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Relevant bibliographies by topics / Wilfred owen

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Academic literature on the topic 'Wilfred owen'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 April 2022

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Journal articles on the topic "Wilfred owen"

1

Musil, Caryn McTighe. "Wilfred Owen and Abram." Women's Studies 13, no. 1-2 (1986): 49–61. http://dx.doi.org/10.1080/00497878.1986.9978652.

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Kerr, Douglas. "A Candle for Wilfred Owen." RUSI Journal 163, no. 5 (2018): 86–88. http://dx.doi.org/10.1080/03071847.2018.1552461.

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King, Daniel P. "Wilfred Owen by Guy Cuthbertson." World Literature Today 88, no. 6 (2014): 74–75. http://dx.doi.org/10.1353/wlt.2014.0016.

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Betz, Mathew J. "Observing the Basics: Remembering Wilfred Owen." Transportation Research Record: Journal of the Transportation Research Board 1819, no. 1 (2003): 9–12. http://dx.doi.org/10.3141/1819a-03.

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The conference presents a unique opportunity to recognize the contributions of Wilfred Owen to the field of low-volume roads and their application to the problems of today and tomorrow. Owen was the transportation expert for the Brookings Institution for about four decades. Besides being interested in the theories and principles of low-volume roads, Owen was vitally concerned with the rural and urban needy throughout the world. He believed that the development of transport and the economic opportunities that would ensue would benefit them significantly. Few have had more impact on the provision and improvement of low-volume roads in developing countries than Wilfred Owen. He was the author of many studies of specific countries in addition to several books. His major emphasis was on the need to identify and grasp the basics of economic evaluation and, more important, the basic premises and goals for investing in transport to facilitate economic development. Owen’s second major emphasis was on well-founded and rational planning. He focused on the need for change, including the reorganization of international efforts to address the global transportation problem. In 1983 Wilfred Owen was the keynote speaker at the Third International Conference on Low-Volume Roads. His topics that day included a shrinking planet, integrated global economies, world population growth, global disparities, and development of an international cooperative effort. He had completed his last book shortly before his death in November 2001.

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Lefeber, Louis. "Transportation and World Development. Wilfred Owen." Economic Development and Cultural Change 37, no. 3 (1989): 657–63. http://dx.doi.org/10.1086/451750.

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Stewart, Alistair. "Wilfred Owen: hospital poet – 100 Words." British Journal of Psychiatry 203, no. 3 (2013): 195. http://dx.doi.org/10.1192/bjp.bp.112.112524.

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NORGATE, PAUL. "WILFRED OWEN AND THE SOLDIER POETS." Review of English Studies XL, no. 160 (1989): 516–30. http://dx.doi.org/10.1093/res/xl.160.516.

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WORMLEIGHTON, SIMON. "WILFRED OWEN AND A. C. BENSON." Notes and Queries 37, no. 4 (1990): 435–37. http://dx.doi.org/10.1093/nq/37-4-435.

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Pittock, M. "Wilfred Owen, Tailhade, Tolstoy, and pacifism." Review of English Studies 49, no. 194 (1998): 154–66. http://dx.doi.org/10.1093/res/49.194.154.

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Banerjee, Debayan. "Vignettes of Violence: Exploring Trauma in Selected Poems of Wilfred Owen." Journal of Advances and Scholarly Researches in Allied Education 15, no. 6 (2018): 66–70. http://dx.doi.org/10.29070/15/57697.

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Dissertations / Theses on the topic "Wilfred owen"

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Khuddro, Ahmad. "The critical reception of the poetry of Rupert Brooke and Wilfred Owen." Thesis, University of Leeds, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.277704.

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Özden-Schilling, Thomas Charles. "Wilfred Owen, Siegfried Sassoon, and the Great War discourse on "Shell-Shock"." Thesis, Massachusetts Institute of Technology, 2006. http://hdl.handle.net/1721.1/35704.

