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Dissertations / Theses on the topic 'Winckelmann Winckelmann'

Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

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1

Kochs, Susanne. "Untersuchungen zu Winckelmanns Studien der antiken griechischen Literatur." Ruhpolding Rutzen, 2005. http://bvbr.bib-bvb.de:8991/F?func=service&docl̲ibrary=BVB01&docn̲umber=014750707&linen̲umber=0001&funcc̲ode=DBR̲ECORDS&servicet̲ype=MEDIA.

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2

Morrison, Jeffrey. "Johann Joachim Winckelmann and the notion of aesthetic education." Thesis, University of Oxford, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.335770.

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3

Haffner, Thomas. "Winckelmann an Wackerbarth und umgekehrt: Ein lange vermisster Briefwechsel." SLUB Dresden, 2018. https://slub.qucosa.de/id/qucosa%3A16978.

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Im Februar 2017 hatte die SLUB das große Glück, einen bisher verschollen geglaubten Teil der Korrespondenz zwischen dem Altertumsforscher und Kunsthistoriker Johann Joachim Winckelmann (1717–1768) und dem Grafen Joseph Anton Gabaleon von Wackerbarth-Salmour (1685–1761), Erzieher und Oberhofmeister des sächsischen Kurprinzen Friedrich Christian (1722-1763), mit großzügiger finanzieller Unterstützung der Ernst von Siemens Kunststiftung (EvS) und der Kulturstiftung der Länder (KSL) erwerben zu können. Am 25. September 2017 wurde die außergewöhnliche Erwerbung im Beisein der Staatsministerin für W

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4

Galé, Pedro Fernandes. "Winckelmann: uma história da arte entre a norma e a forma." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-24112016-124755/.

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O presente trabalho busca apresentar a obra de Winckelmann num amplo recorte de textos que contribuem para que vejamos a unidade de seus trabalhos; indicando os avanços dados pelo autor desde os primeiros escritos até a sua obra mais acabada, a História da arte da antiguidade (Geschichte der Kunst des Altertums). A abordagem dos textos aqui selecionados visa apresentar a estruturação do pensamento de Winckelmann desde suas obras seminais até o seu ponto de maior contração conceitual. Esse caminho, a despeito de mudanças e progressos, nos mostra um crescimento, em boa parte coerente, da visão d

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5

Russell, Lucy. "Domesticating Winckelmann : his critical legacy in Italian art scholarship, 1755-1834." Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:8e2d3058-1ae8-46ab-8fab-8f2c9b473860.

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This thesis explores the reception of Johann Joachim Winckelmann in Italian art scholarship, 1755-1834. Winckelmann posed a problem: he was a presence in Italy that could not be ignored, yet the views he expounded were Italophobic and contentious to an Italian readership. In light of this dilemma, the research question asked is how did Italian art scholarship respond to Winckelmann in this period and why did it respond in that way. The core argument advanced is that there were two opposing reactions to Winckelmann, both of which were motivated by nationalism. On the one hand, Italian art schol

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6

Chabanne, Marie-Pierre. "Michel-Ange romantique : naissance de l'artiste moderne,de Winckelmann à Delacroix." Paris 8, 2000. http://www.theses.fr/2000PA081847.

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@Après deux cents ans de mépris, Michel-Ange sort tout à coup de l'ombre et se voit reconnu, dans la seconde moitié du dix-huitième siècle, comme l'annonciateur de l'esthétique moderne. La première partie de cette étude rappelle quelles ont été les résistances à Michel-Ange : résistances des théoriciens de l'esthétique classique, tout d'abord, qui lui reprochent son insoumission aux règles académiques, son ignorance de la gr^ace, l'outrance et l'irréalisme de ses attitudes et de ses expressions - autant de bl^ames destinés à devenir des valeurs du romantisme. Mais elle analyse également les ré

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7

Greineder, Daniel. "Conceptions and functions of mythology in German thought from Winckelmann to the early Schelling." Thesis, University of Oxford, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.404198.

