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Relevant bibliographies by topics / Wicomb, Zoe

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Academic literature on the topic 'Wicomb, Zoe'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Wicomb, Zoe"

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Wicomb, Zoe, and Hein Willemse. "Zoe Wicomb in Conversation with Hein Willemse." Research in African Literatures 33, no. 1 (2002): 144–52. http://dx.doi.org/10.1353/ral.2002.0041.

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Richards, Constance S. "Nationalism and the Development of Identity in Postcolonial Fiction: Zoe Wicomb and Michelle Cliff." Research in African Literatures 36, no. 1 (2005): 20–33. http://dx.doi.org/10.1353/ral.2005.0020.

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Robolin, Stephane Pierre Raymond. "Loose Memory in Toni Morrison's Paradise and Zoe Wicomb's David's Story." MFS Modern Fiction Studies 52, no. 2 (2006): 297–320. http://dx.doi.org/10.1353/mfs.2006.0052.

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Mc Cann, Fiona. ""The Truth lies in Black and White." The Language of Truth and the Search for Coloured Identity in Zoe Wicomb’s David’s Story." Caliban, no. 21 (May 1, 2007): 213–23. http://dx.doi.org/10.4000/caliban.1949.

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Dissertations / Theses on the topic "Wicomb, Zoe"

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Ngwira, Emmanuel Mzomera. "Writing marginality : history, authorship and gender in the fiction of Zoe Wicomb and Chimamanda Ngozi Adichie." Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/80229.

