Journal articles: 'William Gibson'

1

Russell Blackford. "William Gibson Overdrive." Science Fiction Studies 39, no. 1 (2012): 133. http://dx.doi.org/10.5621/sciefictstud.39.1.0133.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Schroeder, Randy. "Neu-Criticizing William Gibson." Extrapolation 35, no. 4 (January 1994): 330–41. http://dx.doi.org/10.3828/extr.1994.35.4.330.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Carnegie, Garry D. "Vale Robert William Gibson." Accounting History 19, no. 4 (November 2014): 431–33. http://dx.doi.org/10.1177/1032373214549271.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Rutkow, Ira M. "William Gibson (1788-1868)." Archives of Surgery 135, no. 6 (June 1, 2000): 743. http://dx.doi.org/10.1001/archsurg.135.6.743.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Hermayani, Dian, and Supeno Supeno. "CHARACTER AND MORAL VALUE IN “MIRACLE WORKER” BY WILLIAM." INFERENCE: Journal of English Language Teaching 3, no. 3 (November 1, 2020): 222. http://dx.doi.org/10.30998/inference.v3i3.5752.

Full text

Abstract:

<p>This research aims to analyze the characters and moral values contained in the film "Miracle Worker" by William Gibson. Based on the theories of character and moral values collected, four main points are analyzed, they are: 1) How is the character appear in "Miracle Worker" by William Gibson based on the theory put forward by Russel How is moral values that appear in "Miracle Worker" by William Gibson based on the theory put forward by Milhorn. 3) There are three kinds of characters that appear in the characters in "Miracle Worker" by William Gibson based on Russel’s theory, those are the Protagonist, the protagonist played by Kate Keller, Annie Sullivan, Captain Arthur Keller, Mr. Anagnos, and Viney, the Foil, played by Hellen Keller, James Keller, and Aunt Ev, 4) There are six types of moral values that appear in “Miracle Worker" by William Gibson based on Milhorn’s theory, they are: belief, fairness, kind-hearted honesty, responsibility, and tolerance, belief is the most dominant moral values of all moral values that arise.</p><p>Keywords: character; moral value; moral value; film.</p>

APA, Harvard, Vancouver, ISO, and other styles

6

Frelik, Paweł. "Introducing William Gibson. Or Not." Polish Journal for American Studies, no. 12 (Autumn 2018) (April 30, 2022): 271–74. http://dx.doi.org/10.7311/pjas.12/2/2018.01.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Ashbaugh, Dennis, and William Gibson. "Dennis Ashbaugh and William Gibson." Art Journal 52, no. 4 (1993): 79. http://dx.doi.org/10.2307/777636.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

CONN, MATTHEW. "THE CYBERSPATIAL LANDSCAPES OF WILLIAM GIBSON AND TAD WILLIAMS." Journal of the Australasian Universities Language and Literature Association 96, no. 1 (November 2001): 207–19. http://dx.doi.org/10.1179/aulla.2001.96.1.013.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Sharp, Michael D. "Remaking Medieval Heroism: Nationalism and Sexuality in Braveheart." Florilegium 15, no. 1 (January 1998): 251–66. http://dx.doi.org/10.3138/flor.15.013.

Full text

Abstract:

Mel Gibson's movie Braveheart tells the story of the life of William Wallace, one of Scodand's great national heroes. Originally released in the late spring of 1995, the film received predominandy glowing reviews, and later in the year enjoyed a second run in theatres as Paramount Studios began marketing the film for consideration in the many end-of-the-year awards shows. Early in 1996 Mel Gibson was honoured at the Golden Globe Awards as the year's Best Director, and in March of the same year, Braveheart won five Academy Awards, including another Best Director award for Gibson as well as the award for Best Motion Picture of the Year.

APA, Harvard, Vancouver, ISO, and other styles

10

Finkelstein, David. "Cyberpunk and Cyberculture: Science Fiction and the Work of William Gibson. Dani Cavallaro , William Gibson." Library Quarterly 72, no. 3 (July 2002): 386–88. http://dx.doi.org/10.1086/lq.72.3.40039769.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Bishop, Katherine E. "Ecological Recentering in William Gibson’s The Peripheral." Polish Journal for American Studies, no. 12 (Autumn 2018) (April 30, 2022): 319–34. http://dx.doi.org/10.7311/pjas.12/2/2018.05.

