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Journal articles on the topic 'William Stevens'

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Published: 4 June 2021

Last updated: 6 February 2022

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1

Andrews, Robert. "‘Master in the Art of Holy Living’: The Sanctity of William Stevens." Studies in Church History 47 (2011): 307–17. http://dx.doi.org/10.1017/s0424208400001042.

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The following paper explores the sanctity of the late eighteenth-century High Church Anglican layman, William Stevens (1732—1807), as seen through the eyes of his biographer, Sir James Allan Park (1763–1838). A largely unstudied figure, Stevens, a prosperous London hosier who dedicated most of his adult life to philanthropic, theological and ecclesiastical concerns, arguably represents one of the most important figures within pre-Tractarian High Churchmanship. Park was a close friend of Stevens. A judge of the Common Pleas and a founding member of Stevens’s ‘Club of Nobody’s Friends’, Park shared Stevens’s interest in theology and church-related concerns, even publishing in 1804 a short discourse directed towards young people, on the need for a frequent reception of Holy Communion. In focus here is a facet of Stevens’s life that came to be closely associated with his many achievements as a lay divine and activist within the pre-Tractarian Church of England, namely, his personal sanctity; this was marked by a close connection between faith and works, a strict dedication and devotion to the Church of England’s services and sacraments, and a rejection of’enthusiasm’ in its pejorative sense — all of which he held while maintaining a strong sense of cheerfulness and zeal. A portrait of sanctity that conforms to what is known about pre-Tractarian spirituality, the Memoirs may additionally be viewed as offering a representative understanding of what constituted holiness for this Anglican tradition.

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2

Hall, Joshua M. "Double Characters: James and Stevens on Poetry-Philosophy." Research in Phenomenology 44, no. 3 (October 9, 2014): 405–20. http://dx.doi.org/10.1163/15691640-12341295.

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In this paper, I will explore how the work of Wallace Stevens constitutes a phenomenology that resonates strongly with that of William James. I will, first, explore two explicit references to James in the essays of Stevens that constitute a misrepresentation of a rather duplicitous quote from James’ personal letters. Second, I will consider Stevens’ little known lecture-turned-essay, “A Collect of Philosophy,” and the (conventional) poem, “Large Red Man Reading,” as texts that are both about a conception of poetryphilosophy as well as being performances of poetry-philosophy. Finally, I will compare James’ and Stevens’ thought on the imagination, highlighting both form and content and the poetic-philosophical union or blend that makes possible (or virtual) those similarities.

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3

MacLeod, Glen. "“The Tongue Is an Eye”: Poetry, the Visual Arts, and Wallace Stevens, and: Two American Poets: Wallace Stevens and William Carlos Williams, and: Two American Poets: Wallace Stevens and William Carlos Williams by Alan M. Klein." Wallace Stevens Journal 43, no. 2 (2019): 274–77. http://dx.doi.org/10.1353/wsj.2019.0033.

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4

Levin, Jonathan. "Life in the Transitions: Emerson, William James, Wallace Stevens." Arizona Quarterly: A Journal of American Literature, Culture, and Theory 48, no. 4 (1992): 75–97. http://dx.doi.org/10.1353/arq.1992.0025.

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5

Haslam, Edwin, and David G. Morris. "Thomas Stevens Stevens. 8 October 1900 – 13 November 2000." Biographical Memoirs of Fellows of the Royal Society 49 (January 2003): 521–35. http://dx.doi.org/10.1098/rsbm.2003.0031.

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Born at Renfrew on 8 October 1900, Thomas Stevens Stevens (‘TSS’) was the only child of John and Jane Stevens. His father, a draughtsman and engineer, was production director of William Simons and Company Ltd of Renfrew, shipbuilders specializing in dredger construction. Before her marriage in 1898, his mother Jane (née Irving) was a schoolteacher. His upbringing was typically middle-class, and both parents gave every encouragement for their son to study. However, as a delicate asthmatic youngster Tom's early education was given, until the age of eight, at home by his mother—a fact held by many to be responsible for the seeds that brought forth his great love of language and his sensitive and wide-ranging intellect. Thereafter he attended Paisley Grammar School (1909–15) and the Glasgow Academy (1915–17). At Paisley Grammar School his attention was drawn by Joseph Towers, a teacher of English, and at the Glasgow Academy he delighted in the sardonic humour of G.L. Moffatt, who taught mathematics. Physics and chemistry had nevertheless captured his imagination and in the Academy he enjoyed the extensive opportunities that were provided for practical chemistry. It was a love and a boyish enthusiasm that he retained and continued to practise throughout his professional career. In a popular lecture that he gave in the 1950s, ‘The anatomy of the chemist’, Tommy includes the account given by the famous American teacher, Ira Remsen, of the most impressive experiment he had ever performed: ‘nitric acid acts upon copper’. The story ends, ‘… I drew my fingers across my trousers and another fact was discovered. Nitric acid acts on trousers…’. With its smells, fizzes and bangs it is surely a portrait of the young Stevens himself.

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6

Cain, William E., and Frank Lentricchia. "Ariel and the Police: Michel Foucault, William James, Wallace Stevens." New England Quarterly 61, no. 4 (December 1988): 615. http://dx.doi.org/10.2307/365953.

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7

Bell, Ian F. A., and Frank Lentricchia. "Ariel and the Police: Michel Foucault, William James, Wallace Stevens." Yearbook of English Studies 20 (1990): 322. http://dx.doi.org/10.2307/3507610.

