Journal articles: 'Wide Sargasso Sea'

1

Shepherd, Reginald. "Wide Sargasso Sea." Callaloo 14, no. 3 (1991): 607. http://dx.doi.org/10.2307/2931462.

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ÖZYON, Arzu. "WIDE SARGASSO SEA." Journal of Academic Social Science Studies 7, Number: 22 (January 1, 2014): 635. http://dx.doi.org/10.9761/jasss2231.

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Matos, Naylane Araújo. "A tradução brasileira de Wide Sargasso Sea, de Jean Rhys." Revista Letras Raras 7, no. 2 (September 29, 2018): 87–109. http://dx.doi.org/10.35572/rlr.v7i2.1140.

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Este artigo tem o objetivo de analisar a tradução brasileira do romance Wide Sargasso Sea (1966), da escritora Jean Rhys, com ênfase na mediação cultural realizada pela tradutora Léa Viveiros de Castro, a partir de questões de gênero e étnico-raciais. Para tanto, a análise embasa-se nas perspectivas de tradução feminista e pós-colonial para cotejo do corpus – composto pelo romance Wide Sargasso Sea e a tradução brasileira Vasto Mar de Sargaços (Rocco, 2012). Os resultados apontam para necessidade urgente de traduções engajadas em transmitir o viés político das obras traduzidas, uma vez que o cotejo apresentado neste trabalho evidencia escolhas de tradução que podem vir a interferir no sentido proposto pelo texto fonte e, em certos casos, operar até mesmo de modo contrário ao que este pretende, atenuando seu potencial feminista pós-colonial.

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Hulme, Peter. "The place of wide Sargasso Sea." Wasafiri 10, no. 20 (September 1994): 5–11. http://dx.doi.org/10.1080/02690059408574353.

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Luo, Li. "A Symbolic Reading of Wide Sargasso Sea." Theory and Practice in Language Studies 8, no. 9 (September 1, 2018): 1221. http://dx.doi.org/10.17507/tpls.0809.17.

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Wide Sargasso Sea is acclaimed as the masterpiece of the British female writer Jean Rhys. In the novel, Rhys reshapes the mad wife of Rochester, Bertha Mason, who is imprisoned in the attic in Jane Eyre. With her own life experience as a white Creole and her experience living in West Indies as a blueprint, setting the abolition of slavery in West Indies in the nineteenth century as the background of the times, Rhys restores Antoinette a real state of survival under colonialism and patriarchy, with a sense of identity loss and confusion. The use of symbolism is one of the most outstanding styles in description. Owing to the use of symbolism, the historical situation of Jamaica under colonialism and patriarchy has been successfully displayed and the abstract moral themes have been vividly conveyed. This paper seeks to set symbolism as a theoretical basis, classify and analyze the symbols in the novel in accordance with their roles in revealing the themes, illustrating a complete interpretation of the complicated racial conflicts and patriarchy oppression in West Indies.

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Jolley, Susan Arpajian. "Teaching "Wide Sargasso Sea" in New Jersey." English Journal 94, no. 3 (January 1, 2005): 61. http://dx.doi.org/10.2307/30046421.

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DeGuzman, Kathleen. "Wide Sargasso Sea’s Archipelagic Provincialism." Small Axe: A Caribbean Journal of Criticism 23, no. 2 (July 1, 2019): 1–16. http://dx.doi.org/10.1215/07990537-7703241.

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This essay argues for an archipelagic rethinking of Jean Rhys’s novel Wide Sargasso Sea, which has long had an uneasy fit into the category of Caribbean literature. It does so by drawing from archipelagic studies and its distinction between islands as discrete, closed-off landmasses and archipelagoes as interconnected, terraqueous topographies. Through close readings, the essay demonstrates how the Caribbean characters in the novel envision localness as an overlap between earthly materialities and contested epistemologies—an attitude the essay defines as “archipelagic provincialism.” The essay ultimately foregrounds archipelagic thinking as a way to recast the often pejorative idea of provincialism as well as offer a methodology for troubling the very idea of canonicity within Caribbean literature.

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Taylor-Batty, Juliette. "“Le Revenant”: Baudelaire’s Afterlife in Wide Sargasso Sea." Modernism/modernity 27, no. 4 (2020): 665–88. http://dx.doi.org/10.1353/mod.2020.0058.

