Relevant bibliographies by topics / Wicker furniture

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Academic literature on the topic 'Wicker furniture'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Wicker furniture"

1

Kepa, Yuri Nikitovich. "Designer Concepts of Eco Interior and Russian Wicker Furniture." Revista Gestão Inovação e Tecnologias 11, no. 4 (July 10, 2021): 1694–706. http://dx.doi.org/10.47059/revistageintec.v11i4.2220.

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Marlina, Lina, Maman Sulaeman, and A. Mundzir. "CONTRIBUTION OF VALUE ADDED HUMAN CAPITAL TO EMPLOYEE PRODUCTIVITY IN CRAFT CREATIVE INDUSTRY OF TASIKMALAYA." ECONOMICS & ACCOUNTING JOURNAL 1, no. 2 (June 22, 2018): 116. http://dx.doi.org/10.32493/eaj.v1i2.y2018.p116-128.

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The creative industry is the focus of government to boost economic growth in recent decades. Creative industry is the utilization of talent, ideas, and creativity in generating creativity and creative power of individuals. Craft creative industry (kriya) sub-sector as a typical product of Tasikmalaya become focus of the researcher. The population of workers in the creative industries is dominated by high school graduates. It's interesting to measure the added value and productivity. This study aims to measure the contribution and influence of value added human capital (VAHU) on emplyee productivity (EP). VAHU is one component of the value added inlellectual coefficient (VAIC) Method developed by Pulic. The study focuses on VAHU because the research sphere is related to the workforce. The results of the study are expected to help creative industry entrepreneurs and decision makers to make policies related to a competent labor supplyprogram. This research uses quantitative descriptive analysis with primary and secondary data. Documentation is taken from company reports recorded in the industry and trade offices in Tasikmalaya for the last six years. Random sampling includes the creative industries of embroidery craft, footwear, furniture, batik, and mendong (wicker). The results showed that the footwear craft industry reached the highest VAHU and the lowest mendong industry. The highest EP is seen in the embroidery industry and the lowest furniture industry. While compliance between variables in this study showed that VAHU no significant effect on EP.
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3

Pratiwi, Irlanita Indah, and Sugiyem Sugiyem. "Siak Palace Inspiration for Gala Evening Party Dressmaking." TEKNOBUGA: Jurnal Teknologi Busana dan Boga 11, no. 1 (June 30, 2023): 71–77. http://dx.doi.org/10.15294/teknobuga.v11i1.44193.

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Inspiration for dressmaking can come from various sources, such as nature and the surrounding environment, culture and traditions, film, music, and art; textiles and fabrics; and architecture and interior design. Indonesia has many heritage buildings that can be a source of inspiration in gala evening party dressmaking, one of which is the Siak Palace in Riau. Siak Palace is one of the heritage buildings that can be a source of inspiration in fashion creation. Some elements of Siak Palace that can be used as inspiration in designing clothing include colors, ornamental motifs, shapes, textures, and traditional Malay clothing. In evening party dressmaking, inspiration from Siak Palace can be taken from the forms of decoration found in buildings and furniture in the palace. In addition, the dominant colors in Siak Palace, such as red, gold, and green, can be a color choice for elegant and magnificent party clothes. The shapes of objects in Siak Palace, such as jewelry, wood carvings, and wicker, can also inspire details on clothing. By combining elements from Siak Palace with modern fashion designs, it can produce unique and stunning party clothes. Gala evening party dressmaking with silhouette A with elements of white and gold, bustier with a princess line, 1/2 circle skirt that has a cleavage on the front, a long shawl on each sleeve, cone-shaped padding variations, using wrap buttons and Japanese zipper, decoration in some parts is one embodiment of the creation of party fashion with the source of the idea of the Siak palace. By taking inspiration from Siak Palace, people can appreciate Indonesian culture and history. In this case, party fashion is not only an ordinary outfit but also a medium to introduce the richness of Indonesian culture and history to the world.
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4

Navarro, Jesus, Peter Hayward, and Joseph Voros. "How to solve a wicked problem? Furniture foresight case study." Foresight 10, no. 2 (April 11, 2008): 11–29. http://dx.doi.org/10.1108/14636680810869653.

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5

Leyral, Marc, Quentin Chef, and Marc Hymans. "Special IASS 2024_Baya Project: Building Structural Shells in Wicker." Journal of the International Association for Shell and Spatial Structures, 2024. http://dx.doi.org/10.20898/j.iass.2023.018.