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8

Brogan, Jacqueline Vaught. "BEVIS, William W.Mind of Winter: Wallace Stevens, Meditation, and Literature." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 4, no. 1 (January 1991): 44–45. http://dx.doi.org/10.1080/0895769x.1991.10542630.

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9

McCoy, Garnett. "William Page and Henry Stevens: An Incident of Reluctant Art Patronage." Archives of American Art Journal 30, no. 1/4 (January 1990): 13–18. http://dx.doi.org/10.1086/aaa.30.1_4.1557636.

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10

Paulsell, Stephanie. "Mind of Winter: Wallace Stevens, Meditation, and Literature. William W. Bevis." Journal of Religion 72, no. 1 (January 1992): 164–65. http://dx.doi.org/10.1086/488847.

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11

Jackson, Christine E. "William Yarrell (1784–1856), friend and adviser to Charles Darwin." Archives of Natural History 47, no. 1 (April 2020): 105–14. http://dx.doi.org/10.3366/anh.2020.0625.

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For 25 years, from 1831 into 1856, the English zoologist William Yarrell was both a friend and adviser to Charles Darwin. He was regarded by Darwin as a wise and eminent naturalist of the older generation. Yarrell was part of a small group of naturalists, including Leonard Jenyns and John Stevens Henslow, whose interests in ornithology, entomology and geology expanded over the years. Their knowledge helped to support publication of the results of the HMS Beagle voyage and to inform Darwin while he was developing his hypotheses on evolution before the publication of On the Origin of Species, first published in 1859.

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12

Compton, R. "Staff Problems Solved, by P. B. Stevens: William Brooks & Coy, 1984." Asia Pacific Journal of Human Resources 23, no. 3 (August 1, 1985): 63. http://dx.doi.org/10.1177/103841118502300315.

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13

Bode, Christoph. "Discursive Constructions of the Self in British Romanticism." Articles, no. 51 (October 31, 2008): 0. http://dx.doi.org/10.7202/019264ar.

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Abstract This essay examines how subjective identities are discursively constructed in William Blake and P.B. Shelley, making brief references to William Wordsworth, Samuel Taylor Coleridge, Lord Byron, John Keats, and Charlotte Smith. It is argued that, although the poets come up with strikingly divergent solutions to the challenge of self-modelling, they face the same fundamental problems of self-grounding, working as they do within the paradox-prone paradigm of a Romantic self that tries to constitute itself out of itself. Comparing these Romantic poets with twentieth-century poetic models of selfhood and identity in Robert Frost and Wallace Stevens, this essay provides a tentative answer to the question of whether we continue to operate within the Romantic framework of discursive self-construction or whether in fact we have moved beyond this mode of self-construction.

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Souza, Tainá Elis Santos de. "OS DESAFIOS DOS EXPATRIADOS: O ESTABELECIMENTO DO EX-ESCRAVO WILLIAM DOUGLASS E SUA FAMÍLIA NA LIBÉRIA (1857 - 1866)." Sankofa (São Paulo) 10, no. 19 (August 18, 2017): 130. http://dx.doi.org/10.11606/issn.1983-6023.sank.2017.137199.

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Em 1854, Dr. James Hunter Terrell, dono da fazenda ‘Music Hall’, em Albemarle County, na Virgínia, fez um testamento no qual expressava sua vontade de que seus escravos fossem libertos após sua morte e preferencialmente reassentados na Libéria. Em dezembro de 1856, o Dr. James Hunter Minor, o sobrinho do fazendeiro e executor do seu testamento enviou alguns dos ex-escravos do tio para a Libéria no navio Mary Caroline Stevens. Dentre estes, estava William Douglass, nascido nos Estados Unidos e homônimo do conhecido líder abolicionista. Assim que chegou na Monróvia, em 8 de Fevereiro de 1857, ele começou a se corresponder com Dr. James Hunter Minor relatando as dificuldades e as conquistas feitas no novo lar, bem como solicitou notícias e o envio de alguns bens dos Estados Unidos. Foram encontradas somente as correspondências enviadas por William Douglass no período de 1857 até 1866.

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Bogardus, Ralph F. "The Twilight of Transcendentalism: Ralph Waldo Emerson, Edward Weston, and the End of Nineteenth-Century Literary Nature." Prospects 12 (October 1987): 347–64. http://dx.doi.org/10.1017/s0361233300005639.

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That there is a striking correspondence between the thinking of such A nineteenth-century transcendentalists as Ralph Waldo Emerson and Henry David Thoreau and that of the twentieth-century American master of photography Edward Weston should come as no great surprise, for it is widely recognized that transcendentalism has been an essential ingredient in the lives and work of numerous major American artists. During the nineteenth century, this influence was most fully expressed by poets like Walt Whitman and Emily Dickinson, by the painter Thomas Eakins, and by the architect Louis Sullivan. At the turn of the century, the composer Charles Ives and painters Robert Henri and his “Ashcan” colleagues John Sloan, George Luks, William Glackens, and Everett Shinn continued to draw sustenance from the ideas and example of the transcendentalists. And during the early twentieth century, the brilliant architect Frank Lloyd Wright, the gifted painter Georgia O'Keeffe, and major poets Ezra Pound, T. S. Eliot, Robert Frost, Wallace Stevens, and William Carlos Williams made clear through their work the looming presence of the transcendentalist tradition. Thus, well before the 1920s, when Edward Weston began making his most innovative photographs, transcendentalism consciously and unconsciously pervaded American intellectual and artistic life: It was something to absorb or reject-or both. “Matthew and Waldo, guardians of the faith, the army of unalterable law,” was how Eliot put it. Weston was not exempt from this law.