Full text

Abstract:

William Gibson’s response to the rise of computing established him as a pioneering voice in twentieth-century science fiction, his finger not just on but shaping the pulse of his time. Gibson’s novel The Peripheral (2014) is no different. It responds to current, rising anxieties pertaining to climate change, shifting from his earlier ecoperipheral cyberpunk purview to a more holistic one, in which ecology is at least as much at the forefront of the future as is technology. This article draws on and expands Bakhtin’s chronotope to investigate how Gibson uses ecological time, particularly plant time, to reorient the trajectory of future imaginings. In doing so, he enmeshes that which had previously been relegated to the margins in his work, both socially and environmentally.

APA, Harvard, Vancouver, ISO, and other styles

12

Michael M. Levy. "Reading and Over-Reading William Gibson." Science Fiction Studies 41, no. 2 (2014): 460. http://dx.doi.org/10.5621/sciefictstud.41.2.0460.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Baxter, John. "William Gibson and the "Garage Kubrick"." Film International 1, no. 3 (March 2003): 32–35. http://dx.doi.org/10.1386/fiin.1.3.32.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Pittard, A. J., and G. B. Cox. "Frank William Ernest Gibson 1923 - 2008." Historical Records of Australian Science 21, no. 1 (2010): 55. http://dx.doi.org/10.1071/hr09024.

Full text

Abstract:

Frank Gibson died in Canberra on 11 July 2008. Frank was a highly distinguished research scientist who will be remembered for his pioneering studies in identifying the branch-point compound in the pathway of biosynthesis of a large number of important aromatic compounds followed by a detailed biochemical and genetic analysis of many of the pathways leading to the aromatic amino acids and the so-called aromatic vitamins. Studies on ubiquinone synthesis and function led to an examination of oxidative phosphorylation and the structure and function of the F1F0-ATPase in the bacterium Escherichia coli. This work resulted in the formulation of a highly innovative model, involving rotating subunits of the F0 segment within the membrane and offering an explanation for the mechanism linking proton flow and ATP synthesis.

APA, Harvard, Vancouver, ISO, and other styles

15

Kolbuszewska, Zofia. "William Gibson’s Debt to the Culture of Curiosity: The Wunderkammer, or, Who Controls the World?" Polish Journal for American Studies, no. 12 (Autumn 2018) (April 30, 2022): 291–306. http://dx.doi.org/10.7311/pjas.12/2/2018.03.

Full text

Abstract:

The article discusses transformations in William Gibson’s employment of the theme and poetics of the Wunderkammer from his two early novels, Neuromancer (1984) and Count Zero (1987), to Zero History (2010), his last-but-one novel. The exploration of Gibson’s representations of various Wunderkammer collections and arrangements in these books reveals his ever more pronounced recourse, over time, to the culture of curiosity as a diagnostic instrument. By interrogating the changing function of the Wunderkammer in Gibsons’ oeuvre, along with all its early-modern and contemporary associations with curiosity, it is possible to tease out the complexity of the writer’s evolving view of the duality, and the fusion, of the digital and the material, as well as his keen understanding of how the late capitalist market functions. Through his diagnostic representations of various cabinets of curiosities, Gibson reverses tendencies governing the transformations of the Wunderkammer as a collection of curia from the 16th to the 18th century, as well as overturning the relationship between the collection as a representation of available knowledge and the desire to create synthetic life. Gibson’s novels, which represent postdigital reality by analogous means, can thus be designated as postdigital analog writings that, according to Michael Punt, give expression to contemporary consciousness formed “in the Wunderkammer.”

APA, Harvard, Vancouver, ISO, and other styles

16

Stachura, Paweł. "What Was Expected of William Gibson’s Early Fiction: Themes in Negative Reception." Polish Journal for American Studies, no. 12 (Autumn 2018) (April 30, 2022): 335–49. http://dx.doi.org/10.7311/pjas.12/2/2018.06.

Full text

Abstract:

The article presents various reader responses to Gibson’s early fiction, ranging from reviews, through general discussions of Gibson and cyberpunk, through writings by fans, to scholarly articles. Most of the texts under discussion are relatively recent. The aim of the analysis was to determine what is the function of Gibson’s work nowadays, and what stylistic and thematic features matter for today’s readers. The conclusion is that Gibson’s Neuromancer has been treated as an epic work, performing an “epic incantation” comparable to the functions and stylistics of Walt Whitman’s nation-building poetry, but critics have so far been preoccupied mostly with the ideological aspects of the novel, rather than its literary qualities.

