Relevant bibliographies by topics / William David

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'William David'

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Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "William David"

1

Moss, Brian. "Emeritus Professor William David Williams." Aquatic Conservation: Marine and Freshwater Ecosystems 12, no. 3 (2002): 313–14. http://dx.doi.org/10.1002/aqc.518.

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Alexander, Christopher. "David William Smith." Ontario History 112, no. 1 (2020): 26. http://dx.doi.org/10.7202/1069009ar.

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Hill, Rob. "David William Hill." BMJ 336, no. 7647 (April 3, 2008): 779.4–779. http://dx.doi.org/10.1136/bmj.39533.695775.be.

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Willis, James. "William David Stalley." British Dental Journal 216, no. 11 (June 2014): 651. http://dx.doi.org/10.1038/sj.bdj.2014.495.

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Culley, A. "David William Carmichael." British Dental Journal 196, no. 8 (April 2004): 507. http://dx.doi.org/10.1038/sj.bdj.4811189.

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Brocklesby, Helen. "David William Brocklesby." Veterinary Record 185, no. 15 (October 18, 2019): 488. http://dx.doi.org/10.1136/vr.l6078.

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Fox, P. "David William Bookless." BMJ 348, may12 10 (May 12, 2014): g3228. http://dx.doi.org/10.1136/bmj.g3228.

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Billinghurst, J. "David William Barkham." BMJ 340, feb02 3 (February 2, 2010): c627. http://dx.doi.org/10.1136/bmj.c627.

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Hendry, M. "David William Weir Hendry." BMJ 325, no. 7358 (August 3, 2002): 283c—283. http://dx.doi.org/10.1136/bmj.325.7358.283/c.

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Collins, M. "David William Alexander Johnston." British Dental Journal 198, no. 10 (May 2005): 657. http://dx.doi.org/10.1038/sj.bdj.4812427.

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Dissertations / Theses on the topic "William David"

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Clerc, Adrien. "William S. Burroughs et le cinéma : expérimentations, présences, contaminations." Thesis, Aix-Marseille, 2015. http://www.theses.fr/2015AIXM3067.

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Cette thèse est une étude approfondie du rapport de William S. Burroughs au cinéma. William S. Burroughs, en collaboration avec Antony Balch, a produit entre 1961 et 1972 des courts-métrages expérimentaux aux formes de montage et de figuration radicales. Ces films, largement ignorés, constituent un pan essentiel du cinéma expérimental. Leur étude met en lumière l'évolution d'une pensée politico-esthétique de l'image chez Burroughs, une pensée voisine de celle de Guy Debord et qui influencera celle de Gilles Deleuze .Burroughs a également travaillé en tant qu'acteur : l'analyse de ses apparitions est ici pensée en fonction de leur rapport à l’œuvre écrite de Burroughs et à son versant biographique, l'écrivain déconstruisant les personnages qu'il joue de la même manière qu'il déconstruisait le cinéma. Un ensemble de films, répondant plus ou moins fidèlement à l’appellation d'adaptations, constituent un aspect important de notre corpus. Ces œuvres, qu'elles travaillent les écrits dans un rapport fondé sur la reproduction, le décalage, ou l'éclatement, produisent des formes inédites. Cette étude est complétée par un retour sur l'influence de Burroughs sur trois auteurs majeurs du cinéma nord-américain contemporain, Cronenberg, Van Sant et Lynch. Tous trois réinvestissent l’œuvre et la pensée de Burroughs dans le cadre de leur propre production, que ce retour se concentre sur l'apparition de la voix, le lien entre signature visuelle et présence ou la fragmentation de la narration classique. En mettant en relation expérimentations, présences et contaminations de l'écrivain au cinéma, ce travail vise la réhabilitation de ce versant de l’œuvre de William S. Burroughs
This work is an exhaustive study of William S. Burroughs' interest in cinema. Burroughs, in collaboration with Antony Balch, produced between 1961 and 1972 a series of experimental short films with radical editing and visual styles. These widely ignored films are an essential part of experimental cinema. Their study highlights the evolution of the author's political and aesthetic vision, close to those of Guy Debord or Gilles Deleuze. Burroughs also worked as an actor. The analysis of his cinematographic apparitions is linked to their relation to Burroughs' written work and its biographical aspects: the writer deconstructs the characters he plays in the same way as he deconstructs the mise-en-scène.A set of films, which can loosely be said to be adaptations, are another important part of the corpus of this study. These works, in a relation to the written word based on reproduction, shift or blow-out, produce original cinematographic images.This study is completed with a flash-forward to Burroughs' influence on three important north-american filmmakers: David Cronenberg, Gus Van Sant and David Lynch. These three authors reinvest Burroughs' work within the framework of their own production, focusing on the apparition of the voice, the link between visual signature and the notion of presence or the shattering of a conventional narrative.Linking experimentations, presences and contaminations of the writer in the cinematographic art, this thesis aims to rehabilitate this part of Burroughs' work
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Pranckutė, Eglė. "Human in Henry David Thoreau’s, William Faulkner’s, John Barth’s Novels: The Comparative Aspect." Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2013. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2013~D_20130802_113056-87156.