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Gillespie, Raymond. "The Irish Protestants and James II, 1688–90." Irish Historical Studies 28, no. 110 (November 1992): 124–33. http://dx.doi.org/10.1017/s0021121400010671.

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Modern historical writing on the events of 1688 to 1691 in Ireland has been characterised by a sense that the two sides in that conflict were acting out predetermined roles. There is in the writing no doubt that Protestants would rally to the cause of William III and that Catholics would be the loyal supporters of the deposed James II. Roy Foster has characterised the ‘war of the two kings’ as a clash of two cultures: ‘one Catholic, French-connected, romantically Jacobite … and temperamentally Gaelic’, and the other that of the Protestant ‘Ascendancy’ created by ‘the traumatic events of James’s short reign and its aftermath’. For J. G. Simms political advantage was the key to the events of 1688–90: Catholics naturally supported James since to do so offered ‘an unusually favourable prospect of establishing their predominance’; and in the Protestant mind, since ‘William was lawful king of England, he was automatically king of Ireland … [and] would not abandon the English stake in Ireland’. Put more starkly by J. C. Beckett, ‘the struggle which reached its climax at the Boyne and ended at Limerick ran a clear course from the accession of James II’. Modern historians were not the only ones to make the assumption that Irish Protestants would support William and Catholics James. Many contemporaries outside Ireland made a similar equation. The English Jacobite John Stevens seems to have believed there was a definite link between religion and political loyalty when he arrived in Ireland in 1689 to serve James. On his arrival at Naas he was allocated a billet by the sovereign of the town, but the innkeeper refused to admit him. ‘The man being an Irishman and a Catholic’, Stevens noted, ‘made his ill carriage towards us appear more strange but his religion and country he thought would bear him out’. Arriving at Dublin he approached his prominent Jacobite friends, but ‘friendship was grown so rare in Ireland as loyalty in England’. He was relieved from apparent destitution by ‘the hands I least expected it from’, a New English Protestant who lent him £10.

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17

Crosby, Brian. "Private Concerts on Land and Water: The Musical Activities of the Sharp Family, c.1750–c. 1790." Royal Musical Association Research Chronicle 34 (2001): 1–118. http://dx.doi.org/10.1080/14723808.2001.10540993.

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Hitherto there have only been glimpses into the musical activities of William, James and Granville Sharp in London during the second half of the eighteenth century. These have been afforded by Prince Hoare's Memoirs of Granville Sharp, William Shield's anecdotal review of Granville's A Short Introduction to Vocal Music, the brothers' own catalogue of their music and the Leigh and Sotheby Sale Catalogue of 1814 which marked that music's dispersal, and, more recently, by the publication of the memoirs of R.J.S. Stevens who sang as a treble at the Sharps' concerts in 1772. From these sources it transpired that the three Sharps were capable amateur musicians who hosted private concerts of sacred music in their homes, and that at different times many of the leading professional musicians of the period either played or sang on one of Sharps' vessels on the Thames. These shadowy images gained bodily form in 1978 when the National Portrait Gallery acquired on indefinite loan ‘The Sharp Family’ by Johann Zoffany, a portrait which revealed that the three brothers were but part of a larger musical family.

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18

James, F. "GAVIN HOPPS and JANE STABLER (eds.). Romanticism and Religion from William Cowper to Wallace Stevens." Review of English Studies 58, no. 235 (June 14, 2007): 417–19. http://dx.doi.org/10.1093/res/hgm034.

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19

Halliday, Sam. "Clocks, horses, trains: the aural space-time complex in the late-nineteenth and early-twentieth centuries." SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience 1, no. 1 (December 2, 2011): 37–51. http://dx.doi.org/10.7146/se.v1i1.4126.

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This essay considers time’s relationship with space in the experience of sound, as depicted in a range of texts from 1875-1948. Though some of these texts view time and space as incommensurable―most notably, Henri Bergson’s Time and Free Will, whose criticism of “spatialised” time is a touchstone throughout the essay―the majority consider the two categories as cognate, and as pragmatically, if not ontologically inseparable. Each of the three objects named in the essay’s title appear as yielding knowledge, though of a kind dependent on what Bergson (in his early work at least) considers, paradoxically, to be founded upon misperception. Aside from Bergson himself, the essay considers fiction by Faulkner, Proust, Patrick Hamilton, and Olaf Stapledon; poetry by Wallace Stevens; the psychology of William James; the physiology of John Hughlings Jackson; and the musical aesthetics of Edmund Gurney and Vernon Lee.

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20

Watkins Fulton, Lorie. "William Faulkner’s Southern Knights: Sir Gawain and the Green Knight, Sir Galwyn of Arthgyl, and Gavin Stevens." Modern Philology 103, no. 3 (February 2006): 358–84. http://dx.doi.org/10.1086/509003.

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Sood, Jayashree. "Oxford Textbook of Paediatric Pain: Patrick J. McGrath, Bonnie J. Stevens, Suellen M. Walker, William T. Zempsky (eds)." Indian Journal of Pediatrics 81, no. 9 (June 5, 2014): 991. http://dx.doi.org/10.1007/s12098-014-1496-2.

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Fitzgerald, Colleen M., Ruth Benedict, William Blackwater, Thomas Vanyiko, Clara Ahiel, William Stevens, Oliver Wellington, Kisto, and Donald Bahr. "O'odham Creation and Related Events, As Told to Ruth Benedict in 1927 in Prose, Oratory, and Song by the Pimas William Blackwater, Thomas Vanyiko, Clara Ahiel, William Stevens, Oliver Wellington, and Kisto." Western Folklore 61, no. 3/4 (2002): 367. http://dx.doi.org/10.2307/1500436.

