best work presented at the Whitney Biennial. Artists Space represented the Performing Institutions series in the following terms: “Taking as its starting point the 2012 Whitney Biennial's allocation of the fourth floor Emily Fischer Landau Galleries as a performance space for music, dance, theater, and participatory programming, this series of talks consider the status of performance and ‘virtuosity’ within the parameters of an institutional public sphere. Does this turn toward ‘activity without end product’ potentially shift entrenched relations between institution and artist, artwork and viewer, or reinforce a contemporary experience of totalizing social production?”

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28

Folsom, Ed. "Reynolds, David S., ed., Walt Whitman, Leaves of Grass: The 150th Anniversary Edition [review]." Walt Whitman Quarterly Review 22, no. 4 (April 1, 2005): 205–6. http://dx.doi.org/10.13008/2153-3695.1776.

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29

Adams, David. "Haughton, Graham and Whitney, David (eds), "Reinventing a Region: Restructuring in West Yorkshire" (Book Review)." Town Planning Review 67, no. 1 (January 1996): 111. http://dx.doi.org/10.3828/tpr.67.1.t250132726t06h53.

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30

Nowell, April. "Cave Paintings and the Human Spirit: The Origin of Creativity and Belief. David S. Whitley." Journal of Anthropological Research 66, no. 2 (July 2010): 280–81. http://dx.doi.org/10.1086/jar.66.2.27820898.

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31

Miller, Cristanne. "Blake, David Haven and Michael Robertson, eds. Walt Whitman: Where the Future Becomes Present [review]." Walt Whitman Quarterly Review 26, no. 1 (July 1, 2008): 50–52. http://dx.doi.org/10.13008/2153-3695.1887.

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32

Caffrey, Bridget. "Developing Skills for Social Work Practice, Michela Rogers, Dawn Whitaker, David Edmondson and Donna Peach." British Journal of Social Work 48, no. 6 (November 24, 2017): 1817–19. http://dx.doi.org/10.1093/bjsw/bcx086.

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33

Zingaro, Ralph A. "General Chemistry, Third Edition (Davis, Raymond E.; Gailey, Kenneth D.; Whitten, Kenneth W.)." Journal of Chemical Education 66, no. 1 (January 1989): A45. http://dx.doi.org/10.1021/ed066pa45.1.

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34

Yamauchi, Masanobu. "General Chemistry. 4th edition (Whitten, Kenneth W.; Gailey, Kenneth D.; Davis, Raymond E.)." Journal of Chemical Education 69, no. 7 (July 1992): A207. http://dx.doi.org/10.1021/ed069pa207.1.

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35

Bradley, Richard. "Reader in Archaeological Theory: Post-Processual and Cognitive Approaches. Edited by DavidS. Whitley." Archaeological Journal 156, no. 1 (January 1999): 447–48. http://dx.doi.org/10.1080/00665983.1999.11078947.

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36

paggett, taisha. "Performance on the Eve of Negro Spring." TDR/The Drama Review 58, no. 4 (December 2014): 2–3. http://dx.doi.org/10.1162/dram_a_00391.

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taisha paggett’s work includes individual and collaborative investigations for the stage, gallery, and public sphere, which question the body, agency, and the phenomenology of race and gender. Her work has been presented widely, including the Studio Museum in Harlem, Danspace Project, and the Whitney Museum (NY); Defibrillator (Chicago); The Off Center (SF); Public Fiction and LACE (LA); and BAK (Utrecht). She has worked with David Roussève, Stanley Love Performance Group, Fiona Dolenga, Vic Marks, Kelly Nipper, Meg Wolfe, Ultra-red, and with Ashley Hunt on their project On Movement, Thought and Politics. paggett is on the dance faculty at UC Riverside, and is co-instigator of itch dance journal.

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37

Verling, Emma, Gregory M. Ruiz, L. David Smith, Bella Galil, A. Whitman Miller, and Kathleen R. Murphy. "Correction for Verling et al. , Supply-side invasion ecology: characterizing propagule pressure in coastal ecosystems." Proceedings of the Royal Society B: Biological Sciences 272, no. 1581 (December 22, 2005): 2659. http://dx.doi.org/10.1098/rspb.2005.2001.

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Correction for ‘Supply-side invasion ecology: characterizing propagule pressure in coastal ecosystems’ by Emma Verling, Gregory M. Ruiz, L. David Smith, Bella Galil, A. Whitman Miller and Kathleen R. Murphy (Proc. R. Soc. B 272 , 1249–1256. (doi: 10.1098/rspb.2005.3090 )). A reference was omitted from the print version of this paper; the missing reference is as follows: Simberloff, D. 1989 Which insect introductions succeed and which fail? In Biological Invasions: a global perspective (ed. J. A. Drake, F. Di Castri, R. H. Groves, F. J. Kruger, H. A. Mooney, M. Rejmanek & M. H. Williamson), pp. 61–75. Chichester, UK: Wiley & Sons Ltd.