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Thesis (S.B. in Literature)--Massachusetts Institute of Technology, Dept. of Humanities, 2006.<br>Includes bibliographical references.<br>Introduction: The infantrymen of the Great War experienced the unimaginable. Soldiers in the trenches internalized images of confusion and gore, and returned to a society unwilling and often unable to comprehend their sacrifices. For nearly 65,000 of these soldiers, their experiences on the front brought on hysteria, mental breakdown, muteness, paralysis, and other bizarre physical maladies (ER, 189). The medical description of the mental conditions that precipitated so many of these symptoms underwent a dramatic evolution as more and more cases were reported. These conditions were first collected under the terse assignation of "shell-shock," linking the range of maladies to the psychological influence of heavy artillery as well as referring tacitly to ontological theories of physical lesions in cerebral tissue. Such diagnostic projections were assisted by patients who, upon solicitation, readily supplied anecdotal evidence of mortar blasts. As the war progressed, however, the appearance of cases not directly linked to close-proximity explosions prompted the search for a non-physical term; "neuroses" was put into use, and an epistemological link to madness was established. Finally, in the search for a more scientific label, physicians decided upon "neurasthenia," a psychiatric condition linked to exhaustion and memory loss. These three terms - shell-shock, neurasthenia, and neuroses - were used interchangeably in public, political, and military discourse throughout the war, but most of the physicians who worked in Great Britain's mental wards were less careless. Each term bore a distinct epistemological weight: shell-shock clearly implied both physical causality and temporariness, neurasthenia referred to a specific mental condition, and neuroses hinted at a psychological disease "entity." Every subsequent war since the medical "discovery" of shell-shock has occasioned another evolution in terminology, and each new term has since fought to position its particular insight alongside an epistemological backlog that accrued new facets more often than it changed form in totality. Disassembling such networks of discourse thus requires historicizing conflicting definitions. The theories of psychoanalysis put forth by Sigmund Freud loomed large for many of the figures in these debates, both as an inspiration for cerebral therapeutics and as a challenge to the conventionalism and psychological materialism of the pre-war medical establishment. In subtly adapting Freud's insights, however, the practitioners of post-Freudian psychoanalysis pushed the official discourse on shell-shock in a different direction, leading to a more sophisticated understanding that was less accepting of paradigmatic and ideological identifications of Britishness with courage, character, and mental fortitude ...<br>by Thomas C. Schilling.<br>S.B.in Literature

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González, Valdés Cristián Alexis. "Poesía (dialogal) de Wilfred Owen en el contexto de la Primera Guerra Mundial." Tesis, Universidad de Chile, 2010. http://repositorio.uchile.cl/handle/2250/108681.

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El interés de este estudio reside en examinar la obra poética de Wilfred Owen en el ámbito de su producción y tradición –especialmente desde la teoría del discurso de Mijail Bajtin y las ciencias sociales– estableciendo relaciones con los discursos de su tiempo. La investigación enmarcada así en la línea de los estudios culturales, rescata la posición del otro no integrado en el discurso oficial y que cuyas afirmaciones se adhieren o se oponen al discurso de la historia canonizado y al propuesto desde las esferas de poder en el contexto de la Gran Guerra (1914-1918). De esta manera, esta investigación tiene como propósito desarrollar una lectura de carácter dialógico de la poética de Wilfred Owen durante el conflicto a partir de sus vínculos con aparato oficialista (cristiano, nacionalista e imperialista); y, luego, con el carácter histórico del género en contraste con el discurso poético de Wilfred Owen, insertando en dichos procesos una mirada testimonial, característica del lenguaje de su poesía escrita a partir de su experiencia en el frente occidental.

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Cook, Sarah. "The Revolutionary Theraputic Qualities in the Poetry of Wilfred Owen and Siegfried Sassoon." Kent State University Honors College / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1375714481.

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Vaara, M. (Magdaleena). "The World Wars embodied:the body in the poetry of Wilfred Owen and Keith Douglas." Bachelor's thesis, University of Oulu, 2018. http://urn.fi/URN:NBN:fi:oulu-201810162924.

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This thesis explores the way the human body is represented in the works of two English World War poets: Wilfred Owen (1893–1918) and Keith Douglas (1920–1944). In particular, the aim of this paper is to explore differences and similarities in the ways in which these poets approach this subject matter, and also how for instance the cultural and historical background, military technology etc. of each war are represented in connection with the subject of the human body. This analysis is carried out through a close reading of a selection of these poets’ works. It also draws from existing research into the poets and their works.

