Relevant bibliographies by topics / William Guild

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Academic literature on the topic 'William Guild'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 February 2022

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Journal articles on the topic "William Guild"

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Osberg, Richard H. "The Goldsmiths' “Chastell” of 1377." Theatre Survey 27, no. 1-2 (1986): 1–15. http://dx.doi.org/10.1017/s0040557400008772.

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Among the many devices of the pageant carpenter's art, including the Trees of Jesse, mountains “inuironed with red roses and white,” thrones of justice, dragons, and fonts, the castle had become, at least by the mid-fifteenth century, practically a cliché. Its origins as a pageant structure, however, have yet to be satisfactorily explained, and its iconography is still open to interpretation. Theatre historians have long been interested in the “castle” pageant that the Goldsmiths' guild organized for the coronation of Richard II because it is the first English civic pageant for which any detai
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Campbell, Debra. "The Rise of the Lay Catholic Evangelist in England and America." Harvard Theological Review 79, no. 4 (1986): 413–37. http://dx.doi.org/10.1017/s0017816000020186.

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In December 1916 David Goldstein, Catholic convert and former Jewish socialist cigarmaker, approached Boston's Cardinal William Henry O'Connell with a novel plan. Goldstein wanted to deliver lectures on Catholicism from a custom-built Model-T Ford on Boston Common. A little over a year later, across the Atlantic, Vernon Redwood, a transplanted tenor from New Zealand, asked Francis Cardinal Bourne of Westminster for permission to speak on behalf of the church in Hyde Park. Both Goldstein and Redwood received episcopal approval and Boston's Catholic Truth Guild and London's Catholic Evidence Gui
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Torreggiani, Valerio. "Rediscovering the Guild System: the New Age Circle as A British Laboratory Of Corporatist Ideas (1906-1916)." Oficina do Historiador 9, no. 2 (2016): 25. http://dx.doi.org/10.15448/2178-3748.2016.2.24578.

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Este artigo analisa o papel do New Age Circle como um laboratório das ideias corporativas na Inglaterra no período anterior à Primeira Guerra Mundial. O New Age Circle foi uma rede informal composta por intelectuais radicais e antiliberais provenientes de todo o espectro político. Defendendo que o corporativismo não foi somente um produto socioeconómico das ideologias fascistas, autoritárias e nacionalistas, o artigo pretende demonstrar que tendências corporativas foram uma característica também da rede analisada, entre 1906 e 1916. Dessa forma, deseja explicar como a Inglaterra participou de
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Maltz, Diana. "LIVING BY DESIGN: C. R. ASHBEE'S GUILD OF HANDICRAFT AND TWO ENGLISH TOLSTOYAN COMMUNITIES, 1897–1907." Victorian Literature and Culture 39, no. 2 (2011): 409–26. http://dx.doi.org/10.1017/s1060150311000064.

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Shortly before C. R. Ashbee transplanted a hundred and fifty Cockneys to Chipping Campden, Gloucestershire, in 1902 to form a utopian arts-and-crafts community, two other back-to-the-land settlements were also established, one located outside the market town of Stroud, a mere bicycle ride away from Ashbee and his guild. These Tolstoyan colonies – Purleigh, founded in 1896 in Essex, and Whiteway, founded in 1898 in the Cotswolds – fostered goals of fellowship and the simplification of life, as had been modeled by Henry Thoreau, Ralph Waldo Emerson, and Walt Whitman in the United States and Edwa
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Tamarkin, Elisa. "The Chestnuts of Edwin Austin Abbey: History Painting and the Transference of Culture in Turn–of–the–Century America." Prospects 24 (October 1999): 417–47. http://dx.doi.org/10.1017/s0361233300000442.