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The growing of natural fibres – such as wicker – is deeply virtuous: it helps to diversify the forest cover, it requires limited inputs – even in water, little maintenance, and its CO2 emissions are minimal. Their uses in basketry date back to the Neolithic period, and even probably before. People around the world have employed braiding technics and basketry craft to design a large panel of objects, clothes, furniture, boats, etc. In the field of architecture and construction, we can identify natural fibre uses in numerous of vernacular shelters, but they are generally limited to non-structural filling elements. The scarcity of mechanical characterization of wicker material in the literature is underlying that, since now, these kinds of materials are not commonly used to a structural purpose.The aim of our research is to demonstrate the feasibility to design and build structural wicker braided shells for architectural purposes, and to provide designers with the necessary tools for this process. Thanks to wicker mechanical characterization and to experimental measurements, we developed a law which defines a relation between density and orientation of the stems and the fields of principal stresses on an idealized continuous surface: “each field of stress is related to an optimal braiding”. These data have supplied an algorithm, BAYA, making design and optimization of braided shells accessible and easy to use for architects and practitioners. Even if our research focused on wicker, it should be easily adaptable to other fibres and plants as, for instance, rattan or reed. This innovative research is demonstrated by the realization of a full-scale public pavilion hanging from trees on the belvedere of the Butte du Chapeau Rouge park (Paris XIX), and a 12.8-meter-long footbridge for the Utopies Constructives festival in Richelieu’s Park.
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6

Suryani, Cici, Sofyan Zainal, and Nurhaida Nurhaida. "PEMANFAATAN ROTAN DAN BAMBU OLEH MASYARAKAT DESA PARIT RAJA KECAMATAN SEJANGKUNG KABUPATEN SAMBAS." JURNAL HUTAN LESTARI 7, no. 4 (December 5, 2019). http://dx.doi.org/10.26418/jhl.v7i4.37838.

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Forests have the potential to meet a variety of human needs such as food, medicine, timber, and handicraft. Non-timber forest product used by the community of Parit Raja Village are rattan and bamboo. This research aim to inventory of the types of rattan and bamboo and to inventory the forms of utilization of rattan and bamboo processing in Parit Raja Village of Sejangkung Sub-District of Sambas Regency. This study used a survey method with in-depth interviews with the community in Parit Raja Village. The results showed that there were 5 types of rattan and 3 types of bamboo that were utilized by people of Parit Raja Village, namely Seuti Rattan (Calamus ornatus), Marau Rattan (Korthalsia rigida), Sega Rattan (Calamus caesius), Babuai Rattan (Plectocomia elongate), Nanga Rattan (Korthalsia Junghuhnii) and Bambo, namely Abe Bamboo (Gigantochloa Balui), Kuayan Bamboo, Ater Bamboo (Gigantochloa atter). The forms of utilization of rattan by Parit Raja Village community are the furniture, living room decoration and wicker found in the Sejangkung Hamlet. The most common type of rattan used were Seuti (99.9%), while bamboo utilization ranged from furniture, wicker and cooking as found in Gambir Hamlet, Kawakan Hamlet, Sembuai Hamlet, and Rambayan Hamlet. The most commonly used bamboo species is Abe bamboo (93,3%). There are 22 handicraft product produced by the people of Parit Raja Village including sofa sets, baby swing baskets, room dividers, corner shelves, flower vases (cage model), and parcels. The forms of utilization of bamboo by the community of Parit Raja Village: there are 14 handicraft products including nyiru, capil/tanggoi, rice dishes, small rice basket, bakak ( large rice basket), and fruit basket. Keywords: Rattan, Bamboo, Parit Raja Village, Handicrafts.
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Books on the topic "Wicker furniture"

1

Feliks, Anna. Meble plecione w Polsce: 1864-1939. Warszawa: Instytut Sztuki PAN, 2018.

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2

Scott, Tim. Fine wicker furniture, 1870-1930. West Chester, Pa: Schiffer Pub., 1990.

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3

Richard, Saunders. Wicker furniture: A guide to restoring & collecting. New York: Crown Publishers, 1990.

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4

Harriett, Swedberg, ed. Wicker furniture: Styles and prices. Radnor, Pa: Wallace-Homestead Book Co., 1988.

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5

Adamson, Jeremy. American wicker: Woven furniture from 1850 to 1930. New York: Rizzoli, 1993.

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6

Sheila, Smith. Making 1/12 scale wicker furniture for the dolls' house. Lewes [England]: Guild of Master Craftsman, 2003.

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7

Guttry, Irene De. Intrecci: Il mobile in vimini italiano. Venezia: Il cardo, 1995.

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8

Shkut, N. N. Belorusskie khudozhestvennye promysly: Izdelii͡a︡ iz solomki i lozy. Minsk: "Nauka i tekhnika", 1985.

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Shkut, N. N. Belorusskie khudozhestvennye promysly: Izdeliya iz solomki i lozy. Minsk: Naukai tekhnika, 1985.

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10

Kit, Latham, ed. American Wicker: Woven furniture from 1850 to 1930. New York: Rizzoli, 1993.

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