Relevant bibliographies by topics / Wien Museum

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Wien Museum'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Wien Museum"

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Koll, Johannes, and Regina Zodl. "Provenienzforschung ins Museum: Ausstellungseröffnung und Restitution der Wirtschaftsuniversität Wien im Technischen Museum Wien." Mitteilungen der Vereinigung Österreichischer Bibliothekarinnen und Bibliothekare 70, no. 3-4 (December 31, 2017): 342–49. http://dx.doi.org/10.31263/voebm.v70i3.1956.

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Am 4. Oktober 2017 wurde die Integrierung der Privatbibliothek des österreichischen Petrochemikers Dr. Leopold Singer (1869–1942), die zwei Jahre vorher von der Wirtschaftsuniversität Wien an dessen Erben und Erbinnen restituiert worden war, in die Dauerausstellung des Technischen Museums Wien gefeiert. Erstmalig werden damit Ergebnisse bibliothekarischer Provenienzforschung in einem international renommierten Museum der Öffentlichkeit zugänglich gemacht. Zugleich wurde ein Buch restituiert, das bis zum „Anschluss“ Österreichs Dr. Martin Singer (1874–1950) gehört hatte.
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Čertov, Ferdinand, Klaudia Ruck, and Roland Winkler. "Wien Museum Neu." Österreichische Zeitschrift für Kunst und Denkmalpflege 1 (2024): 224–31. http://dx.doi.org/10.1553/oezkd2023-04s224.

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Joost-Gaugier, Christiane L., and Wolfgang Prohaska. "Kunsthistorisches Museum Wien: Die Gemaldegalerie." Sixteenth Century Journal 30, no. 1 (1999): 270. http://dx.doi.org/10.2307/2544979.

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Ferraz-Leite, Heber. "Das Kunsthistorische Museum Wien als Schmerzmuseum." Spektrum der Augenheilkunde 32, no. 3 (March 14, 2018): 125–34. http://dx.doi.org/10.1007/s00717-018-0396-7.

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Bejger, Peter Straton. "International Cultural Centre and Wien Museum. The Myth of Galicia." East/West: Journal of Ukrainian Studies 3, no. 1 (February 15, 2016): 187. http://dx.doi.org/10.21226/t22s31.

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<strong>International Cultural Centre and Wien Museum. <em>The Myth of Galicia. </em>— 2 more</strong>Eds. Jacek Purchla, Żanna Komar, Wolfgang Kos, Monika Rydiger, and Werner Michael Schwarz. Album published on the occasion of the exhibition <em>The Myth of Galicia</em>, organized by the International Cultural Centre in cooperation with the Wien Museum. Kraków: International Cultural Centre, 2014. 480 pp. Illustrations. 120 PLN, cloth.
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Augustat, Claudia, and Wolfgang Kapfhammer. "Looking back ahead: a short history of collaborative work with indigenous source communities at the Weltmuseum Wien." Boletim do Museu Paraense Emílio Goeldi. Ciências Humanas 12, no. 3 (December 2017): 749–64. http://dx.doi.org/10.1590/1981.81222017000300005.

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Abstract In the last few years, collaborating with representatives of indigenous communities became an important topic for European ethnographic museums. The Weltmuseum Wien (former Museum of Ethnology Vienna, Austria) adheres to this form of sharing cultural heritage. Its Brazilian collection offers rich opportunities to back up Amazonian cultures in their struggle for cultural survival. However, to establish collaborative work in a European museum on a sustained basis is still a difficult endeavor. The article will discuss the projects which have been realized during the past five years with several groups from Amazonia, such as the Warí, Kanoé, Makushí, Shipibo and Sateré-Mawé. Projects were carried out in Austria, Brazil, and Guyana and ranged from short visit to longer periods of co-curating an exhibition. As for the Museum, results are documented in the collection, in two exhibitions and in the accompanying catalogues. It is less clear what the indigenous communities might take away from such collaborations. It will be argued that museum collaborations can help establish a new contact zone, ‘indoors’ and ‘outdoors’, in which members of heritage communities are able to break through the silence in the old contact zone and finally make their own voices heard.
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Querner, Pascal, Michaela Morelli, Elke Oberthaler, Monica Strolz, Katja Schmitz Von Ledebur, Johanna Diehl, Isabell Zatschek, et al. "Ten years of Integrated Pest Management (IPM) at the Kunsthistorisches Museum in Wien." Journal of Entomological and Acarological Research 43, no. 2 (August 20, 2011): 185. http://dx.doi.org/10.4081/jear.2011.185.