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Garcia, Rosalia Angelita Neumann, and Mariana Lessa de Oliveira. "Intertextualidade, narradores e outras vozes em Wide Sargasso Sea, de Jean Rhys." Letras, no. 53 (December 22, 2016): 215. http://dx.doi.org/10.5902/2176148525091.

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O romance Wide Sargasso Sea, de Jean Rhys, é geralmente considerado uma resposta pós-colonial à obra Jane Eyre, de Charlotte Brontë. Embora ambos os romances apresentem conexões intertextuais, a estrutura narrativa de Rhys distancia sua obra da narrativa de Brontë, mas também a complementa. Assim, é o objetivo deste artigo estudar o nível de intertextualidade presente em Wide Sargasso Sea em comparação a Jane Eyre, além de apresentar análises sobre os tipos de narrador e focalização observados nas três unidades narrativas distintas da obra por meio de teorias sobre narradores homodiegéticos com base em Bal e Nieragden.

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박윤기. "Sexual Implicature in Wide Sargasso Sea of Jean Rhys." Studies in English Language & Literature 35, no. 1 (February 2009): 73–89. http://dx.doi.org/10.21559/aellk.2009.35.1.004.

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ÖZTOP HANER, SEVGİ. "THE ABSENT VOICE: JANE EYRE AND WIDE SARGASSO SEA." Journal of International Social Research 9, no. 45 (August 30, 2016): 173. http://dx.doi.org/10.17719/jisr.20164520596.

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Ismailinejad, Zahra Sadat. "Jean Rhys’s Wide Sargasso Sea: An Ecocritical Reading." International Letters of Social and Humanistic Sciences 49 (March 2015): 146–54. http://dx.doi.org/10.18052/www.scipress.com/ilshs.49.146.

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The present paper seeks to analyze Jean Rhys’s Wide Sargasso Sea in the light of the theory of ecocriticism. Ecocriticism focuses on the relationships of individuals with nature and how their interactions are portrayed in a literary work. Ecocritics consider nature as an active participant in literary works that possesses agency. Throughout history, religion and industrial developments affected nature and man’s relation to it. Religion put so much value on man that he ventured to destroy nature for his own good and industrialism estranged man from nature to the extent that now nature and culture or civilization are two different entities. Nature and wild life turn into the objects in the hand of modern culture and technology. Wide Sargasso Sea shows how agent of culture, Mr. Rochester exploits and dominates Antoinette as agent of nature since he lost his connection with nature as a native of an industrial country like England. As a woman she is more harmonious with nature as nature is her sole protector in this hostile environment and finally she united with it. As her true friend, nature sets her free and helps her to destroy patriarchy.

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Joo, Kee Wha. "Rereading Jane Eyre and Wide Sargasso Sea through Rancière’s Aesthetics." Nineteenth Century Literature In English 22, no. 2 (August 31, 2018): 49–69. http://dx.doi.org/10.24152/ncle.2018.08.22.2.49.

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Joo, Kee Wha. "Rereading Jane Eyre and Wide Sargasso Sea through Rancière’s Aesthetics." Nineteenth Century Literature In English 22, no. 2 (August 31, 2018): 49–69. http://dx.doi.org/10.24152/ncle.2018.8.22.2.49.

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Kubitschek, Missy Dehn. "Charting the Empty Spaces of Jean Rhys's "Wide Sargasso Sea"." Frontiers: A Journal of Women Studies 9, no. 2 (1987): 23. http://dx.doi.org/10.2307/3346184.

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송호림. "No/Mad(ic) Woman: Antoinette/Bertha in Wide Sargasso Sea." New Korean Journal of English Lnaguage & Literature 53, no. 4 (November 2011): 115–35. http://dx.doi.org/10.25151/nkje.2011.53.4.006.

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Oudah Aljohani, Fann. "Wide Sargasso Sea: Antoinette’s Living Spaces as a Case Study." Arab World English Journal, no. 228 (January 15, 2019): 1–18. http://dx.doi.org/10.24093/awej/th.228.

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Muste, Peter. "Authorial Obeah and Naming in Jean Rhys's WIDE SARGASSO SEA." Explicator 75, no. 2 (April 3, 2017): 73–76. http://dx.doi.org/10.1080/00144940.2017.1312247.

