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Books on the topic 'Wide Sargasso Sea'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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1

Rhys, Jean. Wide Sargasso Sea. London: Penguin Books, 1993.

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Rhys, Jean. Wide Sargasso Sea. Thorndike, Me: Thorndike Press, 1994.

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Rhys, Jean. Wide Sargasso Sea. London: Penguin, 1997.

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Rhys, Jean. Wide Sargasso Sea. London: Hodder and Stoughton, 1989.

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Rhys, Jean. Wide Sargasso sea. London: Bloomsbury, 1992.

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Rhys, Jean. Wide Sargasso Sea. New York, USA: W. W. Norton, 1993.

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Rhys, Jean. Wide Sargasso Sea. Edited by Judith L. Raiskin. New York, USA: W. W. Norton & Company, 1999.

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8

Rhys, Jean. Wide Sargasso Sea: A Novel. New York, USA: W. W. Norton, 1992.

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9

Savory, Elaine, and Erica L. Johnson, eds. Wide Sargasso Sea at 50. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-28223-3.

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10

Fertig, Mona. Wide Sargasso Sea (for Jean Rhys). Salt Spring Is., BC: (m)Other Tongue Press, 1997.

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11

Olaussen, Maria. Three types of feminist criticism and Jean Rhys's Wide Sargasso Sea. Åbo: Institute of Women's Studies at Åbo akademi University, 1992.

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12

Rhys, Jean. Wide Sargasso Sea. Penguin Books, Limited, 2011.

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13

Wide Sargasso Sea. Norton & Company, Incorporated, W. W., 2007.

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14

Rhys, Jean. Wide Sargasso Sea. Tandem Library, 2001.

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15

Rhys, Jean. Wide Sargasso Sea. ChiversP., 1994.

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Rhys, Jean. Wide Sargasso Sea. Books on Tape, Inc., 1993.

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17

Rhys, Jean, and Penguin Books Staff. Wide Sargasso Sea. Hodder Education Group, 2001.

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18

Rhys, Jean. Wide Sargasso Sea. W. W. Norton & Company, 2016.

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19

Wide Sargasso Sea. New York, USA: W. W. Norton & Company, 1992.

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20

Rhys, Jean, and Andrea Ashworth. Wide Sargasso Sea. Penguin Books, Limited, 2016.

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21

Rhys, Jean. Wide Sargasso Sea. Harmondworth, Middlesex, England, 1985.

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22

Rhys, Jean. Wide Sargasso Sea. Penguin Books Ltd, 1998.

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23

Rhys, Jean. Wide Sargasso Sea: A Novel. W W Norton & Co Ltd, 1986.

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24

1959-, Plasa Carl, and Tredell Nicolas, eds. Jean Rhys: Wide Sargasso Sea. Cambridge: Icon Books, 2001.

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25

Johnson, Erica L., and Elaine Savory. Wide Sargasso Sea at 50. Palgrave Macmillan, 2020.

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26

Plasa, Carl. Jean Rhys: Wide Sargasso Sea. Palgrave Macmillan, 2002.

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27

Rhys, Jean. Wide Sargasso Sea (Modern Classics). Penguin Putnam~trade, 1987.

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28

Rhys, Jean. Wide Sargasso Sea (Penguin Student Editions). Penguin Classics, 2001.

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29

Rhys, Jean. Wide Sargasso Sea (Penguin Modern Classics). Penguin Books Ltd, 2000.

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30

Rhys, Jean. Wide Sargasso Sea (Penguin Modern Classics). Penguin Books Ltd, 2000.

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31

Rhys, Jean. Wide Sargasso Sea Reading Group Guide. W. W. Norton & Company, 1998.

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32

Macmillan Study Companion: Wide Sargasso Sea. Macmillan Caribbean, 2006.

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33

Focus On Wide Sargasso Sea By Jean Rhys. Greenwich Exchange Ltd, 2009.

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34

Anne, Barnes, and English Centre, eds. Wide Sargasso Sea: Teaching a novel at A level. [London]: English Centre, 1989.

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35

Barbara, Bleiman, Dickens Guy, Rhys Jean 1894-1979, and Inner London Education Authority. English Centre., eds. Wide Sargasso Sea: Teaching a novel at A level. [London]: [ILEA]English Centre, 1989.

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36

McWatt, Tessa. Of women and culture: a comparative study of Jean Rhys's "Wide Sargasso Sea" and Charlotte Brontë's "Jane Eyre". 1985.

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37

Rhys, Jean. Ancho Mar De Los Sargazos / Wide Sargosso Sea. Catedra, 1998.

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38

Rosen, Jeremy. Minor Characters Have Their Day. Columbia University Press, 2017. http://dx.doi.org/10.7312/columbia/9780231177443.001.0001.

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How do genres develop? In what ways do they reflect changing political and cultural trends? What do they tell us about the motivations of publishers and readers? Combining close readings and formal analysis with a sociology of literary institutions and markets, Minor Characters Have Their Day offers a compelling new approach to genre study and contemporary fiction. Focusing on the booming genre of books that transform minor characters from canonical literary texts into the protagonists of new works, Jeremy Rosen makes broader claims about the state of contemporary fiction, the strategies of the publishing industry over recent decades, and the function of literary characters. Rosen traces the recent surge in “minor-character elaboration” to the late 1960s and works such as Jean Rhys’s Wide Sargasso Sea and Tom Stoppard’s Rosencrantz and Guildenstern Are Dead. These early examples often recover the voices of marginalized individuals and groups. As the genre has exploded between the 1980s and the present, with novels about Ahab’s wife, Huck Finn’s father, and Mr. Dalloway, it has begun to embody the neoliberal commitments of subjective experience, individual expression, and agency. Eventually, large-scale publishers capitalized on the genre as a way to appeal to educated audiences aware of the prestige of the classics and to draw in identity-based niche markets. Rosen’s conclusion ties the understudied evolution of minor-character elaboration to the theory of literary character.

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