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38

Leihitu, Irsyad, and Raden Cecep Eka Permana. "Looking For a Trace of Shamanism, in the Rock Art of Maros-Pangkep, South Sulawesi, Indonesia." Kapata Arkeologi 14, no. 1 (July 30, 2018): 15. http://dx.doi.org/10.24832/kapata.v14i1.496.

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Gambar cadas adalah fenomena arkeologi yang tersebar di seluruh dunia. Umumnya, seni prasejarah ini terdiri atas berbagai bentuk, motif, dan juga makna. Artikel ini membahas gambar cadas Indonesia, khususnya di wilayah Maros-Pangkep, Sulawesi Selatan. Menurut teori David Lewis-Williams dan David S. Whitley tentang pendekatan neuropsikologi terhadap gambar cadas, mereka mendeskripsikan "beberapa" motif sebagai penggambaran tahapan atau metafora dari Altered State of Consciousness (ASC) yang berhubungan dengan shamanisme. Tujuan dari penelitian ini adalah untuk menunjukkan bagaimana teori ASC dapat diuji dalam gambar cadas Maros-Pangkep, dan juga menunjukkan indikasi keberadaan shamanisme dalam gambar cadas Indonesia. Metode penelitian ini menggunakan analogi formal dan studi komparatif tentang motif-motif gambar cadas terpilih di kawasan Maros-Pangkep dengan gambar cadas di Afrika, Siberia, dan juga gambar cadas di Amerika. Hasilnya menunjukkan bahwa teori ASC dapat diterapkan dalam gambar cadas Indonesia dan ada beberapa indikasi shamanisme dalam gambar cadas di wilayah Maros-Pangkep.Rock art is an archaeological phenomenon which spread all over the world. Generally, this prehistoric art consists of various forms, motifs, and also meanings. This article discusses Indonesian rock art, particularly the Maros-Pangkep region in South Sulawesi. According to David Lewis-Williams and David S. Whitley’s theory about the neuropsychology approach to rock art, they describe “some” motifs as a depiction of stages or metaphors of the Altered State of Consciousness (ASC) that relates to shamanism. The aim of this study is to demonstrate how the ASC theory can be tested in Maros-Pangkep Rock Art, and also shows an indication of the existence of shamanism in Indonesian rock art. The research methods are formal analogy and comparative studies on the selected motifs of rock art in the Maros-Pangkep region with African, Siberian, and also American rock art. The result shows that the ASC theory can be applied in Indonesian rock art and there are some indications of shamanism in rock art motifs in the Maros-Pangkep region.

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39

Sokoloff, Kenneth L. "General and Miscellaneous - Manufacturing: A Historiographical and Bibliographical Guide. Edited by David O. Whitten and Bessie E. Whitten. Westport: Greenwood Press, 1990. Pp. xiii, 503. $75.00." Journal of Economic History 53, no. 3 (September 1993): 709–10. http://dx.doi.org/10.1017/s0022050700013899.

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40

Iverson, Kelly R. "Orality and the Gospels: A Survey of Recent Research." Currents in Biblical Research 8, no. 1 (September 9, 2009): 71–106. http://dx.doi.org/10.1177/1476993x09341489.

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In the last thirty years there have been significant developments in the application of orality studies to the Gospels. The objective of this article is to provide an overview of the field through a survey of its leading proponents, including Werner Kelber, Joanna Dewey, Paul Achtemeier, Peter Botha, Richard Horsley and Jonathan Draper, Kenneth Bailey, James Dunn, Richard Bauckham, David Rhoads and Whitney Shiner. The essay begins with a discussion of several foundational studies, before turning specifically to the reconception of orality and the implication of this research for the Gospels. The study concludes that, while an appreciation of orality has made inroads into certain segments of Gospels research, it remains a neglected and underexploited dimension of NT interpretation.

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41

HEIN, HILDE. "Queer Beauty: Sexuality and Aesthetics from Winckelmann to Freud and Beyond by davis, whitney." Journal of Aesthetics and Art Criticism 70, no. 2 (April 2012): 235–37. http://dx.doi.org/10.1111/j.1540-6245.2012.01515_3.x.

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42

Moskowitz, Alex. "Ornamental Aesthetics: The Poetry of Attending in Thoreau, Dickinson, and Whitman by Theo Davis." Studies in Romanticism 56, no. 2 (2017): 297–300. http://dx.doi.org/10.1353/srm.2017.0029.