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The Kunsthistorisches Museum Wien is one of the largest fine arts collections worldwide, comprising the Kunsthistorisches Museum, the Austrian Theater Museum, the Museum of Ethnology, all placed in Vienna, and Schlo&szlig; Ambras in Tirol. We present results from up to 10 years of insect pest monitoring in different collections and the implementation of an Integrated Pest Management (IPM) concept. The Kunsthistorisches Museum was the first museum in Vienna to introduce such a concept. We also present specific insect pest problems such as a biscuit beetle (<em>Stegobium paniceum</em>) infestation of paintings lined with starch paste backings (linings) or the webbing clothes moth (<em>Tineola bisselliella</em>) infestation at the Museum of Carriages, both repeatedly occurring problems in the museum. With the help of the insect pest monitoring programs, these and other problems were found and the infested objects treated, usually with anoxia (nitrogen).
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Glück, Franz. "Historisches Museum der Stadt Wien Le Nouveau Batiment." Museum International (Edition Francaise) 13, no. 2 (April 24, 2009): 98–108. http://dx.doi.org/10.1111/j.1755-5825.1960.tb01908.x.

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Melichar, Christoph. "Wien Museum. Vieles war, vieles kommt, einiges bleibt." Österreichische Zeitschrift für Kunst und Denkmalpflege 1 (2024): 244–47. http://dx.doi.org/10.1553/oezkd2023-04s244.

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Ottomeyer, Hans, and Terry D. Prince. "Biedermeierstoffe: Die Sammlungen des MAK—Österreichisches Museum für angewandte Kunst, Wien, und des Technischen Museums Wien. Angela Völker , Ruperte Pichler." Studies in the Decorative Arts 5, no. 2 (April 1998): 106–8. http://dx.doi.org/10.1086/studdecoarts.5.2.40662651.

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Dissertations / Theses on the topic "Wien Museum"

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Koll, Johannes, and Regina Zodl. "Provenienzforschung ins Museum: Ausstellungseröffnung und Restitution der Wirtschaftsuniversität Wien im Technischen Museum Wien." Vereinigung Österreichischer Bibliothekarinnen & Bibliothekare, 2017. http://epub.wu.ac.at/6172/1/1956%2D6938%2D1%2DSM.pdf.

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Am 4. Oktober 2017 wurde die Integrierung der Privatbibliothek des österreichischen Petrochemikers Dr. Leopold Singer (1869-1942), die zwei Jahre vorher von der Wirtschaftsuniversität Wien an dessen Erben und Erbinnen restituiert worden war, in die Dauerausstellung des Technischen Museums Wien gefeiert. Erstmalig werden damit Ergebnisse bibliothekarischer Provenienzforschung in einem international renommierten Museum der Öffentlichkeit zugänglich gemacht. Zugleich wurde ein Buch restituiert, das bis zum "Anschluss" Österreichs Dr. Martin Singer (1874-1950) gehört hatte.
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Vos, R. L. "The Apis embalming ritual : P. Vindob. 3873 /." Leuven : Peeters : Departement oriëntalistiek, 1993. http://catalogue.bnf.fr/ark:/12148/cb35762768j.

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Hauenfels, Theresia. "Visualisierung von Herrschaftsanspruch die Habsburger und Habsburg-Lothringer in Bildern." Wien Praesens-Verl, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2704892&prov=M&dok_var=1&dok_ext=htm.

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Kubicek, Julia. "Wie seniorengerecht sind Museen? Anforderungen im Praxistest." Berlin BibSpider, 2007. http://d-nb.info/994361041/04.

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Popplow, Laura. "Nur Mut zum Prozess! Oder: Wie kann zeitgemäße, mediale Ausstellungsgestaltung gelingen?" Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2013. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-111345.

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Der Besuch des im Bau befindlichen Staatlichen Museums für Archäologie Chemnitz bot den Teilnehmerinnen und Teilnehmern der Dresden Summer School 2012 die Möglichkeit, die Planung eines von Grund auf neuen Museums mit einer sehr modernen Ausstellungsarchitektur und Medieninszenierung durch die Mitarbeiter und den leitenden Ausstellungsgestalter kennenzulernen. (...)
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Spáčilová, Ingrid. "ResPublica/Civitas Socialis – Strachotín, l. p. 2017." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2017. http://www.nusl.cz/ntk/nusl-316341.

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Šejk, Sanko. "Stavba v krajině - vinařské muzeum." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2010. http://www.nusl.cz/ntk/nusl-215672.

