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Journal articles on the topic 'Wilhelm Tell (Schiller, Friedrich)'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Björkstrand, Christel. "Politeness and social utopia in Friedrich Schiller’s Wilhelm Tell." Literary Linguistics 3, no. 1 (2013): 34–55. http://dx.doi.org/10.1075/ld.3.1.03bjo.

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This paper is an interdisciplinary analysis of Friedrich Schiller’s play Wilhelm Tell (1804). An initial study of its dramatic structure suggests a change in the relationship between the Swiss peasants and nobles. A further analysis, based on Brown’s and Levinson’s politeness theory confirms the development of a social utopia in the play, but also reveals that Wilhelm Tell plays a minor role in the social development described. The comparison of the play with earlier versions of the Tell legend highlights the roles of peasants and nobles in the establishment of the Swiss Confederation and sugg

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2

Setzler, Wilfried. "Friedrich Schillers Wilhelm Tell." Schwäbische Heimat 56, no. 3 (2022): 310–20. http://dx.doi.org/10.53458/sh.v56i3.4401.

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3

Kittler, Friedrich. "De Nostalgia." Cultural Politics 11, no. 3 (2015): 395–406. http://dx.doi.org/10.1215/17432197-3342008.

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The essay presents a reading of three war-related texts: Friedrich Schiller’s Wilhelm Tell, Heinrich von Kleist’s The Battle of Hermann, and Thomas Pynchon’s Gravity’s Rainbow. Written against the background of the Revolutionary Wars and the Prussian Wars of Liberation, respectively, the plays by Schiller and Kleist engage in the discursive construction of an emphatic sense of heimat (home), either by way of creating the new sentiment of homesickness (originally called nostalgia) or by advocating the complete destruction of the very home territory you are trying to defend. Gravity’s Rainbow, i

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4

Ericke, Wilhelm, Heinrich Merkel, Wilhelm Ebel, et al. "Chronik der Schule Elversdorf 1885 bis 1933 / Chronicle of the Elversdorf School 1885 to 1933." Ortschroniken digital. Bürgerwissenschaftliche Beiträge zur Landesgeschichte Sachsen-Anhalts 2 (November 26, 2021): 1–150. https://doi.org/10.5281/zenodo.5729584.

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Aufgrund der Bestimmungen des Königlich Preußischen Ministeriums für Unterrichts- und Medizinal-Angelegenheiten begann Wilhelm Ericke (1864-1940) bzw. der Pastor des Ortes Elversdorf 1885 mit einer Liste der vorangegangenen Lehrer seit dem 17. Jahrhundert. Da die Schule nur aus wenigen Schülern bestand, gab es neben dem Schulleiter wohl keine weiteren Lehrkräfte. In der Chronik spielen Wetterereignisse, Brände im Ort und vor allem die Elbehochwässer immer wieder eine große Rolle. So wird über das Hochwasser 1890 ausführlich berichtet und auch

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5

Jurt, Joseph. "Wilhelm Tell vor Schiller." Pandaemonium Germanicum, no. 9 (December 17, 2005): 23. http://dx.doi.org/10.11606/1982-8837.pg.2005.69557.

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Na Suíça, a figura de Guilherme Tell representava duas tradições, por um lado o herói que expressa o orgulho dos confederados, por outro, a encarnação dos oprimidos em geral. Na peça ‘Grisler ou l’Helvétie délivrée’ (1748) do autor de Berna Samuel Henzi, a figura central é a do déspota Grisler, a quem Guilherme Tell se opõe. Após a deposição do tirano é introduzido um programa republicano que se baseia na idéia de igualdade frente à lei. Na tragédia ‘Guillaume Tell’ (1766) de Antoine-Marin Lemierre virtude e senso de liberdade são postos em relação com o motivo topológico das montanhas. Tell n

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6

Salmerón Infante, Miguel. "Retornar a la tragedia: Schiller." Thémata Revista de Filosofía, no. 64 (2021): 190–210. http://dx.doi.org/10.12795/themata.2021.i64.09.