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Thesis (PhD)--Stellenbosch University, 2013.<br>ENGLISH ABSTRACT: This thesis puts the fiction of Zoë Wicomb and Chimamanda Ngozi Adichie into conversation with particular reference to three issues: authorship, history and gender. Apart from anything else, what Wicomb and Adichie have in common is an interest in the representation of marginalised or minority ethnic groups within the nation - the coloured people in the case of Wicomb, and the Igbo in the case of Adichie. Yet what both writers also have in common is that neither seems to advocate the reification of these ethnic groups in reformulations of nationalist discourse. The thesis argues that through their focus on various forms of marginality, both Wicomb and Adichie destabilise traditional notions of nation, authorship, history, gender identity, the boundary between domestic and public life, and the idea of “home”. The thesis focuses on four main topics, each of which is covered in a chapter: the question of authorial voice in relation to history; perspectives offered by women characters in relation to oppressive or traumatic historical moments; oppressive or traumatic histories intruding into the intimate domestic space; and the issue of transnational migration and its (un)homely effects. Employing concepts of metafiction and mise-en-abyme self-reflexivity, the study begins by considering the ways in which Wicomb’s David’s Story and Adichie’s Half of a Yellow Sun both reflect on the idea of authorship. Focusing on the ways in which each text draws the reader into witnessing authorship, the thesis argues that the two novels can be put into conversation as they both stage dilemmas about authorship in relation to those marginalised by national histories. Following on from this idea of marginalisation by nationalist histories, the thesis then proceeds to examine both writers’ foregrounding of women’s stories that are set in oppressive and/or violent historical times – under apartheid in the case of Wicomb’s You Can’t Get Lost in Cape Town, and during the Biafran war in the case of Adichie’s Half of a Yellow Sun. Utilising ideas about gender, history and literary history by Tiyambe Zeleza, Florence Stratton and Elleke Boehmer, the study analyses how, beginning with father-daughter relationships, Wicomb and Adichie wean their female characters from their fathers’ control so that they may begin telling their own stories that complicate and subvert the stories that their fathers represent. Drawing on Sigmund Freud’s theory of “the uncanny” and Homi Bhabha’s postcolonial reading of that theory, the study then turns to discuss the ways in which oppressive national histories become manifest in domestic spaces (that are usually marginalised in national histories), turning those spaces into unhomely homes, in Wicomb’s Playing in the Light and Adichie’s Purple Hibiscus. In both novels, purity (whether racial or religious) is cultivated in the family home, but this cultivation of purity, which is reflected symbolically in the kinds of gardens each family grows, evidently has “unhomely” effects that signal the return of the repressed, of that which is disavowed in discourses of purity. Since both Wicomb and Adichie are African-born women authors living abroad, and since the “unhomely” aspects of transnational existence are reflected upon in their fiction, the study finally considers the forms of marginality to the national posed by the migrant. Transnational migration is examined in Wicomb’s The One That Got Away and in Adichie’s The Thing Around Your Neck, placing stories from these two recently published sets of short stories into dialogue.<br>AFRIKAANSE OPSOMMING: Hierdie tesis plaas die fiksie van Zoë Wicomb en Chimamandi Ngozi Adichie in gesprek met mekaar, met verwysing na veral drie sake: outeurskap, geskiedenis en geslag (gender). Afgesien van ander kwessies het die fiksie van Wicomb en Adichie ‘n belangstelling in die fiktiewe voorstelling van gemarginaliseerde of minderheidsgroepe in die nasie in gemeen – die kleurlinggroep in die geval van Wicomb en die Igbo in die geval van Adichie. Nogtans beveel geeneen van hierdie twee skrywers ‘n reïfikasie van nasionalistiese diskoers aan nie. Die tesis voer aan dat, deur hulle fokus op verskeie vorme van marginaliteit, beide Wicomb en Adichie tradisionele konsepte van nasionalisme, skrywer-skap, geskiedenis, geslagsidentiteit, die grens tussen private en publieke lewe en die idee van ‘n eie tuiste destabiliseer. Die vier hoof-onderwerpe van die tesis is word elk in ‘n eie hoofstuk behandel: die kwessie van ‘n skrywerstem in verhouding tot die geskiedenis; perspektiewe wat belig word deur vrouekarakters in kontekste van onderdrukkende of traumatiese historiese momente; hoedat onderdrukkings- of traumatiese geskiedenisse die private sfeer binnedring; asook die kwessie van ‘n migrasie oor landsgrense en die ontheimingseffek hiervan. Deur die gebruik van metafisiese en mise-en-abyme selfrefleksie begin die studie deur te reflekteer op hoe Wicomb se David’s Story en Adichie se Half of a Yellow Sun [aangaande] die idee van outeurskap reflekteer. Deur te fokus op die wyses waarop beide tekste die leser betrek om skrywerskap waar te neem, voer die tesis aan dat die twee romans met mekaar in gesprek geplaas kan word, terwyl albei dilemmas van outeurskap met betrekking tot diegene wat in nasionale geskiedskrywing gemarginaliseer word, sentraal plaas. Volgende op hierdie kwessie gaan die tesis dan voort om albei skrywers se vooropstelling van vroue se verhale gesitueer in onderdrukkende of gewelddadige tye – onder apartheid in die geval van Wicomb se You Can’t Get Lost in Cape Town en gedurende die Biafraanse oorlog in Adichie se Half of a Yellow Sun – te ondersoek. Met behulp van idees aangaande gender, geskiedenis en literêre geskiedenis van Tiyambe Zeleza, Florence Stratton en Elleke Boehmer, analiseer die tesis hoedat, beginnende met vader-dogter verhoudings, Wicomb en Adichie hul vroulike karakters loswikkel van hul vaders se kontrole sodat hulle kan begin om hul eie verhale te vertel – stories wat die verhale van hul vaders kompliseer en ondermyn. Met behulp van Sigmund Freud se teorie van die onheimlike en Homi Bhabha se postkolonialistiese interpretasie van daardie idee, gaan die tesis dan voort deur maniere waarop onderdrukkende nasionale geskiedenisse in die tuis-ruimtes (wat gewoonlik deur nasionale geskiedskrywing gemarginaliseer word) manifesteer, met die onheimlike effek hiervan op die tuisruimte – beide in Wicomb se Playing in the Light en in Adichie se Purple Hibiscus – te ondersoek. In albei romans word reinheid ( van ras of geloof) in die familie-tuiste gekultiveer, maar hierdie nadruk op reinheid – simbolies gereflekteer in die tuine wat deur albei gesinne aangelê word – het wel onmiskenbare onheimlike gevolge wat die terugkeer van wat onderdruk is (in die naam van reinheid) aandui. Omdat beide Wicomb en Adichie vroue-skrywers is wat in Afrika gebore is maar oorsee lewe, en omdat die onheimlike aspekte van ‘n transnasionale lewensstyl in hul fiksie oorweeg word, beskryf die tesis die vorms van marginaliteit met betrekking tot die nasionale wat deur die migrant tot stand kom. Transnasionale migrasie word in Wicomb se The One that Got Away en Adichie se The Thing around your Neck oorweeg, wat die verhale uit hierdie twee versamelings in gesprek met mekaar plaas.