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Special Commemorative Issue. "Contributors." Conversations: The Journal of Cavellian Studies, no. 7 (November 13, 2020): 268–76. http://dx.doi.org/10.18192/cjcs.vi7.4921.

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Steven G. Affeldt (Le Moyne College)Isabel Andrade (Yachay Wasi)Stephanie Brown (Williams College)Alice Crary (University of Oxford/The New School)Byron Davies (National Autonomous University of Mexico)Thomas Dumm (Amherst College)Richard Eldridge (Swarthmore College)Yves Erard (University of Lausanne)Eli Friedlander (Tel Aviv University)Alonso Gamarra (McGill University)Paul Grimstad (Columbia University)Arata Hamawaki (Auburn University)Louisa Kania (Williams College)Nelly Lin-Schweitzer (Williams College)Richard Moran (Harvard University)Sianne Ngai (Stanford University)Bernie Rhie (Williams College)Lawrence Rhu (University of South Carolina)Eric Ritter (Vanderbilt University)William Rothman (University of Miami)Naoko Saito (Kyoto University)Don Selby (College of Staten Island, The City University of New York)P. Adams Sitney (Princeton University)Abraham D. Stone (University of California, Santa Cruz)Nicholas F. Stang (University of Toronto)Lindsay Waters (Harvard University Press)Kay Young (University of California, Santa Barbara)

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Haydon, Colin. "Lay Activism and the High Church Movement of the Late Eighteenth Century: The Life and Thought of William Stevens, 1732–1807, by Robert M. Andrews." English Historical Review 133, no. 560 (November 9, 2017): 203–5. http://dx.doi.org/10.1093/ehr/cex080.

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Carew-Shaw, M. B. "Edward Carew-Shaw Peter Hay May Gertrude McGaughey William Maxwell William Harold Newnham Ian Edwin Wilson Robertson Ian Derek Simpson Richard Stewart Stevens Andrew Alexander Buchanan Swan Denis Anthony Tolhurst Franzeska Helene ("Frankie") Willer (nee Manasse)." BMJ 317, no. 7157 (August 22, 1998): 544. http://dx.doi.org/10.1136/bmj.317.7157.544.

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26

Allen, William E. "Liberia and the Atlantic World in the Nineteenth Century: Convergence and Effects." History in Africa 37 (2010): 7–49. http://dx.doi.org/10.1353/hia.2010.0028.

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William C. Burke, an African American emigrant in Liberia, wrote the following to an acquaintance in the United States on 23 September 1861: This must be the severest affliction that have visited the people of the United States and must be a sorce [sic] of great inconvenience and suffering and although we are separated from the seane [sic] by the Atlantic yet we feel sadly the effects of it in this country. The Steavens not coming out as usual was a great disappointment and loss to many in this country.Burke's lamentation about the impact of the American Civil War on the distant Atlantic shores of Africa underscores a problem—and opportunity—in Liberian historiography. Burke's nineteenth-century world extended past the distinct national boundaries that separated the United States and Liberia. Geographically, this was the vast littoral of the four continents—Africa, Europe, North America, and South America—abutting the Atlantic Ocean. But the Atlantic world, as historians now dubbed this sprawling transnational zone, was much more extensive. Societies near and faraway were also drawn into the web of socioeconomic activities in the basin. The creation of the Atlantic world spanned almost four centuries, from the late fifteenth to the waning decades of the nineteenth century. In this period, an unprecedented multitude of migrants crisscrossed the Atlantic creating a vast network. For example, by the nineteenth century, regular transatlantic packages such as the Mary Caroline Stevens whose delay Burke called “a great disappointment,” transported passengers, provisions, and dispatches between the United States and Liberia.

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Jacob, W. M. "Lay Activism and the High Church Movement of the Late Eighteenth Century. The Life and Thought of William Stevens 1732–1807, written by Robert M. Andrews." Church History and Religious Culture 96, no. 3 (2016): 448–50. http://dx.doi.org/10.1163/18712428-09603031.

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Podmore, Colin. "Lay Activism and the High Church Movement of the Late Eighteenth Century: The Life and Thought of William Stevens, 1732–1807, written by Robert M. Andrews." Ecclesiology 13, no. 2 (May 23, 2017): 271–73. http://dx.doi.org/10.1163/17455316-01302019.

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Manfredini, Manfredo, and Anh-Dung Ta. "Co-Creative Urbanism The production of plural evolutionary spatialities through conflicts and complicities between public and private in the streets of Hanoi, Vietnam." Joelho Revista de Cultura Arquitectonica, no. 7 (December 25, 2016): 132–55. http://dx.doi.org/10.14195/1647-8681_7_10.