APA, Harvard, Vancouver, ISO, and other styles

17

Deconinck-Brossard, Françoise. "Keith A. Francis and William Gibson, eds." XVII-XVIII, no. 71 (December 31, 2014): 335–41. http://dx.doi.org/10.4000/1718.439.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Anderson, Ian C. "Prof. John William Gibson Cairney, 1959-2012." New Phytologist 197, no. 3 (January 7, 2013): 694–95. http://dx.doi.org/10.1111/nph.12111.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Boddy, Lynne. "Professor John William Gibson Cairney 1959–2012." Fungal Ecology 6, no. 2 (April 2013): 177. http://dx.doi.org/10.1016/j.funeco.2013.02.004.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Roebuck, Thomas. "Edmund Gibson’s 1695 Britannia and Late-Seventeenth-Century British Antiquarian Scholarship." Erudition and the Republic of Letters 5, no. 4 (October 10, 2020): 427–81. http://dx.doi.org/10.1163/24055069-00504003.

Full text

Abstract:

Abstract Drawing on the evidence of correspondence and draft papers preserved primarily in the Bodleian Library, Oxford, this essay gives a detailed account of the genesis and editing of one of seventeenth-century British antiquarianism’s foremost works: the revised version of William Camden’s Britannia, published in 1695. It pays particular attention to Edmund Gibson’s role as editor of the project and demonstrates the diversity of kinds of antiquarian scholarship to be found within the book (showing that William Camden offered a wide-ranging model for antiquarian practice). The article then situates the Britannia within the context of the religio-political divisions provoked by the Glorious Revolution, showing how Edmund Gibson attempted to navigate those divisions. It concludes by assessing the 1695 Britannia’s place within the history of antiquarian scholarship.

APA, Harvard, Vancouver, ISO, and other styles

21

Bovsunivska, Tetiana. "Looking-Glass Space in “Pattern Recognition” by William Gibson." Слово і Час, no. 12 (December 20, 2019): 50–57. http://dx.doi.org/10.33608/0236-1477.2019.12.50-57.

Full text

Abstract:

The paper deals with the poetics of the novel, based on the principles of literary cyberpunk. William Gibson, the founder of cyberpunk as a genre, in the novel “Pattern Recognition” used the looking-glass image of Lewis Carroll’s book “Through The Looking-Glass And What Alice Found There” as a leitmotif, reminiscently curved and shown only in the mind of the main character Case Pollard. The paper analyzes the semantics of the leitmotif of looking-glass and its functionality in the novel, as well as the conformity with the principles of transrealism and posthumanism. The state of the main character is not explained by some acts or periods of the day, but by hormonal disorder; the scientiﬁc awareness is intertwined with the metaphoric ﬁeld. Thus William Gibson’s artistic style acquires obvious features of cyberpunk. If Alice was just a weird kid who invented the world of fairy-tale creatures, Gibson’s character Case lives in a transreal world, full of various man-made modiﬁcations of space and humans. The modern Case-Alice does not invent anything, because the fairy-tale situation of her life is already embedded in the nature of civilizational development. Case as a heroine of the novel fully complies with the requirements of transrealism: she is not ‘normal’, she has a diagnosis and medical history. Тhe ‘F: F: F’ program (fragments) is created by an autistic Russian girl. The neurotic characters that Case meets are atypical, all in their own way. That is why the world around modern Alice, who is Case at the same time, is distorted by the abnormality, which is not hidden by the heroes. The cyberspace of modern human existence transforms all the sores of society into customary artiﬁcial symbols of degradation – posthumanistic codes.

APA, Harvard, Vancouver, ISO, and other styles

22

Schmitt, Ronald. "Mythology and Technology: The Novels of William Gibson." Extrapolation 34, no. 1 (April 1993): 64–78. http://dx.doi.org/10.3828/extr.1993.34.1.64.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Carnegie, Garry D. "Robert William Gibson, an all-round accounting contribution." Accounting History 21, no. 4 (July 24, 2016): 419–44. http://dx.doi.org/10.1177/1032373216647979.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Lohard, Audrey. "La genèse inattendue du cyberespace de William Gibson." Quaderni 66, no. 1 (2008): 11–13. http://dx.doi.org/10.3406/quad.2008.1842.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Wagner-Pacifici, Robin. "The Perfect War: Technowar in Vietnam.James William Gibson." American Journal of Sociology 94, no. 2 (September 1988): 438–39. http://dx.doi.org/10.1086/229013.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Luqman, Arief, Aquarini Priyatna, and Lina Meilinawati Rahayu. "KEBERGANTUNGAN TEKNOLOGI DAN DAMPAKNYA DALAM NOVEL NEUROMANCER KARYA WILLIAM GIBSON." METASASTRA: Jurnal Penelitian Sastra 8, no. 2 (June 6, 2016): 225. http://dx.doi.org/10.26610/metasastra.2015.v8i2.225-238.