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Park Jai Young. "Wide Sargasso Sea: An Elegy of Class Conflict in Jamaica." Journal of English Language and Literature 57, no. 6 (December 2011): 1199–212. http://dx.doi.org/10.15794/jell.2011.57.6.014.

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진명희. "An Autobiographical Narrative as Counter-Discourse in Wide Sargasso Sea." Journal of English Language and Literature 62, no. 4 (December 2016): 671–94. http://dx.doi.org/10.15794/jell.2016.62.4.009.

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Morskaya, Lyudmila Yuryevna. "Spatial Construction of Islands in Jean Rhys’s «Wide Sargasso Sea»." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 12, no. 4 (2012): 83–87. http://dx.doi.org/10.18500/1817-7115-2012-12-4-83-87.

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Baig, Mirza Muhammad Zubair. "The Erasure Of A Mad And An Infamous Mother In Jean Rhys’s Wide Sargasso Sea." Pakistan Journal of Gender Studies 9, no. 1 (September 8, 2014): 23–35. http://dx.doi.org/10.46568/pjgs.v9i1.242.

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The character of Bertha Mason has been stereotyped as a “madwoman in the attic” in Charlotte Bronte’s novel “Jane Eyre (1847).” Jean Rhys in her novel “Wide Sargasso Sea (1966),” has tried to re-inscribe her character as Antoinette by analyzing how the imperialist and patriarchal forces led a woman from the wide world of Sargasso Sea to the attic of Thornfield Hall England. My contention to this corrective process of rewriting as rerighting is that, in an effort to authenticate Antoinette’s character, this writing has othered Annette, Antoinette’s mother, and has, in return, created another madwoman who has been left unattended in the plot that should have written back to the canon instead of furthering canonical images.

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23

Miller, Michael J., Håkan Westerberg, Henrik Sparholt, Klaus Wysujack, Sune R. Sørensen, Lasse Marohn, Magnus W. Jacobsen, et al. "Spawning by the European eel across 2000 km of the Sargasso Sea." Biology Letters 15, no. 4 (April 2019): 20180835. http://dx.doi.org/10.1098/rsbl.2018.0835.

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It has been known for about a century that European eels have a unique life history that includes offshore spawning in the Sargasso Sea about 5000–7000 km away from their juvenile and adult habitats in Europe and northern Africa. Recently hatched eel larvae were historically collected during Danish, German and American surveys in specific areas in the southern Sargasso Sea. During a 31 day period of March and April 2014, Danish and German research ships sampled for European eel larvae along 15 alternating transects of stations across the Sargasso Sea. The collection of recently hatched eel larvae (≤12 mm) from 70° W and eastward to 50° W showed that the European eel had been spawning across a 2000 km wide region of the North Atlantic Ocean. Historical collections made from 1921 to 2007 showed that small larvae had also previously been collected in this wide longitudinal zone, showing that the spatial extent of spawning has not diminished in recent decades, irrespective of the dramatic decline in recruitment. The use of such a wide spawning area may be related to variations in the onset of the silver eel spawning migration, individual differences in their long-term swimming ability, or aspects of larval drift.

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Lee, Wooil, and Jonggab Kim. "Sexual Difference of Love in Jane Eyre and Wide Sargasso Sea." Nineteenth Century Literature In English 22, no. 2 (August 31, 2018): 29–47. http://dx.doi.org/10.24152/ncle.2018.08.22.2.29.

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Lee, Wooil, and Jonggab Kim. "Sexual Difference of Love in Jane Eyre and Wide Sargasso Sea." Nineteenth Century Literature In English 22, no. 2 (August 31, 2018): 29–47. http://dx.doi.org/10.24152/ncle.2018.8.22.2.29.

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Tollance, Pascale. "Painting the Cardboard House Red: Rewriting Colour in Wide Sargasso Sea." Women: A Cultural Review 31, no. 2 (April 2, 2020): 224–37. http://dx.doi.org/10.1080/09574042.2020.1767837.

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Gilchrist, Jennifer. "Women, Slavery, and the Problem of Freedom in Wide Sargasso Sea." Twentieth-Century Literature 58, no. 3 (2012): 462–94. http://dx.doi.org/10.1215/0041462x-2012-4003.

