Academic literature on the topic 'Williams Hall (Boston, Mass.)'

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Journal articles on the topic "Williams Hall (Boston, Mass.)"

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A.D.R. "Independent Zambia : A Bibliography of the Social Sciences 1964–1979. By Geoffrey J. Williams. Boston, Mass.: G. K. Hall, 1984. Pp. liv + 538. No price stated." Journal of African History 27, no. 2 (July 1986): 410. http://dx.doi.org/10.1017/s0021853700036859.

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Gerrard, Steven. "The Great British Music Hall: Its Importance to British Culture and ‘The Trivial’." Culture Unbound 5, no. 4 (December 12, 2013): 487–514. http://dx.doi.org/10.3384/cu.2000.1525.135487.

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By 1960, Britain’s once-thriving Music Hall industry was virtually dead. Theatres with their faded notions of Empire gave way to Cinema and the threat of Television. Where thousands once linked arms singing popular songs, watch acrobatics, see feats of strength, and listen to risqué jokes, now the echoes of those acts lay as whispers amongst the stalls’ threadbare seats. The Halls flourished in the 19th Century, but had their origins in the taverns of the 16th and 17th Centuries. Minstrels plied their trade egged on by drunken crowds. As time passed, the notoriety of the Music Hall acts and camaraderie produced grew. Entrepreneurial businessman tapped into this commerciality and had purpose-built status symbol theatres to provide a ‘home’ for acts and punters. With names like The Apollo giving gravitas approaching Olympian ideals, so the owners basked in wealth and glory. The Music Hall became the mass populist entertainment for the population. Every town had one, where everyone could be entertained by variety acts showing off the performers’ skills. The acts varied from singers, joke-tellers, comics, acrobats, to dancers. They all aimed to entertain. They enabled audiences to share a symbiotic relationship with one another; became recruitment officers for the Army; inspired War Poets; showed short films; and they and the halls reflected both the ideals and foibles of their era. By using Raymond Williams’ structures of feeling as its cornerstone, the article will give a brief history of the halls, whilst providing analysis into how they grew into mass populist entertainment that represented British culture. Case studies of famous artistes are given, plus an insight into how Music Hall segued into radio, film and television.
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Chapman, Robin. "Armin K. Ludwig: Brazil: A Handbook of Historical Statistics (Boston, Mass.: G. K. Hall, 1985, U.S. $75). Pp. xiv + 487." Journal of Latin American Studies 18, no. 2 (November 1986): 436–38. http://dx.doi.org/10.1017/s0022216x00012116.

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Armitage, Christopher. "Jerry Leath Mills. Sir Walter Ralegh: A Reference Guide. Boston, Mass.: G. K. Hall & Co.1986. Pp. xxi, 116. $35.00." Albion 18, no. 4 (1986): 658–59. http://dx.doi.org/10.2307/4050149.

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Gabardi, Wayne. "Political Violence, Crises, and Revolutions: Theories and Research. By Ekkart Zimmermann. (Boston, Mass.: G. K. Hall, 1983. Pp. xvi + 792. $45.00.)." American Political Science Review 79, no. 3 (September 1985): 888–89. http://dx.doi.org/10.2307/1956912.

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Shelston, Alan. "H. Philip Bolton Dickens DramatizedAnthony Jackson Boston, Mass.: G. K. Hall, 1987. xviii, 501 p. £60. ISBN 0-8161-8924-2." New Theatre Quarterly 5, no. 19 (August 1989): 306. http://dx.doi.org/10.1017/s0266464x00003535.

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Eckstein, Susan. "Peter Ward, Mexico City: The Production and Reproduction of an Urban Environment (Boston, Mass.: G. K. Hall & Co., 1990), pp. xxii + 262, $36.00." Journal of Latin American Studies 24, no. 2 (May 1992): 454–55. http://dx.doi.org/10.1017/s0022216x00023592.