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Under the impact of economic globalization, today cities put a high priority to improve their attractiveness and become ideal destinations for global capital and elites (William S.W. Lim, 2014). Results of these “improvements” are often severe gentrification and spectacularisation processes that compromise resilience of local communities. These have an important impact on the materiality of tradition that constitutes complex of historical, social and cultural linkages is being gradually decontextualized and commodified, severely damaging local identity, community and knowledge (William S. W. Lim, 2013). Epitomes of these disruptions of complex rooted linkages are the “creative,” post-consumerist landscapes of consumption, ubiquitously emerging in public spaces of ancient central city streets.Contrasting such tendency of producing deterritorialised places of consumption, trapping people for hours at a time in hyper-real spaces, relevant socio-spatial instances of resistance are found. This paper explores the complex spatialities of conceptions, everyday practices and actions of one of these places that preserves genuine rhythms of daily lives. The historical central district of Hanoi is chosen as case study, where local inhabitants develop idiosyncratic tactics to engage with public space, encroaching sidewalks with complex set of practices. These are places where local inhabitants everyday actualise complex sets of conceptions, practices and actions that notably exemplifies those that produce differential spaces - using the notion proposed by Henri Lefebvre. Disassociating from regulated, limited, planned and homogenized environments as occurring in present shopping malls and theme parks, the central district of Hanoi sidewalks offer chances for accidental encounters, unexpected events and support a very diverse range of local inhabitants in an extremely active and dynamic play. The sidewalks appear as a loosen space (Franck & Stevens, 2007), where unpredictable uses, intermingled spatial interconnections and complex social interrelations generate.This paper discusses the findings of a research aimed to explore (how – what – why) the interaction between the multifarious spatial activities of residents and transients, and describe the patterns of such inclusionary relations. Particularly, the study intends to demonstrate how there is a (ambivalent condition in witch) complex networks of social activities produce and are produced by a distinct set of spatialities that involve inclusive networks of local agencies. So as to achieve the target, the theoretical lenses of Lefebvre’s spatialities and Kim’s spatial ethnography are useful, on the one hand to comprehensively decode and interpret “social space” and on the other hand to clearly describe such space.

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Hampson, R. G. "Elizabeth Stevens Prioleau, The Circle of Eros: Sexuality in the Work of William Dean Howells (Durham,: Duke University Press, 1983, £23.40). Pp. xvii, 226. ISBN 8223 0429 9." Journal of American Studies 20, no. 1 (April 1986): 134–35. http://dx.doi.org/10.1017/s0021875800016595.

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Schachter, Hindy Lauer. "Labor at the Taylor Society." Journal of Management History 24, no. 1 (January 8, 2018): 7–19. http://dx.doi.org/10.1108/jmh-06-2017-0031.

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Purpose The purpose of this paper is to add information on which voices contributed to the scientific management narrative from Frederick Taylor’s 1915 death to the early 1930s with a focus on the role of labor union representatives. The strategy is to analyze the role of labor representatives as participants in Taylor Society meetings and publications. The research contributes to the management history literature by bolstering the picture of the Taylor Society as a liberal, pro-labor organization. The research also shows that the Taylor Society was an early proponent of the idea that assembling diverse groups for dialogue improves organizational problem-solving. Design/methodology/approach The research analyzes historical sources including all issues of the Society’s bulletin from 1914 to 1933 and unpublished material from the Morris Cooke papers and the papers in the Frederick Taylor archive at Stevens Institute of Technology. Findings Taylor Society leaders took a proactive view of encouraging labor voices to join managers and academics in society meetings. At the beginning, few labor leaders spoke at the society, and often, at least some of their comments were critical of scientific management. By 1925, labor participation increased with William Green, American Federation of Labor (AFL) president appearing several times. In addition, labor leaders became positively inclined toward having scientific management experts working in industrial settings. The labor leaders who participated at Taylor Society meetings in the late 1920s and early 1930s considered scientific management insights as useful for labor and wanted to cooperate with the researchers. Originality/value The paper augments a revisionist view of interwar scientific management as progressive and pro-labor, a contested point in the management history literature. The research also shows how the Taylor Society was an early proponent of the importance of diversity, at least in the areas of gender and socioeconomic status, for effective problem-solving.

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Haas, Robert. "Tribute to Stevens and Williams." Wallace Stevens Journal 40, no. 1 (2016): 86. http://dx.doi.org/10.1353/wsj.2016.0008.

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Bunga, Dewi. "ANALISIS CYBERBULLYING DALAM BERBAGAI PERSPEKTIF TEORI VIKTIMOLOGI." VYAVAHARA DUTA 14, no. 2 (January 27, 2020): 48. http://dx.doi.org/10.25078/vd.v14i2.1253.

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<p>Pengkajian mengenai isu cyberbullying bukanlah hal yang mudah. Berbagai pendekatan perlu dilakukan untuk menganalisis isu ini. Pembahasan mengenai cyberbullying dilakukan dengan meminjam teori viktimologi kritis sebagaimana yang dipaparkan dalam bukuVictimology Victimisation and Victims’ Rights karya Lorraine Wolhuter, Neil Olleydan David Denham. Teori viktimologi kritis cukup relevan dalam menganalisis mengenai korban cyberbullying, yakni dalam taksonomi korban anak. Tulisan dalam buku Victimology Sixth Editionkarya William G. Doerner Steven P. Lab juga sangat berguna dalam menganalisis masalah kekerasan dalam cyberbullying. Dalam kajian mengenai Intimate Partner Violence, William G. Doerner Steven P. Lab menguraikan mengenai lingkaran kekerasan yang berasal dari lingkungan keluarga. Kekerasan yang terjadi dalam hubungan antara pasangan ini akan berdampak terhadap perlakuan yang salah pada anak sebagaimana yang dibahas dalam chapter 10. Pelaku cyberbullying biasanya berada di dalam lingkungan kekerasan, yang mengekspresikan kemarahan dan kebenciannya dalam perkataan dan perbuatan baik di dunia nyata maupun di dunia maya. William G. Doerner Steven P. Lab. juga membahas mengenai bullying yang terjadi pada anak-anak di usia<br />sekolah serta respon lingkungan sekolah terhadap kekerasan tersebut. Tulisan-tulisan tersebut akan menjadi bahan dalam kebijakan hukum pidana terhadap cyberbullying.</p>

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Derrick, G. M. "Lydia Anne Burcher Leslie Stuart Cantlay Howard Granville Hanley William Gordon Hendry John Littler Jackson Thomas Michael Moles James Scott John Douglas Stevens Esther Welbourn (nee Hendry) Basil Martin Wright." BMJ 322, no. 7297 (May 26, 2001): 1308. http://dx.doi.org/10.1136/bmj.322.7297.1308.