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El artículo se pregunta si la tragedia puede seguir teniendo vigencia en un mundo que parece indiferente a ella. A esta cuestión se intenta contestar haciendo una revisión de los dramas de Friedrich Schiller. Después de este repaso que va de Los bandidos a Guillermo Tell, queda clara la propuesta de Schiller. La tragedia, por ser necesariamente política, es humana, indispensablemente humana

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7

Gail Hart. "Schiller the Killer: Wilhelm Tell and the Decriminalization of Murder." Goethe Yearbook 12, no. 1 (2004): 197–207. http://dx.doi.org/10.1353/gyr.2011.0155.

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8

Weber, Herwig. "Nostalgia de la muerte de Xavier Villaurrutia dentro de la tradición filosófica en lengua alemana: Heidegger, Rilke, Hegel, Schiller." Literatura Mexicana 32, no. 2 (2021): 73–99. http://dx.doi.org/10.19130/iifl.litmex.2021.32.2.29153.

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One of the greater influences on Xavier Villaurrutia’s poetry was the philosophical work of Martin Heidegger. Also, among the Mexican poet’s favorite readings was The notes of Malte Laurids Brigge, a novel by Rainer Maria Rilke, which is conceptually connected with Georg Wilhelm Friedrich Hegel’s dialectical philosophy and Friedrich Schiller’s humanism. The present work is an interpretation of Nostalgia de la muerte by Villaurrutia based on the concepts of “turn towards the open” (Heidegger), “personal death” (Rilke), “subject as the absolute and as nothingness” (Hegel) and “aesthetic educatio

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9

Rodrigues Raposo, Reginaldo, and Antonio Rigo. "Entrevista com Klaus Vieweg sobre os Manuscritos dos Cadernos de Carové." Revista Eletrônica Estudos Hegelianos 21, no. 37 (2024): 114–23. http://dx.doi.org/10.70244/reh.v21i37.523.

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A seção consiste em uma entrevista com Klaus Vieweg (Friedrich-Schiller-Universität Jena) sobre sua recente descoberta de manuscritos atribuídos ao ex-aluno de Hegel, Friedrich Wilhelm Carové, contendo documentação dos cursos do filósofo na Universidade de Heidelberg, entre 1816-1818. O professor detalha a natureza do material, seu índice de autenticidade, fala sobre a descoberta em si e revela as minúcias de um projeto de edição crítica do material, considerando sua potencial relevância e impacto nas pesquisas sobre Hegel. Vieweg também discute algumas questões relativas ao debate contemporân

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10

Salmerón Infante, Miguel. "La ausencia en Schiller: el deus absconditus y el ejecutor (Wallenstein y Wilhelm Tell)." Revista de Filología de la Universidad de La Laguna, no. 45 (2022): 131–50. http://dx.doi.org/10.25145/j.refiull.2022.45.07.

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"The connection between Schiller’s dramas and the reflections developed in his philosophical and historical writings are a highly problematic question. Simplifying, it can be said that the philosophical texts project Schillerian ideals and the historical ones reflect his psychological knowledge of human beings. This tension between the ideal and reality is manifested, among other constellations, in that of absence. In Wallenstein and Wilhelm Tell, the leads are out of action for much of the plot. The character of Wallenstein is absent as a deus absconditus that will be revealed to have failed,

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11

Kuhns, David F. "Expressionism, Monumentalism, Politics: Emblematic Acting in Jessner's ‘Wilhelm Tell’ and ‘Richard III’." New Theatre Quarterly 7, no. 25 (1991): 35–48. http://dx.doi.org/10.1017/s0266464x00005170.

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Leopold Jessner's productions of Schiller's Wilhelm Tell (1919) and Shakespeare's Richard III (1920) marked a culminating point in the short-lived, politically volatile era of German theatrical Expressionism. Jessner's distinctive work in this staging style did much to define the features of one mode of performance among several which billed themselves – or were branded as – ‘Expressionist’. In the following article, David Kuhns explores the particularly striking impact of Jessner's ‘emblematic’ approach to Schiller and Shakespeare upon the acting of those productions. By transforming his acto

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12

Voloshchenko, Gleb Eduardovich. "The evolution of the idea of the “beautiful soul” in Friedrich Schiller’s dramas." Философия и культура, no. 8 (August 2024): 80–96. http://dx.doi.org/10.7256/2454-0757.2024.8.70496.