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Freeman-Grenville, G. S. P. "Ellen Irene Diggs, Black Chronology: from 4000 BC to the abolition of the slave trade. Boston, Mass.: G. K. Hall, 1983, xii + 312 pp." Africa 56, no. 4 (October 1986): 506–7. http://dx.doi.org/10.2307/1160022.

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Schwartz, Ellen C. "Art and Architecture in the Balkans: An Annotated Bibliography. By Slobodan Ćurčić. Boston, Mass.: G. K. Hall and Co., 1984. xxv, 427 pp. Photographs. $65.00." Slavic Review 44, no. 2 (1985): 390–91. http://dx.doi.org/10.2307/2497828.

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Thelen, David. "The Consumer Movement: Guardians of the Marketplace. ByRobert N. Mayer · Boston, Mass.: G. K. Hall, 1989. x + 297 pp. Tables, references, selected bibliography, and index. $25.95." Business History Review 65, no. 4 (1991): 980–82. http://dx.doi.org/10.2307/3117285.

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Dissertations / Theses on the topic "Williams Hall (Boston, Mass.)"

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Weiler, Emily A. "50 years after independence : preservation of places, spaces and memory." 2012. http://liblink.bsu.edu/uhtbin/catkey/1671231.

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This thesis will study three specific subjects in order to document changing viewpoints in American culture in relation to nationalism, patriotism, and memories from older generations. It will be studying a space- Bunker Hill, a place- Independence Hall and a person- Marquis Lafayette at approximately fifty years after the signing of the Declaration of Independence. Each subject will explore the ways the memory of the soldiers involved in the American Revolution have been preserved and remembered. It is the intent of this thesis to establish the importance of the passage of time especially when it comes to preserving historic artifacts and buildings and the way the changing associations have on how we preserve these artifacts.
The triumphal tour of Marquis Lafayette -- Independence Hall -- Bunker Hill Monument.
Department of Architecture
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Books on the topic "Williams Hall (Boston, Mass.)"

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Donovan, Charles F. St. Patrick in Gasson Hall. [Chestnut Hill, Mass: Boston College, 1995.

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United States. Congress. Senate. Committee on Environment and Public Works. Captain John Foster Williams Coast Guard Building: Report (to accompany S. 1896). [Washington, D.C.?: U.S. G.P.O., 1985.

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United States. Congress. Senate. Committee on Environment and Public Works. Captain John Foster Williams Coast Guard Building: Report (to accompany S. 1896). [Washington, D.C.?: U.S. G.P.O., 1985.

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Stebbins, Richard Poate. The making of Symphony Hall, Boston: A history with documents including correspondence of Henry Lee Higginson ... Charles Follen McKim ... Wallace Clement Sabine ... Boston, Mass: Boston Symphony Orchestra, 2000.

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Gasson's rotunda: Gallery of art, history, and religion. Chestnut Hill, Mass: Boston College, 1992.

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United States. Congress. House. Committee on Public Works and Transportation. Subcommittee on Public Buildings and Grounds. Fiscal year 1995 GSA capital improvement program: Hearing before the Subcommittee on Public Buildings and Grounds of the Committee on Public Works and Transportation, House of Representatives, One Hundred Third Congress, second session, on H.R. 4204, H.R. 3724, H.R. 3840, H.R. 3914, 11(b) resolution on U.S. courthouse in Bastrop, TX, and 11(b) resolution on federal space needs, city of Ames,IA, April 21, 1994. Washington: U.S. G.P.O., 1994.

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Series, Michigan Historical Reprint. Who are Christians? A discourse, delivered in Music Hall, Boston, Mass., by William Denton. Scholarly Publishing Office, University of Michigan Library, 2005.

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Symphony Hall: The first 100 years. [Boston]: Boston Symphony Orchestra, 2000.

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Rhoden, Fletcher. Freedom Hall: A Novel. CreateSpace Independent Publishing Platform, 2011.

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Company, Clarke and. Faneuil hall marketplace fact sheet. 1990.

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