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When edwin austin abbey, with eleven other artists and all the ritual of a new male order — round table, cob pipes, stone bottles of cider — founded the Tile Club in 1877, his sobriquet was “The Chestnut.” If not boating down the Erie Canal or on holiday in Easthampton, the men would make tiles for the home, ceramic wares of Shakespeare or rustics and florals, in the style of William Morris and his decorative arts. Twenty years before Charles Eliot Norton's Society of Arts and Crafts, such Tilers as Abbey, Augustus Saint–Gaudens, and Elihu Vedder would draw on the same crafts ideal, namely, an
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Wood, Gerald C. "Orphans' Home: The Voice and Vision of Horton Foote. By Laurin Porter. Baton Rouge: Louisiana State University Press, 2003; pp. 233. $49.95 cloth, $22.95 paper." Theatre Survey 45, no. 2 (2004): 286–88. http://dx.doi.org/10.1017/s0040557404240261.

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Horton Foote has won many distinguished awards, including two Academy Awards for screenwriting, the Pulitzer Prize for drama, the Lucille Lortel Award, an Emmy, the William Inge Award, lifetime awards from the Academy of Arts and Letters and the Writer's Guild of America, an Outer Critics Circle Award, the Master American Dramatist Award of the PEN American Center, and the National Medal of the Arts. Yet there has been relatively little written about this important American—and southern—writer. Partly that is because he has written in various media, including theatre, film, and television, gai
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Bruyn, J. "Het altaar van het Antwerpse kuipersgilde en Quinten Massys'Bewening te Ottawa." Oud Holland - Quarterly for Dutch Art History 116, no. 2 (2003): 65–95. http://dx.doi.org/10.1163/187501703x00206.

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AbstractThe Altar of the Antwerp Coopers' Guild and Quinten Massy In 1938 two distinguished scholars, Max J. Friedländer and Floris Prims, one a reknowned connoisseur of Early Netherlandish painting and the other an indefatigable digger in the Antwerp archives, published articles that might well have bearing on the same picture, yet have never been connected either then or later. From the evidence collected by Prims (notes 2 to 7) it appears that the Antwerp coopers, after having separated from the joiners with whom they had shared a guild until 1497, obtained an altar of their own in Our Lady
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VON GLAHN, DENISE, and MICHAEL BROYLES. "Musical Modernism Before It Began: Leo Ornstein and a Case for Revisionist History." Journal of the Society for American Music 1, no. 1 (2007): 29–55. http://dx.doi.org/10.1017/s1752196307070022.

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Musical modernism was born kicking and screaming in 1922 in New York, fathered by Edgard Varése and his International Composers' Guild; the French émigré saved the nation from its own backward-looking ways. Or so the story goes. But this reading ignores numerous and widespread musical activities that were well under way seven years prior to the founding of the ICG. As early as autumn 1914, members of Alfred Stieglitz's artistic circle, including Paul Rosenfeld and Waldo Frank as well as Claire Reis and A. Walter Kramer among others, were engaged in organized efforts to promote musical modernis
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Cann, William. "The Charge to the Grand Jury of the City of Bristol and County of the same City, At the General Quarter-Session of the Peace, held in the Guild-Hall there, April 30, 1728." Camden Fourth Series 43 (July 1992): 223–28. http://dx.doi.org/10.1017/s0068690500001616.

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To the Gentlemen of the Grand Jury of the City of Bristol and County of the same City.GENTLEMEN,Could I with any Decency have excused my self from printing the following Speech after your Commands to publish it, the same, being no more intended for the Press than it is fit for it, had never thus appear'd abroad. The only Recommendation of this Charge to your least Notice, were those slight Touches in it relating to our happy Establishment: And your View in having it thus come into the World, I look upon as kindly giving me a proper Opportunity to clear my self from the Aspersion mention'd in y
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Hoelscher, Steven. "Mapping the Past: Historical Atlases and the Mingling of History and Geography Wisconsin's Past and Present: A Historical Atlas The Wisconsin Cartographers' Guild Atlas of the New West: Portrait of a Changing Region William Riebsame." Public Historian 23, no. 1 (2001): 75–85. http://dx.doi.org/10.2307/3379395.

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Dissertations / Theses on the topic "William Guild"

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Newton, Russell William Dennis. "Godliness unveiled : William Guild, biblical types, and Reformed Protestantism in Early Modern Scotland." Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/31172.

