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Books on the topic 'Willing an object'

Author: Grafiati

Published: 7 June 2025

Last updated: 2 August 2025

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1

Leavitt, William, and William Leavitt. William Leavitt: Theater objects. Museum of Contemporary Art, 2011.

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2

Ann, Goldstein, Simpson Bennett, and Museum of Contemporary Art (Los Angeles, Calif.), eds. William Leavitt: Theater objects. Museum of Contemporary Art, 2011.

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3

Forrestall, William. William Forrestall: Objects for study. Broken Jaw Press, 2009.

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4

William, Morris. William Morris: Myth, object, and the animal : glass installations. Edited by Simmons Holle, Yood James, Chrysler Museum, Yellowstone Art Museum (Billings, Mont.), and Fort Wayne Museum of Art. William Morris Studios in conjunction with the Chrysler Museum of Art, the Yellowstone Art Museum, and the Fort Wayne Museum of Art, 1999.

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5

James, Yood, Allende Isabel, and Vinnedge Robert, eds. William Morris: Mazorca : objects of common ceremony. Marquand Books, 2004.

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6

Ghosn, Michel Y. Objets de vertu par Fabergé: Collection William Kazan. Dar An-Nahar, 1996.

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7

Celani, David P. Fairbairn's object relations theory in the clinical setting. Columbia University Press, 2010.

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8

Celani, David P. Fairbairn's object relations theory in the clinical setting. Columbia University Press, 2010.

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9

Triggs, Stanley. Le studio de William Notman: Objectif Canada. Musée McCord d'histoire canadienne, 1992.

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10

Triggs, Stanley. Le studio de William Notman: Objectif Canada = William Notman's studio, the Canadian picture. Musée McCord d'histoire canadienne, 1992.

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11

Will, Alsop, McLean Bruce, Störmer Jan 1942-, Gooding Mel, Appleyard Bryan, and Alsop & Störmer Architects, eds. City of objects: Designs on Berlin : William Alsop, Bruce McLean, Jan Störmer. Verlag für Architektur, Artemis & Winkler, 1992.

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12

1924-, Cannon Garland Hampton, and Brine Kevin R, eds. Objects of enquiry: The life, contributions, and influences of Sir William Jones, 1746-1794. New York University Press, 1995.

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13

L, Gross William, Spiegel Paul, and Museum und Galerie im Prediger (Schwäbisch Gmünd, Germany), eds. Eine gute Woche!: Jüdische Türme aus Schwäbisch Gmünd : eine Sonderausstellung in Kooperation mit William L. Gross, Tel Aviv, 18.10.2001-13.1.2002 = the Jewish towers from Schwäbisch Gmünd. Einhorn-Verlag, 2001.

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14

Bratton, Mark. The complete guide to the Herschel objects: Sir William Herschel's star clusters, nebulae, and galaxies. Cambridge University Press, 2011.

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15

Bratton, Mark. The complete guide to the Herschel objects: Sir William Herschel's star clusters, nebulae, and galaxies. Cambridge University Press, 2011.

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16

Samsonowitz, Miriam, and Lillian Dombrowski. Windows on Jewish worlds: Essays in honor of William Gross, collector of Judaica on the occasion of his eightieth birthday. Edited by Gross William L. Walburg Pers bv, 2019.

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17

Triggs, Stanley. Le studio de William Notman: Objectif Canada : [exposition] Musée McCord d'histoire canadienne = William Notman's studio : the Canadian picture : [exhibition] McCord Museum of Canadian History. Le Musée, 1992.

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18

Grotkamp-Schepers, Barbara. Klein ...: Kinder-, Spielzeug- und Miniaturbestecke : die Sammlung William H. Brown im Deutschen Klingenmuseum, 01. Jun - 22. Sep 2013. Deutsches Klingenmuseum, 2013.

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19

W. Drysdale & Company. and W. Drysdale & Company. William Drysdale & Co's catalogue of rare books chiefly Canadiana and Americana. W. Drysdale, 1993.

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20

Parel, Veronique. La richesse comme objet de connaissance scientifique: De la mesure de la valeur à l'analyse du travail dans la pensée économique de William Petty. A.N.R.T. Université Pierre Mendès France Grenoble 2, 1997.