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The article examines the evolution of the views of the German poet and playwright Friedrich Schiller on the concept of a "beautiful soul" as a harmonious combination of mind (form) and sensuality (matter). The idea of this evolution is formed on the basis of the poet's artistic works. The main objects of research are six of Schiller's dramas ("The Robbers", "The Fiesco Conspiracy in Genoa", "Don Carlos, Infante of Spain", "Mary Stuart", "The Maid of Orleans" and "William Tell"), which most vividly depict the poet's attempts to resolve the conflict between form and matter. A number of Schiller'

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13

Silva, Marlon Ribeiro da, Dante Marcello Claramonte Gallian, and Paulo Schor. "Literatura e Humanização: uma Experiência Didática de Educação Humanística em Saúde." Revista Brasileira de Educação Médica 40, no. 1 (2016): 93–101. http://dx.doi.org/10.1590/1981-52712015v40n1e01542015.

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RESUMO Considerando a fundamental importância do debate sobre a humanização na área da saúde, apresentamos resultados de uma experiência didática de formação humanística com base na experiência estética causada pela literatura do romance “Os Anos de Aprendizado de Wilhelm Meister”, de Goethe, com base numa atividade acadêmica oferecida a estudantes e profissionais da área da saúde. Investigamos o potencial desta experiência como meio de fomentar a formação humanística e a humanização. Na coleta dos dados utilizamos metodologias qualitativas, partindo da observação participante e da história or

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14

Fink, Wolfgang. "„Blitze, die plötzlich ins Innere der Sachen schießen“. Anmerkungen zum Briefwechsel zwischen Wilhelm von Humboldt und Friedrich Schiller." Cahiers d’études germaniques 70, no. 70 (2016): 267–92. http://dx.doi.org/10.4000/ceg.1037.

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15

Brandt, George W. "Banditry Unleash'd; or, How The Robbers Reached the Stage." New Theatre Quarterly 22, no. 1 (2006): 19–29. http://dx.doi.org/10.1017/s0266464x06000273.

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Friedrich Schiller – poet, historian, and philosopher as well as dramatist – is acknowledged to be a towering figure in German-language theatre, yet has had only a fitful impact on the stages of the English-speaking world, where such of his works as Don Carlos, Intrigue and Love (Luisa Miller in the operatic version) and William Tell are better known through the filters of Verdi and Rossini than in their original form. But there were signs in 2005 – the bicentenary of Schiller's death at the tragically early age of forty-five – that the English theatre was taking more notice of this major play

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16

Gross, S. "Die Rauber. Text und Kommentar. Von Friedrich Schiller. Mit einem Kommentar von Wilhelm Grosse. Frankfurt am Main: Suhrkamp, 2005. 264 Seiten. 6,00." Monatshefte XCVIII, no. 4 (2006): 641. http://dx.doi.org/10.3368/m.xcviii.4.641c.

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17

Hoffmann, Torsten. ""Nehmt Spitzhacken und Hammer!": Funktionen und intermediale Implikationen von Bildzerstörungen bei Friedrich Schiller, Heinrich von Kleist, Wilhelm Busch, Georg Heym und Botho Strauß." Jahrbuch der Deutschen Schillergesellschaft: Internationales Organ für Neuere Deutsche Literatur 2008, no. 52 (2008): 289–328. http://dx.doi.org/10.46500/83530321-013.

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18

TUROLDO, FABRIZIO. "The Cannibal’s Gaze: A Reflection on the Ethics of Care Starting from Salvador Dalí’s Oeuvre." Cambridge Quarterly of Healthcare Ethics 29, no. 2 (2020): 276–84. http://dx.doi.org/10.1017/s0963180119001063.