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43

Willoquet-Maricondi, Paula. "Review: David Whitley, The Idea of Nature in Disney Animation. Aldershot: Ashgate, 2008. 162 pp. ISBN: 0754660850 (hbk)." Animation 4, no. 2 (July 2009): 203–11. http://dx.doi.org/10.1177/1746847709104649.

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44

King, James H. "Or on the micro, by David Whitaker, John Wiley and Sons, New York, 1984, 197 pp. Price $19.95." Networks 16, no. 4 (1986): 440–41. http://dx.doi.org/10.1002/net.3230160410.

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45

Burton, Simon. "Book Review: On the Trail of the Cambridge Reformation Martyrs: David Llewellyn Jenkins, Whither God Brings Us: Cambridge and the Reformation Martyrs." Expository Times 129, no. 12 (August 15, 2018): 581. http://dx.doi.org/10.1177/0014524618786190.

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46

Richards, Eliza. "Review: Ornamental Aesthetics: The Poetry of Attending in Thoreau, Dickinson, and Whitman by Theo Davis." Nineteenth-Century Literature 73, no. 2 (September 1, 2018): 263–67. http://dx.doi.org/10.1525/ncl.2018.73.2.263.

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47

Welch, Martin. "Belief in the past theoretical approaches to the archaeology of religion Whitley, David S. and Hays-Gilpin, Kelley (eds)." Material Religion 5, no. 3 (November 2009): 370–71. http://dx.doi.org/10.2752/175183409x12550007730309.

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48

Ohi. "Queer Beauty: Sexuality and Aesthetics from Winckelmann to Freud and Beyond, by Whitney Davis." Victorian Studies 55, no. 4 (2013): 693. http://dx.doi.org/10.2979/victorianstudies.55.4.693.

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49

Gil Brito, Jaqueline. "“Can I Be Me?”: A estrela Whitney, uma história de sucessos marcada por opressões." Cadernos de Gênero e Diversidade 4, no. 2 (June 12, 2018): 144. http://dx.doi.org/10.9771/cgd.v4i2.26374.

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<p class="CorpoCxSpFirst" align="center">O objetivo principal deste trabalho é, a partir do documentário <em>“Can I Be Me”?</em> que fala sobre a trajetória de vida de Whitney Houston, analisar sob a luz dos estudos feministas realizados principalmente por mulheres negras lesbianas, como as opressões racistas sustentadas em uma base heteropatriarcal contribuíram para a sua morte. Como um dos objetivos específicos, analisar como o sistema heteropatriarcal foi determinante na maneira como Whitney, mulher negra lesbiana e artista de múltiplos talentos conduziu sua relação lesboafetiva com Robyn Crawford, sua amiga desde adolescência, companheira e também sua diretora de criação. Ademais, analisou-se ainda a maneira como sua carreira artística foi conduzida pelo seu diretor Clive Davis. Estas análises foram feitas considerando algumas falas diretas e indiretas presentes no documentário “Can I Be Me?” relacionadas às falas de Cissy Houston, sua mãe, Robyn, sua companheira e Bobby Brown seu esposo. Além disso, falas relevantes de algumas pessoas que trabalharam para ela e que de alguma forma faziam parte do seu cotidiano. Os resultados desta análise indicam que as opressões principalmente as relacionadas à raça e a sexualidade pelas quais Whitney sofreu ao longo da sua vida foram determinantes para sua imersão profunda e desenfreada no mundo das drogas e sua consequente decadência e morte prematura.</p>

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Cooke, A. "Book reviews." Notes and Records of the Royal Society of London 57, no. 2 (May 22, 2003): 239–60. http://dx.doi.org/10.1098/rsnr.2003.0209.

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Abstract:

Twelve book reviews in the May 2003 issue of Notes and Records : Brenda Maddox, Rosalind Franklin––the dark lady of DNA . Lisa Jardine, On a grander scale: the outstanding career of Sir Christopher Wren . Physicists of Ireland , edited by Mark McCartney and Andrew Whitaker. The Cambridge Companion to Newton , edited by I. Bernard Cohen and George E. Smith. David Boyd Haycock, William Stukeley: science, religion and archaeology in eighteenth-century England . Martyn Beardsley, Deadly winter: the life of Sir John Franklin . J. Browne, Charles Darwin: the power of place . M. Chisholm, Such silver currents: the story of William and Lucy Clifford 1845-1929 . Olivier Darrigol, Electrodynamics from Ampère to Einstein . Johanna Levelt Sengers, How fluids unmix: discoveries by the school of Van der Waals and Kamerlingh Onnes . Charles H. Townes, How the laser happened: adventures of a scientist . A. Macfarlane and G. Martin, The glass bathyscaphe: how glass changed the world .

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