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Wiltshire, Allison. "The "Split Gaze" of Refraction| Racial Passing in the Works of Helen Oyeyemi and Zoe Wicomb." Thesis, Mississippi State University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10843277.

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<p> In this thesis, I expand considerations of diaspora as not only a migration of people and cultures but a migration of thought. Specifically, I demonstrate that literary representations of diaspora produce what I consider to be an epistemological migration, challenging the idea that race and culture are stable and impermeable and offering instead racial and cultural fluidity. I assert that this causal relationship is best exemplified by narratives of racial passing written by diasporic writers. Using Homi Bhabha’s concepts of mimicry, hybridity, and ambivalence, I analyze Helen Oyeyemi’s <i> Boy, Snow, Bird</i> and Zoë Wicomb’s <i>Playing in the Light</i>, arguing that <i>Boy, Snow, Bird</i>’s narrative form is a form of mimicry that repeats European and African literary traditions and subverts Eurocentrism, while <i>Playing in the Light</i> is a “Third Space” in which to accept notions of the non-categorical fluidity of race. Through this analysis, I draw particular attention to Oyeyemi’s and Wicomb’s unique abilities to refract notions of race, rather than presumably reflect a system of strict categories, and, ultimately, I argue that these novels transcend the realm of literature, existing as empowering calls for society’s modifications of its racial perceptions.</p><p>

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Lytle, Cynthia. "DeraciNation: Reading the Borderlands in the Fiction of Zoë Wicomb." Doctoral thesis, Universitat de Barcelona, 2014. http://hdl.handle.net/10803/285583.

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This dissertation analyzes the fiction of South African author Zoë Wicomb (1948- ) through her two collections of short stories: You Can’t Get Lost in Cape Town (1987) and The One that Got Away (2008) and two novels: David’s Story (2000) and Playing in the Light (2006). Using an interdisciplinary approach, the concept of deraciNation, which is the uprooting and discrimination of peoples as a way to uphold the notion of Nation, and an adaptation of Gloria Anzaldúa’s borderland theory in an investigation of the coloured community in its construction as an intermediary group between black and white and its locations in the margins of society, this dissertation investigates how discrimination has not only played a role in the construction and representation of coloured identities, but also how it was adopted and incorporated within the community. Wicomb calls attention to oppression in both external and internal forms, exemplifying the failures of the struggle against apartheid and the self-contradictions that can also be violent. Specifically, this dissertation analyzes the spaces of home, neighborhood and nation, which were locations of deracination through external forces of imperialism and colonialism. Moreover, it examines oppression, which has led to these spaces being gendered and racialized, has persisted in coloured identities in post-apartheid South Africa and transnationally into Europe, two areas in which Wicomb’s fictional writings take place as sites of both home and displacement. Furthermore, this dissertation scrutinizes the notion of truth, through an examination of violence, memory and his/herstories as a way of bringing lesser-known stories to the light.<br>Utilizando un enfoque interdisciplinario, esta tesis analiza la ficción de Zoe Wicomb, autora sudafricana (1948- ), a través de dos colecciones de relatos: You Can’t Get Lost in Cape Town (1987) y The One that Got Away (2008) y dos novelas: David’s Story (2000) y Playing in the Light. En la tesis hemos utilizado el concepto de deraciNation, o desarraigo y discriminación de los pueblos para apoyar la noción de Nación, y una adaptación de la teoría del borderland de Gloria Anzaldúa para la investigación de la comunidad coloured (mestiza) en su construcción como un grupo intermediario entre los blancos y los negros. Esta tesis examina cómo la discriminación ayudó la construcción y representación de las identidades coloured, pero también de que forma se empleaba dicha discriminación dentro la misma comunidad. Wicomb llama nuestra atención hacia la opresión tanto fuera como dentro de la comunidad, demostrando así los fracasos en la lucha contra el apartheid. Además, esta investigación analiza los espacios de hogar, barrio y nación, lugares de desarraigo como producto del imperialismo y del colonialismo. Y finalmente, en este trabajo se examina la opresión, que aun perdura en las identidades "coloured" en Suráfrica tras el apartheid y que ha llegado hasta Europa.

