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1

Gentzen, Udo. Das Sportdenkmal von Berlin-Grünau: Gestern, heute, morgen? Berlin: WAG&S Werbeagentur, Grüttner & Schürmann, 1997.

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2

Germany), Kaiser Wilhelm-Gedächtniskirche (Berlin, ed. Egon Eiermann: Kaiser-Wilhelm-Gedächtnis-Kirche Berlin, 1961-2011. Lindenberg im Allgäu: Kunstverlag Josef Fink, 2011.

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3

Eiermann, Egon. Egon Eiermann: Die Kaiser-Wilhelm-Gedächtnis-Kirche. Berlin: Ernst & Sohn, 1994.

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4

Kaiser Wilhelm-Gedächtniskirche (Berlin, Germany). Bach-Chor, ed. Kantaten!: Das Bachsche Kantaten-Werk an der Kaiser-Wilhelm-Gedächtnis-Kirche in Berlin. Berlin: be.bra wissenschaft verlag, 2012.

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5

Enderlein, Volkmar. Wilhelm von Bode und die Berliner Teppichsammlung. Berlin: Gebr. Mann, 1995.

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6

Wilhelm Weskamm: Diasporaseelsorger in der SBZ/DDR. Würzburg: Echter, 2009.

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7

von, Heinz Ulrich, ed. Wilhelm von Humboldt in Tegel: Ein Bildprogramm als Bildungsprogramm. München: Deutscher Kunstverlag, 2001.

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8

König Friedrich Wilhelm IV. von Preussen und die Errichtung des Neuen Museums 1841-60 in Berlin: Baugeschichte, Verantwortliche, Nordische und Ägyptische Abteilung - Geschichtskonzept. Halle an der Saale: Universitätsverlag Halle-Wittenberg, 2011.

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9

Lelke, Ina. Die Brüder Grimm in Berlin: Zum Verhältnis von Geselligkeit, Arbeitsweise und Disziplingenese im 19. Jahrhundert. Frankfurt am Main: P. Lang, 2005.

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10

Henning, Eckart. Das Harnack-Haus in Berlin-Dahlem: "Institut für ausländische Gäste", Clubhaus und Vortragszentrum der Kaiser-Wilhelm-/Max-Planck-Gesellschaft. München: Max-Planck-Gesellschaft, 1996.

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11

Bibliothek. Berlin, Germany: Berlin Verlag, 2010.

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12

Ernst Ludwig Kirchner: Zeichnungen, Druckgraphik, Photographien, Dokumente : Neuerwerbungen aus Mitteln der Peter Klöckner-Stiftung Duisburg, 9. April bis 27. Juli 1986 Wilhelm-Lehmbruck-Museum der Stadt Duisburg. [Duisburg]: Das Museum, 1986.

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13

1924-, Elvers Rudolf, Hochreither Karl, and Kaiser Wilhelm-Gedächtniskirche (Berlin, Germany). Bach-Chor., eds. Bach-Kantaten in Berlin: Eine Jubiläumsschrift. Berlin: CZV-Verlag, 1991.

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14

1924-, Elvers Rudolf, Hochreither Karl, and Kaiser Wilhelm-Gedächtniskirche (Berlin, Germany). Bach-Chor., eds. Bach-Kantaten in Berlin: Eine Jubiläumsschrift. Berlin: CZV-Verlag, 1991.

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15

Haupt, Peter, and Wolfgang Pehnt. Egon Eiermann. Ernst,Wilhelm & Sohn,Verlag fur Architektur und Technische Wissenschaften Gmbh.,Germany, 1994.

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16

Maihold, Gunther, Gunter Vollmer, and Reinhard Liehr. Ein Institut Und Sein General Wilhelm Faupel Und Das Ibero-amerikanische Institut in Der Zeit Des Nationalsozialismus. Iberoamericana, 2003.

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17

Reinhard, Liehr, Maihold Günther, and Vollmer Günter, eds. Ein Institut und sein General: Wilhelm Faupel und das Ibero-Amerikanische Institut in der Zeit des Nationalsozialismus. Frankfurt am Main: Vervuert, 2003.

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18

Caspar, Helmut, and Dieter Hildebrandt. Die Beine der Hohenzollern, interpretiert an Standbildern der Siegesallee in Primaneraufsätzen aus dem Jahre 1901, versehen mit Randbemerkungen Seiner Majestät Kaiser Wilhelm II. Berlin Edition, 2001.

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19

Helmut, Caspar, and Hildebrandt Dieter 1932-, eds. Die Beine der Hohenzollern: Interpretiert an Standbildern der Siegesallee in Primaneraufsätzen aus dem Jahre 1901, versehen mit Randbemerkungen Seiner Majestät Kaiser Wilhelm II. Berlin: Berlin Edition, 2001.

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20

Watanabe-O'Kelly, Helen. Projecting Imperial Power. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198802471.001.0001.

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Abstract:
The nineteenth century is notable for its newly proclaimed emperors, from Franz I of Austria and Napoleon I in 1804, through Agustín and Pedro, the emperors of Mexico and Brazil, in 1822, to Napoleon III in 1852, Maximilian of Mexico in 1864, Wilhelm I, German emperor, in 1871, and Victoria, empress of India in 1876. These monarchs projected an imperial aura by means of coronations and acclamations, courts, medals, and costumes, portraits and monuments, ceremonial and religion, international exhibitions and museums, festivals and pageants, architecture and town planning. They relied on ancient history for legitimacy while partially espousing modernity. The empress consorts had to find a meaningful role for themselves in a changing world. The first emperors’ successors—Pedro II of Brazil, Franz Joseph of Austria, and Wilhelm II of Germany—expanded their panoply of power, until Pedro was forced to abdicate in 1889 and the First World War brought the Austrian and German empires to an end. Britain invented an imperial myth for its Indian empire in the twentieth century, until George VI relinquished the title of emperor in 1947. The imperial cities of Berlin, Paris, Vienna, and New Delhi bear witness to these vanished empires, as does Chapultepec Castle in Mexico City and the town of Petrópolis in Brazil. How the empires came to an end and how imperial cities and statues are treated nowadays demonstrates the contested place of the emperors in national cultural memory.
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