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The object of this research is human in Henry David Thoreau’s, William Faulkner’s, John Barth’s novels (in philosophical, modernistic, postmodernistic novels). The aim of the research is to analyse the novels of the mentioned authors by identifying and comparing different aspects of human and its reflections in the works of art. The objectives are the following: 1) to present a theoretical background of the comparative method and Hannah Arendt’s human conception; 2) to provide and interpret various aspects of human presented by the mentioned authors; 3) to compare the revealed aspects of human shapes identified in those three novels. The methodology of the research includes Steven Tötösy de Zepetnek’s theory of Comparative Literature as a method and Hannah Arendt’s human conception, presented in her book The Human Condition (1958). Her ideas enriched this Bachelor thesis from an interdisciplinary point of view. Besides, her division of men’s activities into labor, work and action was crucial in this research. All three novels exposed different human shapes. The aspect of labor in Thoreau’s novel revealed human as a survivor, whose needs were based on necessities. Faulkner’s novel reminded us that humans are only mortals under constraints of society, requiring not only necessities, but superfluities as well. Barth’s novel showed an instinctive side which exists in every human, but which is not always demonstrated. Work, linked with man’s treatment of things, helped to expose... [to full text]
Tyrimo objektas – žmogus Henrio Davido Thoreau filosofiniame romane Voldenas, arba Gyvenimas miške (1854), Williamo Faulknerio modernistiniame romane Kai aš gulėjau mirties patale (1930) ir Johno Bartho postmodernistiniame romane Kelio pabaiga (1958). Darbo tikslas – išanalizuoti minėtų autorių romanus, nustatant ir palyginant įvarius žmogaus aspektus bei jo vaizdavimą šiuose meno kūriniuose. Uždaviniai: 1) pateikti teorinius lyginamojo metodo ir Hannos Arendt žmogaus koncepcijos pagrindus; 2) nagrinėti ir interpretuoti įvairius žmogaus aspektus; 3) palyginti atskleistus žmogaus formų aspektus, nustatytus trijuose romanuose. Šio tyrimo metodologiją sudaro Steveno Tötösy de Zepetneko komparatyvistikos kaip metodo teorija ir Hannos Arendt žmogaus koncepcija, pristatyta Žmogaus būklėje (1958). Arendt idėja skirstyti žmonių veiklą į darbą, darymą ir veiksmą leido konceptualiai ir tarpdiscipliniškai nagrinėti žmogų. Visi trys romanai parodė skirtingas žmogaus formas ir vis kitokį žmogaus traktavimą. Darbas Thoreau romane atskleidė žmogų kaip besistengiantį išgyventi individą, kurio poreikiai apsiriboja būtiniausiais dalykais. Faulknerio romanas priminė, kad žmonės tėra mirtingieji, veikiami visuomenės ir siekiantys ne tik būtiniausių, bet ir gausybės nebūtinų daiktų. Bartho romanas parodė instinktyviąją žmogaus pusę, kuri glūdi kiekviename iš mūsų, tačiau ne visada yra demonstruojama. Darbas, susijęs su daiktų traktavimu, parodė, kad Thoreau žmogus atvirai smerkia turtus dėl... [toliau žr. visą tekstą]
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Kim, Soong Hee. "A resistance to growing-up: a comparative study of The Prelude and David Copperfield." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc332515/.