Full text

Abstract:

Makalah ini menganalisis bagaimana novel memandang kehadiran teknologi di tengah masyarakat yang mengakibatkan pergeseran budaya. Teknologi yang menyajikan kemudahan dan fasilitas yang membantu manusia tetapi kebergantungan manusia terhadap teknologi muncul sebagai akibat dari interaksi manusia dengan teknologi yang berlebihan. Makalah ini membahas hubungan manusia dengan mesin dalam novelNeuromancer karya William Gibson, teknologi cyberspacedi tengah masyarakat yang mengakibatkan efek cyborg pada penggunanya.Metode yang digunakan dalam makalah ini adalah metode deskriptif analitis. Tujuan dari pembahasan dalam makalah ini adalah untuk mengetahui bagaimana novel melihat teknologi yang hadir di tengah masyarakat dan untuk menunjukkan kontribusi teknologi terhadap kelas penguasa dan pergeseran budaya masyarakat.Abstract: This paper analyzes the novel’s view of technology in society whicheffect culture shift. Technology presents the ease and facilities that helps humans but at the same time, technology dependence come as the result of the interaction between human and technology. This paper discusses the human and machine relation in William Gibson’s Neuromancer, thecyberspace technology in society that make a cyborg effect to users.The method used in this paper is a descriptive and analytical method. The purpose of the discussion in this paper is to show how the novel sees the technology in society and to show the contribution of technology to the rulling class and human’s culture shift.

APA, Harvard, Vancouver, ISO, and other styles

27

Hayes, Lil. "The Future’s Overrated: How History and Ahistoricity Collide in William Gibson’s Bridge Trilogy." Polish Journal for American Studies, no. 12 (Autumn 2018) (April 30, 2022): 275–90. http://dx.doi.org/10.7311/pjas.12/2/2018.02.

Full text

Abstract:

In 1988, Gibson “asserted his interest in the how’s and why’s of memory, the ways it defines who and what we are, in how easily it’s subject to revision” (qtd. in McCaffery 224). While this statement is a reflection on his appropriation of human memory in the Sprawl trilogy, it is also a useful standpoint from which to assess the interplay between history and memory in the Bridge trilogy. In my view, this trilogy is primarily concerned with the implications of postmodernization for historical perception. Moreover, it serves to explore how the proliferation of the spectacle has significant effects on social memory, the ramification of which is the eventual effacement of memory’s value, and its substitution by commodified images. Through a close assessment of Gibson’s architecturally familiar landscape and the perseverance of nostalgia in an ahistorical society, I argue that in this postmodern world, history as a concept is not obsolete despite the death of historical perspective that postmodernism ideologically affirms. In fact, by creating a world that simultaneously experiences the “abandonment of history” and the “false consciousness of time” (Debord 90), Gibson is able to convey the idea that historical perspective, no matter how unreliable, is the only means through which to fully understand not only the past, but also the present, and, indeed, the future.

APA, Harvard, Vancouver, ISO, and other styles

28

D'Ottavio, Alberto Enrique. "Sir william osler. Crónica de un deceso inevitable." Revista de la Facultad de Ciencias Médicas. Universidad Nacional de Rosario. 2 (July 8, 2022): 88–91. http://dx.doi.org/10.35305/fcm.v2i.46.

Full text

Abstract:

Un allegado libro de Osler motivó esta crónica de una muerte inevitable. Su proceso muestra avatares dignos de médica y humana evocación porque muchos de sus detalles fueron registrados en notas del propio Osler y de dos de sus médicos tratantes: Alexander Gibson y Archibald Malloch

APA, Harvard, Vancouver, ISO, and other styles

29

Natsoulas, Thomas. "Gibson, James, and the Temporal Continuity of Experience." Imagination, Cognition and Personality 7, no. 4 (June 1988): 351–76. http://dx.doi.org/10.2190/n4kj-7tpe-w8gx-v3dk.