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This thesis examines how biblical typology was used in early modern Scotland. It focuses on the works of the Aberdonian minister and theologian, William Guild (1586–1657), who was one of the most prominent seventeenth-­‐century typological exegetes. His handbook, Moses Unvailed (1620), has been repeatedly noted as one of the key works in the development of Protestant typology. Yet his typological exegesis has not been properly explored. Indeed, detailed analysis of Guild’s life and works has been lacking. This study seeks to address those issues. Chapter One offers an updated biography of Guil
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Tabak, Jennie. "Messages from the dark interior : narratives of loss and guilt in a selection of plays by Tennessee Williams." Thesis, Goldsmiths College (University of London), 2010. http://research.gold.ac.uk/6593/.

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Loss is a prominent theme in the works of American playwright Tennessee Williams (1911-1983). The four plays discussed in this study (The Glass Menagerie, A Streetcar Named Desire, Suddenly Last Summer and Cat on a Hot Tin Roof) illuminate aspects of an ethics of loss which advocates the acceptance of the integrity of the lost object leading to a dynamic of mourning rather than to a melancholic incorporation of a 'part object' as a result of an inability to acknowledge the loss and one's guilt resulting from one's contribution to the loss of the loved object. Thus, each of the four plays discu
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Jenkins, Mark P. "The ethical philosophy of Bernard Williams : between the everyday and the eternal /." 2001. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3029503.

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Guzana, Zukile Wesley. "How can the Young Men's Guild (YMG) respond to the needs for the prevention of HIV (MCSA) : with special reference to King William's Town circuit." Thesis, 2006. http://hdl.handle.net/10413/2107.

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This research undertook to establish how the YMG in KWT circuit become fruitfully involved in the prevention of HIV and AIDS. It is argued here that the YMG is strategically situated in the church to address issues in the Xhosa-Christian culture that exacerbate the spread of HIV. These include issues like maleness and gender inequality, safer sex practices and the place of condoms and the promotion of sex ethics. The YMG is historically a centre for peer education, resilience in suffering, and morale building. It was the YMG that enabled the church to stand and strategise against apartheid. It
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Books on the topic "William Guild"

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Stansky, Peter. Redesigning the world: William Morris, the 1880s, and the Arts and Crafts. Society for the Promotion of Science and Scholarship, 1996.

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Stansky, Peter. Redesigning the world: William Morris, the 1880s, and the Arts and Crafts. Princeton University Press, 1985.

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Stansky, Peter. Redesigning the world: William Morris, the 1880s, and the Arts and Crafts. Princeton University Press, 1985.

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Pam, Andich, University of Florida. Gallery Guild., University of Florida. University Gallery., and Museum of Fine Arts (Saint Petersburg, Fla.), eds. The Gallery Guild and the University Gallery present American paintings from the first half of the 20th century: From the Eloise and William Chandler Collection. University Gallery, College of Fine Arts, University of Florida, 1985.

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The Shakespearian playing companies. Clarendon Press, 1996.

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Benjamin, Thorpe. Diplomatarium anglicum aevi saxonici: A collection of English charters, from the reign of King Aethelberht of Kent, A.D. DC. V. to that of William the Conqueror. Lawbook Exchange, Ltd., 2009.

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Guild of Book Workers. New England Regional Chapter. 10th anniversary exhibition of the New England Chapter of the Guild of Book Workers: Museum of Our National Heritage, Van Gorden-Williams Library ... Lexington, MA ... March 9 through May 2, 1992 : Round Top Center for the Arts ... Damariscotta, ME ... May 15 through June 15, 1992. The Leahy Press, 1992.

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Lying: Moral choice in public and private life. 2nd ed. Vintage Books, 1999.

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Gordon, Alan. Thirteenth Night (Fools' Guild Mysteries). The Mystery Company, 2004.

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The guild and guild buildings of Shakespeare's Stratford: Society, religion, school and stage. Ashgate Pub Co, 2013.

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Book chapters on the topic "William Guild"

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Lindsey, Rachel McBride. "Agents of a Fuller Revelation." In A Communion of Shadows. University of North Carolina Press, 2017. http://dx.doi.org/10.5149/northcarolina/9781469633725.003.0004.

