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Relevant bibliographies by topics / Who's Afraid of Virginia Woolf?

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Academic literature on the topic 'Who's Afraid of Virginia Woolf?'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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Journal articles on the topic "Who's Afraid of Virginia Woolf?"

1

Kelly, Katherine E., and Edward Albee. "Who's Afraid of Virginia Woolf?" Theatre Journal 42, no. 3 (1990): 372. http://dx.doi.org/10.2307/3208087.

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Matravers, Derek. "WHO'S AFRAID OF VIRGINIA WOOLF?" Ratio 4, no. 1 (1991): 25–37. http://dx.doi.org/10.1111/j.1467-9329.1991.tb00027.x.

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Neill, Alex. "WHO'S AFRAID OF VIRGINIA WOOLF?" Ratio 5, no. 1 (1992): 94–97. http://dx.doi.org/10.1111/j.1467-9329.1992.tb00138.x.

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Terr, Lenore C. "Who's Afraid in Virginia Woolf?" Psychoanalytic Study of the Child 45, no. 1 (1990): 533–46. http://dx.doi.org/10.1080/00797308.1990.11823533.

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5

Carter, Steven. "Albee's Who's Afraid of Virginia Woolf?" Explicator 56, no. 4 (1998): 215–18. http://dx.doi.org/10.1080/00144949809595320.

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6

Weintraub, Stanley. "Who's Afraid of Virginia Woolf? Virginia Woolf and G. B. S." SHAW The Annual of Bernard Shaw Studies 21, no. 1 (2001): 41–62. http://dx.doi.org/10.1353/shaw.2001.0038.

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7

Fox, Ragan. "Who's Afraid of the Author ofWho's Afraid of Virginia Woolf?" Text and Performance Quarterly 34, no. 2 (2014): 204–8. http://dx.doi.org/10.1080/10462937.2013.877152.

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8

McBride, Stephanie. "Film and Television: Who's Afraid of Virginia Woolf?" Circa, no. 103 (2003): 12. http://dx.doi.org/10.2307/25563902.

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MARTIN, JACQUES M.A. "“Who’s afraid of Virginia Woolf?”." Sinergie Italian Journal of Management, no. 103 (2018): 241–52. http://dx.doi.org/10.7433/s103.2017.12.

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Scott, Sandra Swart. "Who's Not Afraid of Virginia Woolf? Feminism and Firearms." Agenda, no. 45 (2000): 81. http://dx.doi.org/10.2307/4066321.

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Dissertations / Theses on the topic "Who's Afraid of Virginia Woolf?"

1

Svensson, Dan. "Eskapism : En analys av Edward Albees Who's Afraid of Virginia Woolf?" Thesis, Växjö University, School of Humanities, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-1945.

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2

Vicente, Sara Marisa Marques. "Construção e desconstrução de identidades em a Caverna de José Saramago e Who's afraid of Virginia Woolf ? de Edward Albee." Master's thesis, Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, 2008. http://hdl.handle.net/10362/5113.

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Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Línguas, Literaturas e Culturas, Estudos Ingleses e Norte-Americanos<br>Esta dissertação propõe uma abordagem comparatista do processo de construção e desconstrução de identidades em A Caverna de José Saramago (2000) e Who’s Afraid of Virginia Woolf? (1962) de Edward Albee. Os construtores Cipriano Algor, Martha e George produzem identidades baseadas em ilusões, de modo a evitar o confronto com a verdade acerca das suas próprias realidades. Cipriano é confrontado com a extinção do trabal

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3

Tranvik, Andreas. "De två kulturernas dialektik : Edward Albee, C. P. Snow och den dramatiserade epistemologin." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-403076.

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Since its publication and first performance, Edward Albee’s Who’s Afraid of Virginia Woolf?, has often been interpreted with regard to the theme of truth and illusion. A less studied, but nonetheless important, aspect of the drama concerns its relation to C. P. Snow’s concept of the two cultures. In this essay, I argue for the convergence of these two discussions, resulting in an epistemological understanding of Albee. From this mode of interpretation, not only is a rejection of the two cultures noticed, but also a dramatic movement towards a third culture. Thus, Who’s Afraid of Virginia Woolf

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4

Coulson, Marcella Meghan. ""Can you leave the light on? I'm afraid of the dark." : feminist criticism and the life writing of Virginia Woolf and Gloria Anzaldúa." Thesis, University of British Columbia, 2013. http://hdl.handle.net/2429/44835.

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This project works with Virginia Woolf’s Moments of Being and Gloria Anzaldúa’s Borderlands: La Frontera to suggest that the problem of representing material feminisms in relational women’s life writing is located in white feminists’ desire to remain at home in their criticism. Bringing feminist theories on materiality, politics of belonging and affect together, I reflect on the ways my white privilege permits my criticism to haunt the very subjects whom it suggests I am writing for. In doing so, I demonstrate the ways feminism can be used by white feminists to protect the authority of white f

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5

Wu, Mei Hsiang, and 吳梅祥. "An inconvenient truth: the ethical relationship in albee's 《Who's Afraid of Virginia Woolf ?》." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/43138610696373394172.