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15th Museum Rochus The idea of establishing a museum in Uherske Hradiste is very important and meaningful because it helps to maintain and present a significant part of the cultural heritage Uherské Hradiště. This region is marked by diversity, the wealth of types and forms of the original rural architecture, which is more than other areas of traditional cultural heritage at risk of extinction, and virtually disappearing from our villages from day to day. Guarantee professional training concept museum with an ethnographic exhibition Rochus took Slovacke Museum in Uherske Hradiste supporting major project partner Holding Synot. Rochus museum will consist of three interrelated parts. The first, called Marathi Justice (16) at the beginning Vinohradská street (11), becoming a sort of gateway to the entire complex. To him, already in the park itself Rochus, will build the second area designed into the village area of návesního uherskohradišťského Dolňácka. Focus, for example, running a village pub offering traditional cuisine and local culinary specialties, selection of traditional handicrafts shop items held various production and presentation activities - demonstrations of traditional crafts, craft workshops, day and residential courses handicraft techniques, demonstrations of traditional customs and traditions, holding folklore programs, live demonstrations and other farming activities. On this part of the museum is likely to continue Environmental Center (17). 16th Environmental Center in accommodation of facilities Center will focus on education of visitors, education and activities for families with children. The idea is considering a wider range of options, from the information center Natura 2000 (2) with the necessary background to the construction of new buildings ecological center. Intentions Museum (15), education and environmental activities are well supplemented, especially in the teaching of crafts and demonstrations, cultivation and processing of crops, using traditional materials and technologies, but also for leisure and federal activities, etc. The center can be considered as saving buildings heating energy such as biomass. The building envicentra will build residential facilities for leisure activities, programs, and environmental education courses, including green with the rest of the site for visitors.
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Le-Huu, Inka. "Danielle Sperra/Werner Hanak-Lettner (Hg.): Jüdische Museen zwischen gestern und morgen. Reflexionen aus involvierter Außenperspektive." HATiKVA e.V. – Die Hoffnung Bildungs- und Begegnungsstätte für Jüdische Geschichte und Kultur Sachsen, 2015. https://slub.qucosa.de/id/qucosa%3A34925.

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Sösemann, Pia Sophie. "Der Rolf–Joseph-Preis - Wie aus einer Zeitzeugenbegegnung ein Schülerwettbewerb wurde." HATiKVA e.V. – Die Hoffnung Bildungs- und Begegnungsstätte für Jüdische Geschichte und Kultur Sachsen, 2020. https://slub.qucosa.de/id/qucosa%3A73372.

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Huber, Leonhard. "Wunderkammer Cyberspace? Gestaltung und Rolle digitaler Museumsinformationssysteme illustriert anhand der medien.matrix am Technischen Museum Wien." Thesis, 2002. http://eprints.rclis.org/6419/1/huber_wunderkammer.pdf.

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This thesis aims to define and evaluate the role and design of digital information systems in museums. In order to do this, the study addresses the following topic areas: the tasks of museums as institutions for the public, the conception of digital information systems and the interdependencies between content structure and graphic design, illustrated by a practical example. Experiences made by European museums in digital media projects have served as a starting point. The report investigates the role of digital media as information mediators by looking at Human Computer Interaction and compares different models and structures used for computer-based information provision. In a second part, the thesis outlines the practical use of several theoretical aspects mentioned by presenting the design and evaluation approach carried out during the conception of the medien.matrix, a digital visitor information system at the Vienna Museum of Technology. The most significant results of the investigation can be summarized as follows: Museums primarily have an educational task to fulfill. Virtual information spaces cannot replace real exhibitions but can rather complement them, the only exception being virtual (online) museums, which lack physical objects. A graphic design can only provide didactic support if the content basis is clearly structured. The thesis concludes with some thoughts about the resources and factors which are vital for a future knowledge society.
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Books on the topic "Wien Museum"

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Felicitas, Heimann-Jelinek, Sulzenbacher Hannes, and Jüdisches Museum der Stadt Wien., eds. Jüdisches Museum Wien. Wien: Jüdisches Museum Wien, 1996.

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editor, Kos Wolfgang 1949, and Stuiber Peter 1972 editor, eds. Wien Museum: Etappe 2003-2015. Wien: Metroverlag, 2015.

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(Austria), Heeresgeschichtliches Museum. Das Heeresgeschichtliche Museum in Wien. [Graz]: Verlag Styria, 2000.

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Stillfried, Agnes. The Kunsthistorisches Museum Vienna: Museum guide. Wien: Kunsthistorisches Museum, 2018.

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1924-, Berger Max, and Historisches Museum der Stadt Wien., eds. Judentum in Wien: "Heilige Gemeinde Wien" : Historisches Museum der Stadt Wien. Wien: Eigenverlag der Museen der Stadt Wien, 1987.

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Barta, Martin. Von Wien nach Haringsee: Ein neues Depot für das Technische Museum Wien. Wien: Technisches Museum Wien mit Österreichischer Mediathek, 2019.