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Griffiths, Richard. "Book Reviews Oxford Textbook of Paediatric Pain Edited by Patrick J McGrath, Bonnie J Stevens, Suellen M Walker, William T Zempsky Oxford University Press 2013 £150.00. pp 704 ISBN: 9780199642656)." British Journal of Hospital Medicine 75, no. 3 (March 2, 2014): 175. http://dx.doi.org/10.12968/hmed.2014.75.3.175.

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Fahlman, Betsy. "Review: The Summer Cottages of Islesboro, 1890-1930 by Earle G. Shettleworth, Jr.; John Calvin Stevens: Domestic Architecture, 1890-1930 by John Calvin Stevens, II, Earle G. Shettleworth, Jr.; A Delight to All Who Know It: The Maine Summer Architecture of William R. Emerson by Roger G. Reed." Journal of the Society of Architectural Historians 51, no. 2 (June 1, 1992): 205–6. http://dx.doi.org/10.2307/990715.

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Hughes, KL. "William John Stevenson." Australian Veterinary Journal 83, no. 5 (May 2005): 299. http://dx.doi.org/10.1111/j.1751-0813.2005.tb12746.x.

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38

Jackson, D. E., and B. S. Norford. "Biostratigraphical and ecostratigraphical significance of Tremadoc (Ordovician) graptolite faunas from the Misty Creek Embayment and Selwyn Basin in Yukon and Northwest Territories." Canadian Journal of Earth Sciences 41, no. 3 (March 1, 2004): 331–48. http://dx.doi.org/10.1139/e04-007.

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Graptolite zones of early and late Tremadoc ages are described from the Elmer Creek Formation in the Selwyn Basin and from the Duo Lake Formation in the Misty Creek Embayment. In ascending order, these are: Staurograptus dichotomus, Anisograptus matanensis, Adelograptus cf. A. tenellus and Aorograptus victoriae Biozones. The uppermost zone embraces the Adelograptus antiquus Biozone, Kiaerograptus? pritchardi Biozone, and the Paradelograptus kinnegraptoides Biozone in the Richardson Trough. Twenty five species are recorded and fourteen species are described, including the first record of the Rhabdinopora fauna in the early Tremadoc of northwest Canada and Kiaerograptus magnus Williams and Stevens and Paratemnograptus isolatus Williams and Stevens in the late Tremadoc. When modifications to Cooper's (1999) ecostratigraphic model are made based on data from Yukon and Northwest Territories, the upper slope biotope and lower slope ocean-floor biotope become so similar that there is little basis for recognising both biotopes.

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Jarvis, Brian Edward, and John Peterson. "Alternative Paths, Phrase Expansion, and the Music of Felix Mendelssohn." Music Theory Spectrum 41, no. 2 (2019): 187–217. http://dx.doi.org/10.1093/mts/mtz009.

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Abstract William Rothstein’s seminal work on phrase rhythm has been foundational for scholars who study phrase expansion using Schenkerian principles, such as David Beach, Charles Burkhart, Joseph Kraus, and Samuel Ng. Other scholars consider phrase expansion from the perspective of William Caplin’s form-functional theory, such as Janet Schmalfeldt and Steven Vande Moortele. Both groups tend to emphasize structural concerns. Recent theories of musical meaning, however, challenge analysts to consider phrase expansions through an expressive lens. This article engages with that challenge using the metaphor of musical motion, a concept that is informally present in numerous analytical writings but was formalized in work on conceptual metaphors by Steve Larson and Mark Johnson. In particular, we introduce a category of expansion techniques called “alternative paths” in which a phrase deviates from its expected course toward a goal via the addition of new material. By defining how the new material is initiated and concluded, alternative paths provide a more nuanced view of passages that might otherwise be described by the more generic terms “parenthesis,” “interpolation,” or “purple patch.” We use Felix Mendelssohn’s works to demonstrate the effectiveness and flexibility of our approach, though the theory of alternative paths is by no means limited to that repertoire.

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Ozkan, Judy. "William G Stevenson MD." European Heart Journal 39, no. 6 (February 6, 2018): 426–27. http://dx.doi.org/10.1093/eurheartj/ehx803.

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41

KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 80, no. 1-2 (January 1, 2008): 105–58. http://dx.doi.org/10.1163/13822373-90002492.

