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1

Mark Antony: A life. Stroud: Amberley, 2010.

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2

Mark Antony: A biography. London: Croom Helm, 1986.

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Mark Antony: A plain blunt man. Barnsley, South Yorkshire: Pen & Sword Military, 2013.

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4

Alan, Roberts. Mark Antony: His life and times. Upton-upon-Severn, Worcestershire: Malvern, 1988.

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5

Mark Antony: His life and times. Upton-upon-Severn: Malvern Publishing, 1988.

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6

Aurelius, Marcus. Wie soll man leben?: Anton Cechov liest Marc Aurel. Zürich: Diogenes, 1997.

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7

Elbert, Hubbard. Mark Antony. Kessinger Publishing, LLC, 2005.

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8

Mark Antony: A Life. Amberley Publishing, 2012.

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9

Mark Antony (Tempus History & Archaeology). Tempus Publishing, Limited, 1998.

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10

Ruggiero, Paolo De. Mark Antony: A Plain Blunt Man. Pen & Sword Books Limited, 2014.

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11

Ruggiero, Paolo De. Mark Antony: A Plain Blunt Man. Pen & Sword Books Limited, 2014.

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12

Schultz, Celia E. Fulvia. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190697136.001.0001.

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Fulvia: Playing for Power at the End of the Roman Republic is the first full-length biography focused solely on Fulvia, daughter of Sempronia and Bambalio, who is best known as the wife of Marcus Antonius (Mark Antony). Born into a less prestigious branch of an aristocratic Roman clan in the last decades of the Roman Republic, Fulvia first rose to prominence as the wife of P. Clodius Pulcher, scion of one of the city’s most powerful families and one of its most infamous and scandalous politicians. In the aftermath of his murder, Fulvia refused to shrink from the glare of public scrutiny and helped to prosecute the man responsible. Later, as the wife of Antonius, she was the most powerful woman in Rome, at one point even taking an active role in the military conflict between Antonius’s allies and Octavian, the future emperor Augustus. Her husbands’ enemies painted her as domineering, vicious, greedy, and petty—a caricature of woman who pushed against the boundary of female propriety, a woman about whom there was “nothing feminine except her form.” This biography peels away the invective to reveal a strong-willed, independent woman who was, by many traditional measures, a successful Roman matrona: she was never single for long, her husbands flourished, her children were many, and there was barely a whiff of sexual impropriety about her. On top of all that, Fulvia proved herself, over and over again, to be a valuable asset, a shrewd political ally, and a fearless defender of her family’s interests.
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Plutarch. Roman Lives: Coriolanus, Pompey, Caesar, Cicero, Brutus, Mark Antony. Naxos Audiobooks, 2006.

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Aurelius, Marcus, and Chekhov Anton Pavlovich. Wie soll man leben? Anton Cechov liest Marc Aurel. Diogenes Verlag, 2001.

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15

Aurelius, Marcus. Wie soll man leben?: Anton Cechov liest Marc Aurel. Diogenes, 1997.

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16

Mark Antony And Popular Culture Masculinity And The Construction Of An Icon. I.B.Tauris & Co Ltd, 2014.

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17

United States. Congress. Joint Committee on Taxation, ed. Description of modification to the chairman's mark. [Washington, D.C.]: Joint Committee on Taxation, 2000.

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18

Description of a chairman's mark of the Marriage Tax Relief Act of 2000: Scheduled for markup by the Senate Committee on Finance on March 30, 2000. [Washington, D.C: Joint Committee on Taxation, 2000.

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19

United States. Congress. Joint Committee on Taxation, ed. Description of a chairman's mark of the Marriage Tax Relief Reconciliation Act of 2000: Scheduled for markup by the Senate Committee on Finance on June 28, 2000. [Washington, D.C: Joint Committee on Taxation, 2000.

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United States. Congress. Joint Committee on Taxation, ed. Comparison of federal tax liabilities under present law and under the chairman's mark of the "Marriage Tax Relief Act of 2000," scheduled for markup by the Committee on Finance on March 30, 2000, for hypothetical married couples. [Washington, D.C: Joint Committee on Taxation, 2000.

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United States. Congress. Joint Committee on Taxation, ed. Comparison of federal tax liabilities under present law and under a modification to the chairman's mark of the "Marriage Tax Relief Act of 2000," scheduled for markup by the Committee on Finance on March 30, 2000, for hypothetical married couples. [Washington, D.C: Joint Committee on Taxation, 2000.

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22

Rudd, Gillian. Being Green in Late Medieval English Literature. Edited by Greg Garrard. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199742929.013.001.

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This article traces links between late medieval English literature and the 20th century ecology movement. It suggests that the medievalists consider the question of how animals appear in a text as being linked to how allegory works and contends that continuities and discontinuities in medieval texts mark the perceived relations between our current ecologically informed outlook and that of earlier periods. This article also explores the medieval conception of the word green based on an analysis of several works including Sir Gawain and the Green Knight, “The Wife of Bath’s Tale” and “Friar’s Tales.”
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23

Page, Michael R. The Boy Who Would Live Forever, 1988–2013. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039652.003.0005.

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This chapter focuses on Frederik Pohl's literary output during the period 1988–2013, including two novels that would mark a transition in his career: Chernobyl and The Annals of the Heechee. The books that follow Chernobyl and The Annals of the Heechee focus less on the Cold War and more on new, pressing issues facing the contemporary world, such as The Voices of Heaven (1994), Homegoing (1989), Outnumbering the Dead (1990), and Mining the Oort (1992). Another novel, Narabedla Ltd., was a work of lighthearted fun that demonstrated Pohl's love of music. But the work that caps Pohl's career as science fiction's most eminent Swiftian satirist was All the Lives He Led. While completing All the Lives He Led, Pohl began blogging in January 2009 on his Hugo Award–winning website The Way the Future Blogs. In celebration of his ninetieth birthday, his wife Betty prepared a Festschrift anthology, titled Gateways and published by Tor, which included new stories by old friends.
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