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The Prelude and David Copperfield reveal strikingly similar patterns of their heroes' development from boyhood to manhood; the idiosyncrasy of their growth can be found in its retrogressive rather than progressive aspect.
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Burn, Stephen J. ""At the edges of perception" : William Gaddis and the encyclopedic novel from Joyce to David Foster Wallace." Thesis, Durham University, 2001. http://etheses.dur.ac.uk/4235/.

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"Longer works of fiction," a character in William Gaddis's JR complains of the current literary scene, are now "dismissed as classics and remain . . . largely unread due to the effort involved in reading and turning any more than two hundred pages" (527). This study argues that despite most literary critics constructing American postmodernism as a movement that privileges short works, in contrast to the encyclopedic masterworks of modernism, there are in fact a large number of artistically sophisticated contemporary novels of encyclopedic scope that demonstrate often ignored lines of continuity from works like James Joyce's Ulysses. In arguing this, I attempt not just to draw attention to a neglected strain in contemporary American fiction, but also to provide a more accurate context in which those few recent encyclopedic novels that have assumed centrality, like Gravity's Rainbow, might be evaluated. In doing so, this thesis also seeks to demonstrate the pivotal position of William Gaddis who, despite publishing four impressive novels that engage with the legacy of modernism and pre-empt elements of postmodernism, has been excluded from most studies dealing with the transition between the two movements. Through detailed readings of four encyclopedic novels - Gaddis's The Recognitions, Don DeLillo's Underworld, Richard Powers's The Gold Bug Variations, and David Foster Wallace’s Infinite Jest - I show Gaddis's continuation of encyclopedic modernism, the importance of his example to later writers, and the continuing vitality of the encyclopedic novel beyond the defined limits of modernism. However, as these novels try to encompass the full circle of knowledge, in order to do justice to their diverse learning I have adopted a different approach in each chapter. Very broadly, they attempt to encircle art, psychology, science, and literature, which, taken together, attempt to synthesise a defence of the contemporary encyclopedic novel. While minimalist writers from Raymond Carver to Ann Beattie have affirmed that less is more, this thesis argues that, in some cases, more really is more.
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Barrie, Steven. "Shakespearean variations a case study of Hamlet, prince of Denmark /." Bowling Green, Ohio : Bowling Green State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1245428198.

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Tuttle, Dean. "Re:framing : an investigation of performance at the intersection of spaces /." View thesis, 1997. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030912.104418/index.html.

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Vivier, Sigolene. "Désenclaver le bref : pratiques contemporaines de la nouvelle chez William H. Gass, Steven Millhauser et David Foster Wallace." Thesis, Sorbonne université, 2020. http://www.theses.fr/2020SORUL121.

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Si c’est la nouvelle américaine minimaliste qui a le plus souvent retenu l’attention, cette thèse s’intéresse à travers les nouvelles de William Gass, Steven Millhauser et David Foster Wallace à une écriture de l’expansion et de l’excès, qui fait pourtant de la réticence – à révéler et à conclure – sa pierre angulaire. Alors que la critique a souvent placé la nouvelle sous le signe de la restriction, comme un objet à l’économie poétique fondamentalement brève, notre corpus se départit nettement de cette vision. Les méandres de la voix, qui disent les introspections tortueuses du sujet au gré de boucles réflexives, les jeux de déclinaisons métaphoriques ainsi que la grammaire du détail, véritable tentative de maîtrise du monde par son atomisation, inscrivent ainsi l’esthétique de ces auteurs aux antipodes de l’écriture blanche. Se tisse alors une trame du ressassement, qui aspire à l’infini textuel et déjoue véritablement le telos. Cette renégociation singulière de la brièveté nourrit par ailleurs un régime philosophique de l’aporie, qui fait de la lecture une véritable expérience heuristique de l’indéterminé. C’est ainsi que les auteurs étudiés jouent constamment de la tendance du texte court à se dérober, tout en se refusant à une esthétique de la concision : l’examen de ce paradoxe apparent permettra dès lors de recontextualiser la notion de brièveté dans le champ de la nouvelle, tout en éclairant l’esthétique de ces trois auteurs. Ce faisant, cette thèse ambitionne de montrer comment l’assouplissement de la brièveté à l’œuvre informe une certaine épistémologie littéraire contemporaine dans les lettres américaines
While the minimalist short story has often been explored by contemporary criticism, this study wishes to focus on the resolutely more expansive and excessive style to be found in the shorter works of William Gass, Steven Millhauser and David Foster Wallace. Nonetheless, their stories guide the reader through an experience of reticence as they withhold the promise of revelation or resolution. Given that theoretical approaches to the short story are wont to emphasize its supposedly inherent concision, the stories of these three writers seem to deliberately transgress this preconception by consistently pushing their structural and metaphorical boundaries. Indeed, the texture of their narrative voices, depicting the tortuous introspections of characters prone to highly reflexive discourses, the constant weaving of poetic leitmotive as well as an omnipresent thirst for detail shape a prose which asserts itself as a firm counterpoint to minimalism. This constant renegotiation of what brevity means also fuels the philosophical tenets of their prose, often characterized by various aporetic patterns and considerations which confront the reader with a heuristic approach to indeterminacy. Gass, Millhauser and Wallace therefore constantly play with the implications of brevity in their stories, which are neither short nor concise, thereby contributing to the definition of a new literary epistemology in the context of contemporary American literature
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Vega-Ritter, Max. "Dickens et Thackeray, essai d'analyse psychocritique : des "Pickwick papers" à "David Copperfield" et de "Barry Lyndon" à "Henry Esmond"." Montpellier 3, 1986. http://www.theses.fr/1986MON30003.

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Hollis, Elizabeth Mary Roozen Kevin Roger. "The things they carried conception of writing transfer in composition studies /." Auburn, Ala, 2009. http://hdl.handle.net/10415/1832.

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May, Benjamin David William [Verfasser], Hans-Peter [Akademischer Betreuer] Steinrück, Hans-Peter [Gutachter] Steinrück, and Juergen [Gutachter] Schatz. "Properties and Reactions of Transition Metals and Transition Metal Complexes in Ionic Liquids / Benjamin David William May ; Gutachter: Hans-Peter Steinrück, Juergen Schatz ; Betreuer: Hans-Peter Steinrück." Erlangen : FAU University Press, 2019. http://d-nb.info/1194651216/34.

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Books on the topic "William David"

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A, Atwell William, ed. Starches: David J. Thomas and William A. Atwell. St. Paul, Minn: Eagan Press, 1999.

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A, Schum David, and Twining William L, eds. Analysis of evidence / Terence Anderson, David Schum, William Twining. 2nd ed. Cambridge: Cambridge University Press, 2005.

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Argentina) Simposio internacional de Narratología (6th 2011 Buenos Aires. Narratología y discursos múltiples: Homenaje a David William Forster. Buenos Aires: Editorial Dunken, 2013.

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Quinn, Arthur. The rivals: William Gwin, David Broderick, and the birth of California. New York: Crown Publishers, 1994.

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The rivals: William Gwin, David Broderick, and the birth of California. New York: Crown Publishers, 1994.

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The rivals: William Gwin, David Broderick, and the birth of California. Lincoln: University of Nebraska Press, 1997.

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Quinn, Arthur. The rivals: William Gwin, David Broderick, and the birth of California. New York: Crown Publishers, 1994.

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Pinsker, Sanford. Three Pacific northwest poets: William Stafford, Richard Hugo, and David Wagoner. Boston, Mass: Twayne Publishers, 1987.

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Musée, de l'Elysée (Lausanne Switzerland). Sofort-Bild-Geschichten =: Instant-imaging-stories : [Eileen Cowin, David Levinthal, William Wegman. Wien: Österreichisches Fotoarchiv im Museum moderner Kunst, 1992.

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Trust, William Blake. Prospectus: William Blake's Illustrations of the book of Job: The engravings and related material with essays, catalogue of states and printings, commentary on the plates and documentary record by David Bindman, Barbara Bryant, Robert Essick, Geoffrey Keynes and Bo Lindberg;edited by David Bindman. London: William Blake Trust, 1987.

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Book chapters on the topic "William David"

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Beighton, Peter, and Greta Beighton. "HOLLISTER, David William." In The Person Behind the Syndrome, 80–81. London: Springer London, 1996. http://dx.doi.org/10.1007/978-1-4471-0925-9_40.

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Newman, Lance. "William Wordsworth, Henry David Thoreau, and the Poetry of Nature." In Our Common Dwelling, 83–95. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1057/9781403973535_8.

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Evans, David H. "“The Chains of Not Choosing”: Free Will and Faith in William James and David Foster Wallace." In A Companion to David Foster Wallace Studies, 171–89. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137078346_9.

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Cumming, Jeffrey M., Bradley J. Sinclair, Charles A. Triplehorn, Yousif Aldryhim, Eduardo Galante, Ma Angeles Marcos-Garcia, Malcolm Edmunds, et al. "Davis, William Thompson." In Encyclopedia of Entomology, 1156. Dordrecht: Springer Netherlands, 2008. http://dx.doi.org/10.1007/978-1-4020-6359-6_835.

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Blundell, Geoffrey. "Lewis-Williams, James David." In Encyclopedia of Global Archaeology, 4508–10. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-0465-2_58.

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Blundell, Geoffrey. "Lewis-Williams, James David." In Encyclopedia of Global Archaeology, 6560–62. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_58.

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Spencer, Tom. "Davis, William Morris (1850–1934)." In Encyclopedia of Modern Coral Reefs, 302–3. Dordrecht: Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-90-481-2639-2_207.

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Reuber, Alexandra. "Identity Crisis and Personality Disorders in Edgar Allan Poe’s “William Wilson” (1839), David Fincher’s Fight Club (1999), and James Mangold’s Identity (2003)." In Adapting Poe, 93–103. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137041982_8.

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"DAVID DAICHES, review, 'Yale Review', Autumn 1951." In William Carlos Williams, 244–46. Routledge, 2013. http://dx.doi.org/10.4324/9781315005966-80.

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MacDonald, Scott. "4. Interview with David Greaves." In William Greaves, 107–13. Columbia University Press, 2021. http://dx.doi.org/10.7312/macd19958-007.

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Conference papers on the topic "William David"

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Speer, Thomas E. "The Basiliscus Project - Return of the Cruising Hydrofoil Sailboat." In SNAME 15th Chesapeake Sailing Yacht Symposium. SNAME, 2001. http://dx.doi.org/10.5957/csys-2001-013.

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Basiliscus will be a cruising hydrofoil sailboat, much along the lines of David Keiper's Williwaw, but incorporating experience that has been gained in multihull design in the thirty years since Williwaw's construction. This paper covers the development plan for the entire project and the technical results of design studies performed to date. Topics covered include scaling laws for model hydrofoils, the baseline design, and preliminary CFD modeling of the hydrofoils.
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