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AbstractStarting from two paintings by Salvador Dalì (The Enigma of William Tell and Autumnal Cannibalism), the article explores Sigmund Freud and Carl Gustav Jung’s idea of erotic cannibalism. The fear of being eaten is an archetype of the collective unconscious, as fairy tales clearly reveal. Following Jacques Derrida’s reflections, the author suggests that the fear of being eaten is not limited to anthropophagic cultures, because there is a sort of symbolic cannibalism which has to do with the capacity for annihilation. The petrifying gaze of Medusa, described by Jean Paul Sartre, is a good

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19

Jacobs, Jürgen. "Friedrich Schiller u. Diethard Lübke, Einfach klassisch: Wilhelm Tell, Cornelsen Verlag, Berlin 2003." Zeitschrift für deutsche Philologie, no. 2 (April 1, 2004). http://dx.doi.org/10.37307/j.1868-7806.2004.02.12.

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20

Berton, Lucas. "L'écho des cloches romantiques dans <i>Le Chant de la Cloche</i> de Vincent d'Indy." Musiques: Recherches interdisciplinaires 1, no. 1 (2024). http://dx.doi.org/10.62410/v7wnyw33.

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Cette étude se concentre sur le rôle et le symbolisme de la cloche dans l’œuvre lyrique de Vincent d’Indy intitulée Le Chant de la Cloche (opus 18, sous-titrée « Légende dramatique »). Composée pour la quatrième édition du concours musical de la Ville de Paris en 1885, cette œuvre est écrite d’après le poème de Friedrich Schiller Das Lied von der Glocke (« Le chant de la cloche ») publié en 1799. La thèse principale de cet article consiste à démontrer que la place tenue par la cloche tout au long de cette composition – qu’elle apparaisse en imitation aux divers instruments de l’orchestre ou ré

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21

Thouard, Denis. "'FEGER, Hans, BRITTNACHER, Hans Richard, Die Realität der Idealisten. Friedrich Schiller – Wilhelm von Humboldt – Alexander von Humboldt'." Revue de l’Institut français d’histoire en Allemagne, January 1, 2009. http://dx.doi.org/10.4000/ifha.1755.

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22

Möller, Kolja. "The quest for transformative politics and the circumstances of social complexity." European Journal of Social Theory, June 17, 2025. https://doi.org/10.1177/13684310251344231.

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This article challenges the widely held view that a blunt politicization – understood as the application of political norms and procedures to all spheres of society – is the prime starting point for achieving social transformation. Therefore, it reconstructs intellectual reasoning about the limits of such politicization which is ultimately used for conceiving of transformative politics within a more sophisticated matrix. Initially, this article demonstrates how main authors of nineteenth-century social theory, such as Friedrich Schiller, Georg Wilhelm Friedrich Hegel, and Karl Marx, examined t

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23

Muenzer, Clark. "Ding/Unding (Thing/No-Thing)." Goethe-Lexicon of Philosophical Concepts 4 (May 28, 2024). http://dx.doi.org/10.5195/glpc.2024.67.

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Guided by a series of associations of the word Ding in Adelung’s dictionary (1774/93) with metaphysical concepts and conceptualization, this entry explores how Goethe creatively appropriated the lexeme across a long trajectory of diverse textual practices. In light of the writer’s famously unsystematic approach to metaphysical problems, it focuses on scientific and literary works, as well as key autobiographical documents, in order to trace the meandering course of his ontological thinking as it developed into a morphologically informed cosmological reconstruction of the real. Through the tran

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24

Kennedy, Ümit, and Emma Maguire. "The Texts and Subjects of Automediality." M/C Journal 21, no. 2 (2018). http://dx.doi.org/10.5204/mcj.1395.

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Being is an empty fiction. The “apparent” world is the only world: the “true world” is just a lie added on to it… —Nietzsche. Anna Poletti: I’m attracted to autobiography in a non-narrative context because I’m very interested in texts that people create that demonstrate their thinking or their fantasies or their processing, generally.Lauren Berlant: Right, in that sense it’s autobiography in your larger sense of what autobiography is: a record of […] processing. —Anna Poletti and Julie Rak with Lauren Berlant. The medium is the message. —Marshall McLuhanWelcome to the M/C Journal issue on auto

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