Academic literature on the topic 'Wilder, Laura Ingalls, 1867-1957'

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Books on the topic "Wilder, Laura Ingalls, 1867-1957"

1

Stone, Tanya Lee. Laura Ingalls Wilder. New York: DK Pub., 2009.

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Stone, Tanya Lee. Laura Ingalls Wilder. New York: DK Pub., 2009.

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Stone, Tanya Lee. Laura Ingalls Wilder. New York: DK Pub., 2009.

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William, Anderson. Laura Ingalls Wilder country. New York, NY: HarperPerennial, 1990.

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Wadsworth, Ginger. Laura Ingalls Wilder. Minneapolis, MN: Carolrhoda Books, 2000.

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Spaeth, Janet. Laura Ingalls Wilder. Boston: Twayne Publishers, 1987.

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1954-, Benge Geoff, ed. Laura Ingalls Wilder: A storybook life. Lynnwood, WA: Emerald Books, 2005.

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Hines, Stephen W. I remember Laura: Laura Ingalls Wilder. Nashville: T. Nelson Publishers, 1994.

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Gormley, Beatrice. Laura Ingalls Wilder: Young pioneer. New York: Aladdin Paperbacks, 2001.

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Ingalls, Wilder Laura. Saving graces: The inspirational writings of Laura Ingalls Wilder. Nashville, Tenn: Broadman & Holman, 1997.

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Book chapters on the topic "Wilder, Laura Ingalls, 1867-1957"

1

Armbruster, Elif S. "Ants Become Giants." In Gendered Ecologies, 157–70. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781949979046.003.0009.

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In her pioneering work on the shapes and meanings of fictional and actual space, Judith Fryer coined the phrase “felicitous space” (1986) to refer to space that “frees the imagination” (293). In particular, Fryer explores how the landscape in works by Edith Wharton and Willa Cather functions as a spiritual ground upon which girls and women can build their lives. In the essay, I build upon Fryer’s concept of the liberating nature of land and apply it to the ever-popular Little House series of books written by Cather and Wharton contemporary, Laura Ingalls Wilder (1867-1957). While Wilder did not publish her books until the 1930s, her series takes place in the late nineteenth century, from roughly 1870 to 1890, and so she can effectively be studied as a nineteenth century author. I argue that Wilder’s Laura offers unique possibilities for nineteenth-century female identity, as she is grounded in the natural world rather than in a fabricated aesthetic realm. Rather than conform to traditional feminine ideals of the time, Laura expresses the freedom and courage embodied by the masculine Western “hero” and, thus, presents a much-needed Western “heroine.”
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