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Relevant bibliographies by topics / William Eden

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Academic literature on the topic 'William Eden'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "William Eden"

1

Cromroy, Harvey L. "William Gibbs Eden." American Entomologist 45, no. 3 (1999): 191. http://dx.doi.org/10.1093/ae/45.3.191.

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BOLTON, G. C. "William Eden and the Convicts, 1771-1787." Australian Journal of Politics & History 26, no. 1 (April 7, 2008): 30–44. http://dx.doi.org/10.1111/j.1467-8497.1980.tb00519.x.

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Hertz, Alan. "Exile in Eden: William Barnes's Lyrics of Romantic Encounter." University of Toronto Quarterly 56, no. 2 (January 1987): 308–18. http://dx.doi.org/10.3138/utq.56.2.308.

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Witcher, Heather Bozant. "Brainwork and Community in ‘Eden Bower’." Victoriographies 10, no. 1 (March 2020): 90–107. http://dx.doi.org/10.3366/vic.2020.0368.

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By tracing the creative process in the archival drafts of ‘Eden Bower’, I demonstrate the intellectual ardour and creative exertion contained within each of Rossetti's poems. I posit that such a process becomes embedded in his prosody (or affective music of verse), particularly, as this article will explore, the rhythm of the refrain ballads in the first part of Poems (1870). In doing so, I suggest that Poems offers a response akin to William Morris's usage of the performative lyric as a transformation of collective, social fellowship, while providing, also, a framework for defining the lyric potential of Pre-Raphaelite poetics. It is well recognized that Rossetti sought advice and suggestions from friends and fellow poets at every stage in the creation and publication of Poems. And yet, there has been little attention given to Rossetti's responses to those recommendations. Preserved within the archive, Rossetti's material response to these suggestions can be witnessed in his revisions to his poetry. By analysing these drafts alongside the correspondence, I demonstrate the ways in which Rossetti's lyric form and innovation is indebted to fraternal brainwork.

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Geltner, Guy. "Eden Regained: William of Ockham and the Franciscan Return to Terrestrial Paradise." Franciscan Studies 59, no. 1 (2001): 63–89. http://dx.doi.org/10.1353/frc.2001.0023.

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Carroll, Justin M. "Men in Eden: William Drummond Stewart and Same-Sex Desire in the Rocky Mountain Fur Trade by William Benemann." Great Plains Quarterly 34, no. 1 (2014): 95. http://dx.doi.org/10.1353/gpq.2014.0012.

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Boag, P. "Men in Eden: William Drummond Stewart and Same-Sex Desire in the Rocky Mountain Fur Trade." Journal of American History 100, no. 1 (June 1, 2013): 204–5. http://dx.doi.org/10.1093/jahist/jat061.

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Venkataramana, Dr B. "The Songs of Innocence-Blake’s Intuitive Flights into the Realm of the Absolute." IJOHMN (International Journal online of Humanities) 4, no. 5 (October 5, 2018): 1–10. http://dx.doi.org/10.24113/ijohmn.v4i5.57.

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Just like William Wordsworth who came a little later William Blake was known for an absolute sincerity, a mystic renunciation and a boldness of spirit. His originality and individuality, both of which were of a high order, came in the way of his public acceptance and acclaim. His drawings bear the stamp of a “characteristic and inimitable vision”. His poetry is marked by the utmost subtlety of symbolism and the skill with which it is sustained is truly matchless. The philosophical framework of his poetry is no more than a series of “intuitive flights into the realm of the absolute, soaring with tranquil and imperious assurance”. In Blake’s view the world of children, which is not contaminated by experience, is almost heavenly. In fact childhood is like a compensation for the loss of Eden. In the poems of Blake, the divine that is described is Jesus Christ who, even like human children, was a child once and spoke of the merciful and compassionate heavenly father, God. Children are free from cares and conflicts and always in a state of happiness and harmony with the human society around them and nature.

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Wallach, Ruth. "EDEN BY DESIGN: THE 1930 OLMSTED-BARTHOLOMEW PLAN FOR THE LOS ANGELES REGION. Greg Hise , William Deverell." Art Documentation: Journal of the Art Libraries Society of North America 20, no. 1 (April 2001): 44–45. http://dx.doi.org/10.1086/adx.20.1.27949127.

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DEVEREAUX, SIMON. "THE MAKING OF THE PENITENTIARY ACT, 1775–1779." Historical Journal 42, no. 2 (June 1999): 405–33. http://dx.doi.org/10.1017/s0018246x98008309.

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This article examines the series of legislative measures, beginning in 1776, which culminated in the passage of the Penitentiary Act of 1779. It argues that, although the Penitentiary Act is of considerable long-term significance in the history of English criminal justice and penal practices, the act passed in 1779 was in fact a somewhat modest affair by comparison with the scheme originally envisioned by its principal architects. The act embodied a decisive retreat from an original ambition to replace transportation with imprisonment at hard labour as the principal punishment next to death in late eighteenth-century England. This modification arose from a pragmatic appreciation of the limitations imposed, first, by a persistent preference amongst most legislators for transportation of the worst classes of offenders not actually put to death and, secondly, by the reluctance of local authorities to have such a preference imposed upon them to the detriment of local control of punishment and of the finances which paid for it. Attention is also drawn to how the course of events was shaped by the interaction of the act's main architects, William Eden and Sir William Blackstone, with both government and non-ministerial MPs such as Sir Charles Bunbury.