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Noh, Dongwook. "Politics of Color and Fragrance in Jean Rhys’s Wide Sargasso Sea." Journal of East-West Comparative Literature 45 (September 30, 2018): 139–62. http://dx.doi.org/10.29324/jewcl.2018.09.45.139.

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Lutfi, Lutfi Abbas. "Post-Colonial Perspective of Identity in Jean Rhys’s Wide Sargasso Sea." Philologia 18, no. 18 (2020): 77–86. http://dx.doi.org/10.18485/philologia.2020.18.18.7.

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Hemingway, Kathleen. "Jean Rhys’s Wide Sargasso Sea and the Case of Post Colonial Haunting." Caribbean Quilt 1 (November 18, 2012): 13. http://dx.doi.org/10.33137/caribbeanquilt.v1i0.19040.

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Kathleen Hemingway is currently in her third year at the University of Toronto Mississauga where she is specializing in English and majoring in History. She has spent the last five summers working as both a counsellor and a teacher at an arts camp. Kathleen is particularly interested in ideas of translation and post-colonial as well as transnational literature.

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Ciolkowski, Laura E. "Navigating the Wide Sargasso Sea: Colonial History, English Fiction, and British Empire." Twentieth Century Literature 43, no. 3 (1997): 339. http://dx.doi.org/10.2307/441916.

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Erwin, Lee. ""Like in a Looking-Glass": History and Narrative in Wide Sargasso Sea." NOVEL: A Forum on Fiction 22, no. 2 (1989): 143. http://dx.doi.org/10.2307/1345800.

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오봉희. "Jean Rhys’s Wide Sargasso Sea: A Story of Homelessness and Stranger-ness." New Korean Journal of English Lnaguage & Literature 58, no. 4 (November 2016): 63–83. http://dx.doi.org/10.25151/nkje.2016.58.4.004.

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Wickramagamage, C. "An/other Side to Antoinette/Bertha: Reading ‘Race’ into Wide Sargasso Sea." Journal of Commonwealth Literature 35, no. 1 (June 1, 2000): 27–42. http://dx.doi.org/10.1177/0021989004230822.

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Wickramagamage, Carmen. "An/other Side to Antoinette/Bertha: Reading “Race” into Wide Sargasso Sea." Journal of Commonwealth Literature 35, no. 1 (March 2000): 27–42. http://dx.doi.org/10.1177/002198940003500103.

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Voicu, Cristina-Georgiana. "Lost in the Bermuda Triangle: The Significance of Locations in Jean Rhys’s Wide Sargasso Sea." Romanian Journal of English Studies 9, no. 1 (December 1, 2012): 147–53. http://dx.doi.org/10.2478/v10319-012-0016-9.

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Abstract This paper attempts to show in what way the exotic island of Jamaica expose the main characters and their fate. This part of the Atlantic Ocean seems to be torn between two different cultures, and also covers the notorious and mysterious Bermuda Triangle. The title is also foreboding for the protagonist’s fate: she will get just as lost into madness as ships in the Sargasso Sea.

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Matos, Naylane. "Wide Sargasso Sea e as cartas de Jean Rhys: dessacralizando o discurso colonial." Via Atlântica, no. 39 (September 20, 2021): 239–67. http://dx.doi.org/10.11606/va.i39.181173.

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O objetivo deste trabalho é analisar quão contextual é o processo de escrita de mulheres, em especial, o do texto literário, tomando como objeto as cartas de registro da produção do romance feminista pós-colonial Wide Sargasso Sea, da escritora Jean Rhys. Por meio das cartas de Rhys, abordamos os fatores que envolveram a produção da obra, desde o conflito da autora diante da representação da personagem crioula louca no romance inglês, Jane Eyre (1847), da escritora canônica Charlotte Brontë, às estratégias para validação da sua obra na Inglaterra. Tomamos como referência perspectivas pós e decoloniais para análise dos aspectos elencados nas cartas e suscitados pelo texto literário.

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Matos, Naylane Araújo, and Rosvitha Friesen Blume. "O papel dos paratextos em Wide Sargasso Sea (Jean Rhys) e na sua tradução brasileira (Léa Viveiros de Castro)." Em Tese 23, no. 1 (March 16, 2018): 230. http://dx.doi.org/10.17851/1982-0739.23.1.230-241.