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8

Morita, Norimasa. "Symbol and allegory : the history of a critical problem from Winckelmann to Paul de Man." Thesis, University of Kent, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.279821.

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9

Winckelmann, Dominik [Verfasser], Mathias [Akademischer Betreuer] Winterhalter, Roland [Akademischer Betreuer] Benz, and Gerd [Akademischer Betreuer] Klöck. "Development of a management system for large scale algae cultures / Dominik Winckelmann. Betreuer: Mathias Winterhalter. Gutachter: Mathias Winterhalter ; Roland Benz ; Gerd Klöck." Bremen : IRC-Library, Information Resource Center der Jacobs University Bremen, 2015. http://d-nb.info/1087274788/34.

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10

Le, Mens Magali. "Ambiguïté sexuelle dans l'art de Winckelmann à Mondrian (1750-1930) : au-delà des deux sexes : visibilité des hermaphrodites, figuration et passage à l'abstraction." Paris 1, 2007. http://www.theses.fr/2007PA010651.

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L'idée de l'ambiguïté sexuelle permet d'englober tout ce qui rend impossible l'idée de sexe déterminé, hermaphrodites, androgynes, travestis, eunuques, castrats, femmes masculines ou à barbe, hommes gynécomastes, efféminés, etc. , que ce soit dans l'appréhension du réel ou dans sa recréation artistique. La réflexion menée ici propose de ne pas détacher l'histoire de l'art de l'histoire de l'appréhension du réel. Dans la seconde moitié du XVIIIe siècle Winckelmann offrait comme modèle aux artistes un idéal esthétique qui a profondément marqué son siècle et le suivant. Or, Winckelmann qui se pas

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11

Deffner, Béatrice. "L’art comme nature supérieure : Carl Ludwig Fernow et la recherche d’une esthétique idéale." Thesis, Paris 4, 2009. http://www.theses.fr/2009PA040125.

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Le présent travail de thèse portant sur la vie et l’œuvre de Carl Ludwig Fernow a pour principal objectif de présenter sous un jour nouveau la genèse de ses idées sur la théorie de l’art, aussi à l’égard des aspects socioculturels et anthropologiques de son temps. Pour ce qui est des principaux axes de recherche, on tentera, dans un premier temps, de reconstruire les sources philosophiques ayant nourri sa pensée esthétique et surtout les écrits de Kant, de Schiller et de Winckelmann, tout en opérant une sélection des textes les plus importants. Puis, nous nous demanderons, dans un deuxième tem

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12

Andersson, Louise. "Ylva Oglands socialrealism : Att göra det osynliga synligt." Thesis, Södertörn University College, The School of Culture and Communication, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-445.

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<p>The purpose of this paper is to analyse how work by Swedish artist Ylva Ogland (born in 1974) function as an eye-opener for the social marginalisation of people identified with homosexuality, prostitution and drug addiction. Although highly present in reality, these phenomena were historically, and are still today, hidden from view in public discourse. I have focused on the installations Rapture and Silence and Things Seen, and the still-life painting called Xenia. I argue that these artworks carefully represent the above-mentioned marginalised groups, by way of references to comparable mot

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13

Boni, Livio. "Freud et le classique : deux lectures et une note." Paris 7, 2005. http://www.theses.fr/2005PA070077.

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Sous un tel intitulé on propose de relire l'écriture par Freud de ses voyages en Italie à côté -voire avec - le Voyage en Italie de Goethe, ouvrage que Freud connaissait sûrement fort bien, et que pourtant il ne cite à aucun moment, du moins explicitement. Cette archéologie de l'engouement classiciste de Freud pour l'Italie nous conduit à élargir le spectre de notre lecture à J. J. Winckelmann, initiateur de l'histoire de l'art, de l'herméneutique archéologique et de l'esthétique classiciste en Allemagne, mais également aux origines du mythe ciassiciste de l'Italie. Ainsi, notre première lectu

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14

Naumer, Sabine. "Monumenti antichi inediti Johann Joachim Winckelmanns großes italienisches Werk /." [S.l. : s.n.], 2000. http://nbn-resolving.de/urn:nbn:de:bsz:16-artdok-5217.