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Maximilian C. Forte; Ruins of Absence, Presence of Caribs: (Post)Colonial Representations of Aboriginality in Trinidad and Tobago (Neil L. Whitehead)Nick Nesbitt; Voicing Memory: History and Subjectivity in French Caribbean Literature (H. Adlai Murdoch)Camilla Stevens; Family and Identity in Contemporary Cuban and Puerto Rican Drama (Lydia Platón)Jonathan Goldberg; Tempest in the Caribbean (Jerry Brotton)Michael Chanan; Cuban Cinema (Tamara L. Falicov)Gemma Tang Nain, Barbara Bailey (eds.); Gender Equality in the Caribbean: Reality or Illusion (A. Lynn Bolles)Ernesto Sagás, Sintia E. Molina (eds.); Dominican Migration: Transnational Perspectives (Rosemary Polanco)Christine M. Du Bois; Images of West Indian Immigrants in Mass Media: The Struggle for a Positive Ethnic Reputation (Dwaine Plaza)Luis Raúl Cámara Fuertes; The Phenomenon of Puerto Rican Voting (Annabelle Conroy)Philip Gould; Barbaric Traffic: Commerce and Antislavery in the Eighteenth-Century Atlantic World (William A. Pettigrew)Laurent Dubois; Avengers of the New World: The Story of the Haitian Revolution (Yvonne Fabella)Sibylle Fischer; Modernity Disavowed: Haiti and the Cultures of Slavery in the Age of Revolution (Ashli White)Philip D. Morgan, Sean Hawkins (eds.); Black Experience and the British Empire (James Walvin)Richard Smith; Jamaican Volunteers in the First World War: Race, Masculinity and the Development of National Consciousness (Linden Lewis)Muriel McAvoy; Sugar Baron: Manuel Rionda and the Fortunes of Pre-Castro Cuba (Richard Sicotte)Ned Sublette; Cuba and Its Music: From the First Drums to the Mambo (Pedro Pérez Sarduy)Frances Negrón-Muntaner; Boricua Pop: Puerto Ricans and the Latinization of American Culture (Halbert Barton)Gordon Rohlehr; A Scuffling of Islands: Essays on Calypso (Stephen Stuempfle)Shannon Dudley; Carnival Music in Trinidad: Experiencing Music, Expressing Culture (Donald R. Hill)Jean-Marc Terrine; La ronde des derniers maîtres de bèlè (Julian Gerstin)Alexander Alland, Jr.; Race in Mind: Race, IQ, and Other Racisms (Autumn Barrett)Livio Sansone; Blackness Without Ethnicity: Constructing Race in Brazil (Autumn Barrett)H.U.E. Thoden van Velzen, W. van Wetering; In the Shadow of the Oracle: Religion as Politics in a Suriname Maroon Society (George L. Huttar, Mary L. Huttar)In: New West Indian Guide / Nieuwe West-Indische Gids (NWIG), 80 (2006), no. 1 & 2

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KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 80, no. 1-2 (January 1, 2006): 105–58. http://dx.doi.org/10.1163/22134360-90002492.

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Maximilian C. Forte; Ruins of Absence, Presence of Caribs: (Post)Colonial Representations of Aboriginality in Trinidad and Tobago (Neil L. Whitehead)Nick Nesbitt; Voicing Memory: History and Subjectivity in French Caribbean Literature (H. Adlai Murdoch)Camilla Stevens; Family and Identity in Contemporary Cuban and Puerto Rican Drama (Lydia Platón)Jonathan Goldberg; Tempest in the Caribbean (Jerry Brotton)Michael Chanan; Cuban Cinema (Tamara L. Falicov)Gemma Tang Nain, Barbara Bailey (eds.); Gender Equality in the Caribbean: Reality or Illusion (A. Lynn Bolles)Ernesto Sagás, Sintia E. Molina (eds.); Dominican Migration: Transnational Perspectives (Rosemary Polanco)Christine M. Du Bois; Images of West Indian Immigrants in Mass Media: The Struggle for a Positive Ethnic Reputation (Dwaine Plaza)Luis Raúl Cámara Fuertes; The Phenomenon of Puerto Rican Voting (Annabelle Conroy)Philip Gould; Barbaric Traffic: Commerce and Antislavery in the Eighteenth-Century Atlantic World (William A. Pettigrew)Laurent Dubois; Avengers of the New World: The Story of the Haitian Revolution (Yvonne Fabella)Sibylle Fischer; Modernity Disavowed: Haiti and the Cultures of Slavery in the Age of Revolution (Ashli White)Philip D. Morgan, Sean Hawkins (eds.); Black Experience and the British Empire (James Walvin)Richard Smith; Jamaican Volunteers in the First World War: Race, Masculinity and the Development of National Consciousness (Linden Lewis)Muriel McAvoy; Sugar Baron: Manuel Rionda and the Fortunes of Pre-Castro Cuba (Richard Sicotte)Ned Sublette; Cuba and Its Music: From the First Drums to the Mambo (Pedro Pérez Sarduy)Frances Negrón-Muntaner; Boricua Pop: Puerto Ricans and the Latinization of American Culture (Halbert Barton)Gordon Rohlehr; A Scuffling of Islands: Essays on Calypso (Stephen Stuempfle)Shannon Dudley; Carnival Music in Trinidad: Experiencing Music, Expressing Culture (Donald R. Hill)Jean-Marc Terrine; La ronde des derniers maîtres de bèlè (Julian Gerstin)Alexander Alland, Jr.; Race in Mind: Race, IQ, and Other Racisms (Autumn Barrett)Livio Sansone; Blackness Without Ethnicity: Constructing Race in Brazil (Autumn Barrett)H.U.E. Thoden van Velzen, W. van Wetering; In the Shadow of the Oracle: Religion as Politics in a Suriname Maroon Society (George L. Huttar, Mary L. Huttar)In: New West Indian Guide / Nieuwe West-Indische Gids (NWIG), 80 (2006), no. 1 & 2

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43

Viviani, Ana Elisa Antunes. "Mente, consciência e imagem: contribuições de Steven Mithen e David Lewis-Williams para a compreensão da origem das imagens." Prometeica - Revista de Filosofía y Ciencias, no. 17 (August 3, 2018): 16–29. http://dx.doi.org/10.24316/prometeica.v0i17.226.

