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Relevant bibliographies by topics / Wiener Konzerthaus (Vienna, Austria)

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Academic literature on the topic 'Wiener Konzerthaus (Vienna, Austria)'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2024

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Journal articles on the topic "Wiener Konzerthaus (Vienna, Austria)"

1

Heaton, Roger. "Klangforum Wien, Wien Modern, Wiener Konzerthaus, 13 November 2019." Tempo 74, no. 292 (2020): 82–83. http://dx.doi.org/10.1017/s0040298219001281.

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The thirty-second Wien Modern was an extraordinary month-long festival of concerts and events with almost 90 world and Austrian premieres. The excellent Klangforum Wien programme at the Wiener Konzerthaus, conducted by Bas Wiegers, was well attended by an enthusiastic and mostly young-ish audience, where the focus was two first performances for large ensemble: Klaus Lang's linea mundi and Mirela Ivičević's Sweet Dreams. The evening was, in fact, billed as being ‘in honour’ of Ivičević who had won the Erste Bank Composition Prize 2019 with this piece. Ivičević is a Croatian composer now living in Vienna and her work shows an involvement with big themes: politics, diversity and violence, among others. Apart from concert pieces she works with different media and takes by-products of popular trash culture often as a starting point for her work. In interviews she has talked about the ‘subversive potency of sound’, and said that her work is ‘raw, imperfect, unpolished’, which this piece, and other recent examples you can hear on YouTube, demonstrate, despite her quite rigorous musical education in Zagreb and Vienna. Sweet Dreams is a lively, noisy, busy piece about the rapid change between sleep and waking states. The large ensemble, including harmonium, electric guitar and harp, opens with monumental repeated sections, dramatic but with a sense of direction toward slow, strong, pedal entries. Rough punctuation from alto saxophone, bass clarinet and trumpet adds to the ‘rawness’ but the writing is assured with a particular, individual imagination and sense of colour that bodes well for future work.

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Luft, David S. "Wiener Schmäh and the Americans." Journal of Austrian-American History 6, no. 2 (2022): 174–79. http://dx.doi.org/10.5325/jaustamerhist.6.2.0174.

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Abstract Kurt Rudolf Fischer was, perhaps more than anyone else in the postwar era, the person who connected the University of Vienna and Austrian students to American intellectual and academic life. He was a beloved teacher and a remarkable human being, who made many friends in both Austria and the United States. On May 12, 2022, the philosophy department of the University of Vienna celebrated 100 years since Kurt’s birth. The following essay was one of the presentations at this international conference.

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Luft, David S. "Wiener Schmäh and the Americans." Journal of Austrian-American History 6, no. 2 (2022): 174–79. http://dx.doi.org/10.5325/pennhistory.6.2.0174.

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Abstract Kurt Rudolf Fischer was, perhaps more than anyone else in the postwar era, the person who connected the University of Vienna and Austrian students to American intellectual and academic life. He was a beloved teacher and a remarkable human being, who made many friends in both Austria and the United States. On May 12, 2022, the philosophy department of the University of Vienna celebrated 100 years since Kurt’s birth. The following essay was one of the presentations at this international conference.

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Lehmann, Karsten. "A Religiously Pluralistic Milieu in Austria during the Interwar Period." Journal of Religion in Europe 16, no. 4 (2023): 446–73. http://dx.doi.org/10.1163/18748929-bja10086.

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Abstract The article focuses on what the author describes as a religiously pluralistic milieu. It proposes that religious plurality is very much part and parcel of the recollections of the interwar period in Vienna, Austria. First, the article underlines the significance of sociocultural milieus, family upbringing, and school interaction for the constructions of religious plurality. Second, it raises the question of the social embeddedness of religious plurality in the memories of the interwar period in Vienna. The findings are based upon an oral history project, “Religiöse Vielfalt an Wiener Schulen der Zwischenkriegszeit” (ZwieKrie) (Religious plurality in Viennese schools during the interwar period). The project analyzed individual memories of religious plurality by a set of twenty-four contemporary witnesses attending Viennese schools during the 1920s and 1930s.

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Wingfield, Nancy M. "“The Sad Secrets of the Big City”: Prostitution and Other Moral Panics in Early Post-Imperial Vienna." Austrian History Yearbook 50 (April 2019): 99–123. http://dx.doi.org/10.1017/s0067237819000067.