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Suret, Emma. ""Among the unseen voices" : the influence of Shelley and Keats on the poetry of Wilfred Owen." Thesis, University of Sheffield, 2017. http://etheses.whiterose.ac.uk/19658/.

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This thesis explores the influence of Percy Bysshe Shelley and John Keats on the poetry of Wilfred Owen. Scholars who have noted the influence of Shelley and Keats on Owen's poetry routinely argue that Owen becomes disenchanted with Romanticism following his front-line experience during the First World War. However, Owen's poetry reveals an unwavering debt to the work of Shelley and Keats throughout his poetic career. Examining Owen's early poetry and his war elegies, this thesis charts his poetic maturation through the approach of new formalism, revealing the intricacies in his developing poetic technique and providing a detailed analysis of his use of allusion. The first chapter compares Keats and Owen's response to poetic influence through readings of Keats's The Fall of Hyperion and Owen's 'To Poesy'. The second chapter reveals how Keats and Owen use the sonnet form as a site of poetic experimentation through an analysis of poems that include Keats's 'If by dull rhymes our English must be chained' and Owen's 'Futility'. The third chapter explores how Shelley and Owen depict sympathy and empathy in Shelley's The Triumph of Life, and Owen's 'The Show' and 'Strange Meeting'. Chapter four discusses how Shelley and Owen manipulate the aesthetic conventions of the elegy through readings of Shelley's Adonais and Owen's 'I saw his round mouth's crimson', 'Greater Love', and 'Mental Cases'. The final chapter shows how Owen blends the influence of Shelley and Keats in his approach to the pastoral genre. Owen makes explicit the influence of Shelley and Keats through a generous use of allusion throughout his oeuvre. Owen relishes the challenges of his poetic inheritance, figuring it as an experience that involves struggle and exhilaration in equal measure, and he balances his duty as a Romantic heir with his drive to assert his own unique poetic voice.

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Wormleighton, S. J. "A study of the Romantic impulse in the work of Wilfred Owen, with particular reference to the idea of the hero, and images of darkness." Thesis, University of Exeter, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.371954.

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Jackson, Patrick Earl. "This side of despair : forms of hopelessness in modern poetry /." view abstract or download file of text, 2007. http://proquest.umi.com/pqdweb?did=1421604231&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Thesis (Ph. D.)--University of Oregon, 2007.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 333-340). Also available for download via the World Wide Web; free to University of Oregon users.

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Schaupp, Anne-Catriona. "Repression and articulation of war experience : a study of the literary culture of Craiglockhart War Hospital." Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/31553.

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Prior study of Craiglockhart War Hospital has focused on the hospital's two most famous patients, Wilfred Owen and Siegfried Sassoon, along with the work of the psychotherapist W. H. R. Rivers. Craiglockhart's literary culture is studied in detail for the first time in this thesis and the hospital's therapeutic ethos used as a framework by which the creative work produced at the hospital can be examined. This thesis argues that the British Army's lack of consensus regarding the best treatment of war neuroses facilitated the development of Craiglockhart's expressive culture, in which patients were encouraged both to articulate their wartime memories and return to purposeful activity. The hospital's magazine, The Hydra, is examined at length; both in terms of its links to the wider genre of wartime soldier publications and as a telling document of the hospital's therapies in action. Owen and Sassoon's time at the hospital is also discussed, with particular emphasis on the hospital's central importance in Owen's poetic development and its troubling legacy in the post-war life of Sassoon. Finally, readers are introduced to George Henry Bonner, a patient of the hospital whose creative work is discussed here for the first time. This study makes clear the fact that, for the hospital's literary-minded patients, creative endeavour was an ideal means by which to negotiate the movement away from repression to the articulation of their wartime experiences.

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Kelly, Dylan. "Crisis, Shell-Shock, and the Temporality of Trauma: Cultural Memory and the Great War Combatant Experience in Owen, Graves, and Barker." Honors in the Major Thesis, University of Central Florida, 2014. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1604.