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Falkland, Joanna. "Questions of memory and truth in Zoe Wicomb's David's Story /." Title page, synopsis and contents only, 2001. http://web4.library.adelaide.edu.au/theses/09AR/09arf1917.pdf.

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Mc, Cann Fiona. "Histoire et histoires dans la fiction d'Yvonne Vera et de Zoë Wicomb : palimpsestes, identités, hybridité." Paris 3, 2007. http://www.theses.fr/2007PA030106.

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C’est dans un contexte d’incertitude épistémologique et ontologique que les deux écrivaines qui font l’objet de cette thèse, Zoe Wicomb (sud-africaine) et Yvonne Vera (zimbabwéenne), écrivirent et publièrent leurs romans et leurs recueils de nouvelles. L’euphorie qui régna dans un premier temps après l’effondrement des régimes opprimants de leurs pays respectifs fut rapidement remplacée par des doutes et des craintes à l’égard de l’avenir, et le potentiel positif d’une interrogation de l’Histoire dite « officielle » donna lieu à un révisionnisme parfois problématique. Nous nous attachons ici à une analyse des procédés thématiques, structuraux, linguistiques et narratologiques déployés par ces auteures dans un effort de rendre compte de la relation entre l’Histoire et les histoires dans leurs œuvres fictionnelles. En analysant l’intertextualité, la représentation de la mémoire, la construction et la déconstruction identitaire, l’hybridité, la porosité des frontières entre la vérité et le mensonge, et la représentation de la femme, nous révélons la complexité de la relation entre l’Histoire et les histoires, telle qu’elle est mise en avant dans la fiction de ces auteures. L’interrogation quant à une convergence potentielle ou éventuelle entre le postcolonial et le postmoderne dans ces ouvrages est sous-jacente à cette analyse de l’enchâssement de l’Histoire et les histoires. En nous appuyant sur des théories critiques récentes, nous nous demandons si nous pouvons constater cette convergence dans les ouvrages étudiés, ou si la fiction de ces écrivaines réfutent de telles étiquettes qui se révèlent parfois totalisantes<br>It is within a context of epistemologial and ontological uncertainty that the two authors on whom this thesis concentrates, Zoë Wicomb (South African) and Yvonne Vera (Zimbabwean), wrote and published their novels and collections of short stories. The euphoria which reigned initially after the collapse of the oppressive regimes of their respective countries was rapidly replaced by uncertainty and fear regarding the future, and the positive potential of a questioning of “official” history, gave way to a sometimes problematic revisionism. An analysis of the thematic, structural, linguistic and narratological devices used by these authors in an effort to reveal the relationship between History and stories in their fiction is the central focus of this thesis. Analysing the use of intertextuality, the representation of memory, the construction and deconstruction of identity, hybridity, the blurred boundaries between truth and falsehood and the representation of women, the complexity of the relationship between History and stories, as it is underlined in the fiction of these authors, is shown. The question of whether one can pinpoint a potential convergence of the postcolonial and the postmodern in these texts underlies this analysis of the interlinking of History and stories. With the help of recent critical theory, we reveal whether this convergence can be found in the works studied, or whether the fiction of these writers refutes such labels which sometimes turn out to be problematic and totalising

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Richards, Constance S. "Toward a transnational feminist writing and reading practice : Virginia Woolf, Alice Walker, and Zoë Wicomb /." The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487940308432471.

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Dressler, Mercedes Angelina. "(Dis)Remembering the slave mother: shame, trauma, and identity in the novels of Michelle Cliff and Zoë Wicomb." Master's thesis, University of Cape Town, 2016. http://hdl.handle.net/11427/23654.