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21

Cinquegrani, Alessandro, Francesca Pangallo, and Federico Rigamonti. Romance e Shoah Pratiche di narrazione sulla tragedia indicibile. Fondazione Università Ca’ Foscari, 2021. http://dx.doi.org/10.30687/978-88-6969-492-9.

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Over the last 70 years, Holocaust representations increased significantly as cultural objects distributed on a large scale: fictional books, museum sites, artworks, documentaries, and films are only a few samples of those echoes the Holocaust produced in contemporary Western culture. There are some specific patterns in the way the Holocaust has been represented that, however, contrast with the survivors’ account of the same event: for example, the dichotomy between bad and good characters so essential within Holocaust-based media – especially on television and film - does not really match with

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22

William Forsythe: Choreographic Objects. Prestel, 2018.

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23

William Forsythe: Choreographic Objects. Institute of Contemporary Art/Boston, 2018.

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24

Knust, Jennifer. Can an Adulteress Save Jesus? the Pericope Adulterae, Feminist Interpretation, and the Limits of Narrative Agency. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198722618.003.0024.

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The pericope adulterae (John 7:53–8:11) is often interpreted as an inherently feminist story, one that validates women’s humanity in the face of a patriarchal order determined to reduce sexual sinners and women more generally to the status of object. Reading this story within a framework of queer narratology, however, leads to a different point of view, one that challenges the consequences of seeking rescue from a god and a text that are both quite willing to forge male homosocial bonds at a woman’s expense. As the history of this story also shows, texts and their meanings remain unsettled and

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25

Leung, Patrick Sze-lok, and Anthony Carty. The Crisis of the Ryukyus (1877–82). Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199670055.003.0017.

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Okinawa is now considered as Japanese territory, without challenge from most world powers. However, this is debatable from a historical viewpoint. The Ryukyu Kingdom which dominated the islands was integrated into Japan in 1879. The transformation is seen by Wang Hui as a process of modernization. This chapter argues the issue from an international law perspective. It shows that Ryukyu was an independent State as demonstrated by the 1854 Ryukyu–US Treaty, although it sent regular tributes to China. The Japanese integration by coercion is not justifiable. The people of Ryukyu were willing to co

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26

Adams, Marilyn McCord. Housing the Powers. Edited by Robert Merrihew Adams. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192862549.001.0001.

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Housing the powers? What powers? Soul powers—powers that shape the lives of human souls. They may be housed, and exercised, by those souls or by other agents. This book is about views on that subject developed by Christian philosophical theologians in western Europe from the mid-12th to the early 14th century, with some borrowing of thoughts from their Islamic counterparts. Chapters 1 to 3 discuss in increasing breadth and depth those theologians’ views about their own housing and exercise of soul powers. Chapters 4 to 8 discuss their views as to the possibility of some of our soul powers bein

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27

Rieger, Christopher. Faulkner’s Fashion. Bloomsbury Publishing Inc, 2023. http://dx.doi.org/10.5040/9798765103982.

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The first book-length study of clothing and dress across William Faulkner’s novels and short stories. Clothing is one of the most important and pervasive material items throughout William Faulkner’s fiction. Faulkner's Fashion analyzes the writer’s use of clothing from a variety of critical approaches, considering how clothing and dress intersect with race, class, and gender across Faulkner’s works. It also considers clothes as material objects, using Thing Theory and Object Oriented Ontology to illuminate the role clothing plays as an object in conjunction with its multiple layers of symbolic

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28

Stone, Jennifer Arlene. William Kentridge's Noiraille: Politeness of Objects. JavariBook, 2005.

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29

William Morris: Myth, Object, and the Animal - Glass Installations. Creative Media Partners, LLC, 2023.

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30

Mulligan, Kevin. Thrills, Orgasms, Sadness, and Hysteria. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198766858.003.0012.

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Austrian and German philosophers, in particular the heirs of Brentano, such as Stumpf and Scheler, as well as Wittgenstein, criticized in detail William James’s influential account of emotions. The chapter presents, analyses, and assesses these criticisms in the context of the largely unknown accounts of bodily feelings, sensory feelings, such as localized pains, and emotions given by Stumpf, Husserl, Scheler, and other early phenomenologists. In these accounts, the modes of emotions are distinguished from their contents and objects. Within the latter category, the proper object of an emotion,

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31

Mullaney, James. Herschel Objects and How to Observe Them. Springer London, Limited, 2007.