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15

Lange, Anja. "Die Entdeckung der Archaik – ein ungeschriebenes Kapitel Wissenschaftsgeschichte." Doctoral thesis, Humboldt-Universität zu Berlin, Kultur-, Sozial- und Bildungswissenschaftliche Fakultät, 2017. http://dx.doi.org/10.18452/17792.

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Seit der zweiten Hälfte des 20. Jahrhunderts wächst das Interesse in der Klassischen Archäologie an einer wissenschaftsgeschichtlichen Beschäftigung mit dem eigenen Fach. Standen zunächst die Arbeiten und Biographien einzelner herausragender Forscherpersönlichkeiten im Fokus, so trat bald die Frage nach der Genese archäologischer Techniken oder Begrifflichkeiten neben diese. In der Klassischen Archäologie, wie auch in den Nachbardisziplinen Althistorie und Altphilologie, entstanden in der Folge einige Arbeiten zu diesen Fragestellungen. Zumeist wurde die Wissenschaftsgeschichte der Archäolog

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16

Gatty, Fiona K. A. "Ideal beauty in late eighteenth- and early nineteenth-century French art and art criticism with special reference to the role of drapery and costume." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:9c3f5f9e-0a0c-4c1e-a7c1-62ed972cfd12.

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Scholarly attention to late eighteenth- and early nineteenth-century French art has focused on the importance that Johann Joachim Winckelmann attributed to the male nude figure in his definition of ideal beauty, and the impact of his work on debates over the 'beau idéal' in French art and art criticism. In contrast, Winckelmann's extensive interest in the detail of ancient costume, the folds of drapery, and the teleological and aesthetic significance that he ascribed to them, has been underplayed. The role played by costume and drapery as components of the 'beau idéal' in French

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17

BINDA, LAURA. "NUOVE RICERCHE PER LA BIOGRAFIA E LA PRODUZIONE STORIOGRAFICA DI CARLO BIANCONI (1732-1802)." Doctoral thesis, Università Cattolica del Sacro Cuore, 2017. http://hdl.handle.net/10280/18751.

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Nuovi dati e considerazioni sulla biografia e gli scritti di Carlo Bianconi che emergono principalmente dallo spoglio di materiale archivistico inedito. Con questo studio viene ad essere chiarita la fase formativa di Bianconi cresciuto in una casa di bibliofili e collezionisti d’arte. Aggiornato sulle elaborazioni teoriche di Winckelmann e Mengs entrambi conosciuti personalmente, lo vedono progressivamente avvicinarsi e aderire ai modi del classicismo, mediato anche dal rapporto instaurato con Francesco Algarotti, a cui viene in questa sede ridato valore. Uno spiraglio viene aperto sul biennio

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18

Cahill, James Matthew. "The classical in the contemporary : contemporary art in Britain and its relationships with Greco-Roman antiquity." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/271333.

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From the viewpoint of classical reception studies, I am asking what contemporary British art (by, for example, Sarah Lucas, Damien Hirst, and Mark Wallinger) has to do with the classical tradition – both the art and literature of Greco-Roman antiquity. I have conducted face-to-face interviews with some of the leading artists working in Britain today, including Lucas, Hirst, Wallinger, Marc Quinn, and Gilbert & George. In addition to contemporary art, the thesis focuses on Greco-Roman art and on myths and modes of looking that have come to shape the western art historical tradition – seeking to

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19

Pillat, Andreea. "Winckelmanns Idee der Schönheit und ihr Einfluss auf Walter Pater." Thesis, 2010. http://hdl.handle.net/10222/13094.

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The following work deals with the idea of Beauty as seen in the work of Winckelmann and its influence on Walter Pater, the English critic. The concept of Beauty is to be analyzed chronologically. First of all, the concept of Beauty in Winckelmann’s work will be analysed and its particularities will be described. Further, the concept of Beauty will be analyzed in so far as it changes throughout time and influences the further development of aesthetic theory. Hegel takes up Winckelmann’s idea of Beauty and uses this idea in his own aesthetic theory. Walter Pater takes up and develops the

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20

Nyari, Corinne. "L'appropriation de l'art grec dans les écrits de J.-J. Winckelmann." Thèse, 2010. http://www.archipel.uqam.ca/3707/1/D1924.pdf.

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Cette thèse en histoire de l’art propose une relecture anthropologique des deux principaux écrits de J.-J. Winckelmann (1717-1768), Réflexions sur l’imitation des œuvres grecques en peinture et en sculpture (1755) et Histoire de l’art dans l’Antiquité (1764). Elle cherche à déplacer les centres de gravité théoriques (le beau, l’imitation, le sublime, « la grandeur sereine »…) retenus par l’historiographie classique afin de mettre en évidence les finalités imaginaires de l'entreprise winckelmanienne. Celles-ci vont transformer l'art grec en objet de désir et le soumettre à une double appropriat

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21

Lima, Thiago. "Mimesis - Imitatio - Nachahmung: Nuancen eines Begriffs anhand der Nachahmungstheorien von Winckelmann, Gottsched und Lenz." 2013. http://hdl.handle.net/10222/36304.

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Basically there is no fixed meaning for the term „Nachahmung“ Imitation. In order to understand the nuances of the meaning of the term "mimesis" and its different interpretations, it is necessary to take into consideration the connotative extension of this concept. In this work the focus will be particularly on the fields of poetry, art and aesthetics in the 18th century on the theories of Winckelmann, Gottsched and Lenz. Such accentuation arises from the fact that fundamental circunstancies occured through the use of the term „Nachahmung“ in German culture by these theorists, namely the intro

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22

McCutcheon, Shawn. "Winckelmann et ses désirs (presque) secrets : amour entre hommes et idéaux de la masculinité à l’ère néoclassique (1755-1768)." Thèse, 2014. http://hdl.handle.net/1866/11952.

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L’étude des œuvres et de la correspondance de Johann Joachim Winckelmann, produites entre 1755 et 1768, offre un regard nouveau sur l’amour entre hommes au 18e siècle et sur sa relation à la construction de la masculinité. Le cas de Winckelmann illustre le caractère construit et changeant de l’érotisme. En effet, l’influence de l’exemple hellénique est visible dans le fantasme homoérotique qu’il élabora dans ses œuvres dans le but de s’expliquer ses désirs. L’Antiquité, par son autorité culturelle, représenta un espace relativement sécuritaire où Winckelmann put exprimer sa sensibilité homoéro

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23

Soška, Bernard. "Genealogie apollinského a dionýského principu." Master's thesis, 2020. http://www.nusl.cz/ntk/nusl-435390.

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This work is focused on the work The Birth of Tragedy by Friedrich Nietzsche. The aim of this work is an attempt to reveal the origin of the concept of the apollinian and dionysian principle. We assume that Nietzsche conceals his true sources in the Birth of Tragedy from the reader. However, in this work, based on numerous clues from the primary text, we show that both the Dionysian and the Apollonian principle derives from the German Romantic tradition of the first half of the 19th century. In this thesis we prove this statement on many examples of authentic sources which Nietzsche has demons

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24

Dongowski, Christina [Verfasser]. "Konstruktionen von Text, Körper und Skulptur in J. J. Winckelmanns Hermeneutik der Antike / vorgelegt von Christina Dongowski." 2006. http://d-nb.info/98060334X/34.

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