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1914-, Hubmann Franz, and Roschitz Karlheinz, eds. Wien: Metamorphosen einer Stadt : Historisches Museum der Stadt Wien. Wien: C. Brandstätter, 1992.

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Seyrl, Harald. Kriminalpolizeiliches Museum der Bundespolizeidirektion Wien: Katalog. 2nd ed. Wien: Bundespolizeidirektion Wien, 1985.

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Kräftner, Johann. Liechtenstein Museum Wien: Klassizimus und Biedermeier. München: Prestel, 2004.

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Völker, Angela. Biedermeierstoffe: Die Sammlungen des MAK--Österreichisches Museum für Angewandte Kunst, Wien und des Technischen Museums Wien. München: Prestel, 1996.

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Book chapters on the topic "Wien Museum"

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High-Steskal, Nicole, and Rainer Simon. "Evaluating the Blackbox." In Edition Museum, 217–24. Bielefeld, Germany: transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839467107-020.

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The pilot project LiviaAI examines the use of artificial intelligence to identify connections between objects from three Viennese museums (Wien Museum, Museum für Angewandte Kunst, Belvedere Museum Wien). In the first project phase, collection metadata and their creation were examined in order to derive specifications for an AI model for similarity determination. In the current phase of the project, a model that uses the metadata of a selected collection as input to learn cross-collection visual representations of similarity is being developed. The goal is to evaluate the model in terms of its practical utility for curators and museum visitors and to gain insights into AI decision-making mechanisms.
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Schrems, Bärbl. "2. DAS WIEN MUSEUM …" In Die perfekte Ausstellung, 104–11. Bielefeld: transcript Verlag, 2012. http://dx.doi.org/10.14361/transcript.9783839414897.104.

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Hamann, Thomas. "3. DAS WIEN MUSEUM ..." In Die perfekte Ausstellung, 112–19. Bielefeld: transcript Verlag, 2012. http://dx.doi.org/10.14361/transcript.9783839414897.112.

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Termini-Fridrich, Isabel. "10. DAS WIEN MUSEUM …" In Die perfekte Ausstellung, 180–86. Bielefeld: transcript Verlag, 2012. http://dx.doi.org/10.14361/transcript.9783839414897.180.

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Wonisch, Regina. "Zeitgeschichtliches im Technischen Museum Wien." In Zeitgeschichte ausstellen in Österreich, 175–212. Wien: Böhlau Verlag, 2011. http://dx.doi.org/10.7767/boehlau.9783205791089.175.

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Schütz, Karl. "Gemäldegalerie und Kunstakademie in Wien im 18. Jahrhundert." In Welt - Bild - Museum, 163–74. Köln: Böhlau Verlag, 2011. http://dx.doi.org/10.7788/boehlau.9783412214548.163.

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Blimlinger, Eva, and Heinz Schödl. "museum moderner kunst stiftung ludwig wien." In ... (k)ein Ende in Sicht, 111–14. Wien: Böhlau Verlag, 2018. http://dx.doi.org/10.7767/9783205201274.111.

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Anderl, Gabriele, and Ildiko Cazan. "Das Museum für Völkerkunde in Wien." In ... wesentlich mehr Fälle als angenommen, 160–75. Wien: Böhlau Verlag, 2009. http://dx.doi.org/10.7767/boehlau.9783205118862.160.

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Heger, Norbert. "Die römische Bronzestatuette des Heerführers im Kunsthistorischen Museum in Wien und ihr Fundort im Land Salzburg." In Jahrbuch des Kunsthistorischen Museums Wien, 91–98. Wien: Böhlau Verlag, 2016. http://dx.doi.org/10.7767/9783205206231-005.

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Krohn, Wiebke. "Reste der Masse Adria im Jüdischen Museum Wien." In Kunst sammeln, Kunst handeln, 289–302. Wien: Böhlau Verlag, 2012. http://dx.doi.org/10.7767/boehlau.9783205791997.289.

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Conference papers on the topic "Wien Museum"

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Richter, B., and M. Toplak. "Hauttumoren im pathologischen Museum der VetMedUni Wien." In 63. Jahrestagung der Fachgruppe Pathologie der Deutschen Veterinärmedizinischen Gesellschaft. © Georg Thieme Verlag KG, 2020. http://dx.doi.org/10.1055/s-0040-1712578.

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Klösch, Christian. "NS-Raubgut und Verdachtsfälle auf Raubgut bei Erwerbungen aus dem (Kunst-)Handel im Technischen Museum Wien." In Historische Technische Instrumente. Zirkulation, Ansammlungen und Dokumente des Entzugs zwischen 1933 und 1945. Stiftung Deutsches Optisches Museum, Jena, 2022. http://dx.doi.org/10.25366/2022.38.