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The 'new' nationalisms that have developed in postcolonial Jamaica and South Africa invite the reclamation of the slave mother, while simultaneously 'cleansing' her body of slavery's atrocities for the purpose of national healing. Michelle Cliff's Abeng and No Telephone to Heaven, and Zoë Wicomb's David's Story and Playing in the Light, reveal this national practice of elision, and especially how the disremembering of slavery factors into personal identity formation. A deeper glance into this process exposes the lingering white supremacist, patriarchal symbolic at the centre of these nations, which maintains its centrality through the erasure of the slave mother and the disavowal of rape - two things which inevitably obscure the intersection of race and sex. The colonial residue of shame and trauma, left uninterrogated in the national script, imprints itself on women of colour and affects our legibility in society today. This dissertation evaluates the exclusion of slavery and the slave mother from the national script, and highlights this exclusion in postcolonial literature to reveal its impact on an intimate level. In my analysis, I interrogate the Lacanian symbolic to showcase the white male universality it employs, which alongside the intersecting discourses of race and sex, render women of colour illegible. Furthermore, in burying the slave past, the traumatic histories of rape are buried with it. Without a platform to excavate this trauma in the national space, there is a resulting disidentification with the nation among the women of colour it fails to represent. Additionally, I suggest that the Post-Traumatic Stress Disorders that undeniably ensued postslavery, including Rape Trauma Syndrome (RTS) and what Joy DeGruy calls Post-Traumatic Slave Syndrome (PTSS), are ultimately undealt with and therefore have potentially intergenerational, melancholic ramifications. In narrating the lives of mixed-race characters, both Cliff and Wicomb reveal shame's transgenerational chokehold, resulting from neglected legacies of trauma. For the protagonists' ancestors, shame results in the denial of blackness, which manifests as a lost ideal among their descendants. As the search for identity collapses with ethnognesis and the reclamation of the black mother, Clare Savage's, Marion Campbell's, and David Dirkse's trauma remains unresolved, leading to a state of melancholia and unbelonging. Because the national scripts in Jamaica and South Africa are so exclusive, it becomes necessary to invent alternative modes of belonging. The projects of rememory and memory justice have the power to engender this sense of belonging, and therefore also create a platform for past trauma to be reconciled. In conclusion, I posit that the mining of folklore is crucial in the search for slave memory and collective healing, but also, when the erasure of slave memory has rendered these stories hidden, it is important to generate our own stories, memories, and truths.

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Apgar, Jennifer L. "Performing passing theatricality in Zoë Wicomb's Playing in the light and Nella Larsen's Passing /." Atlanta, Ga. : Georgia State University, 2008. http://digitalarchive.gsu.edu/english_theses/50/.

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Thesis (M.A.)--Georgia State University, 2008.<br>Title from title page (Digital Archive@GSU, viewed June 21, 2010) Pearl McHaney, Renée Schatteman, committee chairs; Audrey Goodman, committee member. Includes bibliographical references (p. 80-81).

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Altnöder, Sonja. "Inhabiting the "new" South Africa ethical encounters at the race gender interface in four post-apartheid novels by Zoë Wicomb, Sindiwe Magona, Nadine Gordimer and Farida Karodia." Trier Wiss. Verl. Trier, 2007. http://d-nb.info/988086441/04.

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Apgar, Jennifer L. "Performing Passing: Theatricality in Zoë Wicomb's Playing in the Light and Nella Larsen's Passing." Digital Archive @ GSU, 2008. http://digitalarchive.gsu.edu/english_theses/50.

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Acts of “passing” inform the plots of Zoë Wicomb’s Playing in the Light and Nella Larsen’s Passing. Examples of contemporary South African fiction and Harlem Renaissance fiction respectively, these texts explore racial passing and its correlative, social passing. Social passing includes enactment of social relationships, responds to class anxieties, and requires repression of emotions as participating characters attempt to fix their performed roles into permanent identities. At issue are the texts’ multiple enactments of passing with special interest paid to these acts’ constitutive theatricality. Characters perform within narrative settings, locations subsequently deconstructed exposing both implicit and explicit theatrical functions. Threshold spaces of doors and windows form frames within settings, focusing the audience’s gaze and simultaneously creating and dismantling private and public places to reconstitute them as theater. This study culminates in reflections on the tension between the relative freedom and containment of characters that pass.