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O objetivo deste texto é abordar como os conceitos de mente e consciência tratados, respectivamente, por Steven Mithen e David Lewis-Williams formam a base para suas hipóteses sobre as origens das imagens e o surgimento do pensamento simbólico no Homo sapiens. Os autores recorrem às ciências da psicologia e neurociência para apoiá-los em suas investigações. Enquanto a argumentação de Steven Mithen é sustentada pelas hipóteses de que a mente humana opera por fluxos cognitivos e de que a ontogenia recapitula a filogenia, a argumentação de Lewis-Williams apoia-se na ideia de que as imagens são originadas por estados alterados de consciência, condição possibilitada porque o humano moderno possui uma consciência de alta ordem.

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Crisp, Oliver D. "Response to My Interlocutors." Philosophia Christi 23, no. 1 (2021): 63–74. http://dx.doi.org/10.5840/pc20212318.

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In this essay I respond to my interlocutors in the symposium on my monograph, Analyzing Doctrine. Addressing each of them in the order in which their essays are printed, I consider and reply to comments by William Lane Craig, Steven Nemes, N. Gray Sutanto, Jordan Wessling and Joanna Leidenhag.

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Stevenson, William E. "Remarks By William E. Stevenson." Proceedings of the ASIL Annual Meeting 82 (1988): 578. http://dx.doi.org/10.1017/s0272503700074462.

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Garza, Ana Alicia, Lois Burke, Christian Dickinson, Helen Williams, Lucy Barnes, and William Baker. "XIII The Victorian Period." Year's Work in English Studies 98, no. 1 (2019): 702–857. http://dx.doi.org/10.1093/ywes/maz015.

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Abstract This chapter has six sections: 1. General and Prose; 2. The Novel; 3. Poetry; 4. Periodicals and Publishing History; 5. Drama; 6. Miscellaneous and Cross-Genre. Section 1 is by Ana Alicia Garza; section 2 is by Lois Burke with assistance from Christian Dickinson, who writes on Dickens; section 3 is by Ana Alicia Garza; section 4 is by Helen Williams; section 5 is by Lucy Barnes; section 6 is by William Baker. Thanks for assistance with this chapter must go to Dominic Edwards, Steven Amarnick, Richard Bleiler, Nancy S. Weyant, the bibliographer of Mrs Gaskell, and Patrick Scott. In a departure from previous years, and in order to avoid confusion as to who has contributed what to this chapter, George Borrow, Thomas and Jane Welsh Carlyle, and Richard Jefferies, previously found in the General and Prose section, and the Brontës, Samuel Butler, Wilkie Collins, George Eliot, George Henry Lewes, George Gissing, and Anthony Trollope, previously found in the Novel section, will be found in section 6, Miscellaneous and Cross-Genre, as will materials that came in too late to be included in other sections.

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Letters, Migration. "Book Reviews." Migration Letters 18, no. 3 (May 16, 2021): 361–63. http://dx.doi.org/10.33182/ml.v18i3.1272.

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Kevin Johnson (2004). The “Huddled Masses” Myth: Immigration and Civil Rights. Philadelphia: Temple University Press. (x + 254 pp., ISBN: 978-1-59213-206-5). Reviewed by Stephanie Pedron, Georgia Southern University, United States Vicky Squire, Nina Perkowski, Dallal Stevens and Nick Vaughan-Williams (2021). Reclaiming Migration: Voices from Europe’s ‘Migrant Crisis’. Manchester University Press. (224pp. ISBN-13: 978-1526144836). Reviewed by Reviewed by Helene Syed Zwick, British University in Egypt, Cairo, Egypt

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Davidson, Peter, Mark Blundell, Dora Thornton, and Jane Stevenson. "The Harkirk graveyard and William Blundell ‘the Recusant’ (1560-1638): a reconsideration." British Catholic History 34, no. 1 (April 24, 2018): 29–76. http://dx.doi.org/10.1017/bch.2018.2.

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This article revisits a locus classicus of British Catholic History, the interpretation of the coin-hoard found in 1611 by the Lancashire squire William Blundell of Little Crosby.1 This article offers new information, approaching the Harkirk silver from several perspectives: Mark Blundell offers a memoir of his ancestor William Blundell, as well as lending his voice to the account of the subsequent fate of the Harkirk silver; Professor Jane Stevenson and Professor Peter Davidson reconsider the sources for William Blundell’s historiography as well as considering wider questions of memory and the recusant community; Dr Dora Thornton analyses the silver pyx made from the Harkirk coins in detail, and surveys analogous silverwork in depth.

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Wellman, Henry, and Twila Z. Tardif. "Obituary: Harold William Stevenson (1924-2005)." American Psychologist 61, no. 4 (2006): 328. http://dx.doi.org/10.1037/0003-066x.61.4.328.

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Martin, Brian. "Forthcoming: The Roger L. Stevens Collection at the Library of Congress." Theatre Survey 38, no. 2 (November 1997): 159–61. http://dx.doi.org/10.1017/s0040557400002118.

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Roger Stevens has always been a visionary. His career began in real estate, where he gained national recognition for buying the Empire State Building for $51.5 million—at the time the highest price ever paid for one building—and selling it three years later for a ten-million dollar profit. As he expanded into theatre, he quickly became one of the nation's foremost producers on Broadway, producing more than 200 shows over the last half century, including West Side Story, A Man for All Seasons, Bus Stop, Cat on a Hot Tin Roof, Deathtrap, and Mary, Mary. He “discovered” playwrights such as Tom Stoppard, Peter Shaffer, and Terence Rattigan for New York audiences, and he has worked closely with others, already established, such as Eugene O'Neill, Tennessee Williams, Harold Pinter, Jean Giraudoux, and T.S. Eliot Three United States presidents have depended on Stevens for their arts and humanities policy, and the American theatrical community has benefitted from his intuitive vision.

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