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Alsina Aubach, Montserrat, Roger Gaona Boixader, Guillem Bel Roset, Pau Ventura Alsina, and David Fornell Rodríguez. "Service-learning experience through outreach and engagement with science and technology museums." In SEFI 50th Annual Conference of The European Society for Engineering Education. Barcelona: Universitat Politècnica de Catalunya, 2022. http://dx.doi.org/10.5821/conference-9788412322262.1458.

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The paper describes and analyzes the service-learning experiences of various engineering students in two science and technology museums, over the years 2020, 2021 and 2022. The experience was based on the design and implementation of education and outreach activities and scaffolding material was provided. Student learning was significant not only in terms of content but also in terms of generic and transversal competencies. In addition, this service-learning model shows a good potential to address some of the problems in engineering today, such as the declining interest in engineering among school students. Thus, it can be a win-win model for all the agents involved: museums, university, the student himself and society in general.
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Ghosh, Madhumita, and Hideaki Kuzuoka. "A Trial Attempt by a Museum Guide Robot to Engage and Disengage the Audience on Time." In AASRI Winter International Conference on Engineering and Technology (AASRI-WIET 2013). Paris, France: Atlantis Press, 2013. http://dx.doi.org/10.2991/wiet-13.2013.5.

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Ribeiro, Carlos E., Daniela de F. G. Trindade, Rodrigo H. C. Palácios, and Eduardo Todt. "Exploring the Use of Educational Robotics in Non-formal Learning Environments: A Systematic Mapping." In Workshop de Informática na Escola. Sociedade Brasileira de Computação - SBC, 2023. http://dx.doi.org/10.5753/wie.2023.235277.

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This paper presents a systematic mapping study on the application of educational robotics in non-formal educational settings such as science clubs, museums, libraries, extracurricular activities, and non-governmental organizations (NGOs). The aim of this study is to explore the potential and challenges of educational robotics in these settings, specifically in relation to teaching and learning in Science, Technology, Engineering, Arts, and Mathematics (STEAM) domains. A methodological approach was employed, involving the selection of papers based on specific inclusion and exclusion criteria. Our findings indicate that educational robotics not only fosters computational thinking, problemsolving, creativity, and collaborative skills but also enhances student motivation and self-efficacy. Furthermore, we identify various challenges associated with the implementation of educational robotics in non-formal settings. These insights may serve as a foundation for future research and pedagogical practices in the field.
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Hoare, Marko Atilla. "THE GREAT SERBIAN THREAT, ZAVNOBIH AND MUSLIM BOSNIAK ENTRY INTO THE PEOPLE’S LIBERATION MOVEMENT." In Međunarodna naučna konferencija-75. GODIŠNJICA PRVOG ZASJEDANJA ZAVNOBIH-a: POVIJESNA UTEMELJENOST OBNOVLJENE DRŽAVNOSTI BOSNE I HERCEGOVINE U 20. I 21. STOLJEĆU. Academy of Sciences and Arts of Bosnia and Herzegovina, 2019. http://dx.doi.org/10.5644/pi2019.179.05.

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From the start of the uprising in summer 1941, the Communist Party of Yugoslavia conceived of the People’s Liberation Struggle in BosniaHerzegovina as a specifically Bosnian-Herzegovinian liberation struggle, waged under Bosnian-patriotic slogans. Nevertheless, the status of BosniaHerzegovina within the future Yugoslav state was not definitely resolved until November 1943. This period – autumn 1943 – witnessed the mass influx of Muslim Bosniaks into the People’s Liberation Movement, definitely transforming it from a movement that was overwhelmingly ethnic-Serb in composition into one that had a large Muslim Bosniak component as well. A decisive catalyst for the mass entry of Muslim Bosniaks in East Bosnia into the NOP was the fear among them that Hitler would cede East Bosnia to Nedić’s Serbia, thereby establishing a Great Serbia in which the Muslim Bosniaks would be subjected to genocide. The KPJ, by championing BosnianHerzegovinian self-determination, was able to win over a large part of the Muslim Bosniak population that feared the Great Serbian threat. This paper will look at the relationship between the Great Serbian threat and the influx of Muslim Bosniaks into the NOP during 1943.
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Koc, Adem. "A Symbolic Taste of the City: Eskișehir Met Halva from Legend to Game." In Conferința științifică internațională Patrimoniul cultural: cercetare, valorificare, promovare. Ediția XIV. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/pc22.29.

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Th ere are some symbols (images) of cities in which they come to the fore. Th ese symbols can be diverse such as city silhouettes, temples, holy places, museums, festivals, natural areas, food, drinks, and desserts. Urban symbols can be an important soft power and tourism intermediary for the promotion of both the city and the country. Many examples such as Japan’s kimono, Kyoto garden, and sushi; France’s Paris Eiff el Tower; Moldova’s wine cellars; Moscow’s Kremlin Palace in Russia; Istanbul’s Topkapi Palace in Türkiye, beaches, doner kebab and baklava; Tibet’s Buddhist temples can be cited. As can be understood from these examples, a city or a small settlement can sometimes come to the fore even more than the country itself due to its symbol. Countries that benefi t from this can provide a good promotion in terms of tourism. While there are professional works in creating an image of the city, sometimes bad examples can be seen. However, creating the image of the city, strange structures or sculptures can sometimes be used for the promotion of the city. In fact, it is an interesting method which causes a very bad appearance. Even this situation sometimes causes a funny and disgusting image. For example, ill-hewn statues of fruit-vegetable, food, animals, persons or heroes, etc. It is unnecessary but it also causes bad publicity. Instead, applied kitchens, food and beverage presentations, and museums are more remarkable. In this paper, the city image “met halva”, which has come to the fore in the fi eld of gastronomy, with the cultural animations made recently in Sivrihisar district of Eskișehir province of Türkiye will be introduced.
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Afsaruddin, Asma. "STRIVING IN THE PATH OF GOD: FETHULLAH GÜLEN’S VIEWS ON JIHAD." In Muslim World in Transition: Contributions of the Gülen Movement. Leeds Metropolitan University Press, 2007. http://dx.doi.org/10.55207/vvrp6737.

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Jihad (‘struggle’, ‘striving’) in the Qur’an and Sunnah is a term with multiple inflections. The reiterated Qur’anic phrase al-jihad fi sabil Allah (‘striving in the path of God’) allows for that striving to be accomplished in myriad ways. After surveying a range of exegeses of relevant Qur’anic verses and early hadith works, the paper shows how fully Fethullah Gülen’s empha- sis on jihad as a means of personal, moral, spiritual and social renewal and transformation is in line with the earliest meanings found in exegetical and hadith works. Such a traditional, historical understanding runs counter to recent, polemical assertions that jihad is a monova- lent term requiring unremitting armed combat against non-Muslims. The paper demonstrates that contemporary Muslim thinkers like Gülen, who offer a more expansive and multi-facet- ed reading of what it means to ‘strive in the path of God’, are harking back to earlier, and thus more historically authentic, understandings of jihad and its moral purview. The Arabic term jihad has primarily come to mean “armed struggle/combat” and is frequently translated into English as “holy war.” And yet a close scrutiny of the occurrence of this term in the Qur’an and early hadith literature in particular demonstrates that this exclusive under- standing of the term cannot be supported for the formative period of Islam. In the Qur’an the phrase “fi sabil Allah,” meaning “in the path of God” or “for the sake of God,” is frequently conjoined to al-jihad. The full Arabic expression “al-jihad fi sabil Allah” means “striving/ struggling in the path of God” in the broadest sense. In the supporting hadith and exegetical literature, this human struggle for the noblest purpose – that is, to win God’s approval– is manifested in multiple ways. This paper will discuss the multiple meanings of jihad as evident in the Qur’an, exegeses, and hadith literature, particularly from the early period. After having established the broad range of meanings assigned to jihad in these sources, I will then proceed to discuss Fethullah Gülen’s understanding of jihad and its relevance for contemporary Muslims. It will be argued that his understanding of jihad replicates the polyvalence of this term in Qur’an and hadith literature and that his emphasis on both its spiritual and physical dimensions is timely and relevant today, especially in the wake of the appropriation of this term as a relentlessly mili- tant activity by contemporary extremist groups.
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9

Lima, Cláudia, Susana Barreto, and Rodrigo Carvalho. "Interpreting Francis Bacon's Work through Contemporary Digital Media: Pedagogical Practices in University Contexts." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001420.

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This paper describes two pedagogical practices based on Francis Bacon’s graphic Works. One in a curricular context, held at Escola Superior Artística do Porto, and the other in an extracurricular context held at Universidade Lusófona do Porto (both in Portugal), which aimed to stimulate students towards a critical analysis and interpretation of Francis Bacon's work and its recreation using contemporary digital media. This initiative was integrated in the Graphic Works of Francis Bacon exhibition at the World of Wine Museum in Vila Nova de Gaia and was the result of a collaboration between this Museum, the Academy and the Renschdael Art Foundation, a collaboration that aimed to give voice and life to a debate emerging from the exhibition of the work of art and its multimedia translation. Hence, it was intended to complement the exhibition of the artist's works with a multimedia language, through multiple interpretations and digital animations of the Painter's work made by the students and targeted at digital natives as one stream of the exhibition was to target local primary and secondary schools.The participants involved in this project came from various BAs, including Communication Design, Fine Arts and Intermediate, Visual Arts - Photography, Cinema and Audiovisual, Audiovisual Communication and Multimedia, Video Games and Multimedia Applications. This allowed to bring together multidisciplinary groups of students with different profiles and backgrounds, contributing to a myriad of results both in visual terms and technological resources, which included approaches such as: the use of techniques close to rotoscoping in which students created drawings frame by frame over the original images; the exploration of cut-out animation techniques; the recreation of Francis Bacon's work in 3D; explorations of image manipulation, editing, and video effects.In an academic context, these practices resulted in an in-depth knowledge of the work of an artist from a generation different from that of the students; an opportunity for them to work with a real client, applying in a project the knowledge obtained in various curricular units of the BAs they are attending; and the possibility of seeing their work integrated in an international exhibition. As regards to the Graphic Works of Francis Bacon exhibition, this academic project brought a new dynamic to the space combining graphic works by the Painter with multiple interpretations of a generation to whom digital media are omnipresent.In this paper, the pedagogical practices adopted in both Universities are described, projects by students are analyzed as well as the contribution that these projects brought to the exhibition through information gathered from visitors, from articles published on the event and through an interview conducted with the exhibition curator.The exhibition, according to the commissioner, Charlotte Crapts, had an "impressive" turnover bearing in mind that the country was going through Covid restrictions. In the commissioner’s view, the multimedia interventions created a bridge with the educational sector and following this, the exhibition interacted with a great number of youngsters. This was a pioneer exercise in the exhibition space that will be followed in future exhibitions.
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Zabelina, Daria. "THE REVIVAL OF THE PHILIPPINE NATIONAL THEATER — KOMEDYA." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.39.

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Komedya, or moro-moro, is a genre of the Philippine national theater that was flourishing from the second half of the 17th century until the second half of the 19th century. The genre formation was a part of catholic missioners propaganda activities. In time, komedya became the most popular dramatic genre in colonial Philippines. The common features of komedya are: 1) the central theme of komedya is fight between Christians and Muslims, where Christians always win; 2) actions described in komedya never take place in the Philippines, but in an exotic country, for instance in Turkey or in Armenia; 3) Spanish missioners played an important role in the formation of the genre; 4) komedya is the national theater; 5) komedya is a secular genre as adventures dominate over the religious motives. In the middle of the 19th century komedya was criticized by the most progressive Filipinos for being extravagant, lacking logic and not touching upon current Philippine problems. By the beginning of the 20th century komedya was not staged anymore almost everywhere in the Philippines. Its place was taken by the other genres. A number of actions to bring komedya back to its former popularity have been undertaken from the 1970s with the great support of the cultural center of the Philippines and University of the Philippines. It is important to mention that the genre is being changed in order to correspond the needs of the modern Philippine society. For example, the Muslim conflict is not the main topic of the modern Philippine national play as it contradicts the national policy of the Philippines.
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Reports on the topic "Wien Museum"

1

Zavadil, Michaela. Archäologie und Republik - Interview mit Erna Diez (1913-2001) aus dem Jahr 1999. Verlag der Österreichischen Akademie der Wissenschaften, February 2024. http://dx.doi.org/10.1553/978oeaw93166_interview.

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Politische, soziale und kulturelle Umstände sowie Veränderungen wirken sich auch auf die Wissenschaften aus. Im Bereich der Archäologie wurde diesen Einflüssen bislang nur wenig Beachtung geschenkt, und erst seit jüngerer Zeit widmet man sich verstärkt diesem Themenkreis wie auch dem Studium der eigenen Geschichte, wobei die Aufmerksamkeit oftmals auf die Zwischenkriegszeit und den Zweiten Weltkrieg gerichtet war. Im Unterschied dazu war die anlässlich des 100jährigen Jubiläums der Gründung der Republik Österreich organisierte Konferenz „Archäologie und Republik. Reflexionen zur Archäologie in Österreich in der Ersten und Zweiten Republik“ in erster Linie der Arbeit österreichischer Archäolog:innen seit 1918 gewidmet, ohne jedoch das Hauptaugenmerk auf die Zeit des Nationalsozialismus zu legen. Der Bogen der Beiträge spannt sich von Grabungen im Inland bis zu Arbeiten österreichischer Archäolog:innen in Ägypten und im Vorderen Orient. Die Untersuchungen sind jedoch nicht ausschließlich der Grabungsarchäologie gewidmet: Ebenso wird beleuchtet, wie sich Institutionen wie die Antikensammlung des Kunsthistorischen Museums in Wien, das Bundesdenkmalamt und die Prähistorische Kommission der Österreichischen Akademie der Wissenschaften entwickelt und verändert haben. Weitere Schwerpunkte bilden die Vermittlung und Rezeption von Forschungsergebnissen in der Zwischenkriegszeit bzw. während des Zweiten Weltkrieges sowie die Personengeschichte. Somit bietet der Band einen schlaglichtartigen Überblick über die Vielfalt österreichischer archäologischer Forschungstätigkeit vorrangig seit der Ausrufung der Ersten Republik.
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Petzold, Conny. Kommunale Finanzgeschäfte : die Auswirkungen der Finanzialisierung auf die lokale Demokratie. Goethe-Universität, Institut für Humangeographie, August 2014. http://dx.doi.org/10.21248/gups.34119.

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Der Ruf nach einem „Rettungsschirm für Kommunen“, einem „Stärkungspakt Stadtfinanzen“ oder „kommunalen Entschuldungsfonds“ rückt in regelmäßigen Abständen die ernste Lage einer Vielzahl klammer Kommunen ins öffentliche Bewusstsein. Die drohende Überschuldung deutscher Städte und Gemeinden stellt parallel zur Entwicklung der globalen Finanz- und Wirtschaftskrise eine besorgniserregende Realität dar. Große Löcher in den Kommunalhaushalten sind dabei kein Phänomen der jüngsten Vergangenheit, vielmehr macht sich die angespannte Finanzlage in vielen Kommunen bereits seit Jahren vor Ort bemerkbar. Beispielsweise in den Bereichen von Kultur, Jugendeinrichtungen, Beratungsstellen, Museen, Bibliotheken, Sportplätzen, Freibädern, Freizeitangeboten und Tierparks sind Ausgabenkürzungen an der Tagesordnung, die die Einwohner_innen alltäglich mit der finanziellen Unterausstattung auf Lokalebene konfrontieren. Außerdem dokumentiert ein rasanter Anstieg des Kreditvolumens im vergangenen Jahrzehnt die klamme Lage der Kommunen. Im Krisenjahr 2009 sind die sogenannten Kassenkredite, die kurzfristige Engpässe im Kommunalhaushalt ausgleichen sollen, auf fast 35 Milliarden Euro angestiegen und haben bundesweit mittlerweile ein Volumen von 48 Milliarden Euro überschritten (Deutscher Städtetag 2013). Diese enorme Schuldenlast ist vor allem als Resultat einer strukturellen Unterfinanzierung der Städte zu werten, welche nicht zuletzt die Erbringung der kommunalen Daseinsvorsorge im Infrastrukturbereich gefährdet sowie wie bei der städtischen Gas-, Wasser- und Elektrizitätsversorgung oder im engeren sozialen Bereich. Um die lokale Verantwortung für die Versorgungssicherheit wiederzugewinnen, gab es in den letzten Jahren vermehrt Projekte, um Versorgungsbetriebe wieder in städtisches Eigentum zurückzuführen (Libbe 2011; Verband kommunaler Unternehmen 2012). Unter dem Stichwort Rekommunalisierung wurde die Gründung eigener Stadtwerke bereits als Abkehr von einer Privatisierungslogik (Candeias et al. 2009) präsentiert. In diesem Licht erscheint Kommunalpolitik mitunter als Alternative zu renditeorientiertem Wirtschaften. Eine solche Darstellung übersieht allerdings, dass kommunales Handeln eng in den wachstumsorientierten Finanzmarktkapitalismus eingebunden ist. Diese Einbindung hat eine materielle Basis und tritt beispielsweise dann zu Tage wenn Kommunen auf Grund der konjunkturellen Flaute in der internationalen Finanz- und Wirtschaftskrise stark unter steigenden Ausgaben für Sozialtransfers sowie unter sinkenden Steuereinnahmen leiden. Zusätzlich besteht aber auch eine diskursive Einbindung, die sich darin äußert, dass die Pflicht zur Fiskaldisziplin in bundesdeutschen Kommunen bereits eine vergleichbare Bedeutung erlangt hat wie in den Haushaltsplänen der Nationalstaaten der Euro-Zone. Schon werden in Anlehnung an die Einführung nationaler Schuldenbremsen kommunale Schuldenbremsen diskutiert (Bertelsmann Stiftung 2013). Das kann kaum verwundern, da in einer Mehrzahl der Kommunen schon kurz nach der Subprimekrise die Verantwortlichen zu einem wettberwerbsorientierten Politikverständnis zurückkehrten und konservative Konzepte der Krisenlösung anwendeten(Belina und Schipper 2009). Zum aktuellen Zeitpunkt gibt es daher wenig Anlass Kommunalpolitik auf einem alternativen Entwicklungsweg zu glauben.
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