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32

Koppelman, Andrew. Gay Rights vs. Religious Liberty? Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197500989.001.0001.

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Should religious people who conscientiously object to facilitating same-sex weddings, and who therefore decline to provide cakes, photography, or other services, be exempted from antidiscrimination laws? This issue has taken on an importance far beyond the tiny number who have made such claims. Gay rights advocates fear that exempting even a few religious dissenters would unleash a devastating wave of discrimination. Conservative Christians fear that the law will treat them like racists and drive them to the margins of American society. Both sides are mistaken. This is not a matter of abstract

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33

Celani, David P. Fairbairn's Object Relations Theory in the Clinical Setting. Columbia University Press, 2010.

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34

Object Lessons: The Novel as a Theory of Reference. University of Chicago Press, 2016.

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35

Bartlett, Jami. Object Lessons: The Novel As a Theory of Reference. University of Chicago Press, 2016.

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36

William Notman's Studio: The Canadian Picture/Le Studio De William Notman : Objectif Canada. McGill-Queen's University Press, 1992.

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37

Sachon, Susan. Shakespeare, Objects and Phenomenology: Daggers of the Mind. Palgrave Macmillan, 2020.

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38

William Harnett's Curious Objects: Still-Life Painting after the American Civil War. University of California Press, 2022.

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39

Shakespeare's Restless World: A Portrait of an Era in Twenty Objects. Penguin Books, Limited, 2012.

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40

Shakespeare in 100 Objects: Treasures from the Victoria and Albert Museum. Hern Books, Limited, Nick, 2014.

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41

Johnston, Freya. Keeping to William Hazlitt. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198737827.003.0004.

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Style, as this chapter shows, mattered to Hazlitt. A test of character, as of sensations and ideas, it bodied forth the relationships between human beings and the objects of their love, hatred, and indifference. As a stylistic principle, Hazlitt’s ideal of ‘keeping’ in prose descends from eighteenth-century conceptions of decorum in painting, the art in which he was initially trained; indeed, one of his distinctions as a prose stylist is his pictorial approach to the world. Among his other distinctive authorial qualities are combativeness, mobility, range, passionate self-division, and a tende

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42

Shakespeare's Pictures: Visual Objects in the Drama. Bloomsbury Publishing Plc, 2017.

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43

Elam, Keir. Shakespeare's Pictures: Visual Objects in the Drama. Bloomsbury Publishing Plc, 2019.

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44

Shakespeare's Pictures: Visual Objects in the Drama. Bloomsbury Publishing Plc, 2017.

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45

Bratton, Mark. Complete Guide to the Herschel Objects: Sir William Herschel's Star Clusters, Nebulae and Galaxies. Cambridge University Press, 2012.

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46

Bratton, Mark. Complete Guide to the Herschel Objects: Sir William Herschel's Star Clusters, Nebulae and Galaxies. Cambridge University Press, 2011.

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47

(Editor), Garland Cannon, and Kevin Brine (Editor), eds. Objects of Enquiry: The Life, Contributions, and Influence of Sir William Jones (1746-1794). New York University Press, 1995.

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48

Bratton, Mark. Complete Guide to the Herschel Objects: Sir William Herschel's Star Clusters, Nebulae and Galaxies. Cambridge University Press, 2011.

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49

Bratton, Mark. Complete Guide to the Herschel Objects: Sir William Herschel's Star Clusters, Nebulae and Galaxies. Cambridge University Press, 2011.

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50

Pfaller, Robert. Little Gestures of Disappearance: Interpassivity and the Theory of Ritual. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474422925.003.0004.

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There is a recurrent remark in many anthropological studies concerning ritual: the more people believe (for instance in their religion), the less they appear willing to follow this very religion’s rituals. This hostility reveals a question proper to the theory of interpassivity: Is it possible that people suspect ritual not to express their inner beliefs, but rather to replace them? Is ritual a vicarious agent that renders inner conviction superfluous? Do we have to conclude for cultural history in general that which Freud did for fetishism, namely: that the colourful materiality of the ritual

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