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Books on the topic "Wicomb, Zoe"

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van der Vlies, Andrew. Towards a Critical Nostalgia. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198793762.003.0005.

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South African-born, Scottish-resident author Zoë Wicomb is a key postapartheid literary figure; her oeuvre complicates assumptions about locatedness, ethnicity, and cosmopolitanism. This chapter reads her novels—David’s Story (2000), Playing in the Light (2006), October (2014)—and select short fiction—in You Can’t Get Lost in Cape Town (1987) and The One That Got Away (2008); ‘In Search of Tommie’ (2010)—to consider how Wicomb stages text itself as a privileged space within which to hold open the promise of the ‘loose end’ (a recurring metaphor), exploring its potential to unravel older formations in the social fabric to suggest new narrative and relational threads. It argues that the prevalence of queer subjects in her fiction mirrors Wicomb’s formally ‘queer’ strategies, including meta- and intertextuality, which offer more than the textual equivalent of characters’ displacements or the author’s own restless transnationalism (here October’s debts to Marilynne Robinson’s novel Home are canvassed).

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Eva, Hunter, and MacKenzie Craig, eds. Between the lines II: Interviews with Nadine Gordimer, Menán du Plessis, Zoë Wicomb, Lauretta Ngcobo. National English Literary Museum, 1993.

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van der Vlies, Andrew. Present Imperfect. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198793762.001.0001.

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Present Imperfect asks how South African writers have responded to the end of apartheid, to the hopes that attended the birth of the ‘new’ nation in 1994, and to the inevitable disappointments that have followed. The first full-length study of affect in South Africa’s literature, it understands ‘disappointment’ both as a description of bad feeling and as naming a missed appointment with all that was promised by the anti-colonial and anti-apartheid Struggle (a dis-appointment). Attending to contemporary writers’ treatment of temporality, genre, and form, it considers a range of negative feelings that are also experiences of temporal disjuncture—including stasis, impasse, boredom, disaffection, and nostalgia. Present Imperfect offers close readings of work by a range of writers—some known to international Anglophone readers (J.M. Coetzee, Nadine Gordimer, Ivan Vladislavić, Zoë Wicomb), some slightly less wellknown (including Afrikaans-language novelists Marlene van Niekerk and Ingrid Winterbach), others from a new generation (Songeziwe Mahlangu, Masande Ntshanga). It addresses key questions in South African studies about the evolving character of the historical period in which the country now finds itself. It is also alert to wider critical and theoretical conversations, looking outward to make a case for the place of South African writing in global conversations, and mobilizing readings of writing marked in various ways as ‘South African’ in order to complicate the contours of World Literature as category, discipline, and pedagogy. It is thus also a book about the discontents of neoliberalism, the political energies of reading, and the fates of literature in our troubled present.

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Book chapters on the topic "Wicomb, Zoe"

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Gohrisch, Jana. "Wicomb, Zoë." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_21693-1.

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Gohrisch, Jana. "Wicomb, Zoë: David's Story." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_21695-1.

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Gohrisch, Jana. "Wicomb, Zoë: You Can't Get Lost in Cape Town." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_21694-1.

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Robinette, Nicholas. "The Transparent State: Zoë Wicomb’s You Can't Get Lost in Cape Town." In Realism, Form and the Postcolonial Novel. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137451323_4.

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Macrae, Andrea. "Positioning the Reader in Post-Apartheid Literature of Trauma: I and You in Zoë Wicomb’s David’s Story." In Pronouns in Literature. Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-349-95317-2_4.

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Driver, Dorothy. "Zoë Wicomb’s Translocal." In Zoë Wicomb & the Translocal. Routledge, 2017. http://dx.doi.org/10.4324/9781315283418-2.

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Attridge, Derek. "Introduction." In Zoë Wicomb & the Translocal. Routledge, 2017. http://dx.doi.org/10.4324/9781315283418-1.