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The year 2014 will mark the centennial of the outbreak of World War I in August 1914. This historic anniversary will likely provoke several discussions from all fields in the humanities concerning the Great War's significance on contemporary culture through history, visual art, and in the case of this essay: literature. In light of this event, any serious discussion among scholars should undeniably begin with how the war continues to be represented today through a thorough, contemporary analysis of its many key literary texts. This essay will examine, in this regard, how past and contemporary discourses in literary theory-primarily concerned with how an individual combatant subject attempts to construct and understand their own traumatic experiences through poetic and literary discourse-can continue to incite discussion on why literature of the Great War and its influential role in defining how it has come to be understood in our cultural memory remains relevant even today. Under the guiding influence of Paul Fussell's classic The Great War and Modern Memory, I will discuss how three important works-a poetry collection, a memoir, and a modern work of historical fiction-all contribute to how the war has become represented as a tragic rupture in history that reversed the idea of human progress and left an entire generation disillusioned in its aftermath, regardless of the historical veracity of this legacy. The texts I will be examining include: select poems of Wilfred Owen, Goodbye to All That by Robert Graves, and Regeneration by Pat Barker. In addition to this, I will conclude with an analysis of how a contemporary reading of these texts can contribute to a larger discussion of the crisis of historicity in our current post-modern cultural landscape.<br>B.A.<br>Bachelors<br>English<br>Arts and Humanities

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Books on the topic "Wilfred owen"

1

Wilfred Owen. Seren Books, 1993.

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Stallworthy, Jon. Wilfred Owen. Oxford University Press, 1988.

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Philip, Guest, ed. Wilfred Owen. L. Cooper, 1998.

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Wilfred, Owen. Wilfred Owen: Poems. Faber, 2004.

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Wilfred, Owen. Wilfred Owen: Poems selected. Routledge, 2004.

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Wilfred, Owen. Wilfred Owen: Rupert Brooke. Quince Tree Press, 2000.

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George, Walter, and Owen Wilfred 1893-1918, eds. Rupert Brooke & Wilfred Owen. Phoenix Poetry, 2002.

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Owen, Wilfred. The poems of Wilfred Owen. Chatto & Windus, 1990.

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Uttenthal, Benedikte. Wilfred Owen, selected poems: Notes. Longman, 1989.

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Wilfred, Owen. The poems of Wilfred Owen. Norton, 1986.

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Book chapters on the topic "Wilfred owen"

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Silkin, Jon. "Wilfred Owen." In Out of Battle. Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1057/9780230374805_9.

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Handley, Graham, and Anne Dangerfield. "Wilfred Owen." In English coursework. Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-13024-5_4.

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Löschnigg, Martin. "Owen, Wilfred." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14466-1.

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McEwan, Neil. "Wilfred Owen 1893–1918." In The Twentieth Century (1900–present). Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-20151-8_35.

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Draper, R. P. "Wilfred Owen: Distance and Immediacy." In Lyric Tragedy. Palgrave Macmillan UK, 1985. http://dx.doi.org/10.1007/978-1-349-17916-9_8.

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Löschnigg, Martin. "Owen, Wilfred: Das lyrische Werk." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14467-1.

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Ward, John Powell. "A. E. Housman, Wilfred Owen and Edward Thomas." In The English Line. Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-21481-5_8.

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Sillars, Stuart. "Wilfred Owen and the Subjugation of the Poetic." In Structure and Dissolution in English Writing, 1910–1920. Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1007/978-1-349-27664-6_3.

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Najarian, James. "Keats, Wilfred Owen, and a Tradition of Desire." In Victorian Keats. Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9780230596856_8.

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Campbell, James. "Introduction." In Oscar Wilde, Wilfred Owen, and Male Desire. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137550644_1.

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Conference papers on the topic "Wilfred owen"

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"Poetry as Resistance and Recovery: An Examination of Shock in the Poetry of Wilfred Owen and American Veterans of the Iraq War." In June 25-26, 2018 London (UK). Higher Education And Innovation Group, 2018. http://dx.doi.org/10.17758/heaig4.h0618404.

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