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Este trabalho visa analisar e comparar os paratextos da obra Wide Sargasso Sea e da sua tradução brasileira feita por Léa Viveiros de Castro, a fim de refletir como estes corroboram ou não para a elucidação do romance de Charlotte Brontë, bem como o papel desses paratextos no direcionamento da leitura da obra. Wide Sargasso Sea (1966) é um romance da escritora dominicana Jean Rhys (1890-1979), conhecido pela inter e hipertextualidade (GENETTE, 1997) que estabelece com o romance colonial do século XIX, Jane Eyre (1847), da escritora Charlotte Brontë (1816-1855), e por possibilitar discussões em áreas de estudos pós-coloniais e feministas. A tradução brasileira foi publicada em 2012, pela editora Rocco. A análise apresentada neste trabalho se embasa no conceito de paratexto cunhado e desenvolvido por Gérard Genette (2009). Uma obra literária raramente se apresenta de forma isolada, mas circula acompanhada de várias produções, de ordem verbal ou não. Essas produções são chamadas de paratextos e funcionam como dispositivos que orientam o percurso do/a leitor/a na obra, ajudando-o/a na sua decisão interpretativa.

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윤진구. "A Study on the Circular Characteristics in Narrative Structure of Wide Sargasso Sea." Jungang Journal of English Language and Literature 49, no. 4 (December 2007): 233–57. http://dx.doi.org/10.18853/jjell.2007.49.4.012.

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Mzoughi, Imen. "The White Creole in Jean Rhys’s Wide Sargasso Sea : A Woman in Passage." Human and Social Studies 5, no. 1 (March 1, 2016): 88–110. http://dx.doi.org/10.1515/hssr-2016-0006.

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Abstract Studies on Jean Rhys have been fragmentary concentrating on one or two aspects of Rhys’s thematic concern with the alienation of the white creole without laying emphasis on Rhys’s exploration of the Creole’s identity. There has been no attempt to examine if the creole has to struggle harder and more than whites and blacks to come to terms with her personal identity until now. The answer is affirmative because the creole is a composite human being. Indeed, the white creole is the ‘fruit’ of a mixed union. Born into miscegenation, hybridity and creolization, the creole is physically, linguistically, socially and religiously a diverse human being. Within the scope of this paper, the term identity is used in a broad sense. The creole’s personal identity refers to the different identities the Creole can have at different times and in different circumstances. Correspondingly, she must negotiate the white and black elements of her identity. The Creole must deal with the complexity of her identity through a web of tangled relationships with both whites and blacks. Read from this light, the personal identity of the creole is not “either/ or,” but reluctantly “both/ and.” In various ways, the creole is an ‘Everyman.’ The Creole undergoes an awareness, and is eventually, redefined through the image of the ‘other.’ Indeed, her jump toward her black friend Tia reflects Rhys’s basic concern for a Caribbean society in which assimilation and personal identity must blend in a single humane goal, that is, to co-exist beyond the lines of race, gender, class and sex in order to avoid annihilation.

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Halloran, V. N. "Race, Creole, and National Identities in Rhys's Wide Sargasso Sea and Phillips's Cambridge." Small Axe: A Caribbean Journal of Criticism 10, no. 3 (January 1, 2006): 87–104. http://dx.doi.org/10.1215/-10-3-87.

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ZHANG, Xian. "Domestication and Foreignization in the Chinese Translation of Jean Rhys’ Wide Sargasso Sea." Comparative Literature: East & West 11, no. 1 (March 2009): 136–45. http://dx.doi.org/10.1080/25723618.2009.12015360.

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*, *. "MADNESS as ANTI-COLONIAL AGENT in WIDE SARGASSO SEA and THE BELL JAR." Euroasia Journal of Social Sciences and Humanities 7, no. 12 (January 1, 2020): 26–31. http://dx.doi.org/10.38064/eurssh.21.

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Halloran, Vivian Nun. "Race, Creole, and National Identities in Rhys's Wide Sargasso Sea and Phillips's Cambridge." Small Axe: A Caribbean Journal of Criticism 21 (October 2006): 87–104. http://dx.doi.org/10.2979/sax.2006.-.21.87.