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碩士<br>國立政治大學<br>英國語文學研究所<br>97<br>This thesis examines the totalizing violence overrunning in Albee's Who's Afraid of Virginia Woolf? and a call for responsibility to and for the Other in Emmanuel Levinas's propositions of ethical relationship. In this play, the illusion of life can also be counted as an inconvenient truth, yet the playwright urges people to acknowledge the difference between illusion and reality. George and Martha build their marriage on a life game, their imagined son. When Nick and Honey arrive, an interrelation between private and public and illusion and reality disturbs a

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6

CHEN, EVA, and 陳君儀. "Breaking the boundary of language:Chinese translation of Who's Afraid of Virginia Woolf? with commentary." Thesis, 1992. http://ndltd.ncl.edu.tw/handle/29902710718374351097.

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7

Lee, Chia-chun, and 李佳錞. "Ritual Performance in Harold Pinter's The Homecoming and Edward Albee's Who's Afraid of Virginia Woolf?" Thesis, 2004. http://ndltd.ncl.edu.tw/handle/29934623909188542344.

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碩士<br>國立中興大學<br>外國語文學系<br>92<br>The themes of Harold Pinter’s The Homecoming and Edward Albee’s Who’s Afraid of Virginia Woolf? imply the quest of the self and the orientation of redemption by the way of ritual performances. With the forms of metaphors and symbols, they simulate the process of ritual to achieve integrity. In the liminal stage of ritual and verisimilitude, the characters perform their desire and eliminate their fears. Even though Nietzsche contends that God is dead, implying the negation of mysterious power, I presume that both Pinter and Albee try to offer the hope within t

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8

Lin, Shih-Ya, and 林詩雅. "Virginia Woolf as a Fetish or Phobic Object: Who''s Afraid of Virginia Woolf? and The Hours as Cases in Point." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/44333668854657211014.

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碩士<br>國立臺灣大學<br>外國語文學研究所<br>97<br>This thesis examines the polar representations of Virginia Woolf in Edward Albee’s Who’s Afraid of Virginia Woolf? and Michael Cunningham’s The Hours with textual allusion to Woolf’s Mrs. Dalloway. By drawing theoretical support from psychoanalytical notions on fetishism and phobia as well as the studies of fan cultures, I argue that Woolf is viewed as a phobic object by Albee in the former text whereas she is elevated to a cultural and literary idol by her idolater Cunningham in the latter. Nevertheless, just as the boundary between fetishism and phobia is ne

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Books on the topic "Who's Afraid of Virginia Woolf?"

1

Albee, Edward. Who's afraid of Virginia Woolf? Scribner Classics, 2003.

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2

Albee: Who's afraid of Virginia Woolf? Cambridge University Press, 2000.

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3

Albee, Edward. Who's afraid of Virginia Woolf?: A play. New American Library, 2006.

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4

Albee, Edward. Edward Albee's Who's afraid of Virginia Woolf? Dramatists Play Service, 2004.

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5

Albee, Edward. Who's afraid of Virginia Woolf?: A play. Signet, 2006.

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6

Albee, Edward. Edward Albee's Who's afraid of Virginia Woolf. Dramatist's Play Service, 1990.

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7

Edward Albee's Who's afraid of Virginia Woolf? Barron's Educational Series, Inc., 1985.

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8

Albee, Edward. Who's afraid of Virginia Woolf: A play. Signet, 2006.

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9

Hudson, Christopher. Edward Albee Who's afraid of Virginia Woolf?: Notes. London (etc), 1985.

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10

Roudané, Matthew Charles. Who's afraid of Virginia Woolf?: Necessary fictions, terrifying realities. Twayne Publishers, 1990.

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Book chapters on the topic "Who's Afraid of Virginia Woolf?"

1

Müller, Kurt. "Albee, Edward: Who's Afraid of Virginia Woolf?" In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_4794-1.

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McCarthy, Gerry. "‘Who’s Afraid of Virginia Woolf?’." In Edward Albee. Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18660-0_4.

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Flasch, Joy. "Games People Play in Who's Afraid of Virginia Woolf?" In Essays on Modern American Drama, edited by Dorothy Parker. University of Toronto Press, 1987. http://dx.doi.org/10.3138/9781487577803-011.

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Bennett, Michael Y. "Cold War Tactics: Fear in Who’s Afraid of Virginia Woolf?" In Words, Space, and the Audience. Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137052599_5.

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5

Mackinlay, Elizabeth. "Writing with Virginia Woolf, not Afraid." In Critical Writing for Embodied Approaches. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-04669-9_4.

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6

Lee, Hermione. "Am I Afraid of Virginia Woolf?" In Writing the Lives of Writers. Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1007/978-1-349-26548-0_16.

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7

"WHO'S AFRAID OF VIRGINIA WOOLF?" In Broadway Theatre. Routledge, 2013. http://dx.doi.org/10.4324/9780203060032-12.

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8

Roudané, Matthew. "Who’s Afraid of Virginia Woolf?" In The Cambridge Companion to Edward Albee. Cambridge University Press, 2005. http://dx.doi.org/10.1017/ccol0521834554.003.

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9

Barth, Theodor, and Ane Thon Knutsen. "‘Who’s Afraid of Virginia Woolf?’." In Artistic Practices and Archaeological Research. Archaeopress Publishing Ltd, 2019. http://dx.doi.org/10.2307/j.ctvndv7pg.12.

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10

Weintraub, Stanley. "Who's Afraid of Bernard Shaw?Virginia Woolf and GBS." In Who's Afraid of Bernard Shaw?Some Personalities in Shaw's Plays. University Press of Florida, 2011. http://dx.doi.org/10.5744/florida/9780813037264.003.0013.

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