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Intense debates around spirit photography started immediately upon its discovery in late 1862. This chapter frames these debates around the career, trial, and demise of America’s first and most notorious spirit photographer, William Howard Mumler. In the context of the American Civil War, Mumler claimed to have discovered a gift for photographing spirits of departed souls and immediately became the subject of public interest and scrutiny. His uneasy affiliation with modern Spiritualism, his public ridicule by the photographic guild, and his brief celebrity in the 1860s provide a window into the at times intense uncertainty around the camera’s ability to reveal spiritual truth to modern beholders. His hearing before the New York Police Court in the spring of 1869, in particular, facilitated a very public debate around the authority of the Bible and the camera in newspaper accounts that were circulated throughout the country. In this chapter, spirit photographs emerge as a hinge between corporeal referents in studio portraiture, on the one hand, and practices of biblical beholding, on the other, that asked beholders to see what was really there.
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Caradonna, Jeremy L. "The Industrial Revolution and Its Discontents." In Sustainability. Oxford University Press, 2014. http://dx.doi.org/10.1093/oso/9780199372409.003.0006.

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The stock narrative of the Industrial Revolution (ca. 1760–late 1800s) is one of moral and economic progress. Indeed, economic progress is cast as moral progress. The story tends to go something like this: inventors, economists, and statesmen in Western Europe dreamed up a new industrialized world. Fueled by the optimism and scientific know-how of the Enlightenment, a series of heroic men—James Watt, Adam Smith, William Huskisson, and so on— fought back against the stultifying effects of regulated economies, irrational laws and customs, and a traditional guild structure that quashed innovation. By the mid-nineteenth century, they had managed to implement a laissez-faire (“free”) economy that ran on new machines and was centered around modern factories and an urban working class. It was a long and difficult process, but this revolution eventually brought Europeans to a new plateau of civilization. In the end, Europeans lived in a new world based on wage labor, easy mobility, and the consumption of sparkling products. Europe had rescued itself from the pre-industrial misery that had hampered humankind since the dawn of time. Cheap and abundant fossil fuel powered the trains and other steam engines that drove humankind into this brave new future. Later, around the time that Europeans decided that colonial slavery wasn’t such a good idea, they exported this revolution to other parts of the world, so that everyone could participate in freedom and industrialized modernity. They did this, in part, by “opening up markets” in primitive agrarian societies. The net result has been increased human happiness, wealth, and productivity—the attainment of our true potential as a species! Sadly, this saccharine story still sweetens our societal self-image. Indeed, it is deeply ingrained in the collective identity of the industrialized world. The narrative has gotten more complex but remains a la base a triumphalist story.
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Fredericks, Sarah E. "Ritual Responses to Environmental Guilt and Shame." In Environmental Guilt and Shame. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198842699.003.0009.

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Having articulated the conditions to respond to or induce environmental guilt and shame, it is reasonable to wonder how humans could develop such resources. Chapter 9 maintains that religious rituals have the ability to create and sustain the conditions. This argument is founded on two strands of thought: J. Z. Smith and Catherine Bell’s theories of ritual, particularly regarding rites of affliction, which respond to disorder or wrong and provide terminology for conceiving of ritual in general. Studies of environmental ritual, especially the work of William R. Jordan III, Gretel van Wieren, and Joanna Macy who identify ritual as a way of responding to negative experiences, affects, and states of being, enable the consideration of environmental rituals. Their work requires expansion to deal relationships between humans or involving collectives, particularly the need to apologize to those harmed and change behavior to prevent further harm. Spontaneous confessional rituals about environmental guilt and shame in popular online confessions and an apology ritual at the Standing Rock prayer camp against the Dakota Access Pipeline exhibit some of these features but are still limited with respect to the conditions required to respond to guilt and shame. Thus, intentional ritualization and using multiple rituals will likely be necessary to respond to all of the dimensions of guilt and shame.
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Blumenberg, Hans. "The Mythos and Ethos of America in the Work of William Faulkner." In History, Metaphors, Fables. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501732829.003.0020.