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Dissertations / Theses on the topic "William Eden"

1

James-Fowler, Nina Gibbs. "Landscape into architecture : William Andrews Nesfield and William Eden Nesfield." Thesis, Royal Holloway, University of London, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.300584.

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Long, Kim Martin. "The American Eve: Gender, Tragedy, and the American Dream." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc277633/.

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America has adopted as its own the Eden myth, which has provided the mythology of the American dream. This New Garden of America, consequently, has been a masculine garden because of its dependence on the myth of the Fall. Implied in the American dream is the idea of a garden without Eve, or at least without Eve's sin, traditionally associated with sexuality. Our canonical literature has reflected these attitudes of devaluing feminine power or making it a negative force: The Scarlet Letter, Moby-Dick, Adventures of Huckleberry Finn, The Great Gatsby, and The Sound and the Fury. To recreate the Garden myth, Americans have had to reimagine Eve as the idealized virgin, earth mother and life-giver, or as Adam's loyal helpmeet, the silent figurehead. But Eve resists her new roles: Hester Prynne embellishes her scarlet letter and does not leave Boston; the feminine forces in Moby-Dick defeat the monomaniacal masculinity of Ahab; Miss Watson, the Widow Douglas, and Aunt Sally's threat of civilization chase Huck off to the territory despite the beckoning of the feminine river; Daisy retreats unscathed into her "white palace" after Gatsby's death; and Caddy tours Europe on the arm of a Nazi officer long after Quentin's suicide, Benjy's betrayal, and Jason's condemnation. Each of these male writers--Hawthorne, Melville, Twain, Fitzgerald, and Faulkner--deals with the American dream differently; however, in each case the dream fails because Eve will not go away, refusing to be the Other, the scapegoat, or the muse to man's dreams. These works all deal in some way with the notion of the masculine American dream of perfection in the Garden at the expense of a fully realized feminine presence. This failure of the American dream accounts for the decidedly tragic tone of these culturally significant American novels.

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3

Cho, Kuang Yu, and 卓光煜. "Analysis and Interpretation on William Bolcom’s “The Garden of Eden”." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/k55326.

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碩士
國立臺灣藝術大學
音樂學系
102
William Bolcom（1938- ）are the significant composers who devoted to the revival of Ragtime from 1967 to 1975. The suite “The Garden of Eden”（1969）were composed during this time which not only used the traditional harmonic system of the European classical music, but also combined American traditional Ragtime, Jazz and Blues elements such as rhythm, scales or special notes. Through analyzing “The Garden of Eden” we could figure out how the composer fuse variant musical elements to exapand the range between classical music and popular music, further more to indicate precise interpretation for this kind of music style. The thesis is divided into six chapters: Chapter one is outline of the research’ objectives and motivation. Chapter two discusses on Bolcom’s background, music education and achievement also discusses the Ragtime from music historical viewpoints to present it’s development and variant styles. Chapter three analyzing each piece of the suite, concentrate on music background, form, texture and characteristics to understand Bolcom’s compositional techniques. Chapter four compares the solo version with two pianos version , though these two versions published at same year but the two pianos version has more performance details that offer more precise interpretation viewpoints. Chapter five discusses the interpretation of the suite based on the previous chapter’s analysis. Chapter six is the conclusion of the research based on the study results and fulfillment of the whole thesis.

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Books on the topic "William Eden"

1

1946-, McCaffery Larry, and Hemmingson Michael A, eds. Expelled from Eden: A William T. Vollmann reader. New York: Thunder Mouth Press, 2004.

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2

The aesthetic obsession: A portrait of Sir William Eden, Bt. Stocksfield: Oriel Press, 1985.

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3

Salom, Jaime. Three comedies: Behind the scenes in Eden, Rigmaroles, The other William. Boulder: University Press of Colorado, 2004.

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4

Men in Eden: William Drummond Stewart and same-sex desire in the Rocky Mountain fur trade. Lincoln: University of Nebraska Press, 2012.

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5

Bullock, J. F. W. 1840-1916., ed. A deuce of an uproar: William Eden Nesfield's letters to the rector of Radwinter in Essex. Safron Walden: Friends of Radwinter Church, 1988.

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6

Benemann, William. Men in Eden: William Drummond Stewart and same-sex desire in the Rocky Mountain fur trade. Lincoln: University of Nebraska Press, 2012.

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7

Clear-cutting Eden: Ecology and the pastoral in Southern literature. Tuscaloosa: University of Alabama Press, 2009.

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8

Heude, William. A voyage up the Persian Gulf and a journey overland from India to England in 1817: Containing notices of Arabia Felix, Arabia Deserta, Persia, Mesopotamia, The Garden of Eden, Babylon, Bagdad, Koordistan, Armenia, Asia Minor, &c. &c. Reading: Garnet, 1993.

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9

Belsey, Catherine. Shakespeare and the loss of Eden: The construction of family values in early modern culture. New Brunswick, NJ: Rutgers University Press, 1999.

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10

Shakespeare and the loss of Eden: The construction of family values in early modern culture. Houndmills, Basingstoke, Hampshire: Macmillan, 1999.

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Book chapters on the topic "William Eden"

1

Bailey, Victor. "William Eden on Crisis of American Transportation, 16 Jan. 1776." In Nineteenth-Century Crime and Punishment, 60–63. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429504013-7.

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Bailey, Victor. "William Eden and Edmund Burke on the Hulks Bill, 1776." In Nineteenth-Century Crime and Punishment, 64–67. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429504013-8.

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Bailey, Victor. "William Eden, Observations on the Bill to Punish by Imprisonment and Hard Labour Certain Offenders; and to Provide Proper Places for their Reception, 1778." In Nineteenth-Century Crime and Punishment, 68–76. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429504013-9.

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4

"Enter William Eden." In Masters of their Craft, 102–9. The Lutterworth Press, 2014. http://dx.doi.org/10.2307/j.ctt1cgf05n.17.

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"List of William Eden Nesfield’s Commissions." In Masters of their Craft, 184–91. The Lutterworth Press, 2014. http://dx.doi.org/10.2307/j.ctt1cgf05n.24.

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6

Davy, Humphry. "308. Humphry Davy to William Eden, 1st Baron Auckland, 27 January [1812]." In The Collected Letters of Sir Humphry Davy, edited by Tim Fulford and Sharon Ruston. Oxford University Press, 2020. http://dx.doi.org/10.1093/oseo/instance.00270846.

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Campbell, Gordon. "8. Britain." In Garden History: A Very Short Introduction, 99–115. Oxford University Press, 2019. http://dx.doi.org/10.1093/actrade/9780199689873.003.0008.

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‘Britain’ considers the garden history of the British Isles through the Renaissance to the present day. The burgeoning of English gardens in the 18th and 19th centuries often obliterated earlier gardens on the same sites, so earlier English gardens are usually known only from written and pictorial documentation, or from earthworks. The impact of key gardens and garden designers throughout this time are discussed: Salomon de Caus; Inigo Jones; William Shenstone’s The Leasowes; the great landscape designers Lancelot ‘Capability’ Brown and Humphry Repton; Sir Joseph Paxton; Hidcote Manor; Christopher Lloyd’s Great Dixter; Gertrude Jekyll’s Sissinghurst; Beth Chatto; and the Eden Project in Cornwall.

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Buttex, Lucie. "« Bienveillance » et « douceur » des peines : le réformisme des Principles of Penal Law de William Eden." In Cesare Beccaria, 67–79. Presses universitaires de Rennes, 2015. http://dx.doi.org/10.4000/books.pur.88387.

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9

Black, Michael. "“Mental Fight”." In Virginia Woolf, Europe, and Peace, 85–100. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781949979350.003.0006.

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Virginia Woolf's citation of a famous lyric by William Blake in her essay “Thoughts on Peace in an Air Raid” (1940) contests its usage as warmongering propaganda in the context of two world wars, and still has resonance today. This chapter builds upon Diane Filby Gillespie’s article “Blake and Bloomsbury” (1990), which established the importance of a radical Blake in Bloomsbury, applying to Woolf the findings of Blake scholars Shirley Dent and Jason Whittaker who argue Blake’s vision of “Jerusalem” and “Albion” represent “the return to Eden before hereditary power, before tribalism and before nationalism”. By focusing on this key Blakean citation in “Thoughts on Peace in an Air Raid,” the chapter’s argument also opens Blakean aspects in Woolf's pacifist aesthetics in other works such as Three Guineas and “Anon.”

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Zeitlin, Steve. "Lion’s Gate." In The Poetry of Everyday Life. Cornell University Press, 2016. http://dx.doi.org/10.7591/cornell/9781501702358.003.0023.

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This chapter reflects on how we can use myths to explore and illuminate the inner landscape through which we journey, and in which we are, inevitably, often lost. It describes the Untermyer Gardens in Yonkers, New York, and its centerpiece: the Walled Garden, or “Garden of Eden.” A brainchild of Samuel Untermyer and designed by William Welles Bosworth, the Untermyer Gardens also features the Lion's Gate and the Tree of Knowledge. In the same way that Untermyer and Bosworth grew a garden by mythologizing a place, we can start to “grow a soul,” as anthropologist Barbara Myerhoff once put it, by mythologizing our lives. The trek through the gardens invites us to consider our inner journeys where ancient myths entwine with our own life stories. In The Hero with a Thousand Faces, Joseph Campbell writes about the patterns in ancient mythology, offering as examples Prometheus and Jason. These ancient myths resonate not just in our popular culture but as metaphors in our own lives.

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