Full text

Abstract:

Is the stream of consciousness a temporal continuum or a sequence of distinct awarenesses? The present article considers this question in the context of the different theoretical positions of James J. Gibson and William James. The view favored is one that Gibson's treatment of perceptual awareness per se suggests: Awareness qua brain process is a unitary occurrence that, barring interruptions, expands continuously in the temporal domain for an extended duration. The obvious variation in awareness from moment to moment is construed as continuous change in content belonging to a single, developing process. The contrasting view holds that the stream of consciousness consists of pulses or drops of experience. These are distinct, of course, though temporally adjacent one with the next. James's view was of the latter discontinuous type even when he was proposing his now famous characterization of the stream of consciousness as being, among other things, sensibly continuous.

APA, Harvard, Vancouver, ISO, and other styles

30

Islam, Md Shafiqul. "Augmented Reality and Life in the Cyberspace in William Gibson’s Neuromancer." Advances in Language and Literary Studies 12, no. 4 (August 29, 2021): 30. http://dx.doi.org/10.7575/aiac.alls.v.12n.4.p.30.

Full text

Abstract:

This paper attempts a cybercritical reading of William Gibson’s novel Neuromancer (1984) to explore the genesis of cyborgs in the novel, address issues pertaining to cyberpunks and scrutinize the portrayal of a cyberculture set in the futuristic dystopian city of Chiba. The relationship between humans and machines has gone through multiple phases of changes in the recent past. That is why instead of satirizing machinized-humans, science fiction writers have embraced different dimensions of man-machine relationships during the past few decades. ‘Cyborg’ is no longer represented as the ‘mutation of human capabilities’, but as ‘machines with Artificial Intelligence’. Gibson’s Neuromancer, a landmark piece of literary work in the sphere of Sci-Fi literature, specifically predicts a new height of man-machine relationship by employing both human and cyborg characters at the center of his story line. This paper shows how Gibson accurately prophesizes the matrix of machine-human relationship in his novel. It also explores Gibson’s depiction of female characters through the lens of cyberfeminist theories. In view of that, this paper uses contemporary critical and cultural theories including Donna Haraway’s idea of cyberfeminism, Baudrillard’s simulation and simulacra, Foucauldian discourse analysis, Jeremy Bentham’s concept of tabula rasa and other relevant theoretical ideas to examine and evaluate the transformative changes.

APA, Harvard, Vancouver, ISO, and other styles

31

Grace, Dominick. "From Videodrome to Virtual Light: David Cronenberg and William Gibson." Extrapolation 44, no. 3 (January 2003): 344–55. http://dx.doi.org/10.3828/extr.2003.44.3.08.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

Pittard, A. J., and G. B. Cox. "Frank William Ernest Gibson. 22 July 1923 — 11 July 2008." Biographical Memoirs of Fellows of the Royal Society 56 (January 2010): 85–103. http://dx.doi.org/10.1098/rsbm.2009.0020.

Full text

Abstract:

Frank Gibson rose from humble beginnings to become one of the most respected bacterial physiologists of his era. His identification of the elusive branch-point compound in the pathway of aromatic biosynthesis served as an initiation point for a sustained period of investigation in which the genes, enzymes and intermediates in the various pathways to phenylalanine and tyrosine, the quinones, enterochelin and 4-aminobenzoate were identified and examined in detail. studies on the function of ubiquinone led to an examination of oxidative phosphorylation and to the F 1 F 0 -ATPase of the bacterium Escherichia coli . With Graeme Cox he established a group of researchers who in the 1980s applied the various techniques of microbial genetics to construct a molecular profile of the proteins, which constituted the F 0 membrane- embedded part of the F 1 F 0 -ATPase. This work resulted in the formulation in 1986 of a rotational model and the identification of several residues that could comprise a pore through which the protons, which drove the rotation, could pass. He trained many research students during his lifetime and was an exemplary role model. Outside the laboratory he lived a full life, being an ardent skier, scuba diver and tennis player to name but a few of his pursuits. He is survived by his wife Robin and their son, Mark; by Frances, the daughter from his first marriage; and by grandchildren Teresa, Luke and Simon. His first wife, Margaret, and their second daughter, Ruth (mother of Teresa, Luke and Simon), are both deceased.