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Miller, John, and Mariangela Palladino. "Glasgow’s Empire Exhibition and the Interspatial Imagination in ‘There’s the Bird That Never Flew’." In Zoë Wicomb & the Translocal. Routledge, 2017. http://dx.doi.org/10.4324/9781315283418-10.

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Klaase, Sophia. "Scenes from Namaqualand 1." In Zoë Wicomb & the Translocal. Routledge, 2017. http://dx.doi.org/10.4324/9781315283418-11.

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Samuelson, Meg. "Unsettling Homes and the Provincial-Cosmopolitan Point of View in Zoë Wicomb’s October." In Zoë Wicomb & the Translocal. Routledge, 2017. http://dx.doi.org/10.4324/9781315283418-12.

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Conference papers on the topic "Wicomb, Zoe"

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Xu, Jiuliang, and Hongyu Wang. "Zone Routing with Backbone for Tactical Network." In 2008 4th International Conference on Wireless Communications, Networking and Mobile Computing (WiCOM). IEEE, 2008. http://dx.doi.org/10.1109/wicom.2008.627.

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Zhao, Hongsheng. "Analysis of Dead Zone by Mathematical Methods." In 2011 7th International Conference on Wireless Communications, Networking and Mobile Computing (WiCOM). IEEE, 2011. http://dx.doi.org/10.1109/wicom.2011.6040569.

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Kim, Do sung, Hyun soo Cha, and Seungwha Yoo. "Improve Far-Zone LEACH Protocol for Energy Conserving." In 2012 8th International Conference on Wireless Communications, Networking and Mobile Computing (WiCOM). IEEE, 2012. http://dx.doi.org/10.1109/wicom.2012.6478539.

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Ye, Luchen, Chao Li, and Longjiang Qu. "A New Construction of Low-Correlation Zone Sequence Sets." In 2012 8th International Conference on Wireless Communications, Networking and Mobile Computing (WiCOM). IEEE, 2012. http://dx.doi.org/10.1109/wicom.2012.6478312.

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Zhou, Jieying, Yi Lin, and Huiping Hu. "Dynamic Zone Based Multicast Routing Protocol for Mobile Ad Hoc Network." In 2007 International Conference on Wireless Communications, Networking and Mobile Computing. IEEE, 2007. http://dx.doi.org/10.1109/wicom.2007.385.

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Lee, HongKi, YongWoo Kim, and JooSeok Song. "AOZDV: An Enhanced AODV Protocol based on Zone Routing in MANET." In 2007 International Conference on Wireless Communications, Networking and Mobile Computing. IEEE, 2007. http://dx.doi.org/10.1109/wicom.2007.424.

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Jun, Lu, and Bin Liao. "Hybrid Zone Based Multicast Routing Scheme for Mobile Ad Hoc Network." In 2008 4th International Conference on Wireless Communications, Networking and Mobile Computing (WiCOM). IEEE, 2008. http://dx.doi.org/10.1109/wicom.2008.625.

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Xie, Zhibin, Wei Yang, Changlong Xu, and Young-Il Kim. "A Novel Scheme for Energy Efficiency of MBS Zone in Mobile WiMAX System." In 2012 8th International Conference on Wireless Communications, Networking and Mobile Computing (WiCOM). IEEE, 2012. http://dx.doi.org/10.1109/wicom.2012.6478349.

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Yang, Zunqi, and Weiting Li. "Study of the Virtual Enterprise Boundary Zone Model Based on the K-Means Arithmetic." In 2008 4th International Conference on Wireless Communications, Networking and Mobile Computing (WiCOM). IEEE, 2008. http://dx.doi.org/10.1109/wicom.2008.2767.

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Lee, Euisin, Soochang Park, Fucai Yu, Min-Sook Jin, Hosung Park, and Sang-Ha Kim. "Dynamic Rectangle Zone-Based Collaboration Mechanism for Tracking Continuous Objects in Wireless Sensor Networks." In 2008 4th International Conference on Wireless Communications, Networking and Mobile Computing (WiCOM). IEEE, 2008. http://dx.doi.org/10.1109/wicom.2008.874.

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