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This chapter addresses Hans Blumenberg's “The Mythos and Ethos of America in the Work of William Faulkner” (1958). The manner in which the epic oeuvre of William Faulkner is read and understood is but a paradigm for such an obscured view of the freedom underlying history. Is his prose not full of descriptions of overwhelming and intractable fates, entangled and impenetrable, which make it all but inevitable to conclude freedom's meaninglessness from its futility? Is this America of Faulkner not altogether of the mythical kind, of the stuff of fate? The destinies of Faulkner's characters are tightly interwoven with the primal stirrings from which the American world emerges, with the cosmogony of the continent. But the national glory of the pioneer generations conceals the guilt inherent in their foundational achievements: taking land and carving out property, establishing legislation and ordering society.
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Feffer, Andrew. "The Educational Front." In Bad Faith. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823281169.003.0007.

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This chapter recounts the history of conflicts between communist teachers and liberal educators, inside the teachers union and in the educational reform movement generally. It focuses on communist teacher-activists Alice Citron, Isidor Begun, and Williana Burroughs, who came into conflict with liberal union leaders over their emphases on the use of “mass action” and community mobilization to achieve higher salaries, better schools, and racial equality, as well as to promote the Popular Front against fascism. In reaction to their confrontational activism, perceived as a challenge to his authority, Linville and other liberals and social democrats tried once more to oust the communist “factions” from the union in 1935, supported by liberals, social democrats, and conservatives in the American Federation of Labor (AFL). Failing, the liberals walked out of Local 5 to form an explicitly anti-communist organization, the Teachers Guild.
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Garvey, Stephen P. "Knowledge." In Guilty Acts, Guilty Minds. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190924324.003.0004.

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This chapter begins with United States v. Moore, a case from the United States Court of Appeals for the District of Columbia involving a heroin addict charged with drug possession. It describes in more detail what the actus reus and mens rea requirements entail when applied to a defendant who realized he was committing a crime. It discusses, in relation to actus reus, free will as the capacity to choose otherwise, proposes a test to help determine if a defendant lacked the capacity to choose otherwise (the Stephen test), and compares the actus reus requirement to the existing defense of insanity. In relation to mens rea, the chapter explains how the Jekyll test (introduced in Chapter 2) applies to defendants who realized there were committing a crime, and then compares mens rea to the existing defenses of duress and provocation, as well as to the problem of the “willing addict.” It concludes with a discussion of the circumstances under which the state can legitimately ascribe guilt to a defendant who lacked actus reus or mens rea at the time of the crime but whose guilt can nonetheless be traced to a prior guilty act or omission.
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Lewis, Rhodri. "Hamlet as Poet." In Hamlet and the Vision of Darkness. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691204512.003.0005.

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This chapter focuses on Hamlet's imagination and his accomplishments as a poet. It begins with the love poetry that Hamlet writes for Ophelia. The chapter then turns to consider the before, during, and after of Hamlet's attempt to adapt The Murder of Gonzago with a view to catching Claudius's conscience and unkennelling his guilt. Particular attention is paid to the ways in which Hamlet responds to the lead player's speech in the person of Aeneas; to the advice offered by Hamlet to the players; to the central role of the imagination both in seeing ghosts and in creating works of poetic fiction; to the action of the play-within-the-play and the dumb show that precedes it; and to the language and assumptions through which Hamlet convinces himself that The Mousetrap has been a forensic success. As will become clear, William Shakespeare allows Hamlet to delineate his beliefs about the nature of poetic endeavour at unusual length. Crucially, one is also allowed to judge the ways in which Hamlet applies these beliefs in practice; in so doing, a series of disjunctions emerge between the theoretical and practical discourses of humanist poetics.
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"During the U.S. presidential campaign of 1988, AIDS protesters declare the “guilt” of various politicians they believe have neglected the epidemic. From front to back are photos of Republican presidential nominee George Bush, then vice president; Democratic presidential nominee Michael Dukakis, then governor of Massachusetts; William Bennett, secretary of education in the administration of President Ronald Reagan; and Republican senator Jesse Helms of North Carolina." In Encyclopedia of AIDS. Routledge, 1998. http://dx.doi.org/10.4324/9780203305492-117.

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