APA, Harvard, Vancouver, ISO, and other styles

33

Shanon, Benny. "Remember the old masters!" Behavioral and Brain Sciences 25, no. 3 (June 2002): 353–54. http://dx.doi.org/10.1017/s0140525x02470069.

Full text

Abstract:

Perruchet & Vinter (P&V) ground their arguments in a view they call “the mentalistic tradition.” Here I point out that such a view has already been advocated by two old masters of psychological science, William James and James Gibson, as well as by the philosopher Merleau-Ponty. In fact, in the writings of these older thinkers, arguments very similar to those presented in the target article are found.

APA, Harvard, Vancouver, ISO, and other styles

34

Donets, Paul. "STYLISTIC MEANS OF EXPRESSING TRANSHUMANISM IN “SPRAWL” TRILOGY BY WILLIAM GIBSON." Naukovy Visnyk of South Ukrainian National Pedagogical University named after K. D. Ushynsky: Linguistic Sciences 18, no. 28 (July 2019): 72–85. http://dx.doi.org/10.24195/2616-5317-2019-28-7.

Full text

Abstract:

The article examines stylistic devices in which American-Canadian writer William Gibson expresses transhumanist ideas. The author is famous for being one of the pioneers and brightest representatives of science fiction subgenre, known as cyberpunk. His debut trilogy “Sprawl”, which touches upon social, moral and ethical issues of using advanced technologies, has been chosen as an object to be studied. It is found out that the message translated by the author is controversial: while having some obvious transhumanist indications, it also has various alarmist traits, which can be observed at stylistic and lexical level. In its simplest form, this is manifested in the special use of epithets, metaphors, similes, hyperbolas and other stylistic means. In some cases the series rather opposes transhumanism than reproduces its techno-optimistic discourse. It follows the warning trends of modern English-language science fiction, relying on such classic dichotomies as “natural / artificial” and “human / non-human”. The tropes and figures of speech used by the author are in most cases emotionally expressive, that is, they contain elements of value (both positive and negative).

APA, Harvard, Vancouver, ISO, and other styles

35

Lindberg, Kathryne V. "Prosthetic Mnemonics and Prophylactic Politics: William Gibson among the Subjectivity Mechanisms." boundary 2 23, no. 2 (1996): 47. http://dx.doi.org/10.2307/303807.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Brande, David. "The Business of Cyberpunk: Symbolic Economy and Ideology in William Gibson." Configurations 2, no. 3 (1994): 509–36. http://dx.doi.org/10.1353/con.1994.0040.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Harismendy, Patrick. "William Gibson, The Church of England (1688-1832) – Unity and accord." Archives de sciences sociales des religions, no. 128 (October 1, 2004): 53–158. http://dx.doi.org/10.4000/assr.2048.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Mayhew, Robert. "Edmund Gibson's Editions of Britannia: Dynastic Chorography and the Particularist Politics of Precedent, 1695–1722." Historical Research 73, no. 182 (October 1, 2000): 239–61. http://dx.doi.org/10.1111/1468-2281.00107.

Full text

Abstract:

Abstract Geographical writing has been linked with political discourse as ‘advice literature’ since the time of Strabo. In the early modern period, geography and related forms of spatial enquiry preserved this role. This article examines the political positioning of William Camden's massively influential chorographical work, Britannia, as updated by a team of scholars led by Edmund Gibson in 1695 and 1722. The 1695 edition is shown to have espoused loyalty to the Anglican church and the Williamite succession through its depiction of Camden and its treatment of the events of the Civil War. This political positioning is shown to have provoked criticism from Francis Atterbury as a minor theme in the convocation controversy. Finally, the second, 1722 edition of Britannia is shown to have shifted to a more blatant Hanoverian loyalism as Gibson and his colleagues grew more fearful of the Jacobites.

APA, Harvard, Vancouver, ISO, and other styles

39

Leffler, Christopher T., Stephen G. Schwartz, and John Q. Le. "American Insight Into Strabismus Surgery Before 1838." Ophthalmology and Eye Diseases 9 (January 1, 2017): 117917211772936. http://dx.doi.org/10.1177/1179172117729367.