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So read some of the subheadings in a 14 June 1920 article in the Wiener Montags-Presse, analyzing prostitution in post-imperial Vienna. Many journalists—sometimes, even the same journalists—continued to employ the very vocabulary, “contagion,” “contamination,” and “filth,” in their postwar exposés that they had used in their prewar and wartime reports on prostitution in the Habsburg monarchy. Viennese officials in the newly founded German-Austria (Deutschösterreich) continued to consider tolerated prostitutes a “necessary evil,” arrest women they found engaging in clandestine prostitution, subject them to pelvic examinations for venereal disease (VD), and treat these women as operating outside the bounds of society. In fact, women who practiced prostitution were a long-entrenched part of the female working class. In matters of commercial sex, Austria-Hungary's defeat in the First World War did not constitute a decisive break with the past, but rather a juncture in long-term historical processes, as this analysis of post-imperial Vienna through 1923, when postwar inflation had been tamed, reveals.

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Antoine, Annette. ",,Werther“ in Wien. : Joseph Ferdinand Kringsteiners kritische Lokalposse ,,Werthers Leiden“ auf dem Wiener Vorstadttheater." Zeitschrift für Germanistik 34, no. 2 (2024): 324–36. http://dx.doi.org/10.3726/92174_324.

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Abstract Die Werther-Wirkung war ein europaweites Phänomen und erfasste auch Österreich. Die Bedingungen insbesondere der Theaterlandschaft in Wien ergaben eine spezifische Aufnahme, die im Beitrag anhand eines konkreten Beispiels nachgezeichnet werden soll – der Lokalparodie Werthers Leiden von Joseph Ferdinand Kringsteiner, Erfolgsstück am Theater in der Leopoldstadt bis zu Nestroys Zeiten. Neben possenhaften Elementen zeigen sich auch Querverbindungen zur aufklärerisch-satirischen Tradition, inklusive Sozialkritik.The impact of Werther was a Europe-wide phenomenon and also affected Austria. The conditions of the theatrical landscape in Vienna in particular resulted in a specific recording, which will be traced in the article on the basis of a concrete example – the local parody Werthers Leiden by Joseph Ferdinand Kringsteiner, a successful play at the Theater in der Leopoldstadt up to Nestroy’s time. In addition to farcical elements, there are also cross-connections to the satirical tradition of the enlightenment, including social criticism.

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7

Freudenberger, Herman. "The Schwarzenberg Bank: A Forgotten Contributor to Austrian Economic Development, 1788–1830." Austrian History Yearbook 27 (January 1996): 41–64. http://dx.doi.org/10.1017/s0067237800005816.

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The supposedly authoritativeÖsterreichisches Staatswörterbuch (1905 edition) states unequivocally that the only joint-stock bank that existed before 1850 was a land bank founded in 1841 by the Galician estates. März, who has written the definitive work on the Credit-Anstalt, also found no place in his otherwise excellent study for the Schwarzenberg Bank, asserting that the Credit-Anstalt was founded simply on the model of the Crédit Mobilier of contemporary France. The only publication that concerned itself with the Schwarzenberg Bank, formally known as the Wiener oktroyirte Commerzial-, Leih- und Wechselbank (Chartered Commercial, Loan, and Exchange Bank of Vienna) in some detail was written in 1918, with the observation that it strongly resembled the Crédit Mobilier type of bank. This work was obviously ignored both in Austria and elsewhere where the history of banking and banks has been discussed.

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Franek, Friedrich, Nicole Dörr, Ewald Badisch, and Andreas Pauschitz. "Rethinking Tribology–Tracking Trends, Their Presence at the ECOTRIB 2019 Conference, and Their Impact on Tribology Research in Austria." Lubricants 8, no. 8 (2020): 80. http://dx.doi.org/10.3390/lubricants8080080.

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Economic and societal changes and technological development guide the focus of tribology research. “Classical” tasks, such as the improvement of materials or the tuning of a lubricant, have long been replaced by a function-oriented aggregate design, including specifications defined by needs arising from production and the environment. Tribology faces, among other remarkable changes, a paradigm shift according to the tendency to replace classic internal combustion engine (ICE) drivetrains with electric drives. How tribology will develop, and which research topics will prevail in the future, are being explored by several studies based on the experience of experts. The variety of contributions to journals and conferences provide an indicator of the importance of such tasks or topics. Here, a report on the ECOTRIB 2019—7th European Conference on Tribology held in Vienna, Austria, is presented. From the available information, an even stronger integration of other disciplines into tribology is noticeable, with certain hype in the fields of advanced material technology, sensor integration and the implementation of data science. Measures to rethink tribology from both an organizational and scientific point of view to cope with future tasks are being targeted and comprehensively implemented in the current research program “InTribology”, operated by the Austrian Center of Competence for Tribology (AC²T) in Wiener Neustadt, Austria.

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Sisa, József. "Neo-Gothic Architecture and Restoration of Historic Buildings in Central Europe: Friedrich Schmidt and His School." Journal of the Society of Architectural Historians 61, no. 2 (2002): 170–87. http://dx.doi.org/10.2307/991838.

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Friedrich Schmidt, the foremost Gothicist of Austria, exerted seminal influence in central Europe through his activities as architect, restorer of historic buildings, and professor at the Vienna Academy of Fine Arts. His unorthodox teaching methods included personal tuition near the drawing board and study trips to examine medieval buildings, attended by students of different ethnic, religious, and cultural backgrounds from all corners of the monarchy and even beyond. The students' school society, called Wiener Bauhütte, or Vienna Building Lodge, published their drawings in albums under the same name. The reception of Gothic in the countries of the Austro-Hungarian Monarchy differed according to local traditions, historical associations, and political circumstances. Revived Gothic best suited church building, in which Schmidt's pupils, often relying on their teacher's models, excelled. Gothic did not fare so well in monumental public architecture, though in the Budapest Parliament House by Imre Steindl, Schmidt's school witnessed the summation of its ambitions and the transcendence of its limitations. Schmidt's orientation in his later life toward German Neo-Renaissance and Neo-Romanesque found echo in several of his pupils' work; these styles again carried national connotations, which were nowhere more apparent than in German- and Czech-inhabited Bohemia. Schmidt and his pupils virtually monopolized the restoration of historic buildings in the monarchy, though their puristic and often destructive practices gave rise to severe criticism as a new century dawned.

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10

Rundic, Ljupko. "Gross Martin: Mittelmiozäne Ostracoden aus dem Wiener Becken (Badenium/Sarmatium, Österreich)/Middle Miocene Ostracods from the Vienna Basin (Badenian/Sarmatian, Austria): Verlag der Österreichischen." Annales g?ologiques de la Peninsule balkanique, no. 67 (2006): 123. http://dx.doi.org/10.2298/gabp0667123r.

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Dissertations / Theses on the topic "Wiener Konzerthaus (Vienna, Austria)"

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Klaghofer-Treitler, Wolfgang. "Kritische Differenz biographisch-theologische Studien zur Wiener Theologischen Schule des 19. Jahrhunderts /." Innsbruck : Tyrolia, 2000. http://catalog.hathitrust.org/api/volumes/oclc/49867270.html.

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Taylor, Greg. "Die konservativen Revolutionare : die Musik der Zweiten Wiener Schule als logische Entwicklung des Vorangegangenen und des Gleichzeitigen /." Title page, contents and introduction only, 1993. http://web4.library.adelaide.edu.au/theses/09AR/09art241.pdf.

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Books on the topic "Wiener Konzerthaus (Vienna, Austria)"

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Barta, Erwin. Das Wiener Konzerthaus zwischen 1945 und 1961: Eine vereinsgeschichtliche und musikwirtschaftliche Studie. H. Schneider, 2001.

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2

Das Wiener Konzerthaus 1913-2013: Im typologischen, stilistischen, ikonographischen und performativen Kontext Mitteleuropas. Verlag der Österreichischen Akademie der Wissenschaften, 2020.

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3

Krasa, Peter. Wiener Geschäftsordnungen. Verlag Österreich, 2008.

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4

Havelka, Hans. Der Wiener Zentralfriedhof. J & V Edition, 1989.

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Budig, Robert S. Ehrengräber am Wiener Zentralfriedhof. Compress-Verlag, 1995.

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6

Perger, Richard. Die Wiener Ratsbürger, 1396-1526: Ein Handbuch. Deuticke, 1988.

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7

Der Wiener Justizpalast. Manz'sche, 2007.

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8

Keller, Fritz. Das Wiener Marktamt 1938-1945. Oldenbourg, 2004.

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9

Heindl, Gottfried. Die Purpurschmiere: Eine Geschichte des Wiener Burgtheaters in Anekdoten. P. Neff, 1990.

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Parucki, Maria. Die Wiener Minoritenkirche. Böhlau, 1995.

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Book chapters on the topic "Wiener Konzerthaus (Vienna, Austria)"

1

Rédei, Miklós, and Friedrich Stadler. "Austria-Hungary in Philosophy and Science: A Search for the Evidence." In Der Wiener Kreis in Ungarn / The Vienna Circle in Hungary. Springer Vienna, 2011. http://dx.doi.org/10.1007/978-3-7091-0177-3_1.

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Bukey, Evan B. "Dieter J. Hecht, Michaela Raggam-Blesch, and Heidemarie Uhl, eds., Letzte Orte: Die Wiener Sammellager und die Deportationen 1941/42 (Vienna: Mandelbaum Verlag, 2019)." In Visual histories of Austria. University of New Orleans Press, 2021. http://dx.doi.org/10.2307/j.ctv25j12np.21.

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3

Opll, Ferdinand. "Seigneurial Power and Planning: Aspects of the Origins of Towns in Austria with Particular Reference to Vienna and Wiener Neustadt." In Lords and Towns in Medieval Europe. Routledge, 2017. http://dx.doi.org/10.4324/9781315250182-9.

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