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Shalini, M. Sakkthi. "Hysteria’ and ‘Madness’: Gender, Illness and Narration in Jean Rhys’ Wide Sargasso Sea." Bioscience Biotechnology Research Communications 14, no. 8 (June 25, 2021): 105–8. http://dx.doi.org/10.21786/bbrc/14.8.26.

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Alonso Alonso, María. "All the madwomen in the attic: alienation and culture shock in Jamaica Kincaid’s See Now Then = Todas las locas del ático: alienación y shock cultural en See Now Then, de Jamaica Kincaid." Estudios Humanísticos. Filología, no. 40 (December 19, 2018): 279. http://dx.doi.org/10.18002/ehf.v0i40.4413.

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Este artículo analiza la última novela de Jamaica Kincaid, See Now Then. Después de ofrecer una contextualización y de acuerdo con el marco teórico que articula el análisis, esta aproximación tomará como referencia dos clásicos de la literatura inglesa como son Jane Eyre de Charlotte Brontë y Wide Sargasso Sea de Jean Rhys para explorar cuestiones de alienación y shock cultural a través de la prosa compleja y barroca que caracteriza los trabajos de Kincaid.This article analyses Jamaica Kincaid’s latest novel, See Now Then. After contextualising the text and according to the theoretical framework that structures this analysis, this approach will consider two classics of English literature such as Charlotte Brontë’s Jane Eyre and Jean Rhys’s Wide Sargasso Sea to explore issues of alienation and culture shock through the highly complex and baroque prose that characterises Kincaid’s works.

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Chacón-Castellanos, Aida. "Género y antiimperialismo en Ancho Mar de los Sargazos de Jean Rhys." Temas de Nuestra América. Revista de Estudios Latinoaméricanos 31, no. 58 (April 8, 2016): 173. http://dx.doi.org/10.15359/tdna.31-58.10.

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Concuerdo con Maricruz Castro (2009), quien señala que género es un concepto mediante el cual quedan manifiestas las construcciones culturales alrededor de la mujer y de lo femenino, así como también del hombre y lo masculino. Considero que la autora Jean Rhys puede brindar una visión de primera mano sobre el tema no solamente de lo femenino sino también del prejuicio racial y el discurso imperialista a partir del cual se construye la identidad del otro. Fundo mi acercamiento en Wide Sargasso Sea, Ancho mar de los Sargazos, de Rhys. La construcción de la figura femenina, ligada a la locura y el prejuicio racial, desde el punto de vista imperialista, son elementos que la autora trata de desvincular desde su muy particular narrativa.

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Guragain, Kehm. "The “Third Space” and the Questions of Identity in Jean Rhys’ Wide Sargasso Sea." Localities 5 (November 30, 2015): 65. http://dx.doi.org/10.15299/local.2015.11.5.65.

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Henderson. "Claims of Heritage: Restoring the English Country House in Wide Sargasso Sea." Journal of Modern Literature 38, no. 4 (2015): 93. http://dx.doi.org/10.2979/jmodelite.38.4.93.

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Nadal-Ruiz, Alejandro. "Caribbean Landscape and the Construction of Creole Consciousness in Jean Rhys’s Wide Sargasso Sea." Roczniki Humanistyczne 68, no. 11 (December 23, 2020): 195–210. http://dx.doi.org/10.18290/rh206811-12.

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Krajobraz Karaibów i konstrukcja kreolskiej świadomości w Szerokim Morzu Sargasowym Artykuł analizuje powiązanie pomiędzy opisami miejsca a konstrukcją kreolskiej tożsamości w powieści Szerokie Morze Sargasowe autorstwa Jean Rhys (1966). Stawiam tezę, iż kreolska świadomość bohaterki powieści przechodzi ewolucję, której wyrazem jest jej relacja z naturą Dominki. Narratorka oddaje relację pomiędzy miejscem a tożsamością przywołując zdarzenia ze swojej przeszłości; szczególne znaczenie mają tu opisy jej interakcji z krajobrazem Karaibów na różnych etapach jej życia. Analizując powiązanie pomiędzy formacją tożsamości a krajobrazem Karaibów, artykuł ma na celu poszerzenie stanu badań nad procesem odzyskiwania pamięci w prozie Jean Rhys, jednocześnie rzucając nowe światło na kluczową rolę krajobrazu Karaibów w Szerokim Morzu Sargasowym.

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Journal articles on the topic 'Wide Sargasso Sea'

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