Full text

Abstract:

English surgeon John Taylor attempted to perform strabismus surgery in the 18th century. The field languished until, in Germany, treatment of strabismus by cutting an extraocular muscle was proposed by Louis Stromeyer in 1838 and performed by Johann Friedrich Dieffenbach in 1839. According to traditional teaching, there has never been any proof that anyone in the United States thought of the idea of strabismus surgery before Stromeyer’s report. In 1841, American surgeon William Gibson wrote that he had cut extraocular muscles to treat strabismus several times beginning in 1818 but never published his cases. Gibson’s former trainee Alexander E Hosack of New York confirmed Gibson’s memory. Interestingly, Hosack’s family had a connection with the family of New York oculist John Scudder Jr (1807-1843), whose reported cure of strabismus by cutting some of the fibers of an extraocular muscle was described in newspapers throughout the United States in 1837. Thus, Scudder’s report preceded that of Stromeyer. Scudder’s claim cannot be verified, but his description could have influenced Stromeyer, and demonstrates that the idea of strabismus surgery did exist in America before 1838.

APA, Harvard, Vancouver, ISO, and other styles

40

Owens, Yvonne. "William Gibson and the World of Tomorrow: Digital Dystopias in Futurist Fiction." International Journal of Critical Cultural Studies 15, no. 1 (2017): 1–12. http://dx.doi.org/10.18848/2327-0055/cgp/v15i01/1-12.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

JACK, SYBIL. "James II and the Trial of the Seven Bishops - By William Gibson." Journal of Religious History 36, no. 1 (February 27, 2012): 132–33. http://dx.doi.org/10.1111/j.1467-9809.2011.01096.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Barrie, Viviane. "GIBSON (William), Church, State and Society, 1760-1850, British History in Perspective." Archives de sciences sociales des religions, no. 112 (December 31, 2000): 90–92. http://dx.doi.org/10.4000/assr.20300.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

Garnham, Neal. "Association football and politics in Belfast: the careers of William Kennedy Gibson." International Journal of the History of Sport 16, no. 1 (March 1999): 128–36. http://dx.doi.org/10.1080/09523369908714058.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Harris, T. "James II and the Trial of the Seven Bishops, by William Gibson." English Historical Review CXXVI, no. 520 (March 7, 2011): 700–701. http://dx.doi.org/10.1093/ehr/cer016.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Pittard, A. J., and G. B. Cox. "Correction for Frank William Ernest Gibson. 22 July 1923 — 11 July 2008." Biographical Memoirs of Fellows of the Royal Society 57 (January 2011): 463. http://dx.doi.org/10.1098/rsbm.2010.0022.

Full text

Abstract:

Biogr. Mems Fell. R. Soc. 56 , 85–103 (2010; Published online 28 April 2010) ( http://dx.doi.org/10.1098/rsbm.2009.0020 ) We regret that on page 89, paragraph 5, line 4, we erroneously referred to the Hopkins Marine Station as the Johns Hopkins Marine Station. The namesake is in fact Timothy Hopkins but this is not used in the title of the station.

APA, Harvard, Vancouver, ISO, and other styles

46

Booker, M. Keith. "Technology, History, and the Postmodern Imagination: The Cyberpunk Fiction of William Gibson." Arizona Quarterly: A Journal of American Literature, Culture, and Theory 50, no. 4 (1994): 63–87. http://dx.doi.org/10.1353/arq.1994.0022.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

O'Day, Rosemary. "A Social History of the Domestic Chaplain, 1530-1840 by William Gibson." Catholic Historical Review 86, no. 1 (2000): 115–16. http://dx.doi.org/10.1353/cat.2000.0106.

Full text

APA, Harvard, Vancouver, ISO, and other styles

48

Sponsler, Claire. "Cyberpunk and the Dilemmas of Postmodern Narrative: The Example of William Gibson." Contemporary Literature 33, no. 4 (1992): 625. http://dx.doi.org/10.2307/1208645.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

SOWERBY, SCOTT. "James II and the Trial of the Seven Bishops - By William Gibson." Parliamentary History 29, no. 2 (June 2010): 253–55. http://dx.doi.org/10.1111/j.1750-0206.2010.00141_8.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

50

Harrin, E. "JOHN E. GIBSON, WILLIAM T. SCHERER AND WILLIAM F. GIBSON * How to do Systems Analysis. Wiley (2007). ISBN-13: 978-0-470-00765-5. 47.50. 360 pp. Hardcover." Computer Journal 52, no. 4 (December 9, 2008): 510–11. http://dx.doi.org/10.1093/comjnl/bxn067.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Journal articles on the topic 'William Gibson'

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles